Back2Basics: Are top B2B marketers thought leaders? Maybe not

by Mark Eardley (@mdeardley) It’s dismaying. Commentary from Thomas Barta in Marketing Week highlights the career-ending consequences for marketers who refuse to see that increasing sales, margins and loyalty are the only things that should concern them.

To prove the apocalypse is now, Barta lists some corporates which have junked the CMO role:

“Belkin, Beats, Citi, Coty, Cisco, Dropbox, EY, GAP, GNC, Intuit, Hitachi, JC Penney, Johnson & Johnson, Kellogg’s, Kimberly-Clark, Kraft Heinz, Lyft, Marriott, McDonald’s, Mitsubishi Motors, Mondelēz International, Netflix, Nissan, PayPal, Rite Aid, Samsung, Sephora, Sisheideo, Subway, Suntory, Spotify, Taco Bell, Ticketmaster, Tyson, Uber, Walgreens, Wendy’s.”

Tested by the trinity. Proven to be wanting

Sales. Margins. Loyalty. It’s the trinity that every B2B CEO wants strengthened. They want marketers who will attract and retain profitable customers. Why? Because that’s marketing’s sole purpose. I can’t stress this enough: that’s marketing’s sole purpose. If it can’t fulfil it, then why bother?

CEOs are saying, as they always have, “I want profitable, sustainable sales.” Geddit? Look at Barta’s list and it’s clear that even very senior marketers ain’t getting it. That’s mainly happening because of an obsession with tactics, rather than a governing strategy that’s focused solely on the trinity. Just take the popularised thinking about ‘thought leadership’ (TL) as an example.

Thought leadership. It’s a tactic. Oooh! We better get some of that.

Boil it down and there is nothing new in B2B marketing. Its two rules were set in stone before even I was born. First, prove to customers that you understand their requirements. Second, prove that you will fulfil them better than your competitors. Bit more complex than the principles of the wheel, but not much.

Provide your markets with that convincing evidence and your offering will sell. Sell? Isn’t that a taboo word in marketing departments? It was clearly unmentionable in the now CMO-free B2B firms featured in the list. Maybe they should have recognised how TL makes selling acceptable or at least a bit less mucky.

TL’s cunningly clever essence is to disguise selling as, erm, selling. To be good at it, you pretend not to be successfully selling while you are successfully selling. That’s the thought leadership of TL. I scoff slightly at the concept and you may read my rock-solid reasons here.

If TL’s about non-selling, why’s it being given the hard sell?

I had that question answered for me by a TL study from LinkedIn in association with Edelman (probably the world’s biggest-billing PR firm). The 2019 Edelman-LinkedIn B2B Thought Leadership Impact Study is fabulously well-presented and offers some sound advice on ways to possibly get your sales-driven TL jacked.

As an alternative to reading Edelman’s classily pitched proposition, I’ll distil its wisdom down to this: TL sells. Come again? OK, TL sells. Yep, TL is all about selling. Like this:

2019 Edelman-LinkedIn B2B Thought Leadership Impact Study slide 14
Source: 2019 Edelman-LinkedIn B2B Thought Leadership Impact Study

It strikes me that TL is no more than sound marketing wearing a newish hat. The basics of B2B dictate that you must get relevant, credible and convincing content to the right people at the right time in the buying decision cycle. To do that, you need to know who’s influencing the decision, what motivates their support for it, and how to reach them.

Trouble is, many marketers are only focused on the last bit — reaching them. They’ve become obsessed with promotion (the fourth of the Four Ps — yeah, those old things) and ignore the other three. They ignore how product creates value because they don’t ask customers. They ignore at which place in the market it creates that value (ie for whom) because they don’t know who’s influencing the decision to buy or the reasons why. Plus they ignore how to secure optimum price because they don’t understand product and place.

This apparently widespread ignorance was highlighted by Samuel Scott in his must-read Drum article, “Why CMOs are only lasting as long as Spinal Tap drummers”: “Everyone talks only about the fourth P — promotion, which is increasing awareness, interest, brand loyalty and sales after (my italics) doing everything else. It is the most interesting and exciting P, but it is also less important than the others.”

He goes on to say that, if there are no proven insights into other three Ps, “then the tactical promotion will be doomed from the start”. Doomed from the start. Doomed to fail when measured against that trinity of sales, margins and loyalty.

Effective TL can’t be created without a profound understanding of Ps 1, 2, and 3. As the study shows, B2B buying decision-makers and influencers see very little content (just 18%) that warrants the title of thought leadership. Most of it (82%) isn’t relevant, credible or convincing. It’s just promotion. Blah, blah, blah. White, mostly digital, noise.

Time to get real: marketers are deal-makers. Always have been

A senior marketer’s job is to make deals happen. You must convince your markets that your firm is the smart choice, that your price is the right price. You must lead decision-influencers through the buying cycle in a manner that’s reassuring and builds their confidence. You must win their trust. You have to be the trigger that moves them from “I’m interested” to “Where do I sign?”

Anything you do that doesn’t do all that is just a pointless waste of time, effort and budget. And your CEO knows it.

See also

 

Mark EardleyMark Eardley (@mdeardley) advises B2B companies on how to govern their marketing to attract and retain profitable customers; several of his clients have grown to become market leaders. Apart from his new column for TGIFood, he and Charlie Stewart have written Business-to-Business Marketing: A Step-by-Step Guide (Penguin Random House), which offers practical, actionable advice on how to make marketing make money. His monthly “Back2Basics” column on MarkLives covers how B2B companies and their agencies should manage their marketing.

