Interview: Batstone — the agency for tech start-ups

by Herman Manson (@marklives) Batstone is a specialist agency that helps start-ups in tech and financial services sector tell their stories. The agency is headed by Sarah Rice and Brendan Wade.

Rice ran the IT-focused PR agency, Sentient Communications, for almost nine years, and was also head of communications at Mxit, while Wade headed studio4332, a ProximityBBDO affiliate. They had worked together at 22seven, the financial services play by Christo Davel which was later acquired by Old Mutual, where Wade was marketing director and Rice managed public relations.

Batstone founders: Sarah Rice & Brendan Wade
Batstone founders: Sarah Rice & Brendan Wade

MarkLives logo You recently launched Batstone — a practice of strategists targeting tech and financial start-ups. Why do you believe start-ups require such a specialised agency?

Sarah Rice: The greatest challenge to the adoption of new technology is the market’s understanding of what it can do and why people should bother with it in the first place. It’s not like putting a new product that is part of an existing category into the market. When Ariel launched into South Africa, it did not have to explain ‘washing powder’ to the market. It’s just had to say ‘better washing powder’. Not exactly a communications challenge. However, when new (and we mean proper new not ‘me-too’ new) comes into the market, there is no existing understanding that it can hook its communications on to — they need to start right from the beginning.

Add this quite complex communications challenge to the reality that most tech people are great at building stuff and not so good at talking about the stuff they built and you have a situation where a specialist consultancy has a lot to offer. We love tech. We have tech backgrounds. We understand tech and tech people, and we really care about what new technology can do to make the world a more interesting, better or just slightly easier place to be in.

MarkLives logoWhat do you do for your clients and how long do you remain engaged?

SR: In plain English, we act as the interpreter for our clients. We take why, how and what they do and turn the information into something that their market can understand and care about.

The engagement level and time is very dependent on the client and the need. Our initial engagements are three-to-six months. This is a pretty intense time where the foundation work for a long-term marketing and communications plan is developed and implemented. Then sometimes we drop into a strategic role where we meet once a month to make sure their implementation is still on track with the big objectives and other times we stay as part of the marketing strategic team and other times we move away entirely and wait for when we are next needed.

MarkLives logoWhat are the key questions a start-up needs to ask itself when it comes to positioning itself and communicating that positioning to the market?

SR: Once you know what your product or service does, then ask yourself ‘who needs to know about this?’ Who in our known — and our unknown — community can potentially become a supporter of our cause? And then ‘what do they need to know to become a support and how should we tell them?’ And then, critically, don’t outsource this important job to the media. Yes, the media are important but they are not working for you and are not going to be the loudhailer for your product. That’s your job. A press release is an important tactic — but it will not alone meet your needs. Get strategic, identify and build your ecosystem, and then start a conversation with them.

MarkLives logo Do you assist in positioning them to raise finance?

SR: We do, in that we will ensure the positioning and proposition are developed with this purpose. In addition, we can assist with targeting potential funders through our network.

Brendan Wade of BatstoneMarkLives logoYou and Brendan worked together at 22seven. Did they teach you a lot about operating in a start-up environment?

SR: 22seven was an incredible experience for both of us — new tech, new idea, new point of view and a rather aggressive banking environment that wasn’t happy to see it launch. We learnt about the importance of positioning new tech within the context of its purpose, rather than its product. We also learnt about the power of having a strong ecosystem of supporters.

MarkLives logoHad either of you been involved in start-ups previously?

SR: Depends on what you call a start-up, I guess. I have run my own PR agency, Brendan was part of 22seven’s lead team, and lead an agency before that, and now we have started Batstone together, which is our attempt to make a tangible difference to the local tech scene.

MarkLives logoHow and when did you decide to launch your own operation?

SR: I joined Batstone as a 50% partner at the end of 2013. Brendan and I had enjoyed working together at 22seven and it felt like there was still much more for us to do and learn together. Brendan had been consulting under the name Batstone since leaving 22seven and, after a few conversations in early 2013, we realised that we both wanted the same things professionally and we could probably build a fun, interesting and profitable business together.

MarkLives logoWhat does your company name reference?

SR: Brendan’s grandfather was Noel Batstone. He was an entrepreneur in the early days of commercial aviation and we liked the idea that our name reflected entrepreneurship, which is really what the tech start-up landscape is all about. And it has the word bat in it — which is obviously awesome.

MarkLives logoMany of your clients are based in Stellenbosch. What is driving the tech start-up culture in that town and how different is it from the scene in Cape Town?

SR: We have clients in Johannesburg, Cape Town and Stellenbosch. The ones in Stellenbosch are generally connected in some way to the university. Our gut is that it’s not the city so much as the university that is creating the environment that promotes start-ups. (I think Stellenbosch university has a something to do with it; there are a ton of bright kids with bright ideas, and there is a fledgling VC presence to fund their ideas there).

