Ad of the Week: Indefinably untaggable

by Oresti Patricios (@orestaki) Ogilvy & Mather Cape Town and Sam Coleman of Giant Films bring a unique and uniquely South African take to the Audi Q2 #untaggable campaign by collaborating with an unique South African model.

Beauty, we are told, is in the eye of the beholder. But, as the beholder, we are moulded by society: we are taught from an early age to understand what is ‘beautiful’ and what is not. It’s this very subjectivity of ‘beauty’ that is challenged in modern and postmodern art. From the fundamentals, such as symmetry and what colours ‘go together’ to the complex, such as what constitutes ‘good bone structure’, the foremost artists and designers look for beauty in unexpected places. Sculptures made from trash, subjects chosen from unconventional places, composition that breaks ‘the rules’ — a progressive approach to design seeks an aesthetic that undermines the conventional and makes us look at the world with fresh eyes.

When it comes to car design, much is constrained by engineering factors. Aerodynamics, safety and performance have resulted in cars that have a certain similarity in terms of shape and form. It is also affected by the role the car plays — whether it’s made for city cruising or off-road adventuring. Here’s where Audi has hit on a differentiator. And this is a brand that loves to be different — not for difference’s sake but for the sake of innovation, beauty, poetry. To be smarter, pioneering, sustainable and connected.


Pinterest icon View all the Ads of the Week at a glance on our #AdoftheWeek Pinterest board!
YouTube icon Watch our 2017 #AdoftheWeek playlist on YouTube


Audi’s new campaign is all about the brand’s newest model. The new Q2 doesn’t fit neatly into any descriptor. It has a luxury interior, coupe performance, off-road capability and urban style. To illustrate this concept, Ogilvy Cape Town has produced an ad that says very little about the car, but a lot about the philosophy behind the design. Audi is big on philosophy; after all, it says, “Vorsprung starts in the mind.”

The Q2 looks unusual but that’s not a bad thing; the campaign around the world has been to focus on this factor and build a message around the hashtag #untaggable. The SA ad features a model who is unusual: Thando Hopa, who is in part distinctive because of her albinism. Hopa challenges the conventional concepts of beauty and embodies a certain enigmatic aura that is explored in this well-filmed and styled piece that is so much more about her than it is about the car.

The soundtrack driving the pacey edits in this film is an electronic dance piece with a distinctly SA feel — created for the ad by Markus Wormstorm. In case you don’t know, Wormstorm was featured in the Future Sounds Of Mzansi doccie as a pioneer of electronic music in SA. He’s also the founder of The Wormstore, and has collaborated with the Arthur C Clarke-winning writer, Lauren Beukes.

Filmed in an industrial environment, the initial focus is on details of Hopa’s face: her eyes, with the hashtag ‘#blue_eyes?’; her hair, with the hashtag ‘#blonde?’; and, finally, she emerges from clouds of industrial steam to reveal herself in full, with the hashtag ‘#beauty?’.

It’s an arresting image, for one who might be expecting a more ‘conventional’ model. The montage that follows, all shot in industrial blues that contrast with Hopa’s pale skin, uses hashtags to question and challenge our preconceptions:

“#model?” shows Hopa contrasted with bald, undressed shop mannequins — calling into question the role of models in selling not only clothes but other things, such as cars;

“#actress?” has Hopa displaying various emotions — and she is an aspiring actress;

“#lawyer?” depicts Hopa in a white suit surrounded by a vortex of papers — Hopa is a lawyer by profession, practising in Johannesburg;

Finally, “#activist?” shows Hopa dressed in a punky black-and-white outfit, with a cloud of pink smoke exploding around her. Hopa reportedly entered modelling partly because she saw it as a way of challenging and changing the popular perception of albinism, according to a News24 article.

The copy on the screen asks: “what if we don’t fit the #boxes?”; followed by: “what if we don’t want to?” The scene flash-cuts to a close-up of the (unusually-shaped) Q2 headlamp lighting up, followed by a quick montage of the car from various angles. The sequence ends with the hashtag “#untaggable”, which has been the international slogan for the launch of this model of Audi.

Having looked at some of the international ads, I can honestly say that this is one of the most-original and -arresting ads for the car. In choosing Hopa as a symbol, Audi has entrenched the brand as one that challenges convention by creating something exciting and new, and providing a new definition of beauty and style.

To Ogilvy Cape Town, for being forward-thinking and looking at things in new way. Yes, indeed. Vorsprung does start in the mind.

Credits

Agency: Ogilvy & Mather Cape Town
Executive creative director: Nicholas Wittenberg
Agency producer: Ali Coetzee
CD/art director: Mark Hafele
CD/copywriter: Neil White
Production: Giant Films
Director: Sam Coleman
Producer: Boris Vossgatter
Executive producers: Emma Lundy & Cindy Gabriel
Director of photography: Vicci Turpin
Art director: Josie Minty
Wardrobe: Bridget Baker
Offline editor: Charmaine Greyling
Post production: The Upstairs Ludus
Online editor: Xander van Der
Colourist: Nic Appostoli
Sound design/composer: Markus Wormstorm

 

Oresti PatriciosAd of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research. If you are involved in making advertising that is smart, funny and/or engaging, please let Oresti know about it at info@ornicogroup.co.za.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Bookmarks 2017: Digital work, not agencies, the winner

by Herman Manson (@marklives) The Bookmarks Awards 2017 have come and gone and, overall, specialist digital agencies seem to have been whipped into second place by larger, integrated shops. For all the winners, go here.

Analysing the finalists

Scale has something to do with it: Ogilvy & Mather South Africa had a total of 53 finalists (Ogilvy Johannesburg 22, and Gloo@Ogilvy with 31), NATIVE VML had 30 finalists (plus another seven in partnership with Joe Public United), Hellocomputer/FCB had 27 and King James Group 23. Liquorice was the largest specialist digital pure-play, with 17 finalists. Gorilla Creative Media had 16.

But you said you are integratedLooking at the finalists list, it’s interesting to see several agency groups pushing entries under the banner of their digital business units, when this seems at odds with the integrated pitch to clients.

In one instance at least — that of Ogilvy — the list was consolidated under the mother brand after the list of finalists was released. Anyway, Ogilvy announced a global restructuring in January 2017 which would see it ditching business units in favour of an “integrated enterprise”.