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#BigQEmployers: Employer brands in adland

by MarkLives (@marklives) How successful have local ad agencies been in creating positive employer reputations? What do they consider best practice, how do they measure their reputations among employees and what impact has positive employer reputation had on their ability to attract star talent? First in our panel to tackle this Big Q is Tammy Lehnberg of Avatar South Africa.

Tammy Lehnberg

Tammy LehnbergTammy Lehnberg, Avatar head of HR, is an HR professional with over 20 years’ experience, 15 of those years in advertising. Passion, innovation, determination and commitment drives her love for the profession, together with a well-balanced approach between financial and human capital.

Employer brands in adland — crucial, necessary, differentiating work that is becoming more and more important in the talent war. And the ones who are getting it right? The independents. The local ad agencies are much more successful in creating a really authentic culture that embraces an understanding of our diversity in the workplace and addresses the needs of our complex history.

Inherent understanding

Locally, we have an inherent understanding and appreciation of what makes us unique, and how we contribute to transformation, from cultural to religious diversification, whereas (and I speak generally) international agencies want to roll out a value system and brand appreciation as a one-size-fits-all across all the markets.

According to Katherine Conway, AON head of diversity and inclusion and community affairs, “Being inclusive means being respectful to all individuals, and encouraging diversity of thought which can lead to greater creativity. People from different backgrounds and with different lifestyles challenge each other more which leads to greater innovation and a depth of thought.”

It’s one thing to have a ‘white paper’ on culture and employer brand reputation, and another to actually live your brand through reputation and authenticity. Ad agencies’ employer brands are a tool to attract, retain and engage top talent, and we have to work harder than ever before to build employer brands that differentiate ourselves.

Leadership

High performers don’t just want to work for a successful brand/agency; they make their choices based on who the leadership of that agency is, what they stand for and what impact they make on client brands, as well on their staff and their community as a socially responsible employer. Talent is seeking out agencies that truly reflect transformation and, especially, gender diversity. Women in leadership roles with a true voice at the table are who employees and clients are wanting to see today. An employer with a strong brand reputation and an engaged and diverse workforce has proven to affect high business performance and innovation, and it will far outperform its competitors. According to Gallup, “[c]oncentrating on employee engagement can help companies withstand, and possibly even thrive, in tough economic times.”

Best practice is where you don’t just stick your values somewhere in your HR policies and procedures or against a wall as a pretty piece of décor; you live it through everything you do as your agency DNA or blueprint. High-performing employees seek employer brands who live by the same values that they do and get rewarded for doing so. So, ensure you are clear on what your brand reputation, culture and values are, and consistently apply these to everything you do from the interview process, through the job path, right until the exit interview. Tell the brand story that makes them fall in love with you.

It shouldn’t be hard; keep it simple and you will have a failsafe recipe — be authentic, inclusive, consistent, fair and treat staff with dignity and respect. Be transparent with your employees; we’re rather quick to put something like “responds well to criticism” in our employee appraisal systems but be bold enough to put the shoe on the other foot. Engage with your staff; provide a free and safe environment where they can raise issues so, as agency leaders, you can measure how your brand impacts on staff/employer reputation — listen and then act immediately to fix whatever needs fixing.

Talents and skills

In our industry, all we have to sell are our talent and our skills, things that not only contribute to the balance sheet but overall staff satisfaction and brand appreciation.

I was fortunate enough to launch my career in advertising with a brand which truly lived the mantra of being a family. I started at the bottom, worked my ass off and made sure I constantly surrounded myself with inspirational leaders. Through their leadership skills, I learnt how to receive well and to pass on well, so by the time I had people reporting to me, I was equipped to strike a balance between being nurturing and providing tough teaching moments. After almost 15 years in advertising, I have a deep-rooted passion for the people in this industry.

See also

 

MarkLives logoLaunched in 2016, “The Big Q” is a regular column on MarkLives in which we ask key advertising and marketing industry execs for their thoughts on relevant issues facing the industry. If you’d like to be part of our pool of panellists, please contact editor Herman Manson via email (2mark at marklives dot com) or Twitter (@marklives). Suggestions for questions are also welcomed.

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SA TV Ratings: e.tv — primetime top 20 for Aug 2019

by MarkLives (@marklives) The hottest primetime shows on e.tv in South Africa revealed: TV ratings for August 2019.

e.tv logo for SA TV Ratingse.tv, August 2019

Top 20 Programmes All Adults 15+
August 2019 Prime Time 5.30pm—10pm
Adults 15+ years U:35830 S:8422