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Smart Africa TV: Egyptian TV satirist Bassem Youssef on fear as a weapon and satire as antidote

by Russell Southwood (@BalancingActAfr) Speaking at the Deutsche Welle Global Media Forum, Egyptian TV satirist Bassem Youssef, creator of the B+ Show (on You Tube) and the TV show Al-Bernameg (roughly translated as The Programme, which he has since cancelled) talks about:

  • Bassem Youssefusing humor and laughter to combat religious fascism and authoritarianism;
  • creating a media that respects people’s intelligence;
  • not buying into the everyday life of propaganda;
  • and satire as a weapon to dissect lies.

Key quote: “Fear is a formula that has failed throughout history. It’s just a moment in time and will be washed away by history.”

 

Smart MonkeyRussell Southwood is the founder of Balancing Act and the web TV channel Smart Monkey TV, and has been an analyst in telecoms, internet and broadcast in Africa for the last 14 years. Smart Monkey TV aims to capture the energy at the crossroads between African culture and technology. MarkLives is syndicating content from Smart Monkey TV on a weekly basis for the column “Smart Africa TV”.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Heroes & Zeros: Porsche SA & Chevrolet — best & worst brands of the week

Andy Rice (@ricecommaandy) talks about his best and worst brands of the week — Porsche South Africa and Chevrolet —  during The Ad Feature on Talk Radio 702 (@Radio702).

Find out why these feature in this week’s Heroes & Zeros webisode by watching below:

 

For a fresh look at the world of advertising, Jenny Crwys-Williams of 702 Talk Radio chats to advertising critic Andy Rice on The Ad Feature, every Wednesday 2.30pm — 3pm. The filmed Heroes & Zeroes will appear on MarkLives every Friday morning as a webisode.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

MagLove: In memory of MH17

by MediaSlut (@MediaSlut) My choice of the best international magazine covers in MagLove this week:

  • Popular Mechanics
  • Thursday Magazine
  • Vrij Nederland
  • Wallpaper* (Handmade Issue)

INTERNATIONAL

Popular Mechanics, September 2014

Popular Mechanics, September 2014A conceptual cover to illustrate its “Do-It-Yourself Issue”, in which it shows readers “how to make anything”.

But it seems like there was one thing IT couldn’t make/fix/do… something that will really bother a few obsessive-compulsive people…?

Thursday Magazine, 24 July 2014

Thursday Magazine, 24 July 2014

Truer words have never been written about Facebook on a cover…

Vrij Nederland, 2 August 2014

Vrij Nederland, 2 August 2014Absolutely simple and beautiful, in memory of flight MH17.

Wallpaper*, August 2014


Wallpaper*, August 2014: The Handmade Issue - Amanda LeveteWallpaper*, August 2014: The Handmade Issue - Naoto Fukasawa
Wallpaper*, August 2014: The Handmade Issue - Edward Barber & Jay OsgerbyWallpaper*, August 2014: The Handmade Issue - Konstantin GrcicWallpaper*, August 2014: The Handmade Issue - Paul Smith
This August 2014, it’s Wallpaper*’s fifth year of doing a Handmade Issue, where it “showcase[s] craft and creativity”.

This year, it has limited-edition covers with “hand-printed high fives from some of the finest designers who have contributed over the years”. These hands belong to Paul Smith, Konstantin Grcic, Edward Barber and Jay Orgerby, Amanda Levete and also Naoto Fukasawa.

These issues can be ordered by email.


Find a cover we should know about? Tweet us at @Marklives and @MediaSlut.
Want to view all the covers at a glance?
See our MagLove Pinboard!


MediaSlutMagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The (for now anonymous) blogger behind MediaSlutknows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

SA retail heads north

a The Africa Annual feature. Both Woolworths and Shoprite have announced plans this year for expanding into Africa. Jon Pienaar looks at where they’re going.

Woolworths, despite its USD 2 billion acquisition of David Jones in Australia, is planning to add 15 more stores to its presence in Africa over the next 3 years. The retail giant, whose watchword is ‘quality,’ already runs 65 stores across the continent.

retailThe only thing preventing the company from opening more stores, according to Woolworths head of international operations, Paula Disberry, is a lack of suitable premises. She told attendees at the recent Reuters Africa Investment Summit in Johannesburg, “The biggest challenge we see is finding good shopping malls. I’d love to have 650 stores rather than 65 stores but the locations simply don’t exist and that’s our biggest inhibitor.”

But Woolworths is learning tough lessons about markets outside of SA. In November last year the retailer pulled out of Nigeria, citing high costs of rental, lack of utilities, marketing and supply chain issues, and high import duties. Local competitors in that region, DealDey, suggest that Woolies may have been pricing too high. Sanaz Etebarian, the CEO of DealDey told CNBC Africa that he believed that Nigerian middle class consumers were more price-conscious than brand-conscious compared to their SA counterparts.

