SA TV Ratings: SABC 1 — primetime top 20 for Jan 2018

by MarkLives (@marklives) The hottest primetime television shows on SABC 1 in South Africa revealed: TV ratings for January 2018.

In 2016, the Broadcast Research Council of South Africa (BRCSA) changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

SABC 1 January 2018

BRCSA TV Ratings January 2018 primetime SABC 1
Click to enlarge to view clearly.

Source: BRCSA January 2018

Broadcast Research Council of South Africa

 

The Broadcast Research Council of South Africa (the BRC) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa.

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Cover Stories: Thoughtfulness in design (2 Mar 2018)

by Shane de Lange (@shanenilfunct) Let’s delve into great media design from South Africa and around the world:

  • International/print: Die Zeit set a president for political parties and why they need to get with the times
  • Local/print: Golf Digest presents its 2018 Top 100 courses in textbook fashion
  • Iconic: Negro Digest pioneered magazine publishing for black consumers during the ’40s
  • Local/print: Ons Klyntji reinvents perceptions of Afrikaans, defining a unique literary perspective
  • International/print: Rolling Stone brings on the Black Panther revolution
  • Online: Volume redefines publishing with its online curatorial platform

Find a cover we should know about? Tweet us at @Marklives and @shanenilfunct.
Pinterest icon Want to view all the covers at a glance? See our Pinterest board!


Print

Golf Digest (South Africa), March 2018

Golf Digest South Africa, February 2018

Simple, bold and with a single-minded message, the latest issue of Golf Digest marks two decades of existence for the magazine’s course rankings. The 2018 Top 100 courses are clearly communicated on the cover, sporting massive shelf appeal, with its flat use of green to signify the lush green grass that one would be accustomed to on any given golf course. Typography is the driver here; it is thankfully unadulterated, broken up by considered horizontal lines that segment the bottom two-thirds of the cover layout. All of this is accented by a clever compositional mechanism using two diagonal lines, starting with the arrow in the bottom left corner and ending with the golf ball in the top third where the masthead containing the publication’s logo is housed, neatly countered against the natural zigzag flow of the information hierarchy. Overall, it makes the cut in design terms; nothing much more to say than par for the course.

 

Rolling Stone (US), issue #1308, 8 March 2018

Rolling Stone, 8 March 2018 - Chadwick Boseman

Black Panther’s Chadwick Boseman oozes prowess on the latest cover of Rolling Stone magazine. Decades of trial and error have finally resulted in the portrayal of a radical, modern black superhero, in turn constructing a new mythology. That a bona fide, true-to-form, black superhero now exists is revolutionary, indicating a fresh epoch for popular discourse and mainstream narratives, especially for the often-tired genre of superhero movies.

The film establishes an archetype: the black superhero. Negotiating his way through the hubris of previous attempts to portray black superheroes, living in the wake of ’70s Blaxploitation films, Boseman owns the silver screen with the confidence of Shaft, the gallantry of Barack Obama and the arrogance of Kanye West. Braving the question “What does it truly mean to be African?”, Boseman presents his Black Panther character, T’Challa, as beyond belief or creed and, importantly, as human (albeit chiseled to almost superhuman perfection). Boseman’s role in the film makes its message evermore legitimate, visionary and impactful. The Afro-punk and Afro-futurist art direction from the film is subtly mirrored by Boseman’s attire on the cover, leaving very little to the imagination with his defiant swagger.

 

Ons Klyntji (South Africa), 2017–2018 issue

Ons Klyntji, 2017-2018

First published in 1896, Ons Klyntji is the oldest-known Afrikaans magazine. After the demise of the first incarnation of the publication, the Ons Klyntji brand was revived by popular Afrikaans folk singer, Koos Kombuis, during the ’90s, who later passed the publication on to the lead singer for the band Buckfever Underground, Toast Coetzer. True to its recent musical and literary roots, the publication is sponsored by Oppikoppi festival and Woordfees respectively.

Mostly literary, with a strong connection to the musical and peppered with contributions from other creative spheres, the latest iteration of the magazine is themed “Internasionaal”, meaning international. It features writing, photography, art and the like from a vast array of different creative types, selected from nearly 200 submissions. Contrary to stereotypes about Afrikaans culture, the cover depicts the globe upside-down (or is it?), suggesting quasi-postcolonial sentiments with a twist. This vision of the globe supports a consciousness in support of alternative threads of history that defy traditional western thought, and begin to define an idiosyncratic, eclectic South African vernacular. Copies are available at either Oppikoppi or Woordfees, and a few selected niche bookstores.

 

Die Zeit (Germany), 15 February 2018

Die Zeit, 15 February 2018

Youthful, colourful, gestured and flowing, the cover for the February 2018 issue of Die Zeit showcases updated and contemporised logos for five of Germany’s political parties, including CDU, SPD, FDP, Greens and Left Party. Designed by Swiss-based graphic designer, Erich Brechbuhl, the cover is suggestive of the views of five young members from each political party. Stemming from differing political backgrounds and political convictions, these five young politicians find unity under the shared desire for a political vision that considers a future which embraces new and diverse ideas. Calling for political participation in society and leaving the old trenches behind, they agree on the need for a change in established political alliances. Advocating a state of mind that goes beyond the dated categories of either right or left wing, they argue from greater imagination and creativity in the application of democratic perspectives, because the future depends on pluralism and harmony in a globalised world. Perhaps a perspective that more South African political parties should begin to consider?

 

Online

Volume (UK), February 2018

Volume online, February 2018

London-based Volume is an online platform with the goal of redefining the traditional role of the publisher. It champions the production of well-crafted books that substantiate the importance of considered, curated and artfully executed visual communication. Volume places emphasis on the relationship between maker and the audience by producing high-quality, limited-edition printed books for niche audiences encompassing many different disciplines and genres, from art and design to photography and architecture and the like. Under the patronage of established publishing house, Thames & Hudson, Volume is a prototype of the future for publishing backed by decades of editorial pedigree.

With its accessible and aesthetically pleasing website as an effective shopfront, Volume hosts campaigns in order to fund and produce printed editions made by emerging talents and established names alike. Anyone may pledge to get a publication produced on Volume simply by perusing the available funding projects on the site — rewiring the publishing industry one pledge at a time.

 

Iconic

Negro Digest (US), May 1968
Black World (US), May 1970

Negro Digest, May 1968 Black World, May 1970
Founded in November 1942, Chicago-based The Negro Digest was an African-American magazine, analogous to Reader’s Digest, that distributed stories about the African-American community whil promoting black consumerism. A vanguard to magazines such as Ebony and Jet, The Negro Digest was published by John H Johnson, whose international media and cosmetics empire made him the first black person to feature in the Forbes 400 rich list with a nett worth of about U$500m.

The covers to the magazine were an eclectic blend of mid-century modernist graphic design, typical of what was happening in America at that time, and an awareness of an emerging black identity. The Negro Digest was a reflection of the times, particularly for African-Americans in Chicago during the ’40s, which had supported a large community of black entrepreneurs since the turn of the 20th century. Chicago was an influential centre for modernism in the US, which was an attractive quality that lured many black students to study commercial art in the city’s art and design institutions. And, so, the cultural environment was perfect for a publication such as The Negro Digest.

A defining column in the magazine was “If I Were a Negro”, which focused on unsolicited advice that blacks commonly received from whites on stereotypically black problems. The publication of Ebony and Jet, both also published by Johnson Publishing Company, had a huge impact on the circulation of The Negro Digest, eventually leading to its collapse in 1951. Despite this failure, Johnson attempted to revive the magazine by rebranding and relaunching it in 1970 under a new name, Black World. This incarnation was aimed at a wider audience to include Africa and the African diaspora. In 1976, despite protest from the black arts community, Black World was dropped by Johnson Publishing Company.

