Shelf Life: Hashtag a Polo and win

Louise Marsland (@Louise_Marsland)’s weekly pick of recent product, packaging and design launches:

  • When art and brands collaborate by Hennessy;
  • Dermalogica is the next brand to launch its own retail footprint; and
  • VW launches its new Polo via social media this week.

A visual feast from Shepard Fairey

Hennessy Cognac Very Special Limited Edition bottle and gift box by Shepard FaireyContemporary American artist, design activist and illustrator, Shepard Fairey, was commissioned by Hennessy Cognac to design a limited-edition bottle, the ‘Hennessy Very Special by Shepard Fairey’. Fairey is famous for his multifaceted Obama Hope poster and ongoing ‘Obey Giant‘ phenomenological social experiment, which started out as the OBEY sticker campaign and has become a movement and commentary on the disintegration of Western culture.

Hennessy also invited Fairey to celebrate the release of his Limited Edition with a “Very Special World Tour”, already scheduled to hit 10 of the world’s most influential cities, including Maboneng in Johannesburg, where the artist will create a mural in the Maboneng Precinct in September 2014.

Invited to discover the full Hennessy experience, Fairey embarked on a journey to make his art mesh with the brand. The artist says he wanted to use every possible surface available. Lifting key features from historic Hennessy designs, as well as his own, the Very Special Limited Edition by Shepard Fairey represents the artist’s unique interpretation of “the perfect balance between tradition and innovation”.

“I like the idea of creating an intimate relationship with the owner of the Limited Edition bottle, for them to see my work and to see how every space is utilised from different perspectives: the top of the bottle, the neck, the label.”

The ‘star icon’ mandala featured at the centre of the bottle represents Fairey’s search for completeness and self-unity, with its signature Obey icon standing as a tribute to his own design heritage.

“I’ve always wanted to progress but also always keep a visual connection to some of the elements from my historic work, so that people can see that it has all been a progression of an idea and a style,” he explains.

Love this! I hope this means an end to the use of wrinkly Hollywood has-beens in brand campaigns and a revived exploration of art and brand.

Dermalogica’s new concept store

New Dermalogica concept storeDermalogica has begun its rollout of its new concept stores, opening its second outlet at the V&A Waterfront in Cape Town in May and a third at the revamped Rosebank Mall in Johannesburg. The specialist skincare brand has previously only been available through select beauty salons in South Africa. Dermalogica’s core concept comprises face mapping skin analysis; and skin bar and micro-zone skin treatments.

To communicate this strong brand experience to customers and increase their product knowledge, Dermalogica has also used Moving Tactics to implement an in-store digital signage solution. Digital displays were installed in the main retail front-of-house area of the store, as well as in the treatment rooms.

“It is very important for us to create an exciting and memorable experience for our customers when they visit our concept stores, and we believe that using digital signage is the best way in which to educate our clients on the products and services available to them in-store. The screens will also be used to launch new products and promote treatments,” explains Claudia da Silva, operations manager at Dermalogica.

Dermalogica has also invested in social media, using Twitter to keep users updated with skin care advice on @dermalogica.

Hashtag a Polo and win

Hashtag a new Volkswagen Polo and winAs part of the launch of Volkswagen South Africa’s new Polo, new Polo models will be cruising the streets of Joburg, Durban and Cape Town in August, giving users who tweet the correct location to play #PoloTag the opportunity to test-drive the car then and there.

If another user tweets the correct location to #PoloTag, then she or he get to take over the test drive. The top 10 participants who manage to test-drive the vehicle the longest stand the chance of winning the New Polo for a year.

The New Polo will be driving around predetermined routes in each of the cities. To access detailed information about each route and the relevant #PoloLandmarks, potential participants need to visit PoloTag.co.za or watch the promo video.

#PoloTag is open to anyone with a Twitter account and valid South African driver’s licence.

 

Louise MarslandShelf Life is a weekly column by Louise Marsland on MarkLives. Tweet new product, packaging and design launches to @louise_marsland or email her at louise.marsland at gmail.com. Want to sponsor Shelf Life? Contact us here.

Louise has written about the FMCG, media, marketing and advertising industry for 19 of her more-than-25-year career as a former editor of magazines AdVantage, Marketing Mix and Progressive Retailing, as well as websites Bizcommunity.com and FMCGFiles. Until its cancellation, she edited the weekly Wednesday Media & Marketing Page for The New Age newspaper. She is currently the publishing editor of industry trendwatching portal, TRENDAFRiCA,for consumer insight, research and trends in Africa.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Indy Ad Exec: Extended payment terms are crushing adland

by Tom Fels (@thomasfels) There’s a red tide sweeping onto the shores of adland. Some of the worlds’ largest multinationals are extending their supplier payment terms to 90, or even 120, days. Outrageous! Nonsensical! Crippling! I would expect expletives like these to flow freely from advertising agencies. And yet, surprisingly, there’s been little reaction.

Tom FelsInternationally brand owners such as Mondelēz, Procter & Gamble and, most recently, Mars are hiking their uniform payment terms as high as 120 days. As big business leaders, they’re not only setting a trend but also creating a groundswell of perceived acceptability for their peers to follow. Many justify this by claiming they need to ‘compete on fair grounds’ and implement more predictable payment processes.

What is clear to me is that behind these claims lies an ugly truth — the largest companies in the world are generating a line of credit through small business to enhance their own shareholder value. The impact of this could be catastrophic to the little people.

Out of business

Much has been said about the impact extended terms may have upon production houses. However, I see the middleman — the agency — as being most at risk. We’re cornered into accepting extended terms because we need their business; the multinational giants are necessary for growth and stability.

Agencies now find they’re the piggy in the middle as downstream there’s mounting pressure from suppliers who simply cannot afford to agree to extended terms. Effectively, agencies are left to bridge the gap by fronting cash where it should be forthcoming from the big brand owners.

Many hundreds of small- to medium-sized, highly talented enterprises around the world will buckle under increased cash-flow pressure and, quite likely, close their doors.

Easing the burden

To ‘help cashflow’, many corporates are striking agreements with financial institutions to provide an option for suppliers to negotiate early settlement. These agreements work on a discounted sliding scale, based on the time between when suppliers need to be paid and when the big brand clients are actually paying the agencies.

This bites.

Once an agency survives a rigorous procurement processes, margins are already scrutinised and bargained down. Add the bank’s interest charges for bridging finance to the pot, and another few percent is knocked off an already-slim bottom line.

Agency reaction

Curiously, there has been little in the way of macro debate and industry action to address the incoming tide, most likely because these shifts are happening on a micro-level; agency by agency, brand by brand.

Rather than escalate the issue, many may be looking internally for effective measures to counter the moves, perhaps by scrutinising their staffing structures and putting cheaper resources in place, or inflating costs to create a buffer for lending to fund production — the results of which do not ultimately serve the best interests of brand owners, either financially or creatively.