Specialist digital agencies that seemed generally underrepresented, especially at the finalists stage, include Aqua (three finalists), BaseTwo (one), Clicks2Customers (one), Creative Spark (one) and Mirum Johannesburg (formerly Quirk, one). Trigger Isobar didn’t feature at all. And where are the other integrated shops born of digital – (Publicis Machine and Avatar jumps to mind)?

Analysing the winners

Walking away with three Golds were Net#work BBDO (one of which was done in collaboration with INJOZI) followed by Ogilvy with two.* King James Group took one, as did FoxP2 (out of seven finalists) and NATIVE VML. In terms of digital shops, Nona Creative, RogerWilco and Liquorice each took a single Gold. On the publishing front, 24.com dominated, as expected, with three Golds (it also took Best Publisher).

Interestingly, two chicken fast-food brands came out tops: KFC and Chicken Licken both picked up Gold (two and one respectively). Nando’s, why are you missing? KFC also took Brand of the Year.

Other brands taking Gold include Ster-Kinekor, Tusker Lager, Absa, Amarula, Absolut Vodka and Sendr.

I visited a microsite onceIn terms of categories, FoxP2 took content strategy for Ster-Kinekor. Search went to Rogerwilco, while mobile apps went to King James Group.

I don’t understand why microsites are still being done but they are — two of them picked up Gold.

In terms of Silver, King James Group dominated with seven awards, followed by NATIVE VML with six (one won in association with Joe Public United), Hellocomputer with five (some shared with FCB Africa), Ogilvy with four, and FoxP2 and Net#workBBDO with two each.

Its strong overall showing saw Ogilvy South Africa walk away with the Best Agency Award.

  • Correction 2017/03/20: A previous version of this story incorrectly stated Net#work BBDO had won two golds.

 

Herman MansonHerman Manson (@marklives) is the founder and editor of MarkLives.com.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Big Q: Concept of transformation not embraced by our industry

by MarkLives (@marklives) The marketing and advertising industries are transforming. So why are so many black professionals disgruntled with the rate of progress? And is the quality of most of the work specifically directed at a black audiences still sub-par? We emailed a panel of key industry executives for their take. This week it’s the turn of Sbu Sitole of The Odd Number.

Sibusiso “Sbu” Sitole

Sbu SitoleSibusiso Sitole has 13 years of experience in the advertising industry and is co-founder and executive creative director of The Odd Number. Since opening shop in 2015, the agency has attracted clients such as BBC Entertainment, Brand South Africa and Heineken International (working on Sol Beer),  and has won Gold and Bronze Loeries, a Gold Pendoring, the Umpheta Pendoring award and a Creative Circle Ad of the Month. The Odd Number is currently ranked at no. 15 in the South African Creative Circle rankings, coming in as the no. 1 black-owned and -managed advertising agency in South Africa. It was also joint runner-up for One to Watch in South Africa in 2017 , as well as the joint One to Watch in Jozi in 2017, in our MarkLives Agency Leaders’ Most Admired poll for 2016.

I think the reason we’re still grappling with questions like these after so many years is that the concept of transformation hasn’t been embraced by our industry. We’re an industry that doesn’t want to be told what to do, or even how to do it. We have our own ideas about the future of advertising in South Africa. So, while we’re transforming as an industry, we’re often doing it for the wrong reasons — because government has made it a mandate. Our focus as advertising and marketing businesses is how to get our BEE scoring as close to level 1 as possible, instead of understanding why transformation is important.

Cultural relevance

Brands succeed when they break through in culture, and branding is a set of techniques designed to generate cultural relevance. What is culture? Simply put, it’s the customs and social behavior of a particular society. The best way to break through South African culture is to have a deep understanding of it from various perspectives. We need to embrace the society we live in, understand its people, and find meaningful and effective ways of communicating with them. Therein lies the true value of transformation.

We have very few black advertising professionals in senior positions at advertising agencies. In creative, I can’t think of many creative directors and ECDs in the country’s top agencies. For some young black professionals, it becomes difficult to see yourself occupying leadership positions but, more importantly, it’s even harder to feel like the leadership at your agency understands you. For instance, a great vernacular script may not be as hard-hitting when you translate it to your CD, because the insight is difficult to explain.

This is why black advertising professionals are disgruntled. Because they don’t want to be the black face in the meeting; they’d rather be heard and make a meaningful contribution. They don’t want to only be given the ‘black’ briefs; they want to be amazing creative people across segments. They don’t want to sit in a pitch so that their agency looks more transformed; they want to be a valuable team player. Much like white advertising professionals, they want to be the best at what they do!

Trust and nurture

So, instead of hiring us to change a scorecard, agencies need to trust and nurture us. They must nurture our insights, our ideas, and allow us the opportunity to connect with a culture that many of us know so well. That’s when breakthrough will happen; that’s when the work aimed at black audiences will be braver, more insightful and a whole lot more meaningful.

What compounds the whole issue is that, instead of taking risks to create powerful, memetic work, we’re relying more and more on data and programmatic marketing. As if repeatedly showing a ‘vanilla’ marketing message to a targeted audience will breakthrough eventually. Yes, there’s value in analytics and data, but there’s power in taking creative risks and working with the black people in the building to help mold cultural nuance. This will move the work aimed at a black audience from subpar to powerful.

Transformation, in its truest form, will keep black advertising professionals inspired; it will keep the advertising agency’s thinking diverse; it will create braver work that breaks through the current clutter; and, ultimately, it will help grow a larger much-needed pool of black advertising professionals for our industry.

The marketing and advertising industries are transforming, albeit slowly.

See also

 

MarkLives logoLaunched in 2016, “The Big Q” is a regular column on MarkLives in which we ask key industry execs for their thoughts on relevant issues facing the ad industry. If you’d like to be part of our pool of potential panellists, please contact editor Herman Manson via email (2mark at marklives dot com) or Twitter (@marklives). Suggestions for questions are also welcomed.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

SA TV Ratings: e.tv — primetime top 20 for Jan, Feb 2017

by MarkLives (@marklives) The hottest primetime television shows on e.tv in South Africa revealed: TV ratings for January and February 2017.

