SAARF/MarkLives #Top40TVratings: Battle of the news broadcasts

by SAARF & MarkLives (@marklives) The week of 17 March — 23 March 2014 saw SABC 1 dominate eight of the Top 10 positions on our SAARF/MarkLives #Top40TVratings national chart, while Isibaya continued its climb on our DStv table, from no. 4 to no. 3, by growing its viewership from 965 632 to 1 115 462.

Satellite dishNews in IsiXhosa (SABC 1) was the most-watched news broadcast on our national chart, followed by news broadcast in IsiZulu (SABC 1), the News on e.tv.

This weekly roundup of South Africa’s TV audience viewership, a collaboration between the South African Audience Research Foundation (SAARF) and MarkLives, reveals the best-watched shows of the week before, where it ran and how many South Africans tuned in to watch.

We offer two tables, the first covering all households — free-to-air viewing (the various SABC channels and e.tv) as well as the DStv platform — and the second charting the best-watched shows on the DStv network of channels only.

SAARF/MarkLives #Top40TVratings Chart: 17 — 23 March 2014

National (include all households — free-to-air viewing and DStv platform)

Market Target Activity
National Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\Variable (r) AMR % AMR SHR %
1 GENERATIONS SABC 1 Soap opera Local 22.9 9 820 584 70.72%
2 NGEMPELAH SABC 1 Drama Drama 16.4 7 021 354 50.82%
3 AMAZA SABC 1 Drama Drama 16.1 6 899 474 51.95%
4 LOXION LYRIC SABC 1 Drama Drama 13.4 5 751 230 42.31%
5 MUVHANGO SABC 2 Drama Drama 12.2 5 226 002 42.54%
6 INTERSEXTIONS SABC 1 Drama Drama 11.4 4 878 678 37.98%
7 XHOSA NEWS SABC 1 News News 10.5 4 483 279 34.58%
8 SCANDAL e.tv Drama Drama 10.0 4 294 634 32.64%
9 TASK FORCE(DRAMA) SABC 1 Drama Drama 9.9 4 231 628 34.08%
10 ZULU NEWS SABC 1 News News 9.8 4 223 845 32.09%
11 FRIENDS LIKE THESE SABC 1 Variety Variety 9.8 4 199 722 36.25%
12 UNSTOPPABLE e.tv Movies Drama 9.6 4 134 478 37.99%
13 FAMILY BONDS SABC 1 Drama Drama 9.4 4 012 373 35.14%
14 SINGLE GALZ SABC 1 Sitcom Sitcom 9.2 3 963 341 31.04%
15 SELIMATHUNZI SABC 1 Variety Variety 9.2 3 943 258 31.03%
16 RHYTHM CITY e.tv Drama Drama 8.5 3 667 824 34.22%
17 POWERBALL SABC 2 Variety Variety 8.4 3 586 791 33.21%
18 ZAZIWA SABC 1 Variety Variety 8.2 3 517 853 28.39%
19 MR BOX OFFICE SABC 1 Sitcom Sitcom 6.5 2 784 428 24.36%
20 NEDBANK CUP GOLDEN ARROWS VS MAMELODI SUNDOWNS SABC 1 Sport Football (soccer) 6.4 2 754 289 25.87%
21 NEWS e.tv News News 6.4 2 726 705 22.72%
22 STREET FIGHTER:THE LEGEND OF CHUN-LI e.tv Movies Action/adventure 6.3 2 719 900 25.31%
23 KHUMBUL’ EKHAYA SABC 1 Magazine Magazine 6.3 2 710 225 24.62%
24 WWE WRESTLING RAW e.tv Sport Wrestling 6.1 2 637 644 29.82%
25 SPEAK OUT SABC 2 Actuality Actuality 6.0 2 592 252 27.60%
26 OUR FAMILY WEDDING e.tv Movies Drama 5.9 2 521 171 22.33%
27 MUVHANGO -R SABC 1 Drama Drama 5.7 2 446 029 46.29%
28 EKASI OUR STORIES:MAGEZA e.tv Drama Drama 5.6 2 398 808 22.08%
29 MUVHANGO -O SABC 2 Drama Drama 5.5 2 373 344 29.81%
30 STOKVEL SABC 2 Sitcom Sitcom 5.3 2 282 143 23.06%
31 GENERATIONS -R SABC 1 Soap opera Local 5.2 2 236 843 45.45%
32 DI WELE MAKGOLELA SABC 2 Variety Variety 5.2 2 235 027 23.32%
33 REAL GOBOZA SABC 1 Magazine Magazine 5.2 2 227 829 25.18%
34 NEWS HEADLINES SABC 1 News News 5.2 2 227 620 19.55%
35 EMZINI WEZINSIZWA -R SABC 1 Sitcom Sitcom 5.1 2 170 682 41.08%
36 DRAGONBALL:EVOLUTION e.tv Movies Action/adventure 5.0 2 143 389 38.98%
37 NYAN NYAN SABC 1 Reality Reality 5.0 2 131 174 22.77%
38 7DE LAAN SABC 2 Soap opera Local 4.9 2 114 477 19.75%
39 IZOSO CONNEXION SABC 2 Sitcom Sitcom 4.9 2 094 241 17.45%
40 ELECTION DEBATE SABC 1 Reality Reality 4.7 2 031 206 20.48%