Source: BRCSA August 2019

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

 Tue 13/08/2019 1930 1958 e.tv Scandal Soap 17.43 6 244 135 44
Thur 29/08/2019 2130 2159 e.tv Imbewu: the Seed Dram 11.94 4 276 600 46
Tue 13/08/2019 1900 1928 e.tv Rhythm City Dram 11.93 4 274 166 31.7
Sat 31/08/2019 1929 2133 e.tv Moana Movi 8.17 2 926 025 28.3
Sat 17/08/2019 1927 2148 e.tv Annie Movi 7.91 2 833 778 28.2
Sun 11/08/2019 2000 2208 e.tv Quantum of Solace Movi 7.52 2 692 947 29.5
Sat 10/08/2019 1930 2123 e.tv Brave Movi 7.19 2 576 087 24.9
Mon 19/08/2019 2127 2130 e.tv English Premier League H/L Spor 7.19 2 575 091 17.7
Sun 18/08/2019 1958 2252 e.tv Skyfall Movi 6.88 2 464 166 30.3
Sun 04/08/2019 1959 2249 e.tv Casino Royale Movi 6.65 2 380 961 28.1
Sun 25/08/2019 2000 2301 e.tv Spectre Movi 6.49 2 326 786 30.7
Sat 24/08/2019 1929 2150 e.tv Ghostbusters Movi 6.08 2 176 889 21.7
Sat 03/08/2019 1929 2153 e.tv Epk:Pitch Perfect 2 Docu 5.96 2 133 826 23.4
Sun 11/08/2019 1800 1854 e.tv Little Big Shots Maga 5.66 2 029 122 19
Wed 07/08/2019 2157 2159 e.tv Scoop Entertainment Docu 5.2 1 863 514 34
Sun 18/08/2019 1929 1955 e.tv Blackish Sitc 5.06 1 812 904 15.6
Sun 18/08/2019 1800 1856 e.tv Showtime at the Apollo 2018 Real 5.04 1 806 170 16.9
Sat 17/08/2019 1605 1759 e.tv Barely Lethal Movi 4.35 1 559 852 21.1
Sat 17/08/2019 1800 1850 e.tv Fear Factor Real 4.28 1 531 703 16.3
Sun 04/08/2019 1900 1928 e.tv News Night News 4.21 1 508 911 13

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

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Media Redefined: Interrupt me

by Martin MacGregor (@MartMacG) Interruption is a very unfashionable concept in advertising these days; the shift to engagement is all the rage. But YouTube has been flighting unskippable ads in the middle of content and, strangely enough, I don’t mind so much.

I’m always fascinated in large meetings, watching how the various personalities look for ways to get their point across. Some say very little, and wait carefully for the right moment. Others push and blurt at every possible moment. Ultimately, consensus is reached and usually everyone has a chance to have their say. Styles might differ but communication happens.

Different ways

In the world where it’s “all about engagement”, brands have forgotten that, dependent on message, there are lots of different ways to have their say. The quest for carefully crafting the right message for the right time and place often leads to a very measured approach. It might all be very relevant, but is it making an impact?

Being interrupted may feel jarring. It can be shocking and annoying and stir emotions. But isn’t that exactly the right time to get a memorable message across?

YouTube’s initial strategy of ads at the beginning of content with the 5s skip option has been a failure (it would never admit it). It never understood the difference between sitting on a couch, waiting for a TV programme to start, and clicking on a link, expecting to watch immediately. Advertising at the former moment is mildly irritating. At the latter, it’s massively annoying.

More natural

Once the content has started, there’s an immediate relaxation and YouTube viewership becomes very similar to that of TV. An ad breaking that viewing moment feels a lot more natural and I’ve found myself not trying to move it on manually.

Consuming social media often leads to ending up a place that’s very different to where the initial intent started. This because is a Twitter, Instagram or Facebook feed throws up content pieces that interrupt and take you on a journey to all kinds of interesting people and opinions. This behaviour is often looked at negatively but interruption is a fact of modern media consumption. It’s not perceived nearly as badly as what most brands think, either.

Yes, the content needs to be engaging, but the media tactic is very much about interruption. Don’t be scared. Go forth and interrupt!

 

Martin MacGregorMartin MacGregor (@MartMacG) is managing director of Connect, an M&C Saatchi Company, with offices in Johannesburg and Cape Town. Martin has spent 18 years in the industry, and has previously worked at Ogilvy and was MD of MEC Nota Bene in Cape Town. He contributes the monthly “Media Redefined” column, in which he challenges norms in the media space, to MarkLives.com.

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Always Learning: Experience at the heart of marketing

by Kirsten Dewar. Understanding why products don’t bring humans lasting happiness is the clue to understanding the future of marketing.

Do you remember the first time you really wanted something and became obsessed with getting that object for yourself? Perhaps it was one of those ultra-cool Polaroid cameras that everyone was talking about — the beautiful pale pastels and the retro allure of great Insta snaps that were oh-so tangible. An instantly printed photo to stick on the fridge, or give to a friend? You lusted after that pastel-coloured Polaroid. Got some cash together. Bought it. But how happy did the purchase make you, and for how long? Were you still excited about that camera a week after you bought it? What about the next year?

What makes us happy

To understand what makes us happy, let’s delve into the world of psychology. “One of the enemies of happiness is adaptation. We buy things to make us happy, and we succeed. But only for a while,” writes the expert on human happiness, Thomas Gilovich, who is the Irene Blecker Rosenfeld Professor of Psychology at Cornell University in the US. Gilovich is the author of several bestselling books and has conducted research in social psychology, decision-making, and behavioural economics. “New things are exciting to us at first, but then we adapt to them,” Gilovich explains. The bottom line? Consumerism isn’t the path to nirvana.

Gilovich’s social and behavioural economics experiments show that humans become too easily comfortable with new things. This is the science behind why material goods fail to bring us lasting happiness. Gilovich has done four huge studies on human happiness over a number of decades, and the insights revealed by the research always remain the same — happiness is derived from experiences, not things.

James Hamblin explains this so eloquently in an article in The Atlantic entitled “Buy Experiences, Not Things”. In it, he advises that humans should live in anticipation, gathering stories and bedding down experiences in our cerebellum and storing them as memory. “Reasonable people are just more likely to talk about their experiential purchases than their material purchases,” he writes. “It’s a nidus for social connection. (‘What did you do this weekend?’ ‘Well! I’m so glad you asked … ‘)” Humans love one thing more than experience — and that’s sharing the stories of their experiences.