In 2016, the Broadcast Research Council of South Africa (BRCSA) changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

e.tv February 2017

BRCSA TV Ratings February 2017 primetime e.tv

Source: BRCSA February 2017

 

e.tv January 2017

BRCSA TV Ratings January 2017 primetime e.tv

Source: BRCSA January 2017

Broadcast Research Council of South Africa

 

The Broadcast Research Council of South Africa (the BRC) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

MagLove: The best magazine covers this week (17 March 2017)

MediaSlut (@MediaSlut)’s choice of the best international and South African magazine covers this week:

  • L’Equipe
  • The New York Times Magazine (Music Issue)
  • Plascon Spaces
  • rooi rose (75th Birthday Issue)
  • The Guardian Guide

Find a cover we should know about? Tweet us at @Marklives and @MediaSlut.
Pinterest icon Want to view all the covers at a glance? See our MagLove Pinterest board!


L’Equipe, 18 February 2017

L'Equipe, 18 February 2017

PMS. Periods. Menstruation. Monthlies. The curse. That time of the month. So many different ways of referring to it, but it still comes down to one thing, and its big reality. L’Equipe, a French sports magazine, does an investigation into the “last taboo of sport”, and illustrates it subtly yet extremely effectively! Kudos*!

*Kudos (from the Ancient Greek: κῦδος) is acclaim or praise for exceptional achievement. So, not another way of referring to PMS…

 

The New York Times Magazine, 12 March 2017 (Music Issue)

The New York Times Magazine, 12 March 2017: Music issue

What a stunner of a cover, issue, and article (especially digitally!). The amazing typography (or lettering, as it’s called), is done by artist Braulio Amado. Make sure you hop over to the special webpage to get the full effect of this great piece of work as it not only lists the 24 artists and songs but has great writeups, photography and — wait for it — the actual songs that are included for each of them! Oh, and you can download each song if you want to. AND there’s a special podcast where they “talk to some of the great writers in this issue about the songs that spoke to them”…

Here’s the list of songs and artists you will find:

  1. Send My Love (to Your New Lover) — ADELE
  2. You Want It Darker — LEONARD COHEN
  3. I’m Better — MISSY ELLIOTT
  4. Mask Off — FUTURE
  5. Jolene — PENTATONIX
  6. We the People … — A TRIBE CALLED QUEST
  7. One Night — LIL YACHTY
  8. Rewind — KELELA
  9. This Girl — KUNGS VS. COOKIN’ ON 3 BURNERS
  10. Make Them Die Slowly (John George Haigh) — CHURCH OF MISERY
  11. Barok Main — MICA LEVI & OLIVER COATES
  12. Mourn at Night — KA
  13. Hold My Mule — SHIRLEY CAESAR
  14. A Woman’s Face — Reprise (Sonnet 20) — RUFUS WAINWRIGHT
  15. Copper Canteen — JAMES McMURTRY
  16. U.B.U. — SOLANGE
  17. Side to Side — ARIANA GRANDE
  18. Fade — KANYE WEST
  19. Trolley Song — CÉCILE MCLORIN SALVANT
  20. Grigio Girls — LADY GAGA
  21. OOOUUU — YOUNG M.A
  22. Changes — CHARLES BRADLEY
  23. Seigfried — FRANK OCEAN
  24. Your best American Girl — MITSKI
  25. Bad and Boujee — MIGOS

Bonus track

  • Spit Out the Bone — METALLICA

 

Plascon Spaces, Autumn 2017

Plascon Spaces, Issue 23, 2017: Autumn

Plascon Spaces not only always creates and inspires with beautiful colour palettes but the story it tells with some of its covers, and the inspiration offered, is what I really love! This is a “young person’s workspace” (clearly a young girl) yet, instead of going with the normal pinks, it’s showing that her room may be just as beautiful (if not more) by breaking the mould — and I adore it! What I also love about this cover and the styling is that, wherever I look on the cover, I see objects and colour that inspire my own child’s room (one day). Here’s more information about the objects and colours on the cover. And, if you want more inspiration, read all the back issues free of charge on its website.

 

rooi rose, April 2017 (75th Birthday Issue)

rooi rose, April 2017, 75th birthday issue with Karen Zoid

No, it’s not Karen Zoid who is 75 (she’s 38), it’s rooi rose which is really looking great for its age! It feels like just the other day that it celebrated its 70th (with a truly memorable issue and foldout cover), yet here we are again! Congratulations with your birthday, ma’am! Go behind the scenes with Zoid here..

 

The Guardian Guide, 17 March 2017

The Guardian Guide, 17 March 2017: Simon Amstell

Look familiar? That’s because this is a comedic replica of the memorable New York Times Magazine issue of 21 August 2016 (#4 in my Top 10 list last year), with Statue Simon Amstell, the English comedian, television presenter, director and actor, instead of Statue David. Love a bit of humour every so often J. Read more here.

 

MediaSlutMagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The anonymous (for now) blogger behind MediaSlut knows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Winners: Bookmarks 2017

by MarkLives (@markives) The IAB SA has announced the winners of the 2017 Bookmarks Awards. Congrats to all.

Here are all the winners, in alphabetical order according to category.

Brand, commercial & retail websites

Prize

Entry company

Brand

Product

Title

Campaign

Silver Absa Absa Absa.co.za
Silver Superbalist.com Superbalist.com Superbalist.com website Superbalist.com website
Bronze Hellocomputer, FCB Africa Lexus Lexus.co.za V2.5
Bronze King James Group Sanlam Investments Investments Smart Invest Website

 

Branded content

Gold NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source Absolut One Source
Silver FOXP2 Ster-Kinekor Ster-Kinekor #OpenEyes
Silver King James Group City of Cape Town Metro Police Metro Police Ride-along
Bronze Ogilvy & Mather South Africa Volkswagen South Africa Volkswagen Brand 011Beats

 

Chat, messaging & dark social

Bronze Liquorice Unilever Knorr Whatsfordinner with Dinner on Demand
Bronze SuperSport, Levergy, Aqua SuperSport Euro 2016 – Chat, messaging and dark social

 