DStv platform only

Market Target Activity
DStv Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\Variable (r) AMR % AMR SHR %
1 GENERATIONS SABC 1 Soap opera Local 16.5 2 227 673 49.65%
2 MUVHANGO SABC 2 Drama Drama 9.3 1 251 302 30.28%
3 ISIBAYA Mzansi Magic Variety Variety 8.3 1 115 462 25.14%
4 AMAZA SABC 1 Drama Drama 6.2 833 904 18.48%
5 XHOSA NEWS SABC 1 News News 6.0 813 883 19.04%
6 ZULU NEWS SABC 1 News News 5.9 803 943 18.29%
7 RHYTHM CITY e.tv Drama Drama 5.7 773 340 19.88%
8 SCANDAL e.tv Drama Drama 5.5 748 619 17.35%
9 NGEMPELAH SABC 1 Drama Drama 5.5 748 403 16.50%
10 POWERBALL SABC 2 Variety Variety 4.7 628 671 16.93%
11 NEWS e.tv News News 4.5 610 630 14.73%
12 SPEAK OUT SABC 2 Actuality Actuality 4.5 603 146 17.28%
13 FRIENDS LIKE THESE SABC 1 Variety Variety 4.4 593 316 14.48%
14 INTERSEXTIONS SABC 1 Drama Drama 4.2 573 666 13.82%
15 UNSTOPPABLE e.tv Movies Drama 4.2 571 394 14.37%
16 LOXION LYRIC SABC 1 Drama Drama 4.2 569 463 12.71%
17 KHUMBUL’ EKHAYA SABC 1 Magazine Magazine 4.1 554 959 14.68%
18 7DE LAAN SABC 2 Soap opera Local 3.6 489 452 12.59%
19 BIG BROTHER SA Mzansi Magic Reality Reality 3.5 471 947 12.19%
20 FAMILY BONDS SABC 1 Drama Drama 3.5 471 903 12.37%
21 SINGLE GALZ SABC 1 Sitcom Sitcom 3.4 463 757 10.70%
22 TASK FORCE(DRAMA) SABC 1 Drama Drama 3.3 444 686 10.43%
23 GENERATIONS -R SABC 1 Soap opera Local 3.3 441 882 24.51%
24 THE BOLD AND THE BEAUTIFUL SABC 3 Soap opera International 3.1 424 740 11.73%
25 MUVHANGO -R SABC 1 Drama Drama 3.1 424 345 21.77%
26 SELIMATHUNZI SABC 1 Variety Variety 3.1 414 689 9.92%
27 ZAZIWA SABC 1 Variety Variety 3.0 408 853 9.37%
28 SOCCER ZONE SABC 1 Sport Football (soccer) 3.0 405 858 11.56%
29 VODACOM SUPER RUGBY 2014 BULLS VS SHARKS SuperSport 1 Sport Rugby (all) 3.0 402 542 9.56%
30 WWE WRESTLING RAW e.tv Sport Wrestling 2.8 384 507 10.85%
31 NUUS SABC 2 News News 2.7 364 706 9.16%
32 NEDBANK CUP GOLDEN ARROWS VS MAMELODI SUNDOWNS SABC 1 Sport Football (soccer) 2.7 363 542 9.63%
33 STREET FIGHTER:THE LEGEND OF CHUN-LI e.tv Movies Action/adventure 2.6 351 383 9.83%
34 OUR FAMILY WEDDING e.tv Movies Drama 2.5 340 761 8.58%
35 STOKVEL SABC 2 Sitcom Sitcom 2.5 338 979 9.79%
36 DI WELE MAKGOLELA SABC 2 Variety Variety 2.5 338 257 10.37%
37 ROCKVILLE (DRAMA) Mzansi Magic Drama Drama 2.5 336 659 8.18%
38 ISIDINGO -R SABC 1 Soap opera Local 2.5 335 393 20.24%
39 LOTTO DRAW LIVE e.tv Competition Competition 2.4 328 208 8.56%
40 REAL GOBOZA SABC 1 Magazine Magazine 2.4 327 238 9.94%