 

 

Shane de LangeShane de Lange (@shanenilfunct) is a designer, writer, and educator currently based in Cape Town, South Africa, working in the fields of communication design and digital media. He works from Gilgamesh, a small design studio, and is a senior lecturer in graphic design at Vega School in Cape Town. Connect on Pinterest and Instagram.

Cover Stories, formerly MagLove, is a regular slot deconstructing media cover design, both past and present.

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Winners: Bookmarks 2018

by MarkLives (@markives) The IAB SA has announced the winners of the 2018 Bookmarks Awards. Gold Pixels went to 12 entries, while Silver went to another 55. Eight Black Pixels — Special Honours — were presented. Once again Ogilvy scooped Best Digital Agency, with KFC being awarded the Brand of the Year, and KFC’s Ben Schoderer winning Best Marketer. Congrats to all.

“Excellence by marketing professionals”

Comments Jerry Mpufane, chairman of the M&C Saatchi Group and jury president IAB SA Bookmarks 2018, “The Special Honours categories are very important in that they help celebrate excellence by the marketing professionals, which also serves as inspiration for more great work in the future. The industry needs to do better at identifying and celebrating the professionals who move us forward.  Let’s hope 2019 sees more entries in these categories.

“The Bookmark Awards are an interesting window into modern and cutting-edge advertising. The great brands entered their work, and I know I speak on behalf of the jurors when I say that we saw some worthy winners. The case study entries challenged the way we look at advertising, elicited some heated debates about what works and what doesn’t, and mostly some lessons came out which can be applied into the future — and that’s very exciting.

“The application of artificial intelligence, as well as the various uses of the Internet of Things — where networks of physical devices enable these objects to connect and enhance the customer experience — are here, and will soon form part of the average advertising campaign plan. The judges were, however, decrying the fact that we had fewer, instead of more, case study entries demonstrating these technologies,” he concludes.

Campaign

Award

Sub-category

Entry agency

Brand

Title

Product

Bronze Content Strategy FoxP2 Ster-Kinekor The Van Der Merwe film launch The Van Der Merwe film
Gold Content Strategy King James Group Sanlam Ukshona Kwelanga MyChoice Funeral Plans
Silver Content Strategy VML South Africa Edgars Fashion Emoji Catwalk Edgars Summer Range 2016
Bronze Content Strategy VML South Africa The Huffington Post South Africa Stop The Cycle
Silver Content Strategy VML South Africa &
Joe Public
Nedbank See Money Differently Nedbank
Gold Data-driven Campaign Showmax Showmax Customer Engagement Segmentation Video On Demand Internet TV
Bronze Digital Integrated Campaign Liquorice Distell Amarula #DontLetThemDisappear Amarula
Bronze Digital Integrated Campaign Net#work BBDO SCA Vagina Varsity Libresse Panty Liners
Bronze Digital Integrated Campaign Ogilvy DStv Halloween Sleep Over DStv
Bronze Digital Integrated Campaign Wunderman Investec #MoreThanData Investec Private Bank
Bronze Digital Strategy Net#work BBDO SCA Vagina Varsity Libresse Panty Liners
Bronze Integrated Mixed Media Campaign Joe Public Pty Ltd Chicken Licken Afronaut Hotwings®
Silver Integrated Mixed Media Campaign King James Group Sanlam Ukshona Kwelanga MyChoice Funeral Plans
Silver Integrated Mixed Media Campaign King James Group Sanlam Mna Nam | National Savings Month
Silver Integrated Mixed Media Campaign M&C Saatchi Abel Nando’s Reconciliation Table Nando’s
Silver Integrated Mixed Media Campaign Ogilvy & Mindshare Jhb KFC Soundbite The Soundbite Chart
Silver Mobile Campaign Ogilvy KFC Suppertime Stories Suppertime Stories
Silver Mobile Campaign VML South Africa The Huffington Post South Africa Stop The Cycle

 

Channels

Silver Branded Content King James Group Sanlam Ukshona Kwelanga MyChoice Funeral Plans
Silver Branded Content King James Group Sanlam Private Wealth Family Fortune
Gold Branded Content Ogilvy Huggies Baby Marathon Huggies
Silver Digital Installations & Activations FCB Cape Town BMW Motorrad Blink and you’ll miss it BMW S1000RR
Silver Digital Installations & Activations Ogilvy KFC Suppertime Stories Suppertime Stories
Silver Digital Installations & Activations Ogilvy DStv Halloween Sleep Over DStv
Bronze Digital Installations & Activations Platinum Seed Digital Marketing Glenfiddich Voice Visualiser – The Independent Bar Glenfiddich
Silver Display Advertising Mark1 KFC Add Hope Charitable Donation
Bronze Display Advertising Ogilvy KFC Soundbite – Wetransfer Music Player The Soundbite Chart
Gold Display Advertising VML South Africa The Huffington Post South Africa Stop The Cycle Brand
Silver Email, Direct & Inbound Marketing Net#work BBDO SCA Vagina Varsity Libresse Panty Liners
Gold Innovative Use of Media Ogilvy KFC Suppertime Stories Suppertime Stories
Silver Innovative Use of Media VML South Africa The Huffington Post South Africa Stop The Cycle Brand
Bronze Innovative Use of Media VML South Africa &
Joe Public
Nedbank See Money Differently Nedbank
Silver Native Advertising VML South Africa The Huffington Post South Africa Stop The Cycle Brand
Silver Online Video FCB Cape Town Western Cape Government The PSA That Couldn’t Wait Safely Home
Bronze Online Video Joe Public Pty Ltd Chicken Licken Afronaut Hotwings®
Bronze Online Video King James Group Santam What I’d Rather Do
Bronze Online Video M&C Saatchi Abel Nando’s Grocery Pizza PERi-PERi Sauce
Bronze Online Video M&C Saatchi Abel 10X Investments #StopDaylightRobbery 10X Investments
Bronze Online Video M&C Saatchi Abel 10X Investments Grocery Slash 10X Investments
Bronze Online Video TBWA\Hunt\Lascaris Johannesburg Flight Centre BabyBot Student Flights (known as Youth and Adventure)
Bronze Online Video VML South Africa &
Joe Public
Nedbank See Money Differently Nedbank
Bronze Online Video Wunderman Investec #MoreThanData Investec Private Bank
Silver Online Video Series King James Group Santam What I’d Rather Do
Silver Online Video Series Ogilvy Huggies Baby Marathon Huggies
Gold Organic Search Marketing NMPi Clicks Clicks – Ranking in Position Zero
Silver Organic Search Marketing NMPi Gumtree Gumtree – Driving Organic Performance
Bronze Organic Search Marketing Rogerwilco HomeChoice Bedding down SEO
Bronze Paid Search Marketing MEC Vodacom Google Shopping Ads Telecommunications – Retail Deals
Bronze Paid Search Marketing Mediashop & Reprise Media Debonairs Debonairs- ROAS Campaign Debonairs Pizza
Bronze Paid Search Marketing Rogerwilco Chris Willemse Cycles Shifting Gears
Bronze Paid Search Marketing the media image (tmi) Woolworths Woolworths Online Shopping Consumer Goods
Silver Social Paid Advertising King James Group & Forty Two Digital Sanlam Ukshona Kwelanga MyChoice Funeral Plans
Bronze Social Paid Advertising VML South Africa The Huffington Post South Africa Stop The Cycle Brand
Bronze Use of CRM, Loyalty Programs & Gamification Liquorice Unilever Knorr Deliver My Dinner Knorr Whatsfordinner
Bronze Use of CRM, Loyalty Programs & Gamification Ogilvy & MEC & Cerebra Vodacom Play Everyday Play Everyday
Silver Use of CRM, Loyalty Programs & Gamification VML South Africa Multiply Active Dayz Brand
Bronze Use of Programmatic Media Nettrade Programmatic Mediclinic South Africa Mediclinic Baby Baby Programme
Bronze Use of Programmatic Media Sizmek Telkom Limitless Ad units