Standing together

As agencies, we stand up and pitch against one another every day, scour award rankings and make comparisons — but this is one cause that needs to be addressed with the solidarity of a single voice.

There is untapped power in the experienced hands of network agencies. There is also a fiery resolve across smaller independents who know that their future may be under threat.

By harnessing their combined force and channeling it through an appropriate industry body, I have no doubt that a powerful message can be sent to big business, which is increasingly keen to talk partnership but less willing to walk it.

Remaining questions

The only questions that remain are: Who will stand to take this on? And who is simply willing to accept the tide for what it is, slow and suffocating.

With a decade of local and international experience in leading independent brand consulting, design, shopper marketing and integrated advertising roles, Tom Fels (@thomasfels) has gained a deeply relevant understanding of the dynamics of independent agencies. His skills are put to work daily as group managing director of MACHINE. He contributes the monthly “Indy Ad Exec” column, an ad exec talking to other ad execs, to MarkLives.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

#Top40TVratings: Mfolozi Street now the no. 2 show on TV

by SAARF & MarkLives (@marklives) Mfolozi Street retains the no. 2 slot on our SAARF/MarkLives #Top40TVratings national chart — the slot it debuted in last week.

Last week, too,  Leon Schuster’s There’s a Zulu on My Stoep (1993) made it to no. 16 nationally and no. 26 on DStv, and this week its the turn of Panic Mechanic which makes it into the no. 30 slot nationally (but doesn’t show up in our DStv chart). The Commonwealth Games makes it onto the 26th and 33rd slots.

Satellite dishA collaboration between the South African Audience Research Foundation (SAARF) and MarkLives, this SAARF/MarkLives #Top40TVratings column is a weekly roundup of South Africa’s TV audience viewership. It reveals the best-watched shows of the week before, where it ran and how many South Africans tuned in to watch.

We offer two tables, the first covering all households — free-to-air viewing (the various SABC channels and e.tv) as well as the DStv platform — and the second charting the best-watched shows on the DStv network of channels only.

SAARF/MarkLives #Top40TVratings Charts: 21–27 July 2014

National

Market Target Activity
National Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\variable (r) AMR % AMR SHR %
1 GENERATIONS SABC 1 Soap opera Local 23.4 10 021 773 69.51%
2 MFOLOZI STREET SABC 1 Drama Drama 17.1 7 348 183 54.95%
3 SOUL CITY SABC 1 Drama Drama 15.7 6 746 788 51.10%
4 STICKS AND STONES SABC 1 Drama Drama 15.4 6 614 977 46.78%
5 FRIENDS LIKE THESE SABC 1 Variety Variety 13.6 5 836 778 47.77%
6 SOCCER WRAP SABC 1 Sport Football (soccer) 13.4 5 747 193 49.48%
7 SHREDS AND DREAMS SABC 1 Drama Drama 13.2 5 643 057 41.92%
8 MUVHANGO SABC 2 Drama Drama 12.2 5 223 762 42.65%
9 ZAZIWA SABC 1 Variety Variety 12.0 5 130 458 36.05%
10 CARLING BLACK LABEL CUP 2014: KAIZER CHIEFS VS ORLANDO PIRATES SABC 1 Sport Football (soccer) 11.8 5 053 560 48.42%
11 SES’TOP LA SABC 1 Sitcom Sitcom 11.3 4 867 908 34.48%
12 XHOSA NEWS SABC 1 News News 11.0 4 711 339 35.41%
13 SELIMATHUNZI SABC 1 Variety Variety 10.9 4 689 057 32.99%
14 IHAWU SABC 1 Drama Drama 10.0 4 282 027 32.14%
15 SCANDAL e.tv Drama Drama 9.9 4 229 130 30.09%
16 REAL GOBOZA SABC 1 Magazine Magazine 9.7 4 159 050 32.94%
17 ZULU NEWS SABC 1 News News 9.6 4 113 183 30.86%
18 POWERBALL SABC 2 Variety Variety 9.4 4 021 196 38.86%
19 SKEEM SAAM SABC 1 Drama Drama 8.8 3 775 026 29.45%
20 LARA CROFT TOMB RAIDER: THE CRADLE OF LIFE e.tv Movies Action/adventure 8.2 3 529 334 35.69%
21 RHYTHM CITY e.tv Drama Drama 7.9 3 374 097 26.29%
22 JUMPER e.tv Movies Drama 7.4 3 190 718 29.37%
23 STUMBO STOMP AMAPANSTULA SABC 1 Variety Variety 6.5 2 793 711 26.06%
24 LOTTO DRAW LIVE e.tv Competition Competition 6.4 2 733 641 26.84%
25 KHUMBUL’ EKHAYA SABC 1 Magazine Magazine 6.4 2 724 294 23.97%
26 COMMONWEALTH GAMES DELAYED SABC 2 Sport Sport 6.1 2 634 120 25.65%
27 NEWS e.tv News News 5.8 2 484 718 18.64%
28 WWE WRESTLING RAW e.tv Sport Wrestling 5.8 2 472 258 27.94%
29 SPEAK OUT SABC 2 Actuality Actuality 5.7 2 448 243 26.15%
30 PANIC MECHANIC e.tv Movies Comedy 5.7 2 436 449 23.71%
31 MUVHANGO -R SABC 1 Drama Drama 5.6 2 411 178 51.43%
32 SKEEM SAAM -R SABC 1 Drama Drama 5.6 2 382 497 51.56%
33 GLASGOW 2014 XX COMMONWEALTH GAMES SABC 2 Sport Sport 5.5 2 369 103 19.26%
34 100% YOUTH SABC 1 Variety Variety 5.4 2 336 394 22.01%
35 MODERN FAMILY e.tv Drama Drama 5.3 2 292 950 17.93%
36 MUVHANGO -R SABC 2 Drama Drama 5.3 2 290 937 34.41%
37 THE LINK (MAGA) SABC 1 Magazine Magazine 5.3 2 279 453 20.80%
38 MPONENG SABC 2 Sitcom Sitcom 5.2 2 246 991 18.30%
39 EMZINI WEZINSIZWA -R SABC 1 Sitcom Sitcom 5.2 2 240 694 49.13%
40 ISIDINGO:THE NEED SABC 3 Soap opera Local 5.2 2 235 379 16.47%