How to read the tables:

AMR% refers to the number of people in a target market who were watching an event ie programme, expressed as a percentage of the population for that demographic: “On average, 16.3% of adults aged 15+ who watched TV from 28 Jan-3 Feb 2014 watched Society on SABC 1”.

AMR is the number of people in a target market watching a specific event ie programme per minute, expressed in absolute figures: “On average, 1, 541, 066 adults aged 15+ who watched TV from from28 Jan-3 Feb 2014 watched Society on SABC 1”.

Share % (SHR %) is the share or proportion of the available audience (people watching TV at that time) that a specific channel/programme has achieved at that time: “Society achieved a share % of 52.59% from 28 Jan- 3 Feb 2014 on SABC 1″.

saarf 150SAARF is the name by which the South African Audience Research Foundation is familiarly known. SAARF’s main objective is to direct and publish media audience and product/brand research for the benefit of its stake-holders, thereby providing data for target marketing and a common currency for the buying and selling of media space and time. SAARF has thus the responsibility to measure the audiences of all traditional media such as newspapers, magazines, radio, television, cinema and out of home media.

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Shelf Life: Oreo’s culture-jacking hits South Africa

Louise Marsland (@Louise_Marsland)’s weekly pick of recent product, packaging and design launches:

  • Oreo’s culture-jacking hits South Africa
  • Lay’s launches a 50% less fat chip
  • Shannon’s Merlot released
  • adidas’ custom designer mag out

South Africa’s Oreo Momentos

Oreo Design Indaba 2014Oreo St Patrick's Day 17 March Oreo Human Rights Day 21 March
What is your favourite South African moment? Could you translate that into an Oreo cookie?

Remember the iconic Oreo centenary celebrations in 2012 in the US which ran for 100 days, re-imagining USA pop culture through Oreo depictions, as well as the translation of actual news events into Oreo representations? The highly acclaimed global campaign walked away with over 13 highly esteemed awards, including three CLIO awards and four Cannes Lions, plus the overall Cannes Grand Prix.

Now, for 2014, Oreo South Africa has brought fans a local twist on the ‘Daily Twist’ campaign and SA fans can enjoy locally relevant news and culture brought to life by Oreo. During the launch phase over the month of March, followers can even win their own exclusive, personalised ‘Oreo Momento’. Winners will be announced end-March.

The designs will feature creations of the biscuit’s iconic visuals, representing pertinent pop culture news, milestones or celebrations taking place locally, showcased on the Oreo Facebook page.