 

Community

Bronze Online Video Channels Net#work BBDO SCA Vagina Varsity Libresse Panty Liners
Bronze Social Communities VML South Africa Nando’s Nando’s social community Brand
Silver Social Media Campaigns FoxP2 SPCA #ChooseYourFamily Adoptions
Bronze Social Media Campaigns M&C Saatchi Abel Nando’s Reconciliation Table Nando’s
Bronze Social Media Campaigns Net#work BBDO Mercedes-Benz 50 years of AMG AMG
Bronze Social Media Campaigns Ogilvy DStv DStv Emoji Trailers DStv
Silver Social Media Campaigns Ogilvy MTV / World Aids Day #FCK HIV Get Tested
Silver Social Media Campaigns Ogilvy DStv Halloween Sleep Over DStv
Silver Use of User Generated Content Hellocomputer &
FCB Africa
Toyota Toyota C-HR #InternetApproved Toyota C-HR
Bronze Use of User Generated Content VML South Africa Standard Bank #Today Brand
Silver Use of User Generated Content VML South Africa Edgars Fashion Emoji Catwalk Edgars Summer Range 2016

 

Craft

Craft Bronze Craft – Ad Ops Farahnaz Thompson AdOps & AdTech Teams at The Space Station Ad Operations System Automation Ad Ops system: Apollo
Craft Bronze Craft – Client Service Jessica Brits,
Forty Two Digital
Sanlam Sanlam Client Service
Craft Bronze Craft – Interface Design Camilla Clerke, Graham Paterson, Simon Spreckley,
at Hellocomputer
Investec Asset Management Investec Journal 5 Journal 5
Craft Silver Craft – Interface Design Hellocomputer &
FCB Africa
South African Tourism South African Tourism Renovation South African
Craft Bronze Craft – Interface Design Alistair King, Matt Ross,
Alex van Rensburg, Casper Odendaal at King James
Siemens CalendAR app
Craft Silver Craft – Marketing Copywriting Wade Barnes, Gordon Ray, Joshua De Kock at M&C Saatchi Abel ZANG Chocolate K.O. Fatigo! ZANG Caffeinated Chocolate
Craft Bronze Craft – Marketing Copywriting The Ogilvy team, Ogilvy Vodacom Youth Day NXT LVL
Craft Silver Craft – Marketing Copywriting The Ogilvy team, Ogilvy KFC Suppertime Stories Suppertime Stories
Craft Gold Craft – Marketing Copywriting The Ogilvy team, Ogilvy Huggies Baby Marathon Huggies
Craft Bronze Craft – News or Feature Writing Henriette Loubser; Jo Van Eeden; Maygene de Wee at 24.com a Division of Media24 Netwerk24 The disappearance of Anchen Muller Netwerk24
Craft Bronze Craft – News or Feature Writing Adriaan Basson and Caryn Dolley  at 24.com a Division of Media24 News24 Underworld Unmasked News24
Craft Bronze Craft – Online Video Production “Pepe Marais, Adam Weber, Peter Pohorsky, Left Post Production team, Di Cole,
The Plank team, at Joe Public
Chicken Licken Afronaut Hotwings®
Craft Silver Craft – Online Video Production Alistair King, Matt Ross, Dan Pinch, Rob Smith, Kim-Lara King, Tin Toy Productions at King James Sanlam The man who thinks he’s about to die Sanlam Investments
Craft Silver Craft – Online Video Production Gordon Ray, Joshua De Kock, Wade Barnes, Bronwyn Henry and Bewilder TV
at M&C Saatchi Abel
ZANG Chocolate K.O. Fatigo! ZANG Caffeinated Chocolate
Craft Bronze Craft – Online Video Production Jason Xenopoulos, James Adey, Christian Horsfall, Leigh Ogilvie, Jacki Havermahl, Shannon Gloyne and Left Post Production team at VML South Africa Nedbank See Money Differently Nedbank
Craft Silver Craft – Online Video Production Wunderman Investec #MoreThanData Investec Private Bank
Craft Silver Craft – Software, Coding & Tech. Innovation The Ogilvy team, Ogilvy KFC Soundbite The Soundbite Chart
Craft Bronze Craft – Software, Coding & Tech. Innovation The Ogilvy team, Ogilvy KFC Suppertime Stories Suppertime Stories
Craft Bronze Craft – Software, Coding & Tech. Innovation Team Vicinity Vicinity Media LEO – the adserver
Craft Bronze Craft – Software, Coding & Tech. Innovation Team Vicinity Vicinity Media Visitability Reporting
Craft Bronze Craft – Strategy Mike Barnwell, FCB Cape Town Western Cape Government The PSA That Couldn’t Wait Safely Home
Craft Silver Craft – Strategy Net#work BBDO SCA Vagina Varsity Libresse Panty Liners
Craft Silver Craft – Strategy The Ogilvy team, Ogilvy Huggies Baby Marathon Huggies
Craft Silver Craft – Use of Sound The Ogilvy team, Ogilvy KFC Suppertime Stories Suppertime Stories
Craft Silver Craft – UX Calvin Pedzai, Hellocomputer Investec Asset Management Investec Journal 5 Investec Journal 5
Craft Silver Craft – UX Dane Bowen,
Brigitte Le Roux,
Calvin Pedzai at Hellocomputer & FCB Africa
South African Tourism South African Tourism Renovation South African

 

Emerging digital technologies and channels

Gold Bots, Messaging & Dark Social King James Group Sanlam Ukshona Kwelanga MyChoice Funeral Plans
Bronze Bots, Messaging & Dark Social Levergy Marketing Agency SuperSport SuperSport Football Bot SuperSport’s Football Broadcast
Bronze Bots, Messaging & Dark Social Liquorice Unilever Knorr Deliver My Dinner Knorr Whatsfordinner?
Silver Customer Experience Design Accenture Momentum Re-imagining Workplace Living Services: Smart Exits Corporate and Public Sector
Silver Customer Experience Design Liquorice Unilever Knorr Deliver My Dinner Knorr Whatsfordinner
Gold Internet of Things Ogilvy Huggies Baby Marathon Huggies
Bronze VR & AR King James Group Siemens CalendAR app
Silver VR & AR VML South Africa The Huffington Post South Africa Stop The Cycle Brand
Bronze VR & AR Net#work BBDO Mercedes-Benz #Lookup C-Class Coupé Cabriolet

 

Platforms

Silver Brand, Commercial &
Retail Websites
Hellocomputer &
FCB Africa
South African Tourism South African Tourism Renovation South African
Bronze Brand, Commercial &
Retail Websites
King James Group Visa Visa eLearning Platform Visa eLearning
Bronze Microsites Discover Africa Group Drive South Africa South Africa in 360
Bronze Microsites Joe Public Pty Ltd Chicken Licken Afronaut Hotwings®
Bronze Mobile Apps Accenture Sasol @Sasol App Employee and contractor mobile application
Bronze Mobile Apps Arc Interactive Dis-Chem Dis-Chem Mobile App Mobile App Design and Development
Bronze Mobile Apps Net#work BBDO Chabad House Acts of Random Kindness ARK
Silver Mobile Sites Wunderman Qhubheka Do Your Part Qhubeka
Bronze Public Service & NPO platforms Hellocomputer &
FCB Africa
South African Tourism South African Tourism Renovation South African
Bronze Public Service & NPO platforms Net#work BBDO Chabad House Acts of Random Kindness ARK
Bronze Web Applications VML South Africa Multiply Active Dayz Brand