For the newest round of expansions, Woolworths says it will be looking to Kenya, Mauritius and Namibia. Hopefully the lessons learned from the Nigerian experience will stand the brand in good stead.

Shoprite already has 150 stores in 16 African countries outside of South Africa, and it has unveiled plans for 13 new outlets in sub-Saharan Africa in the next year.

Whitey Basson says that while Shoprite saw mediocre performance domestically last year, sales had surged in the rest of Africa by some 28.1% in Rand terms.

But South African retailers need to watch their backs: international retailers are already investigating the opportunities of Africa’s burgeoning market. The obvious example is Walmart, which bought SA retailer Massmart in 2011, and says it plans to open 90 stores across Africa over the next 3 years.

A study by global strategy consultancy firm, AT Kearney, has resulted in the creation of the African Retail Development Index (ARDI,) which ranks the top ten countries in Sub-Saharan Africa for potential retail expansion.

The ARDI is based on four elements for ranking the potential for moving into each country:

  • Market size
  • Market saturation
  • Country risk
  • Time pressure

The study also segments the market according to recommended approaches. According to these criteria, Rwanda shows the most potential, but it is noted that the market demonstrates ‘low maturity,’ hence the recommendation to ‘start with the basics.’

retail2

Bizcommunity.com quotes Bart van Dijk, AT Kearney partner and ARDI co-author as saying, “There are wide differences in infrastructure and supply chain development across African countries. Understanding the opportunities and limitations from country to country is a critical element of the retail expansion decision.”

As Africa becomes more wealthy and urbanised, and western, ‘First World’ markets become saturated and more competitive, the opportunity for retailers is obvious. “Although there are many challenges, Africa has reached a point in its economic development where global retailers must evaluate the significant potential for growth in this market,” says A.T. Kearney partner and ARDI co-author Mike Moriarty.

africa annual

This feature first ran in The Africa Annual published by Ornico with MarkLives.com as its official media partner. Read or download the full magazine via Issuu.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

#Top40TVratings: Commonwealth Games pique SA’s interest

by SAARF & MarkLives (@marklives) There was a massive jump in viewer interest in the 2014 Commonwealth Games as South Africa’s athletes showed off their mettle to bring home 40 pieces of metal (13 Gold, 10 Silver and 17 Bronze). During the week of 28 July–3 August 2014, the Games jumped to no. 9 from 23rd and 26th on our SAARF/MarkLives #Top40TVratings national chart  — and made it to no. 3 on our DStv chart, way up from 26th!

Satellite dishA collaboration between the South African Audience Research Foundation (SAARF) and MarkLives, this SAARF/MarkLives #Top40TVratings column is a weekly roundup of South Africa’s TV audience viewership. It reveals the best-watched shows of the week before, where it ran and how many South Africans tuned in to watch.

We offer two tables, the first covering all households — free-to-air viewing (the various SABC channels and e.tv) as well as the DStv platform — and the second charting the best-watched shows on the DStv network of channels only.