The local effort seems a tad boring so far; I think Nandos and kulula have ‘culture-jacking’ down in SA. Oreo would have to be braver to match the kind of satire we have come to appreciate in savvy brands with their pulse on society.

A new chip to dip

Lays Popped 85g Hot & Tangy Piquanté Pepper Lays Popped 85g Peri Peri Prawn
Lay’s has launched a new range of air-popped potato snacks called, ironically, Lay’s Popped. This new range, which comes in three flavour combinations, is being punted as an “ideal workday treat” because it has up to 50% less fat than regular chips. According to PepsiCo’s marketing lead for this launch, Peta Friedman, “Lay’s Popped is… designed to appeal to predominately female consumers looking for a convenient and tasty snack option to enjoy without the guilt.”

Fifty percent less guilt then too presumably, but for all of you on all those low-carb/no-carb diets, sorry for you, you still can’t have it!

The flavour combinations are Hot &Tangy Piquanté Pepper, White Cheddar & Spring Onion, and PeriPeri Prawn. I dunno, good old salt and vinegar chips with a lekker avocado dip are still my favourite among all these fashionable new flavours.

The new Lay’s Popped launch will be supported by in-store point-of-sale, sampling and PR.

 

Mount Bullet Merlot released

Shannon Vineyards Mount Bullet 2011

Shannon Vineyards, situated on the Elgin Valley plateau in the Cape, has released the 2011 vintage of its site-specific Mount Bullet Merlot.

Ever since the release of the maiden 2007 Mount Bullet Merlot, Shannon Vineyards has turned heads both locally and internationally, garnering widespread acclaim for this red wine that has shown itself to be the most highly rated Merlot in South Africa and one of the country’s finest reds.

The label depicts the rugged dome on the mountain range above the vineyards after which it is named.

The wine is described as displaying fragrant ripe red fruit on the nose, especially plums and dark cherries. It can be enjoyed now or until 2018.

Original adidas

 AREA3 Broadsheet Issue 3 adidas Originals

The third edition of the designer adidas Originals AREA3 Broadsheet will hit the streets this week at all adidas Originals stores and selected retailers countrywide, featuring a peek into the lives of renowned photographers, Anthony Bila and Kristin-Lee Moolman. Limited issues will be available from adidas Originals stores nationwide.

Making a come-back this year is the adidas Originals Stan Smith, reinvigorated and updated for the modern day while still staying true to the look and shape of the original, which also gets a feature.

There is also a look at the adidas Originals Unite Joburg featuring Danny Brown event, which hosted over 2000 of the most influential people in Joburg. The exhibition followed the live adidas Originals Unite Johannesburg event and showcased photography by Paul Ward, as well as five hand-picked Joburg photographers who were commissioned to capture as many portraits of people hailing from the five iconic Jozi districts — Illovo, Maboneng Precinct, Newtown, Sandton and Soweto.

It’s a visual feast.

 

Louise MarslandShelf Life by Louise Marsland is a weekly column on MarkLives. Tweet new product, packaging and design launches to @louise_marsland or email her at louise.marsland at gmail.com. Want to sponsor Shelf Life? Contact us here.

Louise has written about the FMCG, media, marketing and advertising industry for 19 of her more-than-25-year career as a former editor of magazines AdVantage, Marketing Mix and Progressive Retailing, as well as websites Bizcommunity.com and FMCGFiles. She currently edits the weekly Wednesday Media & Marketing Page for The New Age newspaper and is the publishing editor of industry trendwatching portal, TRENDAFRiCA, for consumer insight, research and trends in Africa.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Design Annotator: Yield street art, Four Corners, and love for cities

10and5logosmall1by Uno de Waal (@Unodewaal) Today on Design Annotator we’ve got:

  • A piece of street artwork made up of 100 yield signs
  • An interview with the creative director of Spier Architectural Arts
  • Some brilliant new work by Wesley van Eeden
  • Cape Town Love, an app which celebrates the Mother City
  • GoldRush, a film depicting Josh Hayman’s weekend in Jozi
  • An interview with Four Corners director Ian Gabriel and BTS videos
  • A recap of our XooXity Hack and the winning installation
  • The 2014 Loerie Awards campaign by McCann
  • A new TVC for Standard Bank in which children’s toys come to life

ART

r1 ‘Yield’ — a street art piece in Braamfontein

r1 'Yield' — a street art piece in Braamfontein

Street artist r1 produces urban interventions to transform city spaces and create new visual alternatives. His latest piece, ‘Yield’, is based on the common yield street sign. Installed in Braamfontein, Johannesburg, the artwork consists of a street pole set into the sidewalk. A hundred yield signs take over the wall behind it.

The aim of the project is to use street art to uplift and improve the city’s alleyways.

Read more about ‘Yield’ and watch a video on the piece here.

My Day Job: Liani van der Westhuizen of Spier Architectural Arts

Vertical Aerial: Johannesburg

Liani van der Westhuizen is the creative director at Spier Architectural Arts, where she oversees the various studios, artists and designers in curating and producing site-specific and large-scale art interventions, and she directs every step of the creative and construction process.

Most of this magic happens at Union House, a majestic old warehouse building which now hosts Spier Architectural Arts.

Read our interview with Van der Westhuizen here.

New work by Wesley van Eeden

Wesley van Eeden

Wesley van Eeden is an artist, illustrator, graphic designer and painter, and his portfolio matches his boundless talent. He is part of the RVCA Artist Network Programme, his work decorates walls across South Africa, and he just released two brand new prints.

Find out what inspires his momentum, and enter to win one of Van Eeden’s exclusive new prints!

 

CITIES

Cape Town Love, an app celebrating the Mother City

Cape Town Love, an app inspired by the Mother City

Megan and Mike Gilger are a married couple who have a design studio called Wild Measure and run a blog called The Fresh Exchange. Towards the end of last year, they paid a visit to Cape Town.

Much to our delight, they found themselves inspired, so much so that during their stay they built an app called Cape Town Love in collaboration with the folks at Over — in only 24 hours.

Read about the Cape Town Love app.

GoldRush | A weekend in Jozi by Josh Hayman

GoldRush from Josh Hayman on Vimeo.

Cape Town-based videographer Josh Hayman has a talent for capturing the essence of a city or situation, which we witnessed in his video of a bi-coastal trip to Los Angeles and New York City and, more recently, in his video Spirit of a Nation, made at the Madiba memorial concert at the Cape Town Stadium.

This year he put his tourist cap on again and took it upon himself to make a trip north to Johannesburg for a weekend.

The video, GoldRush, shows the sights that met him in the City Of Gold.

 

GOOD TO KNOW

An interview with Four Corners director Ian Gabriel

An interview with Four Corners director Ian Gabriel

Directed by Ian Gabriel, Four Corners is a multi-thread crime drama centred on the gang culture which is rife in the Cape Flats. With references to the four corners of a chess board and a prison cell, the film tells the story of how the lives of Farakhan, Leila, Tito and Gasant come to converge around a young chess prodigy, Ricardo.

In our interview with him, Gabriel gives us some further insight into the creation of Four Corners, as well as the meaning it holds for both him and the people of the Cape Flats community.

Inside the Four Corners

Ahead of its release in South African cinemas on 28 March, we’ve been given an up close and personal look at the making of Ian Gabriel’s film, ‘Four Corners‘.

‘Inside the Four Corners’ is a series of three short films — The First Corner, The Second Corner and The Third Corner — which were directed and filmed by Karien Cherry.

Watch The Second Corner and The Third Corner here.

A recap of the XooXity Hackathon, and the winner announced!

A recap of the Xooxity hackathon and the winner announced

On Saturday, 15 March 2014, we teamed up with the folks at Hellocomputer to host a XooXity Hackathon, calling on tech-heads and creatives alike to join forces in conceptualising an interactive, light-inspired installation.