 

Publishing

Bronze Email Publications Primedia Broadcasting The Money Show The Business Wrap
Bronze Live Event Coverage 24.com a Division of Media24 News24/Netwerk24 News: From moving fast, to streaming live News24/Netwerk24
Bronze Mobile Publications 24.com a Division of Media24 News24 News24.com News24
Bronze Mobile Publications Blue Sky Publications TheSouthAfrican.com The South African & Marfeel Marfeel’s Enterprise Web Optimization Solution
Bronze Online News Video Tiso Blackstar Group TimesLIVE I am Lara
Bronze Online Photography, Illustration & Imagery 24.com a Division of Media24 Channel24 A picture is worth a thousand words Channel24
Silver Online Photography, Illustration & Imagery Primedia Broadcasting Eyewitness News Trial by Fire
Bronze Podcasts & Streaming Primedia Broadcasting Primedia Broadcasting The Power of the Podcast
Silver Podcasts & Streaming Soccer Laduma Soccer Laduma Creating South Africa’s Biggest Podcast!
Silver Publisher Apps 24.com a Division of Media24 News24 Edge News24 Edge News24 Edge
Silver Publisher Apps 24.com a Division of Media24 Daily Kick Daily Kick Daily Kick
Silver Publisher Apps biNu Goal Zero Goal Zero #datafree The Goal Zero #datafree App
Bronze Publisher Sites 24.com a Division of Media24 Netwerk24 South Africa’s largest subscription-based portal for news and analysis Netwerk24
Bronze Publisher Sites MobiMedia SA Breaking News SA Breaking News www.sabreakingnews.co.za
Silver Social Media Publications Primedia Broadcasting Capetalk 20 in 140
Gold Social Media Publications VML South Africa The Huffington Post South Africa Stop The Cycle
Gold Special Features 24.com a Division of Media24 News24, AmaBhungane and Daily Maverick #GuptaLeaks #GuptaLeaks
Silver Special Features 24.com a Division of Media24 Netwerk24 A Medical Milestone Newtwerk24
Silver Special Features Primedia Broadcasting Eyewitness News Using Data to Fight Corruption
Silver Special Features Primedia Broadcasting Eyewitness News Trial by Fire
Bronze Specialist Publisher Sites Burn Media Ventureburn Ventureburn.com – A critical independent voice for SA’s tech startup sector
Silver Specialist Publisher Sites Fire and Lion Pty Ltd CORE Economics The Future of Publishing The Economy
Bronze Specialist Publisher Sites Tiso Blackstar Group BusinessLIVE BusinessLIVE BusinessLIVE
Bronze Specialist Publisher Sites Tiso Blackstar Group TshisaLIVE TshisaLIVE TshisaLIVE
Gold User-Generated Content Primedia Broadcasting KFM 94.5 What’s Up Western Cape?!

 

Special Honours

Award

Sub-category

Winner

Entry agency

Brand

Campaign title

Black pixel Best Digital Student Saarah Saint & Jessica Hay Vega School
Black pixel Best Digital Youngster Bianca Potgieter Joe Public Pty Ltd
Black pixel Brand of the Year KFC Ogilvy
Black pixel Best Marketer Ben Schoderer, KFC Ogilvy
n/a Best CTO No entries
Black pixel Best Contribution to Transformation in the Digital Industry The Fact Foundry The Fact Foundry
Black pixel Pixel for Purpose FCB Cape Town FCB Cape Town Western Cape Government The PSA That Couldn’t Wait
Black pixel Best Publisher 24.com a Division of Media24
Black pixel Best Digital Agency Ogilvy
n/a Best Individual Contribution to Digital No entries

The 10th edition of this annual event was held at the Theatre on the Track in Kyalami, Midrand, Gauteng on Thursday evening, 1 March 2018. For more, please go to the IAB SA website.

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#WaterWise: Cape Town agencies focused on changing behaviour

by MarkLives (@marklives) We’ve emailed a panel of key industry executives for their take on the business impact of  Cape Town’s water crisis, and their contribution towards avoiding it. First up are Mike Abel of M&C Saatchi Abel and Lani Carstens of John Brown Media South Africa.

#WaterWise: CT agencies focused on changing behaviour — part 4 — King James & 99c
#WaterWise: CT agencies focused on changing behaviour — part 3 — Hero
#WaterWise: CT agencies focused on changing behaviour — part 2 — FCB & VML

While Day Zero — the day water runs out in Cape Town and residents are expected to queue for water at water collection posts — has been pushed back several times, Cape Town still faces a water crisis. This has numerous implications for agencies and the people in their employ. We asked a number of organisations how they are planning for any possible business disruptions and how they are assisting in saving water.

Mike Abel

Mike AbelMike Abel (@abelmike) heads the group he and his partners started in 2010: it now comprises M&C Saatchi Abel Johannesburg and Cape Town, M&C Saatchi Africa, CONNECT, Creative Spark and Dalmatian. He has 28 years of industry experience, and has built and led major groups in South Africa and Australia. In our MarkLives Agency Leaders’ Most Admired poll for 2016, he was named a contender for the most-admired agency boss in South Africa and was runner-up for most-admired agency boss in Cape Town.

We’re taking #DefeatDayZero extremely seriously. The initiatives we have implemented in the company have had a meaningful impact both within and beyond M&C Saatchi Abel.

Gordon Ray, founding partner and Cape Town ECD, sums up our attitude and approach: “When a crisis hits, you can either panic or you can use it to inspire innovation, development and a new way of thinking. We’ve decided to go with the latter, letting this crisis inspire creativity to help create real change.”

Our key objective has been to change behaviour in our agency and, importantly, inspire people to take the same steps in other businesses and their homes.

M&C Saatchi Abel #weewiser collageLaunched in December 2017, our campaign, #WeeWiser, comprises a series of posters providing information about how water can be used more sparingly in areas like the kitchen and bathroom. The campaign is open source and available to the public to download from mcsaatchiabel.co.za/news/wee_wiser.

Our aim is to prevent wasteful water usage — not just during times of disaster but every day. It is hoped that #WeeWiser will encourage people to change their behaviour both at the office and at home. As Cape Town gets drier, it’s going to take each and every one of us working together to #DefeatDayZero. That’s why we decided to share our ideas with other businesses and homes, to have a greater impact than we could have alone.

We’re down from four to one dishwashing-machine load per day (15l). Mugs are being reused the whole day. Fewer plates are being used as staff are eating from tupperwares or takeaway boxes. Urinals have been shut down. Sanitisers are in every bathroom. The #WeeWiser is doing a fantastic job to limit flushing. On the day at the time of writing, when our staff arrived at work, there was a 20lt bucket on everybody’s desk, packed to the brim with a whole bunch of tips and goodies for saving as much water as possible at home and at work.

M&C Saatchi Abel water wiser bucket collageIf and when Day Zero hits, we need to be ready. We have developed a worst-case scenario plan to facilitate new ways of working, allowing freedom and flexibility for our staff to manage the impact without negatively affecting deliverables to our clients. This plan includes highly flexible working hours and remote working. In the event of water shedding, staff may request to leave the agency to be at home. Should there be no water in our taps or grey water for flushing, we will install portable loos outside our building. In addition, we will give our M&C Saatchi Abel staff a weekly water allocation for home use.

We have to do all we can to #DefeatDayZero.

 

Lani Carstens

Lani CarstensLani Carstens (@lani_carstens) joined John Brown Media South Africa as group managing director in September 2010. Before that, she spent three years in Shanghai, China, on secondment by Naspers as group business director, where she helped launch a number of lifestyle titles. She oversees John Brown’s operations in South Africa as well as expansion plans into Africa, and is an executive board member of the international John Brown Media Group. 