Co-creation

Experience lives in the field of co-creation, that place we refer to as the theatre of the mind. When you’ve booked a longed-for break away to Mauritius, you start to dream about it and you fill in the gaps — the bikini you’re going to wear, the cocktail you’ll drink, the beaches you’ll bronze on, and so on.

How important is it for brands to understand the difference between products and experiences, and what this means for the future of marketing? Understanding this helped the inventor of the Dollar Shave Club create a business that he was able to sell to Unilever for a cool US$1bn. Why did Unilever pay so much? Because it wasn’t buying an ecommerce operation; it was buying a business built on relationships off of the back of deep insights.

Writes Bloomberg about the deal two years ago: “Dollar Shave Club hit the jackpot when Unilever agreed to buy the online men’s razor merchant for $1 billion. Other e-commerce startups such as Birchbox and Stitch Fix can’t necessarily expect their own suitor to sweep in with such sweet deals. That’s because the key to Dollar Shave Club’s appeal is not so much its online prowess but the fact that it built a powerful brand in four years.”

Experience

The key to this is the experience that Dollar Shave Club has embedded in the ritual of shaving, the way it connects humans through experience, and how it pulls the community together based on common values.

Dollar Shave Club launched because a Los Angeles-based TV producer felt ripped off by the exorbitant prices of replacement razor blades. He certainly had a point: a packet of Gillette PRO blades retails at Clicks for R519. By stark contrast a starter kit comprising a razor, a spare blade and three tubes of shaving butter clocks in at just US$15 [about R230 according to the US dollar/rand exchange rate at the time for writing.]

The heart of Dollar Shave Club’s flywheel is trust — the enviable brand that has been built because the business play was about data, and fully understanding what customers want. Finally, the founders were incredibly smart about creating a club-like experience everybody wanted to be a part of.

The reward for understanding that brands are now about relationships and selling? A cool US$1bn. And the lesson? To truly understand that experience is at the heart of the future of marketing. Knowing how to create shared experiences that matter is the new holy grail of marketing.

 

Kirsten DewarKirsten Dewar started her career in data and research, before moving into technology, which took her to Platinum Seed; today, she is the managing director of the digital specialist company. She contributes the monthly MarkLives column, Always Learning, which aims to teach marketers more about digital marketing, from how to conquer Facebook’s algorithms to what LinkedIn’s new company pages mean for B2B brands.

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Q5: Mandi Fine on striking a balance between science & art [interview]

by Carey Finn (@carey_finn) Mandi Fine (@mandifine), the CEO of strategic consultancy F/NE Group Global, speaks to us about the changing shape of marketing and communications — generally and in healthcare, her speciality.

Q5: You believe that science is transforming marketing and communications. Could you elaborate on that?
Mandi Fine: As the world we live in becomes more and more about data and analytics, marketing is becoming more personalised, sophisticated and scientific in nature. We are going to have more data available to us as marketers which will tell us, for example, what our customers consume, what they choose to read, what media they engage with, and when and how they make certain decisions. This means that marketing to them will increasingly become more about data and analytics. That said, consumers are human, and human decisions are very often about a gut feel, as well as who and what we trust. This means that, data aside, the most-important part of differentiating in marketing is about building authentic relationships with customers.

Q5: Data is everywhere. How can we use it optimally?
MF: Differentiating what is important in a data set is crucial. The more data we have, the harder it becomes to understand what the marketing “hooks” are. When analysing data, the art and science of analysis will need to come into play to create meaningful, differentiated messaging.

I remember, when F/NE launched Viagra in South Africa more than 15 years ago, there was a lot of data and information about the product and how it worked. We built the launch campaign around one piece of information in particular, namely: “40 % of men over 40 have erection problems”. This piece of information was crucial to launching this product. It was important because, for men, it played into the insight that they “were not alone” and the problem was common. It spoke to a human truth about not seeking help, because men feel that they are different and unusual if they have erectile dysfunction. The crucial information that plays into a human truth is the art and science of using data in marketing.

Q5: You have built your business as a “strategic hub”. Could you explain this model, and how it works?
MF: This has been one of F/NE Group’s key success factors and is a core reason for the longevity of the business. A “strategic hub” means that only specialist strategists and account managers are hired by the organisation, while we call on a network of partners who are brought in on a “best of breed” basis for design, content, and implementation. Strategy is at the core of what we do. Over time, as media channels have evolved, we have been able to work with cutting-edge creative partners who have assisted in taking us forward. This operating model has created flexibility and agility for us, and also means we are channel-agnostic and can work with large and small budgets alike.

Q5: Sketch out the skill-set of the ideal marketing and communications employee for us — what’s on their CV?
MF: We believe that candidates who have a mix of skills (science and art) are best placed to succeed in our fast-evolving world. Life skills, grit and multiple skillsets are an asset in today’s competitive environment. The ideal marketing professional should have an appreciation of the arts — be it music, drama or design — and be scientifically or analytically minded. They should also have a love for creativity and travel, and be inspired and engaged by the world around them.

Q5: What trends can we expect to see in healthcare communications in the coming years?
MF: Artificial intelligence (AI), virtual reality (VR) and new technologies are redefining healthcare and the practice of medicine and care. I was very honoured to be a judge at Cannes Lions in the Pharmaceutical category in 2017, and again this year at Dubai Lynx, as it was inspiring to see how technologies are being used in amazing ways in healthcare communication. The use of VR and AI can take patients and doctors to places they have never been before. Imagine using VR to reduce the pain of highly invasive therapies like chemotherapy or MRIs.