Chosen out of seven teams, the winners came up with ‘Inpulse’ — a light installation made up of aware neuron-like light ‘Strings’, which become animated through the liveliness or joy of the person/people standing below them.

Here are some snapshots from the event, and more details about the winning installation ‘Inpulse’.

 

ADVERTISING

The 2014 Loerie Awards campaign | Create. Affect.

The 2014 Loerie Awards campaign | Create. Affect.

Entries to the 2014 Loerie Awards officially opened this week and with the announcement came the first phase of Create. Affect., this year’s Loeries campaign by McCann.

Each year the honour (daunting task) goes to a different advertising agency and what they do with the brief is always much-anticipated and hotly debated.

See the campaign images and read what McCann has to say.

Standard Bank TVC | Remember when you felt excited about banking?

The latest Standard Bank ad by TBWA\Hunt\Lascaris and Egg Films takes us back to childhood through a young girl’s trip to a Standard Bank ATM with her father.

A normally uneventful trip to an ATM is anything but that for a girl whose imagination is still flourishing: on her way there, the girl sees an assortment of characters and toys come alive in the cityscape, from a small pink creature in a manhole to an enormous blue giant in between two buildings.

Find out more about the TVC and credits here.

 

Uno de WaalDesign Annotator is a regular column on MarkLives featuring the top design work from South Africa’s biggest online creative showcase, Between 10 and 5, which is curated by publisher Uno de Waal (@Unodewaal), inaugural South African winner of the British Council South Africa‘s Young Creative Entrepreneur (#YCE) Digital Publishing Award in March 2014.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Ad of the Week: Rocking the Red Bull brand

by Oresti Patricios (@orestaki) Red Bull is a brand that ‘just gets it.’ It does a moderate amount of conventional advertising — we all love those “Red bull gives you wiiiings” commercials — but when it comes to making its presence felt, the energy really excels in ‘business unusual’.

Red Bull logoBy this I mean successfully exploiting imaginative and more unconventional ways to create experiences, communities or tribes of interest.

So today, instead of looking at a specific ad, I’m going to talk about the benefits of being a brand that gets how to connect with people: I’m looking at how the Red Bull brand gets ‘wiiiings’, thanks to its creative campaigns.

Four basic principles

Red Bull appears to pivot its approach on four basic principles, according to David Aaker, vice chairman of Prophet. Aaker is an uber-respected marketing analyst, brand strategist, author and professor emeritus at the University of California, Berkeley’s Haas School of Business.

  1. Red Bull associates itself with a wide range of people, teams and events.
  2. It favours owning teams and events outright, rather than being one of several sponsors.
  3. It has turned many of these events into profit centres.
  4. It manages to balance two distinct brand personalities side-by-side — namely, the brand that speaks to the serious athlete, and the light-hearted “Red Bull gives you wiiiings” brand that’s the spotlight of that fun ad campaign.

Aaker calls the energy drink “The Ultimate Brand Builder“ in his blog where he writes: “Red Bull is exceptional in telling their brand story in so many compelling, involving ways.”

Red Bull: Felix BaumgartnerTelling its brand story through events

One of the ways that Red Bull ‘tells its brand story’ is through innovative, interesting or mad-cap events. Many of these are flight-oriented — from the crazy ‘Flugtag’ (Flight Day) that sees contestants launch homemade flying machines off a platform into the water, to the world-record setting Felix Baumgartner who performed the longest-ever freefall from the edge of the atmosphere.

Add to those events which include skateboarding, urban snowboarding, street luge … and then there are two professional soccer teams, two Formula One car racing teams, the Red Bull X-Fighters (a freestyle motocross competition), the Red Bull Air Race (an international series of air races in which competitors have to navigate a challenging obstacle course) and the Red Bull Cliff Diving World Series — and you quickly realise that, as Aaker puts it, “when Red Bull backs an athlete, they get involved; it is not about a logo on a shirt.”

Loyalty begets loyalty

The bottom line is that, naturally, this loyalty to its stars and audiences is rewarded in return with customer loyalty.