At John Brown Media, we are avid recyclers, composters and have 18 outreach bursary programmes. So, when it comes to being water-wise, we had already begun to embrace all things water-related by mid-2017. Naturally, these efforts have been ramped up considerably in recent weeks. We do, however, take the effects on both climate change and the environment as a whole into consideration — there is no point in frantically saving water but simultaneously ruining the environment with non-biodegradable wet wipes or unrecyclable plastic bottles.

So what are our plans leading up to Day Zero?

  • We have replaced all our crockery with paper plates and eco-friendly, recyclable alternatives
  • John Brown Media SA one week water survival kitOur taps have been fitted with aerators to slow down water flow and staff are encouraged to flush “only when necessary”
  • We have sent out emails with tips and ideas on how to save water and have a weekly “water monitor” communications highlighting our water-saving each week
  • The dishwasher has been turned off and plastic basins have been placed in all sinks. Grey water is reused to water our very grateful plants on the balcony.
  • We have ordered two water tanks with a supply of drinking water, as well as a grey water filtration.
  • We have waterless hand sanitisers
  • Our landlords have assured us that they will be using borehole water to keep our toilets running
  • We are supplying all our staff with water-wise hampers including buckets, waterless cleansers and eco-friendly items to support them and their families at home.

If Day Zero comes to pass and the taps run dry, we will ensure that our staff members are supported and safe. We will provide as much water as possible and ensure that staff are assisted with water transport. In addition, we are planning a rotational system along with IT support to accommodate staff who will need to work off-site, and for those who will need to provide childcare. For us, it will be business as usual.

As dire as the situation is, the generosity, team spirit and general camaraderie of staff have brought solutions, laughter and an incredible sense of being in it together.

Updated at 11.02am on 14 March 2018.

 

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The Real McCoy: If the shoe fits

by Sean McCoy (@TheRealMcCoyTRM) Leadership has continued to occupy centre-stage since we closed out last year and have seen in the few two months of 2018. While we celebrated the demise of the rule of our neighbour’s despot leader, Bob Mugabe, we too have witnessed Jacob Zuma being ousted by Cyril Ramaphosa for the ANC and republic leadership berths. Sadly, the finger that we constantly point at government and the public sector doesn’t suggest that the private sector is immune to failed leadership behaviour.

Over this period, iconic South African and international success story Steinhoff has fallen from grace, surrounded by a scandal implicating its chief executive, Markus Jooste. What a travesty for this brand and the good people in Steinhoff, of which there are many. It has been a darling performer among South Africa’s Top-40-listed companies for some time, so why the change in leadership behaviour — ego, power, narcissism or sheer fraud and criminality? Perhaps we have simply had the wool pulled over our eyes for a while.

Possibly, the real private-public-partnership model (PPP) should be one of a joint commitment to integrity and a complete stamping out of corrupt behaviour across the board. Starting with our leadership groups, of course. We simply can neither inspire nor expect employees and citizens to live organisational or institutional values while leaders set this kind of example.

Irrational behaviour

Dan Ariely¹ suggests that the issue of motivation is still very much a work in progress and we have yet to fully understand it. He argues that the story of motivation isn’t at all straight-forward; rather, it’s mysterious and complicated. Given the widespread leadership issues that continue to prevail, he seems right and it underpins his theory that, at some point or another, we all become offenders against human motivation when we ignore, criticise, disregard or simply destroy the work of others.

Ariely offers that we are positively driven by all kinds of intangible, emotional forces: the need to feel ownership, to feel a sense of accomplishment, to find the security of a long-term commitment and a sense of shared purpose — the things that make our labour and lives matter. To motivate ourselves and others, we need to provide a sense of connection and meaning — hardly the stuff of corruption, maladministration and thievery.

In an analogy to the realm of physics and the wishful notion of building something out of nothing or creating perpetual motion, he believes that this is possible to an extent with human motivation and therein lies our unique possibility inside organisations and indeed life. We can have perpetual energy as long as we invest in a sense of connection, meaning, ownership and long-term thinking. And if we do this correctly, the return on investment in human motivation and behaviour will be immense.

Shoe dog

Phil Knight appears to have understood this concept fully, from the onset in the creation of Nike. Apart from offering an inspiring read on entrepreneurship and the personal journey of building a great global brand, Shoe Dog² is a compelling story of belief and purpose and how, if correctly applied, it can lie at the very heart of building an amazing organisation and brand.

It’s not a story of pure romance and success; to the contrary, it’s one of significant challenge, trials and tribulations of an entrepreneur. But it’s extraordinary how the sense of shared purpose and belief galvanises every facet of the business-building process, including recruiting talent, challenging conventional financial models, seeking athlete endorsements, taking the company public and guiding shareholder and management decisions throughout the journey.

One of Knight’s close friends and lifelong business partner, Jeff Johnson. describes the act of running as something spiritual and Zen-like. This philosophy virtually transcends the business and lies at the heart of building a high-performance organisation, an obsession with product quality and the development of a very transparent and robust management style in the business that has been a key part of its success. Ironically, in this case, money and wealth were never the focal point.

BRIGHT

Turning local, it was refreshing therefore to see Rob Shuter present the MTN case study at a recent Deloitte forum³. It’s a company that is not without its challenges and has faced some real difficulties across the many pioneer markets in which it operates, notably the very significant fine it had to pay in Nigeria. These challenges notwithstanding, he presented a convincing case of restored purpose and shared belief in recalibrating the business and reinstating its startup energy and nature.

BRIGHT is an acronym that underpins each key lever of the business strategy and also translates through both the internal and external communication surrounding the brand — the central idea of brightening and improving staff and customer lives across its markets. His presentation was convincing and his leadership commitment and style feels compelling enough to sense that, by his own admission, the work lies in getting it off the PowerPoint slides and onto the ground. In a refreshing perspective, he left the audience with no doubt that the company will pursue this relentlessly as it aims to drive inclusive growth across some 22 countries in 2018.

It was John F Kennedy who said that learning and leadership are indispensable to each other. Perhaps, as leaders, we can reflect on what is right and what is wrong, with greater emphasis on the former.

References

¹Payoff — Dan Ariely (2016)
²Shoe Dog — Phil Knight Memoirs (2016)
³Africa in 2018 Outlook — Deloitte

 

Sean McCoyDr Sean McCoy, MD and founding member of HKLM, is a prominent figure in the branding arena, with his expertise centered on client service, brand strategy and business development. He contributes the regular “The Real McCoy” column focusing upon internal branding to MarkLives.

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Back2Basics: B2B in 2018 — a licence to sell

by Mark Eardley (@mdeardley) B2B is brimming with tools, techniques and processes. The flow of “martech” innovations and their applications spills forth seemingly endlessly and B2B’s cup runneth over with efficient new ways to get new things done. The impact on sales and margins should be phenomenal. Recessionary barriers ought to be effortlessly swept aside as thoroughly modern marketers drive revenues and profitability ever upwards. Loyalty should be at an all-time high among existing customers and new ones should be queuing at the door waving purchase orders.

Then reality interrupts fantasy.

The people who influence and make buying decisions still see many marketing messages as slick propaganda, lacking relevance and credibility. Price continues to dominate customers’ choices as they battle to differentiate one offering from all the others. The divide between sales and marketing is as wide as ever because the direct connection between marketing activity and the only achievement that matters is as vague as ever.

The only achievement that matters: attracting and retaining profitable customers

Attributable results. That’s where the focus needs to be — on how activity leads to achievement. This raises a pretty obvious question: across the spectrum of marketing activities, which ones achieve the goal of attracting and retaining profitable customers?