While algorithms will revolutionise diagnostics, AI cannot replace the caring part of healthcare. Nurses and care workers will still be as important as ever, even as machines become more important in doing the more-predictable tasks.

Storytelling is as relevant as ever, while purpose-driven marketing is most relevant for healthcare brands, as they have the ability to really change and save lives. We really work in the most-exciting category.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with a decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diversive fields.

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Fair Exchange: Learning through the ranks for effective leadership

by Erna George (@edgeo23) Must a chief marketing officer or specialist director start in the junior ranks of brand management or may they join from general business, strategy or other communication fields?

When I last wrote about the balance between experience and a novel and newer perspective, I concluded that the “focus must be on balancing the effect of practised knowhow and proficiency with relevance and fresh thinking”. This stimulated a debate among a few colleagues about what this means for senior leadership within marketing.  The opinions were multiple and fairly split but, when I asked for the ‘why’ behind the sentiment, shifting opinions and strong general themes became apparent. After the general chat, I posed this question in depth to about 15 people across the various levels within marketing, from senior HR parties to senior GM.

Minority view

The minority view was that time through the ranks isn’t a prerequisite.

Thinking started along the lines of it may work if “you are a strategic person and have the expertise and experience (in any field of marketing)”. Given the focus of a senior director’s role is on setting the vision and providing strategic perspective on branding, a few seemed comfortable that this is possible. A key benefit cited was that, with this strategic focus, it would be easier to avoid the person delving into the detailed inner workings of campaigns or projects which disempowers (the word used was “suffocates”) junior team members. It’s tempting to fall back into a comfort zone, with the result that one never allows team members to push boundaries, explore fresh options or lead the thinking.

What was interesting as conversations unfolded is that about half that started backtracking on their initial views. The provisos ranged from:

  1. Perhaps they wouldn’t have been a brand or marketing manager but it would be highly beneficial to have had at least more junior roles to ensure understanding of the dynamics, the processes and progression through the levels.
    (We did discuss that this would constitute learning through the ranks!)
  2. Some thought it was idealistic to expect hands-on experience; exposure could be driven from in-depth research on the tasks and shape of junior positions or to immerse themselves with the teams across various aspects of the roles to understand critical focal points, challenges and opportunities. Listening would be the most-important requirement in this journey. So, with a sound strategic background within a different field (eg a strategist from an agency), one can apply thinking from the past but needs be open to learning about ‘the other side’ to build the ability to navigate and lead on elements such as commercial, innovation, sales focus etc.

Context

Some weren’t keen on a definite yes or no; it was all about the context.

The industry was deemed a critical determining factor. In particular, for FMCG, it was felt that it was a distinct advantage, if not requirement, to have had junior experience to avoid lofty principles being applied in time-pressured and fairly structured environments. For many in this group, it wasn’t a blanket aye or nay and, beyond the qualifier of industry, the following were vital:

  1. A passion for the field beyond the boardroom or strategy — a willingness to walk the walk.
    Leaders without experience in marketing junior positions, or new to the industry of the business, were expected to participate in a cross-section of interactions to immerse themselves in the value chain the marketing team is working within. Why? So that they understood where to break rules and where toeing the line is more beneficial and how to judge between these.
    (Doesn’t this sound familiar from the first group’s expectation of exposure or immersing in the value chain their team operate within?)
  2. The other area, where concession wasn’t an option, was a curiosity and commitment to be consumer-led.

Overall, it was interesting to listen to the hemming and hawing, and the conclusion from this group was indeed a level of discomfort as, while they didn’t want to be definite, many struggled to find examples of where they have seen people without direct exposure succeed in the long-term or without fairly tough and steep learning curves.

Majority view

For the majority, it was a resounding no and the critical aspect was around leadership principles.

For these people, it wasn’t to say that the person wouldn’t be able to do the job overall, as many skills are transferable, especially in the corporate world. The key consideration was how could one provide guidance and make optimal decisions without specific knowledge and skills or without having experienced that environment themselves and having executed the daily tasks of a marketing professional? This belief rests within the perspective that are certain skills and approaches one learns through trial, and this is important to manage when empowering others.

The comparison was made to an HR director, with only general management experience, trying to deal with an angry or militant union; he or she is likely to fair better with some experience under their belt. Having built muscle around actual trial would make application easier and more pertinent.

  1. The incumbent must have an appreciation for the context marketers are operating in to be an effective leader. Having an understanding of the work and requirements from his/her team helps with clear output expectations, realistic timings and relevant problem-solving guidance. In addition, this group felt that actual time in marketing teams allows a leader to credibly cut through the bull quickly so the real opportunity won’t be missed.
  2. The biggest areas of concern were around effective leadership:
    1. Empathy for the team having walked the walk
    2. Delivering or judging talent progression journeys, and
    3. Rallying the team with gravitas

Most were adamant that their history with leaders who had no direct experience resulted in a limited ability to provide the best support and guidance or offer clarity in directing activities. Theoretical views aren’t sufficient. Rallying behind a way of working and vision requires more than general views and strong magnetism.