Content strategy

Gold FOXP2 Ster-Kinekor Ster-Kinekor #OpenEyes
Silver Gorilla Creative Media Unilever AXE You Gotta Dry
Silver King James Group City of Cape Town Metro Police Metro Police Ride-along
Silver NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source
Bronze Joe Public United/Native VML Nedbank Sponsorships #GoSandile Twitter Track

 

Craft — ad ops

Craft Bronze 25AM KIA 25AM’s Ad Operations Team

 

Craft — client service

Craft Silver King James Group Sanlam Sanlam Social Media Channels

 

Craft — interface design

Craft Silver INJOZI and Net#work BBDO Chicken Licken Chicken Licken Kung Fu Kung Fu
Craft Silver Net#workBBDO Mercedes-Benz C-Class Coupe Virtual Reality test drive –  C-Class Coupe
Craft Bronze Ogilvy Castrol Castrol Race to the Fastest Place on Earth
Craft Bronze Hellocomputer, FCB Africa Lexus Lexus Website V2.5

 

Craft — marketing copywriting

Craft Silver Hellocomputer CANSA Testi-monials
Craft Bronze Net#work BBDO Virgin Money Insurance Not Like Insurance

 

Craft — news or feature writing

Craft Gold 24.com a Division of Media24 Netwerk24 Netwerk24 Die stil aktivis (The quiet activist)
Craft Silver 24.com a Division of Media24 News24 King Hlaudi’s rise to power

 

Craft — online video production

Craft Silver King James Group Sanlam Mr Madumane Music Video
Craft Silver NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source Absolut One Source
Craft Silver Ogilvy Yum Brands KFC Shakin Shakin Meal Shakin Shakin
Craft Silver Superbalist.com Superbalist.com Editorial Video Content: The Dakar Express

 

Craft — organic search marketing

Craft Gold Rogerwilco Rogerwilco The Rogerwilco Organic Search Team
Craft Silver R.O.I Digital Madison – The Heart of New York Women’s Footware R.O.I Digital’s SEO Team

 

Craft — paid search marketing

Craft Silver Saatchi & Saatchi Synergize ADT, P&G, Toyota Paid Search Optimisation Excellence in Paid Search Marketing

 

Craft — research

Craft Silver Rogerwilco Rogerwilco WOLF – A Research Enabler

 

Craft — social media community management

Craft Bronze Cerebra Vodacom Brand #TeamRed
Craft Bronze Ogilvy Yum Brands Burrito KFC Burrito

 

Craft — strategy

Craft Silver NATIVE VML NATIVE VML INDIVIDUALS/ Make New SA Hero’s happen Donovan White

 

Craft — UX design

Craft Silver Hellocomputer, FCB Africa Lexus Lexus Website V2.5

 

Customer experience design

Gold Absa Absa Absa.co.za Website Absa.co.za

 

Data-driven campaign

Bronze NATIVE VML Nedbank Greenbacks Rewards #LoveGreenBacks

 

Digital campaign

Silver FOXP2 Ster-Kinekor Ster-Kinekor #OpenEyes
Silver NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source
Bronze Ogilvy Volkswagen South Africa Volkswagen Genuine Parts Technically Digital Campaign Technically
Bronze Hellocomputer & FCB Cape Town CANSA Testi-monials
Bronze Ogilvy Yum Brands KFC Shakin Shakin Meal Shakin Shakin

 

Digital installations & activations

Gold Nona Creative Anon. Game/Recruitment Tool Do You Even Dev? Digital Installation Do You Even Dev?
Silver Joe Public United/Native VML Nedbank Sponsorship #GoSandile Twitter Track
Bronze Levergy Marketing Agency Audi Audi Sport and A4 vehicle Bowling Lab

 

Digital strategy

Bronze King James Group Democratic Alliance DA Elections 2016
Bronze Liquorice Unilever uGive Do you give a click?
Bronze NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source
Bronze Ogilvy Yum Brands KFC Fill Up Meals Fill Ups

 

Display advertising

Bronze Ogilvy Volkswagen South Africa Volkswagen Genuine Parts Technically banners Technically
Bronze NATIVE VML BMW BMW X1 BMW Webjack

 

E-commerce sites

Bronze Spree.co.za Spree Spree Online Fashion Store Spree Ecommerce Store
Bronze Superbalist.com Superbalist.com Superbalist.com website Superbalist.com website

 

Email, direct & inbound marketing

Bronze Hellocomputer The Inner Circle & The Glenlivet Decoding The Glenlivet Cipher

 

Existing social communities

Silver King James Group Sanlam Sanlam Social Media
Bronze Havas Boondoggle Durex The Big O
Bronze Ogilvy Viacom – MTV #LetsTalkColour #LetsTalkColour

 

For good platforms

Silver Liquorice & FCB Distell Amarula #NameThemSaveThem
Bronze Ogilvy Volkswagen South Africa Amarok Amarok Social Test Drive

 

Games

Gold INJOZI and Net#work BBDO Chicken Licken Chicken Licken Kung Fu Kung Fu
Silver Clockwork Media Ster-Kinekor Regression Regression launch
Silver Ogilvy Castrol Castrol Race to the Fastest Place on Earth

 

Innovative use of media

Silver Ogilvy Volkswagen South Africa Volkswagen Brand 011Beats
Silver Ogilvy Volkswagen South Africa Volkswagen Genuine Parts Technically – Eligible Bachelor Technically
Silver Nona Creative Anon. Game/Recruitment Tool Do You Even Dev? Digital Installation Do You Even Dev?
Bronze Honeykome Sportingbet Online Sports Betting Site I Bet You Don’t Skip
Bronze Ogilvy Viacom – MTV #LetsTalkColour #LetsTalkColour

 

Innovative use of mobile media

Gold Net#work BBDO Diageo Tusker Lager Team Kenya
Silver Ogilvy Volkswagen South Africa Volkswagen Genuine Parts Technically – Eligible Bachelor Technically

 

Integrated multi-platform campaign

Silver Ogilvy Volkswagen South Africa Volkswagen Brand 011Beats
Silver NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source
Silver Net#work BBDO Diagio Tusker Lager Team Kenya
Bronze King James Group Sanlam The Conspicuous Savers
Bronze NATIVE VML PASSOP I am Muslim
Bronze Net#workBBDO Chicken Licken Rock my Soul Meal Inner Peace Integrated Campaign
Bronze Ogilvy Viacom – MTV #LetsTalkColour #LetsTalkColour