SAARF/MarkLives #Top40TVratings Charts: 28 July–3 August 2014

National

Market Target Activity
National Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\variable (r) AMR % AMR SHR %
1 GENERATIONS SABC 1 Soap opera Local 20.6 8 852 995 64.28%
2 SOUL CITY SABC 1 Drama Drama 15.5 6 629 104 52.15%
3 STICKS AND STONES SABC 1 Drama Drama 15.3 6 545 410 46.38%
4 MFOLOZI STREET SABC 1 Drama Drama 15.2 6 540 209 50.97%
5 SHREDS AND DREAMS SABC 1 Drama Drama 13.1 5 628 706 42.88%
6 MUVHANGO SABC 2 Drama Drama 12.9 5 551 458 46.98%
7 SELIMATHUNZI SABC 1 Variety Variety 11.4 4 880 081 35.37%
8 SES’TOP LA SABC 1 Sitcom Sitcom 11.4 4 873 546 35.25%
9 COMMONWEALTH GAMES SABC 2 Sport Organised & national games 10.7 4 570 179 39.36%
10 ZULU NEWS SABC 1 News News 10.0 4 286 077 32.47%
11 SCANDAL e.tv Drama Drama 9.9 4 228 830 31.22%
12 XHOSA NEWS SABC 1 News News 9.5 4 073 880 32.38%
13 1’S AND 2’S SHOW SABC 1 Music Music 9.4 4 016 681 30.17%
14 POWERBALL SABC 2 Variety Variety 9.3 3 987 252 39.32%
15 SKEEM SAAM SABC 1 Drama Drama 8.9 3 797 676 30.63%
16 IHAWU SABC 1 Drama Drama 8.8 3 781 724 31.72%
17 FRIENDS LIKE THESE SABC 1 Variety Variety 8.7 3 732 873 36.40%
18 REAL GOBOZA SABC 1 Magazine Magazine 8.4 3 596 225 29.34%
19 RHYTHM CITY e.tv Drama Drama 7.5 3 214 954 25.98%
20 X-MEN ORIGINS: WOLVERINE e.tv Movies Action/adventure 7.4 3 154 680 29.75%
21 THE LOSERS SABC 1 Movies Action/adventure 6.7 2 895 293 26.17%
22 THE MILLENNIUM MENACE SABC 1 Movies Movies 6.7 2 867 507 25.02%
23 STUMBO STOMP AMAPANSTULA SABC 1 Variety Variety 6.5 2 769 027 26.60%
24 MTN 8 KAIZER CHIEFS VS BLACK ACES SABC 1 Sport Football (soccer) 6.3 2 690 141 32.27%
25 THE LINK (MAGA) SABC 1 Magazine Magazine 6.3 2 684 209 25.62%
26 SPEAK OUT SABC 2 Actuality Actuality 6.2 2 678 426 30.19%
27 GA BOSE GANGWE SABC 2 Drama Drama 6.0 2 571 281 26.42%
28 SKEEM SAAM -R SABC 1 Drama Drama 5.8 2 472 128 53.84%
29 MPONENG SABC 2 Sitcom Sitcom 5.8 2 470 597 20.05%
30 KHUMBUL’ EKHAYA SABC 1 Magazine Magazine 5.6 2 413 064 21.69%
31 MUVHANGO -R SABC 2 Drama Drama 5.5 2 351 964 36.56%
32 SABC 1 Drama Drama 5.5 2 349 004 51.79%
33 K’SHUBILE SABC 1 Reality Reality 5.5 2 347 525 21.54%
34 WIPEOUT SABC 2 Competition Competition 5.4 2 337 267 19.50%
35 ISIDINGO:THE NEED SABC 3 Soap opera Local 5.4 2 310 193 17.58%
36 MODERN FAMILY e.tv Drama Drama 5.3 2 258 629 17.68%
37 EMZINI WEZINSIZWA -R SABC 1 Sitcom Sitcom 5.2 2 234 803 48.65%
38 TRUE LIES (MOVIE) e.tv Movies Drama 5.2 2 213 797 23.00%
39 100% YOUTH SABC 1 Variety Variety 5.2 2 211 466 22.21%
40 SHALLOW HAL e.tv Movies Comedy 5.1 2 199 160 21.33%

DStv platform only

Market Target Activity
DStv Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\variable (r) AMR % AMR SHR %
1 GENERATIONS SABC 1 Soap opera Local 14.7 1 985 308 44.14%
2 MUVHANGO SABC 2 Drama Drama 9.7 1 315 064 33.14%
3 COMMONWEALTH GAMES SABC 2 Sport Organised & national games 8.6 1 160 365 29.01%
4 ISIBAYA Mzansi Magic Variety Variety 6.5 876 885 20.35%
5 SCANDAL e.tv Drama Drama 6.4 864 283 19.61%
6 STICKS AND STONES SABC 1 Drama Drama 6.4 858 983 19.53%
7 SES’TOP LA SABC 1 Sitcom Sitcom 6.2 843 570 18.39%
8 POWERBALL SABC 2 Variety Variety 6.2 839 606 24.14%
9 SELIMATHUNZI SABC 1 Variety Variety 6.0 810 517 18.72%
10 MFOLOZI STREET SABC 1 Drama Drama 6.0 807 846 18.15%
11 SOUL CITY SABC 1 Drama Drama 5.8 781 343 18.18%
12 IDOLS YR 10 Mzansi Magic Reality Reality 5.4 735 177 17.87%
13 RHYTHM CITY e.tv Drama Drama 5.4 729 875 17.76%
14 ZULU NEWS SABC 1 News News 5.2 702 753 16.08%
15 SAINTS AND SINNERS[DRAMA] Mzansi Magic Drama Drama 4.8 645 119 14.88%
16 SPEAK OUT SABC 2 Actuality Actuality 4.8 644 404 19.32%
17 SHREDS AND DREAMS SABC 1 Drama Drama 4.8 642 392 14.96%
18 XHOSA NEWS SABC 1 News News 4.5 607 045 14.10%
19 1’S AND 2’S SHOW SABC 1 Music Music 4.2 567 368 13.37%
20 REAL GOBOZA SABC 1 Magazine Magazine 4.2 563 255 13.36%
21 7DE LAAN SABC 2 Soap opera Local 4.2 561 508 13.72%
22 FRIENDS LIKE THESE SABC 1 Variety Variety 4.0 543 450 14.69%
23 KHUMBUL’ EKHAYA SABC 1 Magazine Magazine 3.8 518 869 14.42%
24 SKEEM SAAM SABC 1 Drama Drama 3.8 516 987 12.57%
25 NEWS e.tv News News 3.8 509 344 12.16%
26 OUR PERFECT WEDDING (MAG) Mzansi Magic Magazine Magazine 3.6 490 016 11.33%
27 GA BOSE GANGWE SABC 2 Drama Drama 3.6 484 968 14.35%
28 MTN 8 ORLANDO PIRATES VS SUPERSPORT UNITED SuperSport 3 Sport Football (soccer) 3.5 467 313 13.39%
29 IHAWU SABC 1 Drama Drama 3.4 462 056 11.18%
30 CUTTING EDGE SABC 1 Actuality Actuality 3.3 450 147 13.64%
31 NOOT VIR NOOT SABC 2 Music Music 3.2 436 211 10.09%
32 ISIDINGO:THE NEED SABC 3 Soap opera Local 3.2 431 360 9.96%
33 THE MILLENNIUM MENACE SABC 1 Movies Movies 3.1 419 386 10.11%
34 SKEEM SAAM -R SABC 1 Drama Drama 2.9 392 969 25.49%
35 MUVHANGO -R SABC 1 Drama Drama 2.9 391 983 25.93%
36 THE BOLD AND THE BEAUTIFUL SABC 3 Soap opera International 2.9 387 079 10.95%
37 MPONENG SABC 2 Sitcom Sitcom 2.6 351 788 8.20%
38 GA RE DUMELE SABC 2 Sitcom Sitcom 2.6 350 141 7.76%
39 WWE WRESTLING RAW e.tv Sport Wrestling 2.6 347 499 12.65%
40 MTN 8 KAIZER CHIEFS VS BLACK ACES SABC 1 Sport Football (soccer) 2.6 345 017 10.31%