Answering the question encourages marketers to focus on what they are doing rather than on how they do it. B2B commentary is chock-a-block with gushed enthusiasm for new tools and techniques. The danger of this deluge of shiny new gimmicks is that it distracts marketers from focusing on the goal.

Think about the continuing hype around just one of these gimmicks: content marketing. Then ask yourself how much of that content is pulling in new customers and reinforcing the loyalty of existing ones. As with any marketing activity, measuring against that benchmark quantifies its effectiveness.

First, be effective. Being efficient can wait

If an activity isn’t demonstrably effective, what’s the point of applying some clever new gizmo to make it more efficient?

The trouble is, it’s not always easy to show the link between activity and achievement. That’s often because mechanisms to measure outcomes have not been built into an activity right from the start. The link becomes even more indistinct when marketers measure the wrong things — and are motivated to do so simply because they can. For example, push-button analytics might produce a lot of descriptive information about an activity’s past performance but they can’t tell you what motivated a B2B sale. There is, of course. an established, tested and proven way to discover that: you ask customers. Then you analyse that data — and respond accordingly.

Right from the horse’s mouth: gauging effectiveness

Continuing with content as an example, you can analyse its effectiveness by simply asking customers the extent to which it influenced their decision to buy. You can discover who was influenced and the reasons why. You can qualify and quantify the content’s relevance and credibility across the ‘sphere of influence’  and you can assess the efficacy of marcoms formats and channels.

In short, you can measure what matters — you can measure what attracts customers and retains their loyalty.

A licence to sell — marketing’s primary privilege

Who cares how many people your marcoms reach? To quote (again) David Ogilvy, “Don’t count the people you reach, reach the people who count.” In B2B, that means reaching everyone who influences and makes buying decisions with information that proves how your offering will contribute to their success and the success of their organisation.

Unlike sales teams, marketers may freely ‘access all areas’ in their target markets. We have no gate-keepers obstructing our connection to the people who count. We have a licence to reach the right people with the right message at the right time. That gives us the opportunity to create profitable sales.

We have held this privilege for multiple decades and our licence to sell has no expiry date. Any marketing activity that can’t be linked to the only achievement that matters is clearly long past its own expiry date. So why do it?

 

Mark EardleyMark Eardley (@mdeardley) advises B2B companies on how to govern their marketing to attract and retain profitable customers; several of his clients have grown to become market leaders. He and Charlie Stewart have written Business-to-Business Marketing: A Step-by-Step Guide (Penguin Random House), which offers practical, actionable advice on how to make marketing make money. His monthly “Back2Basics” column covers how B2B companies and their agencies should manage their marketing.

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Welcome to #TheInterlocker!

by MarkLives (@marklives) Bond, connect, engage, involve, join — welcome to The Interlocker! Every month we ask a handpicked selection of PR execs to each select ONE feature, news article or research report (accessible online) that they believe would benefit their peers to read and why. First up are Moliehi Molekoa, Donald Chauke, Sam Swaine, Reatile Tekateka, Palesa Madumo, Lebo Madiba and Raphala Mogase.


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Moliehi Molekoa’s pick

Trendwatching: African trends in PR

Moliehi MolekoaWe live in a youthful continent alive with possibilities and hope. Brands are engaging with a younger, more-discerning audience that is powered by technology. If we are to have a substantive impact as communications specialists, we need to understand and equip ourselves to take advantages of what the continent has to offer.

The five trends analysed give an insightful overview of how to tap into the African magic. I love the fact they are not just telling airy-fairy stories but actually have case studies of how these trends are being implemented.These dispel the myth that there’s very little innovation on the continent; to the contrary, there are pockets of excellence all around us.

  1. African magic: Why in 2018, exceptional African brands and talent will be the best in class
  2. Citizen woke: Why global brands must strive to decolonise consumerism in 2018
  3. Green army: In 2018, the pendulum of sustainability will swing between the preventative and restorative
  4. Manifest empath: In Africa, the future of human brands is empathetic brands
  5. Smart market: Smart technology reaches its tipping point across the continent in 2018

The key takeout for me is that we need to respect the diversity of our audiences and begin to create culturally relevant engagements which are authentic and located in the actual experiences of our audiences ie the human truth not brand narrative. This is the role of the communications specialist.

— Moliehi Molekoa (@mojolinks) is managing director of Magna Carta Reputation Management Consultants.

 

Donald Chauke’s pick

KANTAR TNS: Attention seekers: Is communications overload alienating people?

Donald ChaukeAnne Rayner provides research-based insights into how brands may be effective and efficient in order to better connect with their target audience online, without being intrusive and ultimately alienating them.

As a key insight, earning people’s attention, rather than demanding it, makes perfect sense. Popups and spam are some of the many ways of demanding attention that result in a negative online brand experience.

To avoid rejection, brands should put more effort into listening to their audiences, especially online; in this way, brands will better understand when it is the right time to reach out and what content is worthwhile for their audience’s attention.

I certainly do feel like I am being constantly chased around the internet by constant popups and spam messaging, and mostly from the same brands. This reference article reveals stats about how people are responding to the online communication overload and how brands may stand out and communicate effectively, engaging with their audiences without the risk of alienating them.

— Donald Chauke is an account executive at Hitchcock Michalski.

 

Sam Swaine’s pick

Business2Community: PR predictions for 2018

Sam SwaineThe PR landscape needle has undergone a seismic shift following the proliferation of digital media. Newsrooms are trimming the fat and PR agencies are pushing harder than ever to own the lion’s share of earned media. This is not all bad news, as the tenets of PR remain unchanged: quality strategic content, transparency and building trust with your audience.

Consumers are more media-agnostic than ever before and have become increasingly skeptical, with poorly executed paid-online advertising models following them around the internet, both on websites and social media platforms; brand advocacy is now more important than ever. According to this 2018 PR trend report published by Business2Community, B2B companies are allocating more of their marketing budgets to earned spaces; this points to audience media consumption remaining the same since the dawn of time — earned media trumps all content currency.

Change is inevitable and, with today’s mercurial digital landscape constantly shape-shifting, executing a successful PR campaign can be daunting with multiple brands clambering for content space; it’s more critical than ever before to look at these challenges not as barriers to entry but as platforms for new opportunities.

Sam Swaine (@samswaine) is an independent PR and digital strategist.

 

Reatile Tekateka’s pick

PR Daily: How can PR and marketing collaborate to amplify ROI?

Reatile Tekateka

The integration between PR and marketing is highlighted as an important trend in the industry. I believe that PR professionals ignore this trend at their peril. It is the most-important trend in my view because how we respond to it will ultimately determine whether or not we remain relevant in an increasingly competitive operating environment. We have to future-proof our departments and agencies to adapt and respond within a context where we compete across disciplines for shrinking budgets, and the even-shorter attention spans of our audiences. We need to re-think and redefine our role as PR professionals in building brand reputations.

There is a call in the article for PR professionals to focus on value-driven content strategies and relational tactics. Interestingly, this speaks to the core of what we do as PR professionals: we build reputations through forming authentic relationships and our deep understanding of our audiences. We need to recognise that the fundamentals are not what need to change in order to future-proof ourselves but rather how we engage with our audience.

Rather than being a harbinger of doom for PR, integration presents us with an opportunity we cannot afford to ignore.

— Reatile Tekateka (@mzrae2905) is the new managing partner of Engage Joe Public.

 

Palesa Madumo’s pick

PR Daily: In the age of social media, why are press releases still necessary?

Palesa Madumo

I came across this interesting article and it got me thinking. South Africa’s media landscape is changing rapidly, and newsrooms are downsizing and driven by the demand for political news before any other, so getting a piece of the share of voice pie on behalf of our valued clients demands increased creativity. As more print publications are opting for online lives, and social media trends and trending becomes the new truth, as PR professionals may begin to think that the age-old press release should be ditched, I don’t.