DStv platform only

Market Target Activity
DStv Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\variable (r) AMR % AMR SHR %
1 GENERATIONS SABC 1 Soap opera Local 17.0 2 290 403 49.81%
2 MUVHANGO SABC 2 Drama Drama 9.0 1 213 011 29.92%
3 ISIBAYA Mzansi Magic Variety Variety 7.5 1 006 728 22.85%
4 SCANDAL e.tv Drama Drama 6.9 938 280 20.73%
5 SOCCER WRAP SABC 1 Sport Football (soccer) 6.8 922 735 24.05%
6 STICKS AND STONES SABC 1 Drama Drama 6.7 904 522 19.11%
7 MFOLOZI STREET SABC 1 Drama Drama 6.4 870 316 19.91%
8 ZAZIWA SABC 1 Variety Variety 6.1 818 358 18.45%
9 SES’TOP LA SABC 1 Sitcom Sitcom 6.0 814 022 17.47%
10 RHYTHM CITY e.tv Drama Drama 6.0 807 330 18.82%
11 SELIMATHUNZI SABC 1 Variety Variety 6.0 804 677 17.42%
12 CARLING BLACK LABEL CUP 2014:KAIZER CHIEFS VS ORLANDO PIRATES SABC 1 Sport Football (soccer) 5.9 798 180 23.47%
13 POWERBALL SABC 2 Variety Variety 5.9 794 434 22.47%
14 FRIENDS LIKE THESE SABC 1 Variety Variety 5.7 773 224 19.68%
15 XHOSA NEWS SABC 1 News News 5.7 766 736 18.01%
16 IDOLS YR 10 Mzansi Magic Reality Reality 5.3 722 430 17.88%
17 SOUL CITY SABC 1 Drama Drama 5.3 718 113 16.36%
18 SHREDS AND DREAMS SABC 1 Drama Drama 5.3 714 366 16.91%
19 REAL GOBOZA SABC 1 Magazine Magazine 4.9 666 582 16.16%
20 KHUMBUL’ EKHAYA SABC 1 Magazine Magazine 4.9 666 005 17.00%
21 SPEAK OUT SABC 2 Actuality Actuality 4.8 652 055 20.19%
22 ZULU NEWS SABC 1 News News 4.8 643 307 14.25%
23 NEWS e.tv News News 4.7 638 035 14.49%
24 7DE LAAN SABC 2 Soap opera Local 4.3 586 467 13.72%
25 SKEEM SAAM SABC 1 Drama Drama 4.1 548 445 12.82%
26 COMMONWEALTH GAMES DELAYED SABC 2 Sport Sport 3.8 509 324 14.47%
27 WWE WRESTLING RAW e.tv Sport Wrestling 3.7 506 262 13.78%
28 IHAWU SABC 1 Drama Drama 3.2 435 186 10.15%
29 LARA CROFT TOMB RAIDER:THE CRADLE OF LIFE e.tv Movies Action/adventure 3.2 426 599 11.59%
30 THE BOLD AND THE BEAUTIFUL SABC 3 Soap opera International 3.1 413 923 11.24%
31 MUVHANGO -R SABC 1 Drama Drama 3.0 411 181 27.54%
32 OUR PERFECT WEDDING (MAG) Mzansi Magic Magazine Magazine 3.0 405 640 9.24%
33 VODACOM MILLIONAIRES e.tv Competition Competition 3.0 404 565 10.16%
34 ISIDINGO:THE NEED SABC 3 Soap opera Local 2.8 378 644 8.52%
35 GENERATIONS -R SABC 1 Soap opera Local 2.8 376 620 26.29%
36 SKEEM SAAM -R SABC 1 Drama Drama 2.7 370 943 24.67%
37 GA BOSE GANGWE SABC 2 Drama Drama 2.7 369 329 11.70%
38 CARTE BLANCHE M-Net Actuality Actuality 2.7 364 769 7.96%
39 NOOT VIR NOOT SABC 2 Music Music 2.7 359 417 8.35%
40 LOTTO DRAW LIVE e.tv Competition Competition 2.6 351 449 9.63%

How to read the tables:

AMR% refers to the number of people in a target market who were watching an event ie programme, expressed as a percentage of the population for that demographic: “On average, 16.3% of adults aged 15+ who watched TV from 28 Jan-3 Feb 2014 watched Society on SABC 1”.

AMR is the number of people in a target market watching a specific event ie programme per minute, expressed in absolute figures: “On average, 1, 541, 066 adults aged 15+ who watched TV from from28 Jan-3 Feb 2014 watched Society on SABC 1”.

Share % (SHR %) is the share or proportion of the available audience (people watching TV at that time) that a specific channel/programme has achieved at that time: “Society achieved a share % of 52.59% from 28 Jan- 3 Feb 2014 on SABC 1″.

saarf 150SAARF is the name by which the South African Audience Research Foundation is familiarly known. SAARF’s main objective is to direct and publish media audience and product/brand research for the benefit of its stake-holders, thereby providing data for target marketing and a common currency for the buying and selling of media space and time. SAARF has thus the responsibility to measure the audiences of all traditional media such as newspapers, magazines, radio, television, cinema and out of home media.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Beyond Borders: Planning for the journey north of SA

by Craig Page-Lee (@cpl_ignite) By now you’ve probably contemplated the desirability of the media prize north of our borders, packed your bags and applied for extra leave so that you can explore more of the continent while travelling on business. But there are many steps to take before the reality of such a journey is undertaken and such a wish realised.

There’s also the helplessness and frustrations experienced when applying for visas and the increased heart beat and shock to the nervous system when you have the first blast of multiple vaccinations required when travelling north.

Craig Page-LeeEasier. NOT!

The goal of SADC, the Southern African Development Community, was (if such a vision still exists today) to further socio-economic cooperation and integration, as well as political security cooperation, among 15 southern African states. This heralded the introduction of a compendium of new acronyms, from COMESA and EAC to SADC and FTA, the latter (Free Trade Area) possibly being the panacea moment for the continent. One would think this would make movement between the respective participating countries somewhat easier. NOT!

I don’t know if leaving Nigeria out of these various bodies, establishments or entities (call them what you like) had any bearing that this is one of the most challenging embassies from which to obtain a long-term, multiple entry business visa but it sure does feel so!

And to think that Kenya was, and theoretically still is, “in the mix” is rather disappointing as the Kenyan embassy has recently instituted similar stringent visa application laws as those of Nigeria, these being effective from September 2014 — both are the most-frequented destinations for cross-border business development opportunities from SA.

Biometric data

The days of being able to send the visa-service agency off to the embassy to manage the process and arrive a few days to a week later with said travel documentation in place are long gone. In most instances, face-to-face interviews are necessary as biometric data is required and, to crown it all, embassies are generally located in Pretoria or the Sandton area of Johannesburg, which means that people living elsewhere in the country has to travel to Gauteng at great cost to process the application themselves.

I can’t really blame Nigeria and Kenya, not only in retaliation to the ridiculous cost imposed on their nationals for the application of a SA visa, nor for the dreadful ‘un-welcome welcome’ we all receive when entering, or returning to SA, but also because of SA supposedly having held the title for producing the most number of fake passports around, a point reaffirmed by a particular nation recently.