Strong similarities

While there were some subtle differences across the three groups, when it comes to senior leadership roles in specialist areas, there were strong similarities in opinions:

  1. While experience in the field is preferred, without this the next best solution is to immerse oneself in the industry and specific inner workings of the marketing department in the first 10-days plan; this enhances the planning and execution of strategies and workings of the team for progression planning
  2. Listening is critical in this journey — looking for the nuances allows the person to have a critical eye to optimise what’s working and relevantly fix what needs work but also to effectively guide, support and empower the team
  3. Keep the consumer at the heart always (hopefully the easiest to deliver on)

What was more interesting is that there were few strong features that could be distinguished between each group, except that the resounding “no” group was made up of the most junior (seeking strong leadership and guidance) and the most senior, in addition to most of the cross-functional team views (offering some experience beyond the marketer perspective). A bigger sample is definitely required.

Conclusion

Overall, it was an interesting conversation with areas of discomfort for many, perhaps indicating an opportunity to have greater clarification and gravitas in the articulation of the responsibilities and career trajectory for marketers. But, for now, the conclusion is that specialist marketing director roles require insight and experience on specific skills or abilities within the industry and/or on the client-side; this prior experience, in conjunction with curiosity, would facilitate an ability to develop strong future-growth thinking.

See also

 

Erna GeorgeAfter starting at Unilever in a classical marketing role, Erna George (@edgeo23) explored the agency side of life, first as a partner at Fountainhead Design, followed by the manic and inspiring world of consultancy at Added Value. She has returned to client-side, leading the marketing team in the Cereals, Accompaniments & Baking Division at Pioneer Foods. Her monthly “Fair Exchange” column on MarkLives concerns business relationships and partnerships in marketing and brandland.

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#BigQNarratives: An African narrative — is there such a thing?

by MarkLives (@marklives) Is adland embracing an African narrative? Are South African advertising agencies and brands embracing an authentically African narrative and aesthetic or do they continue to imitate American and European work? What can agencies, and brands, do to shift the paradigm towards embracing a unique creative identity that speaks to our African roots? Next in our panel to tackle this question is Jupiter‘s Michelle Beh.

Michelle Beh

Michelle BehMichelle Beh is the managing and strategy director at The Jupiter Drawing Room (Cape Town) (@JupiterCT). She has extensive experience working with global brands in developing their branding and advertising strategy for over 16 years across Asia-Pacific and South Africa on brands including include BMW, Budget Insurance, Burger King, HP, Hyundai, Mediclinic, Protea Hotels, SASKO (Pioneer Foods), Nokia, Singapore Telecommunications, Skip, Singapore Tourism Board, Unilever, Virgin Group, Windhoek Beer and Zurich Insurance.

First, there’s a need to clarify that the African narrative is not singular.

Africa is made up of 54 countries. All of them have their individual identities, unique historical backgrounds and complex socio-economic dynamics. Businesses have realised that they can’t take a model that works in one African country and apply that to another. Doing business across the continent is a lot more complex than any other continent. South Africa alone is made up of so many diverse groups: Zulu, Xhosa, Ndebele and Swazi, Sotho, Tswana, Shangaan-Tsonga, Venda, Coloured, Afrikaans and so on, with 11 national languages.

There are so many facets that brands have to consider when they want to create a unique identity that is true to and speaks to Africans.

Go back to the fundamentals — meaningful local insights

As there’s more competition giving consumers more options, brands need to work harder to connect with and convince their audience with distinctive and meaningful brand stories.

To have an authentic narrative that your audience react to, agencies and brands need to define their audience segment(s) clearly to be able to get to a truly unique insight. That takes time and sometimes courage because, to get so granular, you may have to exclude some segments.

There are universal human truths but it’s important to acknowledge that there are local and cultural nuances to those insights across different regions, countries and segments. For example, caring for family members is universal but, in some parts of Africa, that care generally includes financial responsibilities for the extended family members.

There are also unique local cultural insights that can’t be found elsewhere in the world, eg music and dancing is such a big part of cultural expression and African spirit that it’s used as a communications tool, even at difficult and painful times. There could also be product usage insights that are unique to the local audience, eg unsliced bread which is used in quarters for kota.

Beyond African language and look-and-feel

It was heartening to see the winners at Loeries this year, as they showcase a movement of going beyond just focusing on an Afrocentric look and feel.

It’s wonderful that African brands want to show their roots by using African talent, music, fashion and look and feel in their ads. However, that is just skimming the surface and doesn’t bring across local consumers’ frustrations and hopes, their fears and dreams.

Nando’s bravely called out the brands which were misappropriating the African culture without really connecting with real consumer insights. I have to say that’s a minority of brands, as more brands are going deeper and tapping into different sub-cultures and perspectives of African stories.

Metropolitan Life talked about death by using the After Tears party setting.

https://youtu.be/7eZQpru-oQ8

Coke interpreted its global “Share-a-Coke” campaign with The Phonetic Can.

Brands shouldn’t fear that they’re excluding other cultures by focusing on a specific culture. If they’re doing it in an authentic and real way, people will value the brand more for showing empathy and understanding. After all, we share many similar values, even if there are cultural differences.

Beyond cultural nuances

In an era where businesses are encouraged to be purpose-driven to win their consumers’ trust and confidence, there should be so many unique territories that brands can own to connect with their local audiences. We live in a country where people are grappling with so many issues on a daily basis. This is where brave brands can truly make a difference and get people to talk on their behalf, as some brands have done, such as Carling Black Label with its #NoExcuse call and the Nelson Mandela Foundation and Philips’ #ShaveToRemember activation. Both brands leveraged their brand/product in an authentic way to call for change and action.

https://youtu.be/j3L1Pb_RF-I

However, beware if you jump onto the brand purpose bandwagon without actually walking the talk. It’s easy for brands to just produce an ad that creates awareness about an issue. Consumers expect brands to actually stand up and do something about the issue. It’s important to make sure that your brand has the right to speak about the cause and can realistically do something about it.