I think social media with its often-shortened language and uber coolness doesn’t always support our clients’ objectives or apply to all brands and business. In my opinion, nothing beats a well-written, punchy and captivating press release (and, of course, our very busy journalists will always love us for it).

So, let’s not throw the press release out with the bath water. It’s still a strong communication tool that, yes, it can be turned into a tweet or a video but that means we still need a strong introduction, bouncy body and hooking conclusion — all elements of the good old press release.

— Palesa Madumo (@PalesaLoveis executive director of strategy of Vuma Reputation Management.

 

Lebo Madiba’s pick

RedZone: Customer obsession – a 2018 priority – and other trends

Lebo MadibaThe piece gives a good summary of a report published by Forrester late last year: Predictions 2018: The CMO Bar rises with more pressure for growth. It is more marketing-inclined than PR and communications, but this is precisely the reason that I would like to share it with fellow PR and communications practitioners.

I have found that, for a while, the PR profession has tried hard to distance itself from marketing but that as a strategy doesn’t work anymore as digital communications has blurred those lines.

As recently as 25 years ago, both marketing and communication had to try and reach customers by speaking over and around them, rather than to them. The advent of digital technology and, later, social networking, changed all that. It created a two-way stream between the brands and their customers, and also gave customers far greater power over brands. Not only that but the choice of whether to engage a brand or simply dismiss it became much easier too.

Now, as digital technology blurs the lines between the physical, digital and biological spheres, it’s a different ballgame altogether. As a PR professional, pushing out a standard press release or email just isn’t going to cut it anymore. PR, just as much as marketing, now needs to be able to be able to use insights, emotions and connections to create a deeper focus on customer obsession that will inform PR campaigns and ensure that PR always has corporate suits on its side.

— Lebo Madiba (@Lebonator) is chief marketing and communications officer of Ansys Limited.

 

Raphala Mogase’s pick

PR Week: 5 predictions for PR in Africa in 2018

[registration required]

Raphala MogaseThe unfolding news stories around questionable corporate governance (think KPMG, Steinhoff, Eskom etc) and political scandals (think Guptas and alleged meetings with government officials at private residences, government and events that led to cabinet reshuffles where the Gupta name kept popping up) have kept public practitioners and communications spokespeople as busy as journalists have been recently

Taking centre stage is the reputation of spokespeople and PR practitioners, who are entrusted with the responsibility of managing clients’/organisations’ negative breaking stories and, as we have all learnt from Bell Pottinger’s saga, it is possible for the PR practitioners or their agencies to get entangled in the client’s negative narrative if the issue of ethics is not kept in check. Bell Pottinger subsequently paid a dear price for an ill-considered involvement with and strategy implemented for the Guptas.

Against this backdrop, and as stated in the article, the effect the Bell Pottinger saga has had, and will possibly continue to have, on the African PR industry cannot be overstated. Without doubt, the turn of events does put PR activities across Africa under a microscope like never before.

I am sure readers will agree that, going forward, agencies will need to extra careful in considering the clients and campaigns they would like to be associated with. The issue of ethics will become an intrinsic part of ongoing conversations between practitioners and clients. Equal attention will also need to be given to how PR will engage/interact with target audiences as per clients’ campaigns being rolled out in the era of digitalisation.

— Raphala Mogase (@raphalagemini) is PR director of Riverbed.

 

Updated at 14.53pm on 28 February 2018. We apologise for mixing up the responses of Reatile Tekateka and Palesa Madumo.

MarkLives logoLaunched in 2018, The Interlocker will be a monthly newsletter, available as a regular column on MarkLives, too, in which we ask a handpicked selection of PR execs to each select ONE feature, news article or research report (accessible online) that they believe would benefit their peers to read and why. Sign up here!

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Masterclass Notes: What marketers want & how agencies should assist

by Johanna McDowell (@jomcdowell) What are marketers looking out for in 2018 and how do they want agencies to assist them? This was the topic of the first marketing masterclass for 2018 for agency subscribers. As usual, there was an almost full house for this session — the opportunity for agencies to hear directly from marketers is extremely important. What is also true is that, in the day-to-day normal exchanges between agencies and their clients, bigger business issues are often neglected or not discussed due to time constraints.

The marketers were three experienced leaders in their respective fields:

  • Alison Badenhorst, head of corporate marketing at Rand Merchant Bank (previously with Standard Bank) and with 17 years’ experience in the financial services industry
  • Mamongae Mahlare, category director/channel development manager, stills, Coca-Cola Bottling South Africa and with a 20-year career in marketing and business
  • Grant van Niekerk, leader chocolate, sub-Saharan Africa, Mondelēz — an innovative thinker with many years of marketing experience at top level.

The future is still uncertain

All three marketers agreed on this, with global politics (Brexit and Trump) as well as local politics taking centre stage. Trust is more and more important, and a key issue for consumers and brands.

Driving growth in revenue

This remains the key issue for companies within a low-growth environment such as South Africa. Although prospects look better than they did a few months ago, a lot of hard work still needs to be done. The rest of Africa is becoming more and more important in order to supplement growth expectations in South Africa. So, marketing efforts have to increase sales, even more so than they did in better times.

Return on investment (ROI)

Digital return on investment is great — so much easier to track and measure — but will the investment drive sales? That is, and remains, the critical question. The recent SCOPEN research indicated that spend in digital has increased from 18% of total marketing spend to 24% in 2017 period. The marketers agreed that this figure looked correct.

[Full disclosure: Scopen Global and Mazole Holdings (the company that owns IAS 100%) have formed a company in South Africa called Scopen Africa. Scopen Global holds the majority of the shares; Mazole is a minority shareholder. Johanna McDowell is a director of Scopen Africa, as is Cesar Vacchiano, Global CEO of Scopen.]

The media landscape

The marketers indicated that they would like to have more direct interaction with media owners and to know more about what is happening with media as it becomes more and more fragmented and complex. Use of media in the overall marketing efforts is an important factor.

BBBEE

This remains at the forefront of discussions among marketers and their agencies.

A day in the life of a marketer

There are more and more meetings, and a greater involvement in the running of the overall business. There is less and less time to devote to the art and science of marketing and advertising. The more senior the marketer, the less time spent in discussion regarding brands and branding.

Tips from the marketers to the agencies

  • Demand time from your clients: partnerships cannot work without time being devoted by both parties
  • Be proactive: take your ideas to your clients and keep doing this — they are sorely needed
  • Have deeper conversations with your clients: don’t skim the surface
  • Don’t send the A team for pitches and then the B team to service the account
  • Be “present” in meetings: stay off email and phones
  • Own your performance: How are your campaigns going to be measured? Make sure you know and are aligned with client expectations
  • Meetings should always have agendas
  • What is your value add? What can you tell the client that it hasn’t asked for?
  • Tell the clients what you need as an agency in order to fulfill their objectives to grow: don’t hold back
  • Less suits, more strategy: clients need help with strategy and value strategic discussion — so less order-taking and more strategy and business discussions.
  • Ensure that you receive great briefs from clients and “sweat the briefs”
  • Induct the clients into your agency processes.

 

Johanna McDowellJohanna McDowell (@jomcdowell) is managing director of the Independent Agency Search and Selection Company (IAS), which is partnered with the AAR Group in the UK. Johanna is one of the few experts driving this mediation and advisory service in SA and globally. Currently she is running the IAS Marketers Masterclass, a programme consisting of masterclasses held in Cape Town and in Johannesburg. Twice a year she attends AdForum Worldwide Summits.

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South Africa’s youth more ‘culture creator’ than millennial

by David Smythe. South Africa’s marketers, strategists and advertisers should reconsider their propensity to classify local youth as millennials and rather embrace a definition and understanding which is more accurate and more in step with what these young adults are doing, thinking and feeling.