That said, when you’ve endured the challenges of travelling to Johannesburg from all other parts of SA, counted the cost of the lost opportunity of potential new business by not being available when called to close the deal, and having to reappear in person to collect your approved documentation, you know that the real adventure is just about to begin.

Experiences far outweigh the risks

The learnings from personal experiences, and others from those that have told many a late-night bar story around the world, all lean to the same caution and yet encouragement, in some perverse way, of not giving up as the experiences far outweigh the risks and frustrations that go with doing business in the rest of Africa.

One of the most important tips I’ve come to experience firsthand is knowing that, when you get back to the hotel room after too many local brews, brought on by an evening of ‘immersion’ with the local in-country teams, don’t down the whole bottle of complementary water you find in your hotel room — remember to leave one sip to brush your teeth with as you sure don’t want to be gargling a happy-morning tune through a mouth full of the often-polluted natural water source from the respective country that you are visiting.

Please remember to also keep your mouth closed and rather hum when in the shower, as imbibing the multi-flavoured and, I’m sure, pale-coloured waters will most definitely leave you more than parched after a few days of diarrhea. Make sure you always have those rehydration sachets and tabs for an unsettled stomach in your travel pack!

Not nearly as big and scary

What’s amusing is that South Africans think about other African cities in the way that Scandinavians think about Johannesburg — not in a good way, to say the least — but it’s not nearly as big and scary out there as you might think, though. The reality is that everyone who goes to cities such as Lagos wants a hero story to come back with and it all feeds into the stereotypes.

A colleague of mine who looks after business development of the continent recently spent an entire month, literally, walking the streets of Nigeria while conducting audits, and he returned in full health with all limbs intact and all possessions in place.

Another tip, should you also want to venture into the streets and experience the cities firsthand, is to leave your passport in the hotel safe as, when you’re out and about and the roadside ‘police’ inspectors get your valuable document in hand, you’re going nowhere until you’ve paid a handsome sum of money to get it back.

In closing, and to paraphrase from The Boston Consulting Group’s “Winning in Africa — From Trading Posts to Ecosystems”, Africa is the final frontier — the last sizable area of untapped growth in the global economy. To succeed, companies will need to bring the rest of Africa into the boardroom. Here’s to seeing it on your board-meeting agenda!

Craig Page-Lee (@cpl_ignite) is the group MD of Posterscope South Africa. He has over 21 years of working experience across the disciplines of architecture and retail design/brand communications and marketing management/advertising and media, across 11 pan-European and six pan-African regions. Craig’s monthly column on MarkLives, “Beyond Borders”, focuses on doing business in various African markets. Also remember to tune into his #eBizRetail slot on www.ebizradio.com.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Ad of the Week: It’s hip, Jim. But not as we know it

by Oresti Patricios (@orestaki) What happens when you look around you and almost everyone’s a hipster, except you? As with all cultural phenomena, hipsterism has hit full stride and is now the source of many a meme, and has broken into the commercial mainstream. So no surprise *drumroll* that hipsterism is the focus of this week’s wickedly clever advertising campaign from FoxP2 for Garagista.

This small brewery in Cape Town has hooked into the prevalent ‘anti-hipster’ sentiment, and has used it to create an exceptionally effective marketing campaign running under the slogan “All beer. No bullshit.”

What is encouraging (and notable) is that this is a small company with no ‘big brother’ owners, so it must have had a limited budget, yet — with the help of its agency — it has come up with such a strong and smart campaign.

Garagista: While you were crafting your moustache, we were crafting our beerGaragista: Our steeping process traps more flavour than your manicured beardGaragista: Goes well with bands you have heard ofGaragista: A beer with more substance than a hipster's handmade leather journal
What, then, is a hipster?

A couple of years ago, we started hearing about “hipsters”. Every era has them. When I was younger, we called them “pseudos” or “pseuds”. After that, the term “trendoid” emerged.

As with most other cultural types who aspired to ‘coolness’, being a hipster is all about state-of-mind. For those of us who don’t quite make the grade, this international subculture could be identified by their androgynous look, tell-tale cultivated beards and moustaches, and the annoying habit of knowing all the good stuff before everyone else.

It’s one of those cultural phenomena that has slipped into the zeitgeist, and seems to prove that humans are essentially tribal creatures: we love to use our brains and creativity to differentiate. At its worst, it leads to racism; at best, perhaps clique-ishness and insular attitudes.

Alternative lifestyle most suited to Cape Town

Sometimes, the hipster aesthetic is related to the ‘hippie’ movement, in terms of natural fabrics, long hair and beards but, in some ways, it seems to attach itself to the ‘green’ movement, favouring bicycles over cars, and a sort of alternative lifestyle that seems most suited to Cape Town and its culture of artists and musicians.

In her Huffington Post Style column, Julia Plevin writes: “The whole point of hipsters is that they avoid labels and being labeled. However, they all dress the same and act the same and conform in their non-conformity. Doesn’t the fact that there is a hipster look go against all hipster beliefs? Hipsters are supposed to hate anything  mainstream or trendy.”

Print and video

But back to the campaign. There is a print component and a YouTube video to back it up, produced by FoxP2 Cape Town, with film production by The Institute (aka The Institute of Amazing sh*t).

Garagista: For those who know The Ramones made music, not t-shirts
Source: 10and5.

While the campaign has received some criticism from people who feel either that the hipster meme is passé or that it’s an easy target, I think it’s going to appeal to the mainstream of its target, and even self-identifying hipsters should have enough of a sense of humour to enjoy having a bit of fun poked at them. Surely?

The print campaign comprises posters with a single picture, supported by a headline, and the slogan:

One shows a youthful dude with horn-rimmed glasses, a hat and a banjo, with the headline reading: “While you were tuning your banjo, we were tuning your beer.”

Garagista: While you were tuning your banjo, we were fine-tuning our beer
Source: 10and5.

Another reads: “Every time you drink a Garagista, a hipster’s favourite band goes commercial” — poking fun at the hipster tendency to only listen to lesser-known (if not unknown) bands, ‘because they’re, like, not corrupted by materialism, dude.’ (Oops, feels like some of my own inner hipster popped out there!)

Garagista: Every time you drink a Garagista, a hipster's favourite band goes commercial
Source: 10and5.

The YouTube video really tickled my funny-bone.

FoxP2 YouTube video for Garagista: “The Hipster Hijacking”

A man is seen unloading beer crates from a truck, when he is interrupted by a hipster on a bicycle. The hipster asks the trucker, “So, is this beer really limited edition?” The trucker indicates the signage on the truck, which reads “Limited Edition Garagista beer”.