 

Live event coverage

Silver 24.com a Division of Media24 News24 News24 Elections 2016
Silver 24.com a Division of Media24 News24 News24 Video #FeesMustFall
Bronze eNCA.com eNCA.com Elections 2016

 

Microsites

Gold Liquorice Distell Amarula #NameThemSaveThem
Gold Ogilvy Yum Brands KFC Fill Up Meals Fill Ups
Silver Hellocomputer & FCB Cape Town CANSA Testi-monials
Bronze Iconic Bet.co.za Bet.co.za Betmatch
Bronze Superbalist.com Superbalist.com The Superbalist 100 The Superbalist 100

 

Mobile apps

Gold King James Group Sendr Sendr Sendr
Bronze King James Group SmartMoney SmartMoney SmartMoney
Bronze Superbalist.com Superbalist.com The Superbalist App The Superbalist App

 

Mobile campaign

Gold Net#workBBDO Diageo Tusker Lager Team Kenya
Gold Ogilvy Yum Brands KFC Shakin Shakin Meal Shakin Shakin
Bronze Ogilvy Volkswagen South Africa Volkswagen Brand 011Beats
Bronze Ogilvy Vodacom Vodacom NXT LVL Bundles Vodacom NXT LVL Soccer

 

Mobile publications

Gold 24.com a Division of Media24 News24 News24 Elections 2016
Silver 24.com a Division of Media24 News24 News24.com

 

Native advertising

Bronze NATIVE VML Pernod Ricard South Africa Absolut Vodka Absolut One Source

 

Online news video

Silver 24.com a Division of Media24 News24 News24 Video

 

Online photography

Silver Casimir TV Casimir Magazine Casimir Magazine Casimir Photography

 

Online video channels

Silver Project Isizwe TshWi-Fi TV LIGHTS, CAMERA, CITIZENSHIP: TshWi-Fi TV engages, entertains and empowers Tshwane

 

Organic search marketing

Silver Clicks2Customers Virgin Active A Total Organic Workout
Bronze Rogerwilco Triumph Giving Triumph a Lift

 

Paid search marketing

Silver Safarinow SafariNow PPC Business Data Boost
Bronze Saatchi & Saatchi Synergize Toyota Vehicle Range Driving Media Efficiency

 

Public service & NPO platforms

Gold Project Isizwe TshWi-Fi.co.za TshWi-Fi.co.za – Content Portal Empowering Free WiFi Users
Silver 23Red & Jolly Good Digital NHS Blood and Transplant (NHSBT) Blood donations Virtual Blood Donation
Silver Hellocomputer & FCB Cape Town CANSA Testi-monials

 

Publisher apps

Silver 24.com a Division of Media24 NetNuus NetNuus Yellow brick road to success
Silver 24.com a Division of Media24 News24 News24 Elections 2016
Silver 24.com a Division of Media24 News24 News24 App

 

Publisher sites

Gold 24.com a Division of Media24 News24 News24.com
Silver 24.com a Division of Media24 Netwerk24 Netwerk24 Lessons from behind the paywall
Bronze Times Media Times Media BusinessLIVE BusinessLIVE

 

Social media campaigns

Silver FOXP2 Ster-Kinekor Ster-Kinekor #OpenEyes
Silver Hellocomputer CANSA Testi-monials
Silver King James Group Sanlam Sanlam The Conspicuous Savers
Bronze King James Group City of Cape Town Metro Police Metro Police Ride-along
Bronze Ogilvy Yum Brands Burrito KFC Burrito
Bronze Ogilvy Viacom – MTV #LetsTalkColour #LetsTalkColour

 

Social media publications

Bronze 24.com a Division of Media24 Daily Sun Daily Sun Daily Sun, Tshwane on Fire
Bronze eNCA.com eNCA.com Elections 2016

 

Social paid advertising

Silver King James Group Democratic Alliance DA Election 2016

 

Special features

Gold KFM Radio – A Divison of Primedia (PTy) Ltd EYEWITNESS NEWS The untold story of Mbuyisa The untold story of Mbuyisa
Silver eNCA.com eNCA.com Election Polls
Bronze 24.com a Division of Media24 News24 Matric Results

 

Specialist publisher sites

Silver Soccer Laduma Soccer Laduma Transfer Window News Dominating Football’s Peak Season
Bronze 24.com a Division of Media24 W24 W24 W24 is here!

 

Streaming services

Silver Aqua Wunderman The Brave Ideas Podcast

 

VR

Bronze Hellocomputer Toyota The Toughererest VR Test Drive

 

Web applications

Bronze Publicis Machine Jaguar Land Rover Automotive Market Cart
Bronze Rogerwilco Rogerwilco The WOLF Web Application

 

Best of

Category

Prize

Entry company

Brand

Name/title

Best Publisher News24
Best Agency Ogilvy
Best Digital Student Gold Vega School Bernard Cloete, Julia Smith and De Wet Cilliers
Best Digital Youngster Gold Promise Katlego Phatlane
Brand of the Year Gold Ogilvy KFC
Best Marketer Gold Nedbank Vanessa Singh
Best Contribution to Transformation in the Digital Industry Gold Livity
Pixel for Purpose Gold Joe Public United/Native VML Nedbank #GoSandile
Best Individual Contribution to Digital Gold Creative Spark Matthew Buckland

 

For more, go to thebookmarks.co.za.

 

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Fair Exchange: Shifting of consumer benefits erodes brands

by Erna George (@edgeo23) Changing the rules of engagement for any relationship is not easy — let alone a brand-consumer relationship. While I can certainly see how it can be necessary, how it leaves consumers feeling is critically important. Even if the why is understood, unless there is a benefit to the consumer, a change is difficult to swallow. Finding a way to select the way to change the benefit and how to communicate it is a marketer’s challenge especially, when the benefit feels more company- than consumer-focused.

For example, a friend was waiting for an Uber late one Sunday evening which, on request, was three minutes away. Almost 20 minutes later, it still was not there and was heading in the opposite direction. Wary of Uber’s new rules, he waited another 10 minutes before cancelling and requesting another. As he was paying cash, it could not charge ahead of time but a cancellation fee of R25 was added to his bill for the next one. Frustration and disappointment. Now, to get a refund was relatively simple but still required effort at 10pm on a Sunday evening.