How to read the tables:

AMR% refers to the number of people in a target market who were watching an event ie programme, expressed as a percentage of the population for that demographic: “On average, 16.3% of adults aged 15+ who watched TV from 28 Jan-3 Feb 2014 watched Society on SABC 1”.

AMR is the number of people in a target market watching a specific event ie programme per minute, expressed in absolute figures: “On average, 1, 541, 066 adults aged 15+ who watched TV from from28 Jan-3 Feb 2014 watched Society on SABC 1”.

Share % (SHR %) is the share or proportion of the available audience (people watching TV at that time) that a specific channel/programme has achieved at that time: “Society achieved a share % of 52.59% from 28 Jan- 3 Feb 2014 on SABC 1″.

saarf 150SAARF is the name by which the South African Audience Research Foundation is familiarly known. SAARF’s main objective is to direct and publish media audience and product/brand research for the benefit of its stake-holders, thereby providing data for target marketing and a common currency for the buying and selling of media space and time. SAARF has thus the responsibility to measure the audiences of all traditional media such as newspapers, magazines, radio, television, cinema and out of home media.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Shelf Life: Bolt-on app for Instagram for SA

Louise Marsland (@Louise_Marsland)’s weekly pick of recent product, packaging and design launches:

  • Brand refresh for Two Oceans wine
  • the Nespresso ‘boutique’ retail concept expands, and
  • a new phone app enables instant pix and video

Two Oceans wine crafts new look

Two Oceans: Cabernet Sauvignon Merlot new 750ml pack shotTwo Oceans wine has a new look after a brand refresh to reflect its fruity profile and “smooth styling”. The inspiration for the brand — the Cape Peninsula coastline where the cold Atlantic and warm Indian oceans meet — has been given greater prominence in the design.

The new look has been incorporated in all the new vintage releases, with the Two Oceans Pinot Grigio, Sauvignon Blanc and Cabernet Sauvignon Merlot being the first to go on shelf.

According to global spokesperson, Jackie Olivier, the revamp retains some of the familiar and popular brand cues but expresses them with greater elegance and more pronounced shelf impact: “The more-premium pack with a sleeker label is better aligned to the wines themselves that are brimming with fruit flavours. The partially see-through label on the taller bottle creates a very approachable look, which is just the right tone for the brand, enjoyed by people when they are relaxing and unwinding.”

Olivier says the influence of the sea plays an important role in grape flavour as cooling sea breezes can lower temperatures during the lead-up to the harvest, slowing down ripening to intensify fruit flavours. “This is the rationale for the new Two Oceans’ strapline, ‘crafted by the African sun and cool sea breezes’. We are reminding wine lovers that extraordinary conditions give rise to beautifully, perfectly balanced wines.”

The wine is sold in over 80 countries worldwide.