This is the key takeout from a comprehensive study of South African youth, completed towards the end of last year; the objective was to analyse the attitudes, behaviours and values of the youngest millennials and oldest Gen Z South Africans.

Generational theory

The rationale for doing so was spurred by a shared belief that generational theory, which suggests that social generations are homogenous, is incorrect and doesn’t take account of the exponential pace of social and technological change over the past 30 years. In addition, almost all of generational theory is American-influenced. The implications of this are three-fold. One, we need to acknowledge that social generations are diverse. Two, as millennials age, we need to better understand the attitude and behaviour of the follower generation, Gen Z. Three, we need to look at generational theory through a South African lens.

One of the critical differences highlighted by a pure statistical comparison between South Africa’s youth and those in America is that ‘we’ are a generation on the move.

On average in the US, it takes four generations for a poor family to attain the same income as an average family. In South Africa, in just one generation, the working class has decreased in size from 56% of the population to 39% while the middle class has increased from 27% to 40%, the upper middle-class grown from 8% to 12% and the upper class from 3% to 4%. Unknown classification went from 6% to 5%.

Catalysts of a cultural revolution

The analysis of other data pertaining to identity — values, opinions, concerns, influences, activism and worldview — shows that South Africans between 18 and 25 are the catalysts of a cultural revolution. It also confirms that the factors helping define SA’s youth include unprecedented personal freedom and exponential advances in technology.

SA’s young people are empowered, connected, empathetic self-starters who see themselves as individuals. They have created a new cultural currency that values uniqueness, authenticity, creativity, share-ability and recognition. What’s different for this generation is not as simple as ‘the internet’ or ‘technology’. Technology is important but what’s changed is this generation’s relationship with culture. They don’t just consume culture as older millennials have done; they create culture.

There are numerous local sub-cultures that SA youth may identify with. Individuality, however, is of greater importance.

“I don’t like labels”

Less than half, 46%, of SA youth always or sometimes identify with a youth-culture tribe. But, asked to define themselves, they say: “I don’t like labels of any kind but, if I were to choose one, I would call myself an Influencer. I am fiercely patriotic and identify firstly as a South African and then in terms of a race or language group. I am proud of my heritage and like to share cultural practices with others. Being part of a subculture is not important to me or most of my peers.”

Unlike their American peers, of whom just 10% trust big brands, the large majority of SA youth — 56% — do trust brands and 58% trust an endorsement by the brand. There is, however, a substantial portion that don’t, largely because they know they are being sold a product and they know they’re being marketed to.

They do formulate their own opinions about brands, whether they trust them or not. One of the sectors they mistrust the least is the media, with 62% of SA’s youth always or mostly doing further research on news stories or seeking additional sources of information.

Optimism

87% of South Africans are optimistic about their personal future vs 88% of American youth. Optimism for their children’s future sits at 63% and 66% respectively, the environment 30% and 52%, their local economy 15% and 50% and the world economy 29% and 46%.

Almost as interesting as what SA’s youth believe is who shapes their values. For all the rapid pace of change, young people overwhelmingly say that their values are influenced by traditional sources — parents, family and friends.

Despite our fame-saturated culture, only 4% of young people say that celebrities directly influence their decisions. This is significantly lower than the international norm of 30%.

Biggest influencers

So, the biggest influencers on their lives are family/friends (59%), musicians (9%), writers (9%), media (9%), vloggers (3%) and bloggers (2%). Inspiring them are family/friends (66%), people succeeding in their chosen career path (57%), writers (26%), musicians (18%), bloggers (18%) and local celebrities (15%).

And, in addition to being culture creators, the study shows that young South Africans are very optimistic about their own personal futures, more so than older millennials. But they’re less optimistic than older millennials about a broad range of things they can’t control: the local and world economies and the environment.

Unlike their US peers, they’re not that taken in by celebrity status. They don’t not identify with narcissism or spoiled lifestyles. But they do look up to people on the rise. This is also the least naïve generation yet: unparalleled access to information means that they’re fact-checkers.

Believe in hustling

Growing up in the shadow of apartheid but not having experienced it, they are acutely aware that the world can be unjust. However, they believe in hustling to break through societal inequalities, making them the most entrepreneurial cohort in SA.

They aren’t natural born activists; the majority don’t attach this label to themselves. How they make their voices heard is different to previous generations but their voices are loud!

See also

 

David SmytheDavid Smythe, the strategic planning director at FCB Cape Town and an exco member, led the above study of South African youth using FCB Africa’s insights tool, FCB Alchemy, in partnership with Answered Insight, which produced the above analysis. He believes that to be brave is to embrace change — embracing something that you’ve perhaps not seen or done before but which will utterly pulverise the status quo. He is a passionate advocate of neuromarketing and devotes his professional and spare time to understanding what makes human beings tick.

“Motive” is a by-invitation-only column on MarkLives.com. Contributors are picked by the editors but generally don’t form part of our regular columnist lineup, unless the topic is off-column.

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Media Redefined: How to make a good virus

by Martin MacGregor (@MartMacG) I have yet to have a meeting in 2018 which has not involved someone saying, “We need this to go viral.”

Marketing terminology is an important source of humour in any marketing meeting. From old favourites like “deep dive” and “game changer” to the much-loved “low hanging fruit” and “leverage”, they are used widely by marketing professionals everywhere to show that they, too, understand the secret language that is marketing-speak. It’s often not clear where they come from and why they have stuck. This is especially apparent for the most-used word as we enter the era of online content obsession.

Brand salvation

A virus, whether multiplying in your body or in your computer, has never been a good thing so it does seem strange that brand salvation seems to becoming more and more dependent on something as negative at this. On the flipside, a virus is ruthless and effective and multiplies at will.

It’s this behaviour which gets marketers salivating as they consider their plans for the year and start looking for that one piece of content which is going to make their brands (and themselves) famous. What’s become clear, though, is that very few pieces take off without some kind of paid-media seeding (another great marketing term) to boost it initially and get it in front of the right market.

This wasn’t always the case but, as social media platforms have made it harder to infiltrate news feeds, it’s become a necessity.

Content ingredients

But what of the ingredients of the content itself?

I was struck again at the end of last year by how good the original masters of this form of communication are. Red Bull released a 60-second clip which showed two skydivers successfully entering the open door of a moving plane. It was riveting viewing that kept interest right until the end and there was no doubt that it was a Red Bull piece that, of course, spoke to the brand’s high energy positioning. Ever since Felix Baumgartner made his historic jump in 2012, Red Bull has realised that content, where there is the immediate urge to share, is going to be the future.

So, entertainment that puts the consumer experience first, but with clear brand positioning takeout, is one key element.

Relevant to now

The other is content that is relevant to now. People want to feel as if they’re on top of what’s happening in the world. Putting a piece of content in their hands that refers to something topical that’s just happened is gold and the chances of sharing very high.

A great example last year was Airbnb’s #weaccept campaign, which came straight after one of Trump’s ant-immigration utterances. The short piece, which highlighted how “the world is more beautiful the more we accept”, was highly topical and, like Red Bull, spoke to the brand’s positioning and offering.

Simple

It’s simple, really — provide riveting entertainment and be highly relevant, and a brand’s piece of content should spread as quick as any virus. No marketing buzzwords will be needed to describe this. Just a simple “it worked”.

 

Martin MacGregorMartin MacGregor (@MartMacG) is managing director of Connect, an M&C Saatchi Company, with offices in Johannesburg and Cape Town. Martin has spent 18 years in the industry, and has previously worked at Ogilvy and was MD of MEC Nota Bene in Cape Town. He contributes the monthly “Media Redefined” column, in which he challenges norms in the media space, to MarkLives.com.

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