#AgencyFocus: The studio behind SuzelleDIY & Tali’s Wedding Diary

by Sabrina Forbes. The production house that brought you viral shows such as SuzelleDIY and Tali’s Wedding Diary began as an idea in a bedroom.

Brands & Branding: Brand-building — key lessons & insights from Nashua

by Dr Doug Mattheus. Building a company starts by offering a solution to the needs of others. Building a brand is more complex, with many different approaches to success.

#BrandFocus: Snacking made right — from generous joy to sustainability

by Sabrina Forbes. In South Africa, Mondelēz International employs 700 people and Cadbury Dairy Milk (and its entire range), Stimorol, Chappies, Halls, Oreo, Dentyne, and Lunch Bar, to name a few, are household brands.

#BrandFocus: Ster-Kinekor Theatres says it’s better at the movies

by Sabrina Forbes. According to Motheo Matsau, the new Ster-Kinekor Theatres deputy CEO, movies, unlike any other content, are a special occasion.

Clicks ’n Tricks: Performance doesn’t pay off for Adidas

by Charlie Stewart. Simon Peel, Adidas global media director, made a startling but refreshing confession during a talk at the EffWeek conference mid-October 2019.

#AgencyFocus: Flowing in the right direction with Flume

by Sabrina Forbes. Flume was founded 6.5 years ago by Jacques du Bruyn and Ruan Oosthuizen, two friends at the same phase in their lives but in very different industries who decided to create something of their own.

Only Connect Podcast: Retail & ecommerce in a recession • Ep 6

by Bradley Elliott. We speak to Veldskoen co-founder, Nic Latouf, about ecommerce and going global in this sixth Only Connect podcast episode.

#BrandFocus: KFC South Africa still innovating & collaborating

by Sabrina Forbes. For Suhayl Limbada, because KFC is considered a South African brand by most, it needs to stay true to that.

#BigQNarratives: SA adland can’t champion what it doesn’t understand

by MarkLives. Veli Ngubane is our third panellist to tackle: “Are SA ad agencies and brands embracing an authentically African narrative and aesthetic or do they continue to imitate US and European work?”

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