Nespresso expands retail footprint

Nespresso tasting areaNespresso storeNespresso product

The second Nespresso Boutique opened last month at Cape Town’s Canal Walk centre to showcase the range of Nespresso products and to provide a tasting station for trying coffee variants. With this third store in South Africa, the second in the Mother City, Nespresso aims to nurture the growing coffee culture locally in the premium-portioned coffee market and single-portioned/capsule coffee.

The Nespresso Boutiques have been designed in collaboration with French architect Francis Krempp and the ‘art gallery-style’ emporiums have been launched around the world. The boutiques have been strategically designed to highlight the brand’s emphasis on creating “a highly calibrated brand experience” and encourage clients to connect with the brand emotionally in experiencing the ‘Nespresso lifestyle’.

This launch marks the expansion of the Nespresso retail network, with the objective of shaping coffee culture outside of Europe. Nespresso has a global expansion strategy in selected markets and urban environments worldwide, and a rapidly growing customer base in SA. Nespresso Business Solutions has also expanded in SA with the recent launch of the Aguila coffee machine and ‘one-touch’ technology.

Pierre Debayle, market director of Nespresso Middle East, Africa and Caribbean, said at the Canal Walk launch that the company would continue to invest in SA, which he described as “a big coffee country”.

Bolt on app for Instagram for SA

Bolt for Instagram 1Bolt for Instagram 2Bolt for Instagram 3Bolt for Instagram 4

Instagram launched Bolt this week, a one-to-one visual messaging app for iOS and Android that lets users capture and send photos and videos to friends with just one tap. Bolt is the first new standalone app from the Instagram team and launches exclusively in SA, New Zealand and Singapore.

Bolt was built to be fast and simple — it’s for communicating in that moment with people you’re close to, as quickly as possible. Here’s how it works:

  • Sign up with your phone number, no email needed.
  • Add friends to a “favorites” list.
  • With just a single tap, shoot and send a photo or video.
  • Add text captions or reply directly to messages.

 

Louise MarslandShelf Life is a weekly column by Louise Marsland on MarkLives. Tweet new product, packaging and design launches to @louise_marsland or email her at louise.marsland at gmail.com. Want to sponsor Shelf Life? Contact us here.

Louise has written about the FMCG, media, marketing and advertising industry for 19 of her more-than-25-year career as a former editor of magazines AdVantage, Marketing Mix and Progressive Retailing, as well as websites Bizcommunity.com and FMCGFiles. Until its cancellation, she edited the weekly Wednesday Media & Marketing Page for The New Age newspaper. She is currently the publishing editor of industry trendwatching portal, TRENDAFRiCA,for consumer insight, research and trends in Africa.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

The Business of Business: The virtuous circle

by Jerry Mpufane (@JerryMpufane) Advertising is an exciting, visible business. At the core of what we do is the ability to draw attention. We do so via ideas that interrupt the day-to-day.

Brands hire advertising agencies because we understand the art of communication; the best among us deliver great ideas that capture the imagination, executed well.

Jerry Mpufane, July 2014Running a sustainable business

There is another side to this story, and that is our ability as advertising executives to run sustainable businesses. And, yes, clients do insist on proven business success when choosing an advertising agency.

I am fascinated by this subject, which I will call “the business of business”.

I will make use of the privilege that comes with writing this column to explore what I believe it takes to run a great advertising agency. My intention is to have a lot of fun with the column while sharing perspectives that I hope arouse the reader’s imagination.

I humbly request that you engage with me on my thoughts. I have a great preference for conversation. A good challenge to my hypotheses is encouraged and most welcome. Let’s explore as to whether Don Draper’s agency was any different to the agency of today.

My thoughts

So what are my thoughts when it comes to the business of business?

There exist many facets to what makes for a great agency. At the heart of it all is the idea. In my experience however, I have found that success emanates from a balanced view that embraces talent, client, ideas, awards and profit:

Talented people deliver ideas for clients who win awards and make money.

This is the virtuous circle — the recurring cycle of events, the result of each one being to increase the beneficial effect of the next.

In a business sense, an agency will not achieve any significant success without any aspect of this circle getting tapped to its fullest potential.

We also want to avoid the “vicious” circle, where the negative impact of each one decreases the beneficial effect of the next. For instance, many of us have experienced the situation where the less-inspired talent works on the best brief and we fail to deliver a business result.

Talent

We would all leap at the opportunity to retain the best talent across all areas of our agencies. What does it take?

We will explore, in a networked age, how best to manage talent. Some of the thoughts may even challenge the very notion of “organisation” and “employment: should you hire your workforce for a month, year or their entire career?

Client

Do we love our clients, or do we love our clients? By the way, where’s that written brief?

Let’s compare notes about managing relationships in an era when clients pay less for more value extracted.

Some global brands prefer not to hire agencies on a permanent basis, but award project briefs for the most exciting idea.

We’ll ask questions about when it makes sense to remain a creative shop versus belonging to a large global network.