So, even though it cost US$40 million to enable Baumgartner to jump from his 55-storey high, ultra-thin helium balloon at the very borderline between the atmosphere and space, between the live viewers, the 33-million YouTube views and news media reports, it’s estimated that there could have been in excess of a billion quality impressions.

The first ‘Flugtag’ took place in Vienna, Austria in 1992 and, since then, more than 35 Flugtags have been held around the world, attracting up to 300 000 spectators. The record for the farthest flight currently stands at 207 feet, set in 2010 at Flugtag Minneapolis/St.Paul. It’s an apt demonstration of the whimsical Red Bull brand personality.

Red Bull adidasKnows its target market

Red Bull knows its target market: the young and young-at-heart who enjoy the outdoors and activities involving friends. It’s best put into words by the founder of the company, Dietrich Mateschitz: “What Red Bull stands for is that it ‘gives you wings’ — which means that it provides skills, abilities, power etc to achieve whatever you want to. It is an invitation as well as a request to be active, performance-oriented, alert, take challenges and go for your limits.”

In 2007, Red Bull launched Red Bull Media House to manage, create and market the content that these international events create; and this includes mobile, digital, audio and print.

Essentially, the economics are simple: because Red Bull owns the event, it also owns all the footage and other content that emerges, and this can then be marketed.

Winning combination

Add to that the brand-building benefits, and it’s a winning combination. One such event was a documentary film, ‘The Art of Flight’, and there are more films in the pipeline, from mountain-climbing adventures to exploration of the natural world.

Realising that not all of its target market is into extreme sports, Red Bull has also ploughed a lot of money into music: hosting events and promoting bands through its Red Bull Music Academy (RBMA) It also has a state-of-the-art recording and production studio, Red Bull Studios Cape Town, which provides facilities for local and international talent.

A few weeks ago, the RBMA released a free-to-download film about the world of popular music, entitled ‘What Difference Does it Make? A Film About Making Music.’ This was no low-budget production either, and it features interviews with luminaries such as Brian Eno, Giorgio Moroder, Nile Rodgers, Skream, Richie Hawtin, James Murphy, and many more.

Word of mouth

In South Africa, an event that has taken off among a cross-section of communities is the ‘Beat Battle‘ — a hip-hop competition that sees crews such as Afro Tribal from Soweto facing off against Ubuntu from Cape Town. Due to the passionate and extended fan-base of hip-hop, word of mouth is a strong marketer for these events.

The Red Bull ‘Beat Battle’ is back this year, and the energy drink promises that “crews will be laying it all on the line as they try to level up and become Red Bull Beat Battle champs. Expect to see massive combo-breakers, multiple TKOs and a boss battle like you have never seen before!” To compete, it is a matter of selecting “your weapon, be it Freestyle, Hip-Hop, Krump, Sbujwa or Pantsula.”

What’s even cooler

Supporting local music and culture is cool, but what’s even cooler is that Red Bull also supports young startups and entrepreneurs.

The energy drink brand will be hosting what it calls an Amaphiko Academy in Soweto in April 2014. It does this, it says, because the brand’s mission is “to give wings to pioneers who are using their talents, creativity and energy to solve social problems and make a change in their communities, and to inspire a broader audience to do the same.”

That’s what takes Red Bull beyond being a quirky, fun brand, and just another energy drink. It’s taking risks in South Africa and really sticking with the people it supports. Smart brand. Awesome brand. Just the kind of brand this country needs.

Red Bull — you give us ‘wiiiings’!

Follow what Red Bull is doing locally:

Oresti Patricios

Ad of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research.


If you are involved in making advertising that is smart, funny and/or engaging,
please let Oresti know about it at info@ornicogroup.co.za.


— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Green Sky Thinking: I make therefore I innovate

by Colwyn Elder (@colwynelder) There’s been a lot of design talk since Cape Town took the title of World Design Capital (WDC) 2014, albeit little evidence of the latter in the Mother City. And with good reason: the majority of projects supported by WDC are below the radar, designed to bring social change and improve lives across our city, not sit in the window of a luxury showroom or exhibition hall.