“What do you think? That’s what it says,” replies the trucker. In response, the hipster pulls out a harmonica and blows on it.

Garagista TVC screengrab: hipster appearing from behind a poleEmerge from hiding places

In response, all sorts of hipsters emerge from hiding places. A posse arrive on single-gear bicycles (apparently single-gear bikes are current in hipster culture, because they’re, like, ‘green’). One even ‘appears’ magically from behind a pole. A slo-mo sequence follows, as the hipster hijackers grab the beers. It’s mayhem as they fight each other for the spoils.

Garagista TVC screengrab: selfie while fighting for the beerSome of the background action is classic — including two of them doing a ‘selfie’ as the battle ensues.

Soon we hear sirens and the beer-hijacking hipsters scarper, sadly dropping some of their spoils as they do. The final pack shot is of a bottle against a manhole cover, with hipsters running off into the distance.

Great production value

The production value is great. Location sound was used, which added a level of realism, and the final touch was the addition of a song that sounded like Cat Stevens (but don’t ask me, I don’t listen to obscure bands.)

Garagista TVC screengrab: final packshotWhat better way to reflect on a trend that’s matured than to use it for a commercial that celebrates a wonderful new(ish) trend — craft brewing.

What makes the campaign work, of course, is how ingenious and self-deferential it is. Intelligent, ironic and somewhat sardonic, the ad is pure delight because the brand doesn’t take itself too seriously and is prepared to take a risk.

Tell you what — craft brewing is one trend we’ll never easily tire of or find annoying. Viva Garagista! Long may your brand reign while continuing to surprise and delight us!

 

Oresti PatriciosAd of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research.


If you are involved in making advertising
that is smart, funny and/or engaging,
please let Oresti know about it at info@ornicogroup.co.za.


— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Media Future: The rise of Huawei

by Arthur Goldstuck (@art2gee)  The release of Huawei’s new flagship smartphone, the P7, rounds out the brand’s aggressive strategy in South Africa.

It’s not always the high-end phones that dazzle the market. Late last year, Chinese smartphone upstarts Huawei unleashed a powerful secret weapon aimed at the bottom end of the smartphone market. The Ascend Y220 stormed the walls of market dominance built up by Samsung, BlackBerry and Nokia with a device that cost a mere R450.

In the first quarter of 2014, South Africans snapped up more than 300 000 units. Helped along by the higher-end Y300, selling at R999, Huawei-Ascend-P7-1and last year’s flagship, the P6, marked down to R4599, March saw Huawei become the best-selling smartphone brand in the country for that month.

It may have been a short-lived lead, but it was in effect a warning shot to the rest of the market. And if that was a shot, then last week’s release of the new flagship, the Ascend P7, was a cannon blast. Its 5-inch high definition display, 8MP front-facing and 13MP rear-facing cameras are contained in a body which, at 6.5mm, makes it the thinnest 4G/LTE smartphone on the market.

“The main strategic intention of the phone is targeting the premium segment of the market,” says Yudi Rambaran, director of product marketing at Huawei SA. “While it is at a fairly attractive pricepoint, R6999, it does compete effectively with premium smartphones from other brands.”

The P6 was originally shipped at a slightly lower price, around R6500, but the brand was not yet established locally as a high-end smartphone maker, and sold fewer than 10 000 units a month. The P7 is shaping up at least to double the monthly sales of the P6.

“We’ve planned better to ensure we have sufficient phones in the market, and we’ve brought out the best possible product from a technology perspective,” says Rambaran. “We’ve focused on three areas we’ve identified as key: the carmera experience, the connectivity experience and the overall design.”

Even more important, Huawei has spent time working with the networks to ensure they “range” the device. Since networks effectively controll the cellphone sales channel in South Africa, the ability to get them to add phones to their ranges spells life or death for a brand or device in this country.

Rambaran agrees, pointing out that he joined Huawei only recently, specifically to manage product marketing strategy, along with a new sales director: “Relationships with the networks are the best they’ve ever been for Huawei. We established special resources to address their requirements.”

Ironically, Huawei has long dominated mobile broadband in South Africa, with its brand featuring on most of the 3G and LTE dongle modems plugged into laptops here. But only now is that position translating into serious growth in the smartphone space – driven by the Ascend Y220. Along with the MTN Steppa, a R500 phone based on a Qualcomm Reference Design, it has transformed the prospects for mass-market smartphone adoption.

The potential of the Y220’s successors – phones that may cost even less – has persuaded Huawei to pull out of feature phones altogether. That makes it one of the first manufactuers that had been making both feature phones and smartphones to abandon the low-end devices.

“One of the key motivations of the Y220 project was to bring in an entry-level smartphone, creating a meaningful impact in emerging markets,” says Rambaran. “The buzz of the Y220 has created a lot of brand equity for us – consumers are starting to trust the Huawei brand, which didn’t really exist two years ago, and that filters through to the rest of the market.

“Naturally the P7 flagship won’t sell in the volumes that entry-level phones do, but it does create the brand aspiration. From that point of view, it is an important phone for positioning in the mass market. It helps us create this aspiration that naturally overflows into the mass market.”

Next up from Huawei are not only cheaper or thinner phones, but also a comprehensive content and service offering. Multimedia, education and e-books are all part of this vision. Both this content and the smartphones are expected to encourage data use – and that makes Huawei as attractive to the networks as do the phones themselves.

Arthur Goldstuck

 

Arthur Goldstuck heads up World Wide Worx (www.worldwideworx.com) and is editor-in-chief of Gadget. He is a consulting editor to MarkLives and our media tech columnist. Follow him on Twitter on @art2gee. This article has been republished from Gadget.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Thinking TV: Disappointing World Cup viewership in SA

by Inge Hansen (@mecnotabene) While the average person considers the ultimate success of the FIFA World Cup Brazil to be in terms of goals and superb individual sports performances, the media world has had a long nail-biting period of measuring the success of its campaigns.

On an international level, we experienced some of the worldwide campaigns through watching the properties evolve during the game but we would have missed much of the impact behind these multimillion-dollar deals, which are no doubt being measured to an infinitesimal degree.

2014 FIFA World Cup BrazilDifferent to 2010

Locally, the impact that consumers have experienced has been different to what took place in 2010, where brands immersed themselves in the properties on offer; and took advantage of Being South African themes, packages and broadcast sponsorships where they could.

This year was also the year in which digital took a very real role in campaigns, what with real-time commentary taking place on social media throughout every game for brands to respond to, or ignore to their detriment.

In South Africa, as the FIFA World Cup approached, there were great expectations in terms of eyeballs being glued to television sets during this global sporting event, given our appetite for sport and soccer, in particular. However, as the matches unfolded, the final results showed a slightly disappointing picture for SA viewership.