Consumer vs marketer

When the changes are ‘forced’ on me, as a consumer I get irate but, as a marketer, I may sometimes relate. These changes happen and may be required by changing market circumstances: costs increase, raw materials become difficult to obtain, consumer-demand or -usage of a benefit exceeds plans or the tough economic circumstances require cost decreases. Consumers may say it is not their problem but a negative impact on profitability will limit the ability of the brand to continue and, ultimately, the benefit or convenience they enjoyed will be lost.

I could spend a considerable time going through all the reasons to justify brand actions but the rationale is often not the point. The wrong move may mean the demise of the brand, especially if competitors are able to counteract.

Seldom do brand teams get to spend significant investment on explaining why. PR may help but the most effective would be to find the shorthand that conveys a benefit of the change to the consumer. Just how could Cadbury have conveyed that a move to a 90g and subsequently 80g bar was great for consumers? How does FNB deal with the continued reduction in benefits of its eBucks programme, especially loss of airport lounge entries? At this point, I have to take a step back and seriously consider if every change I’ve made in my career has been with purely the consumer at its heart — not easy.

Catch 22

Thinking of Mondelēz’s situation with Cadbury, the consumer was probably right at the heart of its decision, given that, in today’s economy, maintaining affordability is probably as important to the consumers and the business. This was a Catch-22 situation: simply increase price, and retailers and consumers would complain; reduce the slab size and consumers are unhappy. Difficult to win and difficult to communicate.

Colleagues and friends not in marketing often say that “we marketers” can make anything seem okay. I would hazard that this is less true today as savvy consumers are more questioning than ever before. With social media, public participation and, if managed poorly, public anger regarding these issues is guaranteed, simply putting lipstick on this type of gorilla will not suffice.

To be honest, I don’t have clever advice on this situation. As I think back on similar situations I’ve been in, I also struggle to sit in judgement of others. But I can tell you what I’ve learnt over the years:

  1. If there is a choice on where to cut or what to change, spend sufficient time and effort to understand where best to reduce benefits. Doing this in the least-important benefit area, feature or experience is likely to minimise the negative impact.
  2. To do the above, one needs to understand the decision hierarchy for the category and brand distinctive assets really well, plus the trade-offs people make. Consider checking with consumers (research) to see if you can turn lemons into lemonade and pinpoint the area of least impact while achieving the required business benefit. Thinking on Uber, asking for payment upfront reduces the value of paying for exactly what is received ie if traffic is light, cost could be reduced. Convenience is reduced if, as with my mate’s experience, the driver doesn’t deliver and clients need to extend their wait or go to the trouble of getting a refund, no matter how quick the credit process. The one thing I do know is that, if my consumer doesn’t love it, it doesn’t matter what I do — it is unlikely to take off.
  3. The communication plan and tone are key. Find a way to communicate the benefit of the change or to compensate for the change. Maybe identify a way to up-weight another benefit area to help offset the ‘loss’. Consumers don’t want to be told they must simply accept things or be told that they cannot afford something, so tread carefully

Little perceived empathy

The only point I may criticise is on repeating a shift with little perceived empathy for the consumer. As a rewards programme, eBucks is not a must-have; it is a tool for retention and a sweetener for acquisition. This non-core product has redefined benefits several times (reduced at least twice that I know of) and communicated it quite practically. Consumers have gone to great lengths, such as altering bank accounts, to get back to their same level of benefits, while others had shifted to the brand based on a set of promises that no longer apply. Loyal and new consumers might be reviewing participation and, if left with a feeling of being cheated, the concern is that this impacts their feeling towards the total brand offer.

While I understand the costs involved and the T&Cs around being able to change the offer, repeatedly reducing the benefits consumer deem valuable will erode the perception of the brand. The cost of this? Significant!

  1. Don’t be reactive — consider the best changes to make, based on consumer needs
  2. Be ready to be honest and have a PR plan ready to go to cover each touchpoint, as the feedback will be across social media and traditional media. (Maybe have a backup plan for resourcing on social media interface.)
  3. Beware of the ongoing erosion of benefits — not only could the buildup of frustration cause an explosion but, over time, your original offer (and benchmark) vanishes.

Benefits are currency

This is a tough area and will continue to be a reality. At least at a point in a brand’s lifetime, a change is likely, and keeping the consumer needs at the heart is vital. Benefits are currency — a practical business response about an issue people are emotionally invested in won’t cut it.

 

Erna GeorgeAfter starting at Unilever in a classical marketing role, Erna George (@edgeo23) explored the agency side of life, first as a partner at Fountainhead Design, followed by the manic and inspiring world of consultancy at Added Value. She has returned to client-side, leading the marketing team in the Cereals, Accompaniments & Baking Division at Pioneer Foods. Her monthly “Fair Exchange” column on MarkLives concerns business relationships and partnerships in marketing and brandland.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Africa Dispatches: Go further out [interview]

by Charlie Mathews (@CharlesLeeZA) Local mass-media content has devolved, says Kagiso Mnisi. The former-arts-writer-cum-content-guru laments that there was a time when mass media was a big fat social experiment. He reminisces about that golden era of socially relevant mass-media content that existed from the turn of the century to 2010.

“During that time, we saw mass-media offerings that triggered social discourse, such as Yizo Yizo, Y Magazine’s first five issues, Gaz’lam and The Lab,” says Mnisi. “In the absence of mass-marketed social experiments, independent content curators are thriving by immersing us in social politick,” he says, offering examples: “Some of these include work by The Honey, Creative Nestlings, Mushroom Hour Half Hour and Zara Julius.”

Kagiso Mnisi
Kagiso Mnisi

Jozi’s art scene

Mnisi has spent most of his career reporting on the evolution of Johannesburg’s art scene, which in turn has given him deep insight into the movements and cultural currencies that have enlivened the city’s aesthetic pulse. He’s also made documentary films but, today, he is the senior content manager for Eduze, an innovative local brand that distributes movies, games, music, ebooks and apps to mobile devices and computers — super-quickly and with no data cost. “The brand world has missed so many opportunities to engage in social discourse,” Mnisi exclaims. “Politics is life. Everyone in South Africa is deeply involved — like it or not — in politics; brands should chew on that for some time to come.”