And, of course, discuss the mystery behind the missing brief.

Idea

The most elusive thing during that already-extended deadline.

Did someone remember to feed the team who’s now working overnight?

And, oh, what is the true value of the idea in a world where clients pay agencies by the hour? Is it just about the idea, and how about craft in execution?

There’s also the subject of the emerging markets as the new hubs for ideas.

Awards

We love awards. Clients, too, love them, trust me!

I had a client who bought the creative team a bottle of Johnny Walker Blue for every piece of gold metal. And, of course, success breeds success, and my office cupboard was filled with bottles of whiskey!

We’ll discuss clients who ask about the agency’s creative profile when hiring, but tell you awards are not important when briefing.

We’re also experiencing a phenomenon where a large contingent of Cannes Lions is made up of clients.

Profit

Profitable relationships. I love the sound of that one.

Someone once told me ‘build me a great creative agency and the money will follow’.

There’s also the relationship between building great brands and the profit motive. If brands are built over years, why are they managed over quarters?

I also argue that agencies should claim a success fee for partnering profitable clients.

During the next while, I will be going deep and wide, on any of these aspects of the virtuous circle. Sometimes we’ll deal with one, most of the time a couple of them, because — after all — they are inter-dependent.

I look forward to an interesting conversation with all of you.

Jerry Mpufane has executive experience in both ad agency and client organisations. He’s only got one goal in life, which is to be an inspiring leader. Jerry is currently group MD, Gauteng of M&C Saatchi Abel. His monthly column on MarkLives, “The Business of Business”, will focus on what it takes to run a great AND sustainable ad agency.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Ad of the Week: More than a jersey

by Oresti Patricios (@orestaki) The oldest soccer club in South Africa, this team is known by many monikers. Some people call the home-grown Ibhola players the Buccaneers or the Bucs; others call them Ezikamagebhula, the Sea Robbers, the Ghosts, the Happy People, Amabhakabhaka, or Ezimnyama Ngenkani (which means the black ones — because this team plays home games in black kit).

Part & parcel of SA

Call them what you will, the Orlando Pirates are part and parcel of South African life and culture.

Anyone who’s watched the legendary Soweto Derby will know how this Orlando Pirates and Kaizer Chiefs contest drives fans into a frenzy. The much-contested showdowns showcase some of the best soccer you’ll see in SA, if not the continent.

The TV commercial featured this week is ostensibly to promote the Pirates’ jersey, and does feature branding by other sponsors. While Vodacom is the team’s primary sponsor, Adidas sponsors the team’s kit — jerseys, boots and other equipment.

140 BBDO TVC for Adidas: “The Mantra”


The ad, conceived and produced by Cape Town’s 140 BBDO, is beautifully shot. The lighting, the mood and framing are all artfully done. The styling is understated, and fits the overall mood, while the music and commentary all contribute to a well-crafted whole. Adidas has used several Pirates players instead of actors to create the story.

The ad starts with a close shot of running feet. We catch a glimpse of the Adidas stripes on his running shoes. The subtitle reads, ‘Soweto, South Africa’. The scene cuts to a wide shot of the man running, but from behind. The narration says, “It’s not just a club; it’s my club.”

adidas TVC: The Mantra screengrab - Orlando TowersCut to an exterior, early morning scene of another man running. He’s wearing a trademark triple-stripe Adidas tracksuit, and his path takes him past the iconic Soweto power-station towers, the Orlando Towers. The man’s face comes into view and, to the initiated, he would be recognisable as one of the Orlando Pirates players. The narration is: “The season does not define my club; its history does. My club is always a contender, never written-off or dismissed.”

The scene changes to another Pirates player running, this time at night, in a township street. The voiceover says: “It lives in the hearts of the millions around it.”

Over another player, the narration continues: “Its followers are CEOs and bricklayers.”

The next scene has one more player running past a field where four kids are knocking a ball around. The voiceover in this scene is: “It’s the club you support because your father supported it, and his father before that.”

adidas TVC: The Mantra screengrab - final shotThe final scene begins once again on a close shot of feet — this time they are Adidas soccer boots, and it’s a scene of three players in a tunnel that leads into a soccer stadium. “It is me,” says the voiceover, “It is us. This is my club.” The front shot reveals three well-known Pirates players — Daine Klate, Happy Jele and Tlou Segolela — resplendent in the new soccer season’s jersey.

This is, of course, of interest to Bucs fans, as the kit is updated each year. There are, in fact, two jerseys — one for ‘home’ games and one for ‘away’ games.

Sacrilegious departure

As part of the ‘buzz’ that surrounds this event, Adidas ‘leaked’ a version of the ‘home’ kit earlier in July 2014, much to the consternation of fans, as it was green — a sacrilegious departure from the traditional black-and-white of the Buccaneers of years past.