Demonstrated our gees

To set the scene, in 2010, the debut match of SA vs Mexico garnered a total of 28 TVRs (1 TVR = 1% of the Target Market Universe) with a reach of over 7 million South Africans (All Adults 15+). This high viewership figure was a continual trend whenever SA players took the field, demonstrating our “gees” [Afrikaans for “spirit” — ed-at-large] as a nation.

Even outside of games where SA took part, ratings were regularly above 15 TVRs, with the culminating final of Netherlands vs Spain achieving 24 TVRs.

If we then look at the viewership for the 2014 event, we see a much-lighter viewing pattern, with only the most-anticipated matches managing to get above 9 TVRs and around 3 million viewers in total (All Adults 15+) ie Brazil vs Chile, Germany vs Portugal, Netherlands sv Mexico. This year’s match with the highest rating for was, not surprisingly, for the final, which pitted Germany against Argentina, despite this game airing later than most viewers would usually stay up to watch TV (what with work looming the next day).

Love for the game

In a demonstration of SA’s love for the game and our local teams and players, if we compare the above viewership results to a touted local derby, it is confirmed that local is indeed lekker.

In March 2014, the clash between Kaizer Chiefs and Orlando Pirates outperformed the FIFA World Cup match between France and Nigeria by 3.1 TVRs overall (All Adults 15+). Even though many locals reverted to supporting African countries in the absence of SA in the tournament, the peak viewing TVRs during the match also varied by 5.7 TVRs, in favour of the local derby.

As expected, if we filter this viewing behaviour by LSM, we see even higher support for the local derby within LSM 4-6 adults, with LSM 8-10 adults choosing to rather favour the international match, although this, too, shows a drop of TVRs in general against the upper market.

TV test patternNiche nature

A quick peek at other major international sporting events whose timing conflicted with that of the FIFA World Cup reveals little or no interruption to overall consumption of media around the match. Both Wimbledon and the Tour de France kicked off during the FIFA World Cup but, due to the niche nature of these sports and that they were broadcast on DStv on channels not available to compact subscribers, they removed no substantial viewership.

Where an impact in viewership behaviour was made was within the Generations timeslot on SABC 1, which usually features consistently high ratings in the 23+ TVRs range. However, during the FIFA World Cup, when Generations was moved to SABC 2, although the channel experienced an increase in viewership during the Generations timeslot, it did not match the levels seen on SABC 1 in its regular programming slot, and the ratings were reduced by an average of 10%.

While some of this shift may speak to other local content or soccer-related programming, people can be inherently resistant to change, which shows here. Subsequently, should we look at the month-end advertising for May and June 2014 on SABC channels, we can see a loss of revenue of over 10% (ratecard) due to programming changes and available content.

Available to all

However, it is the responsibility of the national broadcaster to ensure the FIFA World Cup was available to all, regardless of potential income.

In summarising, looking at the reasons for the lighter-than-predicted patterns for the FIFA World Cup, various factors are to be considered:

  • One of the most important considerations is that, since 2010, SA has had a major population update which has been incorporated into our TAMS data. This update has resulted in lower AR levels although, that being said, the potential TV viewing population has increased by 7%.
  • In addition, some under-reporting will have occurred with the usage of Driftas/Walkas and mass-viewing occasions ie pubs/sporting clubs etc, where guests cannot accurately be measured.
  • The time difference would have also played a role as many of the games were broadcast late into the night. This is highlighted in anticipated game such as Germany vs Brazil, where a regular drop-off of viewership can be seen as the evening nudges toward 11pm and the peak TVRs occur long before the whistle is blown.

Lastly, in weighing up the viewership differences between the two tournaments, we cannot discount the additional support and excitement behind a local team:

In 2010, we had the games taking place on our doorstep and our national team in the running, giving everyday South Africans the opportunity to experience a world-class sporting event and cheer our boys on in every way possible.

 

Inge HansenFollowing two years at Media24 scrubbing for insights within the magazine division, Inge Hansen joined Nota Bene as an A&I analyst in March 2013. Working across multiple clients, including FMCG, alcohol and petroleum, she has the luxury of working with teams to develop robust insights that drive strategy while keeping abreast of media trends the world over. Inge loves having her pulse on the media landscape but far prefers raising her pulse mountain-biking on weekends. She contributes Thinking TV, a monthly analysis of South African TV viewership figures, to MarkLives. Follow @mecnotabene for regular media updates.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Influencers: Liquor advertisers running out of time

by Jason Stewart (@HaveYouHeard_SA) A ban on liquor advertising in South Africa (which has, for the past five years, been mooted as two years around the corner) will herald an era of dark marketing for the industry.

Some brands will clear the hurdle without breaking their stride; others will falter predominantly because of what they are not doing now. Time is not on their side.

Jason StewartThe way to the Dark Side

Some marketers believe the way to the Dark Side lies with The Charming Brand Ambassador.

Despite how the boardroom powerpoint phrases it, this involves paying a good-looking guy who thinks the world of himself to develop a database of other good-looking guys who think the world of themselves, and who may or may not develop an affinity for the brand.

It sounds like a no-brainer — everyone always wants to hang with and mimic the cool guys, right? But, on a business level, it does not build the brand as it combines excessive and ongoing cost leakage.

Skeptical

The Charming Brand Ambassador strategy doesn’t work in isolation because ‘coolness’ is only effective if grounded in credibility and authenticity. Consumers are skeptical of paid representatives, regardless of how cool they are. They prefer to look to their social role models to see what they freely use and advocate as a representation of their identity.

Enter The Influencer.

Other brand owners view influencer marketing as the way to the Dark Side. This form of influence sways purchase behavior and differs from brand ambassadorship because it incorporates credibility and authenticity. But, it is very difficult to reproduce by a corporate institution and, when implemented without care, it, too, won’t work for the brand.

Paved with data

I believe the way to the Dark Side is paved with data — a carefully designed and maintained database that supports customer relationship building, guides the distributions strategy and informs relevant packaging and promotion.

But, when it comes to data curation, the local liquor industry is nowhere near ready to even step into the starting blocks. It is losing valuable time when it comes to building extensive and rich databases of communities.

How do I justify that statement? Well, are you able to name a liquor brand owner that has begun building a SmartShopper-type loyalty programme? No, neither am I.

Pie-in-the-sky

I can name several brands that are active in the social media space, but I suspect their database-build success here is pie-in-the-sky because of the results of a recent in-house study. This analysed the performance of South African liquor brands’ current performance across all social media platforms. The majority — read 98% — are underperforming against the already low benchmark set by local brands in general.

It seems almost everyone in the liquor industry is waiting in the cloakroom for the call to venture onto the track. And, when they get that 12-month heads-up, 150+ liquor brands with decent budget will start fighting for a lane, at the same time.