He says that socio-political events such as the #feesmustfall protests and Nenegate were relegated to newsrooms, which, he quips, “haven’t been able rise above the perpetuation of political noise”. He adds, “The news space can do more to help my mother in Meadowlands understand the concept of the (non)feasibility of the National Development Plan, rather than lead with the speaker of parliament’s goat-sacrificing recreational activities,” explaining that, today, news brands favour ‘gotcha! journalism’, which is all about the crimes committed by black elites.

The Jozi content king says that local brands need to understand that there’s a lot more to creating appealing content than latching onto the hashtag of the moment: brands should look to tell stories that are contextualised and interpreted in thoughtful ways. “For instance, there is widespread panic across all sectors about the future of work and how we’ll all be replaced by machines,” he says, adding: “But no one is turning the narrative on its head to study how the role humans play will evolve concurrently with the mechanised world.”

Gentrified narrative trend

When it comes to understanding the people who consume content, Mnisi says that there’s been a trend by marketers to focus on a gentrified narrative that portrays a monolithic view of urban society. “You would swear that the sole strategy of today’s agency is to focus on the Braamfontein Cool Kids or Maboneng’s Sunday Market families, as opposed to the realities of the Brentwood-wearing cohort of Zulu men in Jeppestown just across the street.”

Mnisi maintains that most (if not all) agencies “just [don’t] have the cultural capital nor the balls to penetrate other worlds and therefore fail to appreciate the full strata of SA society.” He says that this is as true of the “spatial inequalities of Cape Town” as it is “the riotous sensibilities of Jozi”.

The content world, Mnisi maintains, has missed a trick. Advertising and journalism, he says, have neglected the opportunity to employ genuine storytellers. “These are individuals who are multilingual, multicultural and able to think and operate across various generational paradigms,” he explains. “As a result, the typical agency does not attract talent capable of tapping into the zeitgeist. Instead, they fixate on being incestuous in their recruitment, as well as blindly insisting on the very annoying ‘X amount of agency experience’ on job sites. The scholarship of marketing, its recruitment habits, and its white-only think tanks and panel discussions that are usually tucked away somewhere in Bryanston, should seriously be reimagined.”

Perennially myopic

But, South Africans are perennially myopic. Mnisi points out that the SA media’s level of participation with the rest of Africa that we live on is woefully inadequate. “We either look at the rest of the continent through a tourism lens — National Geographic style— or in terms of a specific country’s GDP,” he says. “The odd SA lifestyle show’s version of Kenyan authenticity will typically be the obligatory hop with the Maasai or, on the other end of the spectrum, Ethiopia’s railway as an example of industrial revolution.” He says we could be doing a lot more to better understand the complexity of the continent we all live in.

“A lesson for us down south is to go further and further out in our understanding the rest of Africa. Here’s a goodie on the idea of going further and further via a podcast with the ever-so-generous Saul Williams.”

If there’s a takeout from Williams and Mnisi, it is this: Forgo the comfortable. Take risks. Go further, and further out.

Find Kagiso Mnisi on Twitter and Facebook.

 

Charlie MathewsCharlie Mathews is a writer who likes to draw and is based in KwaZulu-Natal, South Africa, She is a contributing editor to MarkLives.com through her monthly “Africa Dispatches” column.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Clicks ’n Tricks: A brand aid for the prevention of STDs

by Charlie Stewart (@CStewart_ZA) We’re only two-and-a-bit months into the year and already we’ve seen some staggeringly cringeworthy uses of social media by corporates.

Socially transmitted doodoo

While I’ve been unable to find any definitive examples of stocks tanking as a direct result of an inappropriate tweet (if readers know of any, please comment below), I suspect it won’t be long before financial pundits coin a phrase for the impact of a misguided Facebook post on company share prices: socially transmitted doodoo (STD).

STDs certainly have the potential to move markets. Just ask Gerald Ratner, the CEO of the eponymously named 1000+ store jewellery chain. Back in the ’90s — and this was in the dark pre-internet age when blunders could generally be contained — he jokingly denigrated two of his company’s products while making a speech to the Institute of Directors (IoD) in London. Sadly for him, some journalists were present in the room. Their subsequent reports catalysed a £500m fall in the company’s share price.

Now, one place scarier than Ratner’s IoD is The London Dungeon.

Self-evisceration

Perhaps spending all day surrounded by implements of torture in the popular tourist hotspot does something to our ability to reason, but its marketing team managed to conduct the equivalent of a self-evisceration this Valentine’s day. In a display of crassness that would have had even David Brent (the boss character from Ricky Gervais’s The Office) blushing, the tourist attraction posted a series of captioned images as part of a dark Valentine’s promotion. One of them — probably the worst (but only by a whisker) — asked followers “What’s the difference between your job and a dead prostitute? Your job still sucks!” Cue accusations of misogyny, sexism and an inevitable revenue curbing boycott.

And then there was Audi.

I wonder what level of scrutiny its US marketing team applied to the approval process for its first Super Bowl ad. Clearly not much. The ad, with its clarion call for equality and equal pay between the sexes, was intended to tug at America’s heartstrings. But good intentions may all too readily translate into patronising righteousness — especially if your own business, as was the case with Audi’s, doesn’t walk the talk.

Ensuing storm

The ensuing storm saw criticism of Audi’s all male executive team trend, knocking even the tiny-handed-bouffant-tweeter’s fake news updates off Twitter’s charts.

While some may argue that Audi’s message was well-meaning and that it was unfortunate to meet with such a robust backlash, it strikes me that the company was guilty of an arrogance born in a pre-digital era. Back in the days of traditional broadcast advertising, the audience didn’t have a right to respond. In the past, an ad such as Audi’s might catalyse some grumbling among a special interest groups aware of its staffing composition but criticism would rarely spread beyond academia’s ivory towers.

Today’s different: the internet’s democratised marketing and it took just a matter of minutes for screengrabs of six pudgy white men (taken from the ‘members of the board’ page of Audi’s website) to start circulating across social media.