No, we don’t have an African narrative

We have more than one African narrative, and many more African stories that need to be told. There’s enough inspiration for marketers and agencies to build truly engaging connections. We just need to go back to the basics: how may the brand be meaningful in its local audience’s lives?

See also

 

MarkLives logoLaunched in 2016, “The Big Q” is a regular column on MarkLives in which we ask key advertising and marketing industry execs for their thoughts on relevant issues facing the industry. If you’d like to be part of our pool of panellists, please contact editor Herman Manson via email (2mark at marklives dot com) or Twitter (@marklives). Suggestions for questions are also welcomed.

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Zeitgeist of Now: Anti-perfection’s rise

by Jason Stewart (@HaveYouHeard_SA) Since Instagram launched in October of 2010, it’s garnered over 1bn users. It’s changed dramatically, however; it’s no longer a space where you share photos with your friends but a public platform promoting your perfect life. This has resulted in the phenomenon we call 2-Selves, where people have two identities, one living in the real world and the other on social media… and a major influence on the Zeitgeist of Now.

Zeitgeist of Now Anti-perfection 01 Kylie Cosmestics on Instagram
Kylie Cosmetics on Instagram

For most people, social media is a slightly improved extension of their real selves but, for a significant portion of the user base, the combination of peer pressure, acceptance/conformity and constant comparison has caused a priority preference to place more value on their social self than their real self.

There’s a desperate need to control, curate and project the perfect image that will receive the instant gratification of positive affirmation from their adoring (yet critical) followers. This need has caused a creeping backlash to the perfection that Instagram is known for, spreading into areas where technology has allowed for the easy manipulation of beauty and aesthetics. We’ve been oversaturated with the overproduction of perfection to the point where we are craving the real, the raw unfiltered and flawed versions of life. One of the first brands to respond to this movement was Dove with its real beauty campaign.

Zeitgeist of Now Anti-perfection 02Another area where shift has been noted is that of parenting. Previously, ads focused on celebrating the calm, peaceful experience of parenting (any parent knows this isn’t true). Now, we’re seeing brands acknowledge the tiring, chaotic and difficult life to the relief and exuberance of a target market who finally feels heard.

This feeling of exuberance and relief is felt by the majority who’ve been inundated with a perfect complexion of the visual aesthetic every day in their newsfeed. This is why they’re responding to visual aesthetics that are ‘damaged’, as it feels better, more soulful, more natural, easier. It’s more interesting to look at, more stimulating to the mind, more distinctive and, therefore, more memorable.

Normcore is one of today’s most-influential fashion trends. At first people thought it was a joke yet now it’s seeped into the ideology of modern fashion trends — based on the premise of opting for clothes that are meant to be average — purposely unfashionable and purposefully blending in rather than standing out… and standing out because if it.

Zeitgeist of Now Anti-perfection 03But so strong is the revulsion against perfection that we’re not only seeing a return to real but also the purposeful and extreme production of fake flaws and extreme ‘ugly’. Morphed, dark and scary evolutions of the human form are shown with design styles that are aimed at causing a sense of disgust. This search for the opposite of perfection also feeds our thirst for novelty, something that is more interesting and offers a refreshing alternative to the increasing shallowness of the last decade.

Need convincing? Just consider this: One of 2019’s most beautiful shoes is a sneaker that can only be described as a blend of both average and ugly.

Zeitgeist of Now Anti-perfection 04We’ll never completely wipe out humanity’s instinctual love for symmetry, beauty and sex: the reasons that the likes of Instagram, the Kardashians and Matthew McConaughey will always be popular. Yet, because of this oversaturation and overproduction, we’re being driven to seek out anti-perfection. Flaws, boring and normal as they are, are all satisfying, relieving and interesting. It’s creating a new definition of beauty and cool. It’s a forced breakout of our instinctual nature.

Key lessons

The key lesson brands may take from the anti-perfection trend are

  • Be aware that your audience has 2-selves, the real self and the social self. Each self has different requirements and needs, and brands need to be aware of this when defining the relationship.
  • Be aware of your audience’s appetite and definition of beauty within the context of their lives, and ensure you’re delivering just as much on their emotional need as on their aesthetical needs.

 

Jason StewartJason Stewart is co-founder of HaveYouHeard (@HaveYouHeard_SA), a full-service agency. Zeitgeist of Now, his new column on MarkLives, is inspired by the agency’s proprietary tool developed to understand the invisible but powerful forces that influence people, products, culture and societies. If we appreciate these, he argues, we become more-effective marketers.

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MarkLives Agency Revenue Rankings 2019

by MarkLives (@marklives) Our latest revenue ranking update, released today, Monday, 7 October 2019, aims to give marketers an overview of the relative scale of advertising agencies in the South African communications landscape.

South African currency currency notes courtesy of Pixabay
Image courtesy of Pixabay

Revenue bands and staff count aren’t reliable indicators of the health of a business but they do offer important context in terms of the scale of new business an agency can take on and their relative positioning in the industry (in the categories small, medium and large). This year we’ve also added BEE levels.

Agencies listed in the ranking are included based upon publicly available revenue bands for 2019. The information has been sourced directly from agencies and holding companies, through a survey run via MarkLives.com, and from publicly available information, including the business and trade press, such as AdFocus, and our directory service, Ramify.biz.

Note: Billings is the amount of client money that flows through an agency; what you can touch but you can’t keep equals billings. Revenue is the money agencies get to keep, and this is the number MarkLives is working on.