The creative team of executive creative director Ivan Johnson, creative director Alexis Beckett and agency producer Megan Sturgess has conceived a commercial that is powerful and resonant. I say the ad is ostensibly to promote the jersey, but it does much more than just that.

This commercial is a celebration of soccer in this country. It’s an homage to the men and women who are passionate about the sport, and who are inspired enough to hit the streets and train when most people are slumped in front of the TV. And, of course, it’s a tribute to the players themselves, who push themselves to the limit to make ‘the beautiful game’ what it is.

adidas TVC: The Mantra screengrab - man running early morningThe ad, directed by Gregg Bailey for Velocity, is a winner largely because the imagery is shot with sensitivity by DoP Robert Wilson. The narrow focal depth allows for a beautiful softness in the background; while it doesn’t necessarily ‘prettify’ the scene, it gives the shots a mythical, filmic quality. The locations help to identify the players with their hometown.

Just about every shot moves, the camera tracking with the subject through the environment, and most of the shots are in slow motion, so there is an enchanted, dreamlike quality to each shot. The editing is unhurried, allowing each shot to ‘breathe’ and reveal its own mood.

The music is unusual, consisting of one long-held synthesizer note with piano embellishments. Its mood supports the imagery and narration, and powerfully builds to the climax, the final reveal of the jersey.

Even though I’m a proud Sundowns supporter, this ad elicits a sense of excitement and anticipation for the soccer season ahead. It’s a tribute to the team, the sponsor and soccer in general.

Laduuuuuuma!

 

Oresti PatriciosAd of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research.


If you are involved in making advertising
that is smart, funny and/or engaging,
please let Oresti know about it at info@ornicogroup.co.za.


— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Africa Style: Colouring outside the lines

by Masingita Mazibuko. My soon-to-be six-year-old battles dreadfully with her pencil grip. As a result, she often veers outside the lines when colouring in; a fact that greatly disturbs her teacher, but not her. I suspect this is because her artwork doesn’t always come about because of her grip. Given her obscure take on fashion and very specific birthday-cake briefs, some must be deliberate.

And she’s not alone; several brands have reaped the rewards of their custodians deliberately ‘colouring outside the lines’.

Masingita MazibukoInfusing appeal

Sometimes, colouring outside the lines can be used to infuse appeal where previously there was none.

A very obvious example is Kulula, which has conquered the budget airline market in South Africa without relentlessly communicating price, price and price. Instead, it opts to capture the consumer’s imagination at every touch point from its website booking system and plane livery to its on-board announcements.

More recently, it even managed to convince me — someone who detests filling in consumer surveys — to do just that, all because its design and experience were infused with the brand’s wacky personality.

Living with ambiguity

At other times, colouring outside the lines means living with ambiguity.

This is particularly true of the African continent, for which many a business or brand success story has been characterised by riding the wave of ambiguity and navigating to seize the opportunity when it presents its.

  • Consider Safaricom’s M-Pesa; it unlocked a new industry we know as moneyless transfers using mobile communication technology.
  • Similarly, the telecommunication industry itself has leapfrogged the fixed-line phase, courtesy of the ‘pay as you go’ and ‘text messaging’ propositions enabled by cellular technology.

Finding the gap

Then, colouring outside the lines can help a brand find a gap into a zone it has been precluded from.

For example, official sport sponsorships historically allow only one brand per market to associate itself with the sport.

  • So, Adidas was the official sponsor of the 2014 FIFA World Cup but Nike managed to make it into the stadiums by identifying the gap and leveraging it. I’m talking about how— through clothing, team and player sponsorship — it snuck in there.
  • Similarly, although Sony was supposedly the headphone of choice for the event, players always seemed to be listening through their personal Beats headphones.

Sense of malleability

It is marketing truism that one must stay the course of a chosen brand strategy. However, cultural relevance cannot be underestimated in unlocking new avenues.

  • MTV Base and Channel O created platforms that recognised the rise of Afrocentricity at a stage when it wasn’t exactly cool. Championing music from the African continent was a brave decision, when staying on the safe and narrow course would have done the job. Today, Afrocentricity is definitely cool.

Her eyes vs mine

This morning, the same soon-to-be-six year old urged me to take a photograph of a fruit tree in our neighbours’ garden that was losing its young white petals to the breeze. In her eyes, the tree was releasing snowflakes in the morning dawn; I’d seen only the mess of petals on the ground and the work that would need to be done to sweep them up.

Time to start colouring outside the lines again.

Masingita Mazibuko is a marketing director at Unilever. The views expressed within this monthly “Africa Style” column are, however, entirely her own.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Online CPD Courses Psychology Online CPD Courses Marketing analytics software Marketing analytics software for small business Business management software Business accounting software Gearbox repair company Makeup artist