Jason Stewart is currently managing director of HaveYouHeard (@HaveYouHeard_SA), an innovative word-of-mouth and social media agency founded in Cape Town in 2008. A Red & Yellow School graduate, he joined the industry as a project manager at Draftfcb Cape Town before taking on business development responsibilities at Instant Grass, a position he held for three years. His monthly “Influencers” column on MarkLives focuses on word of mouth.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Green Sky Thinking: How green is your internet?

by Colwyn Elder (@colwynelder) There are an estimated 2.5 billion people currently online around the world, and this number is expected to increase by nearly 60% in the next five years. For most of us reading this article online, life without the internet is unthinkable, and even those of us who remember our pre-internet days struggle to recall how we functioned without it.

Increased mobility has resulted in increased integration, to the point where ‘online’ is now seamlessly interwoven with our ‘offline’ lives, both at work and at play — the cornerstones being information and communication.

Colwyn ElderNot necessarily

But how green is your internet? If you’ve never stopped to think about it, you’re not alone. Besides, there’s an unwritten rule that says on-screen must be green, right? Not necessarily.

The big issues when it comes to the environment are resource efficiency, waste and energy. E-tickets, e-mail, e-books, e-banking, e-etc, are all associated with the first two, largely based on the assumption that paperless must be more efficient. But what we don’t see is how much energy our online lives actually consume and, unfortunately, the latter can more than make up for the former.

Sadly for the paper industry, we’ve made a seemingly logical link in our brains that says: tangible stuff = waste = bad, and that invisible stuff = no waste = good.

A very direct link

Knowing that paper is made from trees also creates a very direct link with the environment and this is compounded by email signatures telling us to “please consider the environment before printing this email” and requests to “sign up for paperless billing, help the environment and save trees”.

The implication is that digital media is perceived to be environmentally preferable, while print is environmentally destructive.

“In order to make informed and responsible choices”, says Don Carli of the Institute of Sustainable Communication in his report; Print vs Digital Media: False Dilemmas and Forced Choices, “it is important to be critical of claims that digital media is categorically greener than print media. Print and digital media both have positive and negative impacts on the environment.”

Shredding common misconceptions

The Paper Manufacturers Association of South Africa (PAMSA) is calling on businesses to change their attitude to paper by shredding common misconceptions.

Paper produced in South Africa comes from plantation-grown trees, recycled paper or bagasse (sugar-cane fibre). “Some 600 million trees are specifically farmed for use in pulp and paper manufacturing, just as maize was planted for your morning cereal and wheat for your bread sarmie,” says Jane Molony, PAMSA executive director.

What’s more, over 80% of SA plantations are certified by the Forest Stewardship Council (FSC), ranking it as the highest level of international certification in the world. Our timber plantations also lock up 900 million tons of CO2 a year by acting as massive carbon sinks.

We’re not always behaving responsibly

In contrast, we are not always behaving responsibly when we send information through the virtual world.

A recent report by Greenpeace, “Clicking Clean”, points out that, if cloud computing were a country, it would be the sixth-largest user of electricity in the world, ahead of Germany and Canada. And this will only increase as demand for anywhere, anytime access to data and services increases.

Surprisingly, reading a document on screen can actually produce more carbon dioxide (CO2) than printing out the same document.

Better to print

It obviously depends upon amount of time spent reading, but data implies that if you were to spend more than 40 minutes online, it would be better to print. A printed document can also be read over again without further emissions and it can be recycled.

“While the paper industry cannot swim against the digital tide and the convenience of receiving documents electronically,” says Molony, “the electronic distribution of information should not be touted as being more environmentally friendly than print.”

Paper is a renewable resource and, rather than being told not to print, we should be reminded to look for the FSC mark of certification. Furthermore, if the rapid growth of the digital economy could be linked to renewable energy sources, the opportunity to catalyse transformative change in the consumption and production of energy could sit squarely within the IT sector.

Strategic consultant Colwyn Elder (@colwynelder) brings a global perspective to the issue of sustainability, having lived and worked in London, Tokyo, Amsterdam and Cape Town. She contributes the monthly “Green Sky Thinking” column on sustainability issues to MarkLives.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

#3D: The perfect marketing marriage — data and big ideas

by Prakash Patel (@prakashpatel_1) Let’s use the advancement of technologies, the real-time nature of the web and the tools to harvest relationships with our consumers and target them with relevant messages or experiences. This isn’t NEW. This isn’t 2.0 and this isn’t ground-breaking.

Prakash PatelIt is through data collection and interrogation that marketers may glean insight, which provides intelligence to drive more targeted, impactful, relevant communication.

This is one of the oldest forms of marketing, an area that has been ignored for far too long, either through lack of experience, expertise or know-how.

The data-driven strategy may not win you a Grand Prix at the Loeries, but it should win you Grands Prix at the Assegais and APEX, and, more importantly, greater ROI for your clients.

We all know

We now live in a world that is in a constant flux of transformation, a world where once (many years ago), people believed advertisers, and one-size-fits-all marketing was acceptable.

But, in today’s world, through technological advancements and array of digital platforms, customers have never before been so informed and educated. It has made them more sophisticated and demanding in what they want and what they expect from brands.

It can even be argued that brands are no longer in control of their marketing. Consumers now call the shots — they can, with a click of mouse, simply make or even break a brand through influencing others.

In numerous surveys, it is clear that people no longer trust advertising; a staggering 79%+ prefer and trust recommendations from friends, family and others above advertising.

We are now experiencing unprecedented influence by consumers as they share their personal experiences in forums, give reviews and unashamedly belittle brands.

There may be trouble ahead

Let’s face the music — opportunities for marketers have never been more challenging — or there may be trouble ahead.

To now get noticed and ahead of your competitors, brands need to get smarter (not necessarily work harder) to stand out from the noise of unprecedented advertising and communications to win the hearts and minds of its consumers with authentic relevant communications or experiences, while creating a consistent brand experience, regardless of medium.

We sometimes forget that consumer do not distinguish channels the way we may do. We talk about ATL, BTL and TTL, and then try and fit in digital and social media. The consumer sees one brand, not an array of fragmented messages.

Consumers more demanding

What consumers do want is easy accessible information, quickly, and in a format they desire and in the context of where they are. If they don’t get what they want, they will go elsewhere (while telling everyone about their experience).

So, in any economic climate, brands cannot afford to sit back and hope for the best. They need to not only stop wasting budgets but stop annoying their potential customers with untargeted, inconsistent and irrelevant communications.

The challenge facing brands in this fragmented landscape is understanding these traits and changing the communication and experiences to explore the best techniques and channels available for optimising consumer engagement and experience across every touch-point.

So how do you get smarter?

One area where marketers can get smarter is by using their data. For the moment, I am not talking about only ‘Big Data’ (I will cover that another day) but back to basics — raw data, small data. For me, it’s not the size of the data you have but what you are doing with it to drive your strategy and, ultimately, marketing.