2019 ranking (largest to smallest)

Agency

Network/ independent

Staff count

BEE

Source

R550m+

Incubeta Independent 350 Level 2 Management
Ogilvy South Africa WPP 850 Level 1 Management
TBWA\South Africa Group Omnicom 533 Level 2 Management

R450–550m

Publicis Groupe Africa Publicis Groupe 1500+ Level 1 Management
Wunderman Thompson South Africa WPP 500 Level 1 Management

R350–450m

The Creative Counsel Publicis Groupe 1000+ Level 1 Management

R250–350m

TBWA\Hunt Lascaris Omnicom 305 Level 1 Management

R200–250m

FCB Joburg IPG 188 Level 1 Management
Joe Public United Independent 300 Level 3 Management
King James Group SA Independent 329 Level 1 Management
VMLY&R South Africa WPP 300 Level 1 Management

R150–200m

99c Independent 350 NA Management
M&C Saatchi Abel M&C Saatchi 170 Level 1 Management

R125–150m

N/A N/A N/A N/A

R100–125m

Iconic Collective Independent 200 Level 4 Management
Liquorice Publicis Groupe 100+ Level 1 Management
McCann1886 IPG 119 Level 2 Management
The Riverbed Agency Independent 50+ Level 1 Management
Tradeway Independent 65 Level 1 Management

R80–100m

Avatar Johannesburg M&N Network 49 Level 1 Management
Demographica Independent 50 Level 1 Management
Grey Advertising Africa WPP 130 Level 1 Management
HelloFCB+ IPG 81 Level 1 Management

R70–80m

Clockwork Media Independent 69 Level 2 Management
Grid Worldwide Omnicom 57 Level 1 Management
Hellocomputer Joburg IPG 62 Level 1 Management

R60–70m

Carat Dentsu Aegis Network 54 Level 2 Management
FoxP2 Group Dentsu Aegis Network 54 Level 1 Management
Leo Burnett Publicis Groupe 100+ Level 1 Management
MullenLowe IPG 44 Level 2 Management
Saatchi & Saatchi Publicis Groupe 60+ Level 1 Management
Vizeum Dentsu Aegis Network 40 Level 1 Management

R50–60m

Promise Independent 76 Level 2 Management
Publicis Machine Publicis Groupe 50+ Level 1 Management

R40–50m

Flume Independent 48 Level 2 #AgencyFocus
Havas Village Havas 71 Level 2 Management
Mela M&N Network 15 Level 2 Management
The Odd Number Independent 35 Level 1 #AgencyLeaders2019

R30–40m

DUKE Group Independent 71 Level 1 Management
HDI Youth Marketeers Omnicom 22 Level 2 Management
Jellyfish Independent 69 Level 4 Management
MSL Publicis Groupe 40+ Level 1 Management
Old Friends Young Talent (OFYT) Independent 58 Level 4 Management
Rogerwilco Independent 49 Level 2 Management

R20–30m

Black River FC WPP (49%) 35 Level 1 Management
BRANDTRUTH//DGTL Independent 25 Level 2 Management
Conversation LAB Independent 60 NA Management
Creative Spark M&C Saatchi 30 Level 1 Management
HaveYouHeard Independent 50 Level 2 Management
Hoorah Digital Independent 45 Level 2 Management
iProspect SA Dentsu Aegis Network 29 Level 1 Management
Minanawe Publicis Groupe 20+ Level 1 Management
Mpull Independent 38 NA Management
NP Digital Independent 30 Level 2 Management
Red Cherry Interactive Independent 25 Level 1 #AgencyFocus
Retroviral Independent 13 Level 2 Management
Swipe iX Independent 30–40 Level 7 #AgencyFocus

R10–20m

3Verse Independent 24 Level 2 Management
Abnormal Advertising Independent 12 Level 2 #AgencyFocus
Amnet Dentsu Aegis Network 12 Level 4 Management
Avatar Cape town M&N Network 9 Level 1 Management
BWD Advertising Independent 18 Level 1 Management
Dalmatian M&C Saatchi 10 Level 1 Management
Darkstar Independent 7 Level 1 Management
DentsuX Dentsu Aegis Network 8 Level 2 Management
M&C Saatchi Connect M&C Saatchi 14 Level 1 Management
M&C Saatchi Africa M&C Saatchi 22 Level 4 Management
Mobi Hunter Independent 7 Level 3 Management
Platinum Seed Independent 20 Level 4 Management
SoulProviders Collective Independent 25 Level 3 Management
The Jupiter Drawing Room (Cape Town) WPP (49%) 20 Level 4 Management

Under R10m

Avatar Media Agency M&N Network 2 Level 1 Management
Avatar PR M&N Network 5 Level 1 Management
BE Independent 10 NA Management
Epitomic Branding Independent 2 Level 2 Management
Fear & Faith Independent 2 #AgencyFocus
Kilmer & Cruise Independent 9 Level 4 Management
Lemok Agency Independent 10 Level 1 Management
M&N Entertainment M&N Network 13 Level 1 Management
Power LAB Independent 4 NA Management
Retroactive Independent 4 Level 1 Management

The information provided by agencies is impossible to audit and MarkLives accepts such information in good faith.

Left out? Add your information for inclusion.

See also

Updated at 11.02am on 14 February 2020; 6.35pm on 25 October 2019; 10.17am on 21 October 2019; 15.09pm on 11 October 2019; 9.12 am on 8 October 2019, and 11.29am, 11.17am, 10.41am and 9.45am on 7 October 2019.

 

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