Bluffing about digital

Late last year Keith Weed, Unilever’s chief marketing officer, made a controversial but salient statement. He claimed most of the people who control marketing budgets don’t understand digital — that they are bluffing about digital based on what they read in marketing publications. In a call for the industry to improve training, he described three categories of marketers: digital natives — youngsters who were born into the digital world; people such as himself, who are in their 50s and are forced to engage with digital to have any form of relationship with their 20-year-old children; and whom he called the ‘lost generation’: people in their 30s and 40s who are neither digital natives nor do they have kids old enough to make them fully participate in the digital world.

Sadly, he reflected, this lost generation runs the marketing function in all too many companies and their decision-making is out of kilter with the environment in which they operate.

If brands want to avoid their own STD moment, they’d do well to heed Weed’s advice and make sure that everyone in the marketing team receives effective schooling in the risks, as well as the opportunities, digital presents.

Entrusting to the intern

In a pre-internet age, consumers would gather information from news media. Aware that a misplaced word could turn a positive story into a negative backlash, companies would generally appoint a single, highly trained individual to act as their corporate spokesperson/earned media custodian. Often this person would report directly to the CEO or at least have a dotted line to them.

But today, for some inexplicable reason, a surprising number of marketing heads feel confident entrusting their most-powerful consumer communication channel to the departmental intern. Maybe it’s because they think youngsters are better at Instagramming than they are.

One day, they’ll wake up to one of digital’s great paradoxes: that, more often than not, it’s the wrong content that goes viral — the carefully scripted and artfully shot YouTube video barely gets a view, but the inadvertent tweet goes global.

So, until we all take heed of Weed’s call, my guess is we’re in for a bumper set of STDs this year.

 

Charlie StewartCharlie Stewart (@CStewart_ZA) is CEO of Rogerwilco, a multi-award-winning independent digital agency best known for its expertise with Drupal, SEO and content marketing. A Scot by birth, he moved to South Africa in the early 2000s in his quest to support a winning rugby team — a search he’s reluctantly forsaken. Together with Mark Eardley, he co-authored Business to Business Marketing: A Step by Step Guide, (Penguin Random House, 2016) and may be found on LinkedIn. Charlie contributes the monthly “Clicks ‘n Tricks” column, which looks at how brands are using digital channels to engage their customers, to MarkLives.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Ad of the Week: Blooming marvellous radio ads

by Oresti Patricios (@orestaki) FCB Cape Town and We Love Jam have created a charmingly funny series of ads for Blooms Pharmacy which makes use of the ‘magic’ of radio to create a storied image, and then turn it on its head.

I love cognitive dissonance — it’s defined in various ways but I like to think of it as the moment when you become aware of two things that may both be true, yet each of these two concepts don’t agree with each other, and fight for supremacy in one’s mind. Some of the best humour makes use of cognitive dissonance — people such as Jerry Seinfeld are masters at finding and describing those aspects of life that don’t make sense. The king of the one liner, US comedian Steven Wright, could, in one sentence, make you realise that the way we live life, and the way we express things, is often contradictory. A classic Wright line, for example: “Everywhere is walking distance, if you have the time.”


Pinterest icon View all the Ads of the Week at a glance on our #AdoftheWeek Pinterest board!
YouTube icon Watch our 2017 #AdoftheWeek playlist on YouTube


In this innovative radio campaign for Blooms Pharmacy in Cape Town, the copy is cleverly designed to build a picture in the listener’s head. In the three radio ads created by FCB Cape Town and We Love Jam, the notion of the ‘theatre of the mind’ is exploited to the full to create a delightful moment of surprise. In each of the ads, the mental concept being built up in the listener’s mind turns out to be something quite different.

Each advert is narrated by a mature adult male, and each ad describes a scenario which one assumes (thanks to the carefully worded script) to be about an adult. But, right towards the end, one realises that this little story has really been about a child (or infant) all along.

The scene is set

In the first spot, “Office”, the scene is set: It’s a blue Monday for William Jones, who discovers that his workstation has been taken over by a certain Matthew Carr — “the same person who’d run into William in the corridor outside, and not even stopped to apologise.” The narration continues to tell the story of William’s day, and how he has been working very hard “to impress his superiors”, when Tina Hall came over and “scribbled all over his labour of love”.

At this point, the cognitive dissonance starts to kick in — this isn’t normal workplace behaviour after all! The next sentence seals the deal: “He was overtired, overstressed and, although biting Tina’s arm had been mildly satisfying, what he really needed was a unique paediatric remedy from Blooms Pharmacy.”

The second ad, “Flight”, tells the story of “Karen Smith”, who takes a plane trip, only to burst into tears and throw up on the man seated next to her. The third ad, “Mall”, is about “Michael Brown”, who gets dragged off to the mall against his wishes and manages to soil his pants before even making it into the entrance.

Charmingly amusing

The ‘reveal’ in all of them is clever and charmingly amusing, and a lot of the pleasure of these ads is to be had in the execution, which is masterful. The copy is superbly crafted and the gravitas of the older man’s voice (combined with a simple piano melody) makes the ads listenable and entertaining.

With the advent of regional radio, the medium has become more accessible for small- to medium-sized businesses, and it’s good to see that Blooms is not wasting the opportunity through a shoddily put-together spot (as many local retailers are wont to do).

FCB Cape Town takes us all right back to the golden era of radio with this smart, whimsical campaign that is full of drama and incredibly entertaining. Well done, FCB Cape Town, We Love Jam and Blooms — you’ve won gold. (But the Academy Award still goes to Moonlight.)

Credits

Advertising agency: FCB Cape Town
Executive creative director: Mike Barnwell
Art director: Dylan Davies
Copywriter: Alistair Morgan
Agency producer: Ashleigh Jarrett
Group account director: Steph Binns
Production: We Love Jam
Engineer: Arnold Vermaak

Credits updated at 9.27am on 15 March 2017.

 

Oresti PatriciosAd of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research. If you are involved in making advertising that is smart, funny and/or engaging, please let Oresti know about it at info@ornicogroup.co.za.

— Sign up now for the MarkLives email newsletter every Monday and Thursday, now including headlines from the Ramify.biz company newsroom service!

Online CPD Courses Psychology Online CPD Courses Marketing analytics software Marketing analytics software for small business Business management software Business accounting software Gearbox repair company Makeup artist