One of my biggest bugbears is hearing clients or strategist talking about how much data they have, how many likes they have got on Facebooks, how many followers the base has grown year-on-year, etc. My answer always is: So how are you using the data you have collected? Otherwise, stop collecting data and asking for likes etc while you don’t have a more thorough plan.

Data miner by Fogg Experiential DesignThere’s gold in that data

As this is my first column on 3D (Data-Driven & Digital), I thought I would:

  • start with a quick introduction into my past experience in how data had the biggest impression in my early career in advertising;
  • then define (through this MarkLives column):
    • what is data-driven marketing,
    • what it means to marketers,
    • how can marketers find those hidden nuggets; and
  • then start exploring data-and digital trends and news,
    • including how to comply to a data-driven and digital strategy across today’s ever changing consumer touch-points.

How data had an everlasting impression on my marketing career

I started my career in marketing after graduating in the early ’90s.

It was a time when marketing departments had maybe one or two personal computers; mainframe systems the size of a room that stored customer data in silos; when data was transferred via magnetic tapes, or later on via cartridges, then floppy disks (yes, way before 3.5” disks and CDs); when mobile phones weren’t even commercialised for the masses; and true digital-marketing revolution hadn’t even begun — in my experience, the this only really started happening in the late ’90s and early 2000s.

So, for most marketers, it was business as usual, using a list of well-documented marketing channels such as ATL and BTL, where direct mail was still one of the biggest marketing BTL communication channels.

But, one thing I learnt way back then, was the power of data through what was then called data bureaux (agencies) — a place where I started my early career.

At that time, I was working for a company called LiveData Marketing, whose proposition was simple. We designed and built marketing databases which extracted and stored prospect- and customer-data, outside of IT systems or warehouses, that could then be used for personalised marketing, based upon insights and intelligence.

We offered everything, from cleaning data (through rigorous data-hygiene routines — for example, deduplication and merging/purging) to ensure we had a holistic view of customers through to suppressing records that were deemed unsuitable, or against national suppression lists such as the Mailing Preference List (MPS) or the TPS list, to ensure we didn’t mail or call people who had opted out from direct marketing — thus ensuring they were targeted and relevant.

We then appended additional information to give a more three-dimensional profile of customers and their behaviors, as well as using this info to find new prospecting lists from data-brokers.

Case #1: Irrelevant marketing and dirty data

Through data analysis and demographics, we learnt that one brand (which was selling lawnmowers), were targeting people who lived in high-story flats — who didn’t even have a garden.

Another targeted people with incorrect or abusive salutations, which stemmed from irate call-centre agents who, after their call, would add their own comments to client records in their databases. This data was then simply extracted and mailed without any form of data processing. You can imagine the complaints when said customers were mailed as Dear Illegal Immigrant, Dear Bastard, Dear Dick… many more come to mind. These are actual examples that I witnessed.

Data-processing and building the marketing database were just one aspect. The most interesting part of database (data-driven) marketing was the interrogation and data analysis we did on client data — from basic queries through to building predictive and behavior modeling, and calculating #LifeTimeValue (LTV) models — to ensure we had moved away from mass mailing to more intelligent, targeted and relevant value-driven marketing.

Case #2: Maximising ROI through data analysis — how data analysis gave us the ‘holy-shit number’ to add value to the bottom line.

There are two cases that come to mind here.

One is when we pitched for a cash-and-carry account (Nurdin & Peacock); we won the account based upon simply finding out who its most-valued customer was. A simple question that the marketer couldn’t answer. Let me explain.

We were given thousands of records of all its customers and their transactional value. Through data analyses, we basically broke down the customer base into ‘deciles’ based upon revenue and margin. Through this analysis, we identified the top 20% of its customer base, all the way down to the bottom decile. We even identified its most-valued customer, who wasn’t even known or managed by its account-management team.

Based on these findings alone, the company restructured its sales account-management team and focused on the top 20% of its customer base who generated 80% of the revenue (the classic Pareto principle of 80:20 at play).

The second, and most recent, example is when, through basic data analysis and interpretation, we were able to highlight staggering ‘holy-shit numbers’ in the potential loss of earning through online booking. We did this by analysing user interaction with a hotel website, and mapped out all of the areas where users had started a journey thinking about booking a holiday and dropped off, through to starting the booking process and dropping off.

Through these learnings, we were able to highlight key moments of interactions where, if changes were made in user experience (UX) and content (within context), we could potentially lift the drop out to maximise bookings.

Data-driven marketing

What is data-driven marketing (DDM)? In a nutshell, just like the famous Ronseal ad back in 1994, it is exactly what it says: marketing that is driven by data (albeit insights and intelligence).

For me, DDM is all about using insights from data, gathered from (or obtained on) either customers or prospects, which is processed to create a holistic view of its base and is then interrogated, using tools and software, to glean intelligence to help inform more targeted and relevant marketing communication that is impactful to the recipient.

The challenges we have is that, while we all may know there are hidden nuggets in the mountain of records we have collected or worked hard in obtaining, the true challenge is how and where do we start? By having a plan and strategy that everyone buys into.

As with any marketing initiative or big idea, we need a vision and objectives.

Driving an organisational data-driven strategy

The first step is to ensure that all departments, and the company as a whole, become data-driven and work together. One of the biggest hurdles I have witnessed is departments leading to dysfunctional or incomplete strategies.

For example, the IT department may think it owns the data and systems (having spent millions of rands investing in the state-of-the-art CRM system), whereas marketing owns the relationship or communication.

This is exactly the area we played in many decades ago, working with both IT and marketing department about creating marketing systems that were not just owned by IT or marketing but owned by both, where one was not hindering the other.

The starting point

So, for me, the starting point is putting together a company charter where departments have buy-in from the top down, a combined vision, buy into the changes required, and work together holistically towards meeting the goal of the company as a whole.

In the next few columns, I will be looking at further defining DDM and the challenges facing organisations in both equipping themselves with the tools and processes and in driving data-driven strategies.

Prakash Patel (@prakashpatel_1) is chief strategy officer at Fogg Experiential Design, a technically-enabled, digitally-led, creatively-inspired, data-driven and strategically-focused design company based in Johannesburg and Cape Town. He has over 25 years of experience in advertising and data planning, a passion for integrated marketing strategies, and believes that the holy grail of marketing has always been — and always will be — data. Prakash will contribute the monthly “#3D” (Data-Driven & Digital) column to MarkLives.com, exploring how data-driven and digital marketing can add value to marketing communication.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

 

Online CPD Courses Psychology Online CPD Courses Marketing analytics software Marketing analytics software for small business Business management software Business accounting software Gearbox repair company Makeup artist