However, design-hungry patrons certainly got their fill at the end of February 2014 with Design Indaba’s signature lineup of creatively inspirational speakers, complemented by the prestigious GUILD exhibition, Africa’s first international design fair.

Colwyn ElderKey theme across both

In keeping with Cape Town’s WDC premise “Live Design, Transform Life”, sustainability was a key theme across both.

At Design Indaba, Juliana Rotich, co-founder of Ushahidi (meaning “testimony” in Swahili), spoke about its open-source crisis-mapping platform that allows communities to report on incidents or emergencies during and after disasters, conflict and unrest.

Ushahidi was set up in the wake of Kenya’s post-election violence in 2008 and has since been used to report on the earthquake in Haiti and the tsunami in Japan, as well as the recent conflict in Ukraine. The platform is free to use and anybody may contribute information, be it a simple text message or a video upload.

In further pursuit of its aim to get the world connected, the company has also developed BRCK, a modem that makes accessing the Internet simple and reliable wherever you are. The BRCK is designed to withstand unpredictable environments, particularly useful for developing nations known for a less-than-robust infrastructure, says Rotich.

Encourages creativity

Speaker Tom Hulme is design director at IDEO, as well as co-founder of OpenIDEO, an open and collaborative platform that also encourages creativity. OpenIDEO is a place where people can pose a challenge or idea and then work with other users to create and innovate solutions in response. And, if you’re not up for that, you can also contribute by rating and evaluating other people’s suggestions; the winning ideas will be developed.

A current challenge featured is how to make life safer for the millions of women and girls living in low-income urban communities across the world. If you are interested in participating to help solve this challenge, register now at OpenIDEO.

IDEO’s human-centred design philosophy creates and delivers solutions based on people’s needs, and Nille Juul-Sorenson of the Danish Design Centre powerfully reminded the audience as to what these needs are: that for 99% of humanity, clean drinking water counts as a luxury object, yet we continue to focus on designer handbags for the 1%.

“Design like you give a damn!” he implored, setting up fellow Danish Design-er Vinay Venkatraman to share his story of hacking alarm clocks in rural India, turning them into simple health monitoring devices that relieve pressure on hospitals and medical personnel.

Focus on making

In contrast, the GUILD Design Fair showcased objects of breathtaking beauty and, while Design Indaba’s particular mix of sustainability was all about innovation for social impact, GUILD explored the theme through a focus on making at an ‘elevated, collectible level’.

Looking at the process of making brings attention to how an object was made, the materials used, the amount of time taken, and the person who made it, all of which attribute a greater meaning to the end result.

All GUILD exhibitors demonstrated a particular approach, but Daniel Charny’s Maker Library Network encouraged visitors to interact.

Supported by the British Council as part of its Connect ZA programme, Maker Libraries are spaces for collaboration that aim to create connections between young creatives and audiences across the two countries. Each library contains: a reading space, a showcase space and a make-space, allowing users and librarians to share skills and ideas both in person and over a digital platform that then connects with other libraries, becoming a collaborative, peer-to-peer learning space.

“The most powerful way”

“Making is the most powerful way that we solve problems, express ideas and shape our world,” says Charny.

The programme will culminate with an event to showcase the achievements of the first year, with the ambition to expand into a world-wide network.

Charny also refers to making as: “an active way of thinking, something which can be carried out with no particular goal in mind… in fact, this is a situation where innovation is very likely to occur.”

If Design Indaba has shown us the importance of innovation for a better world, then GUILD has shown us the process of making as means to innovate.

Strategic consultant Colwyn Elder (@colwynelder) brings a global perspective to the issue of sustainability, having lived and worked in London, Tokyo, Amsterdam and Cape Town. She contributes the monthly “Green Sky Thinking” column on sustainability issues to MarkLives.

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Indy Ad Exec: Conquering our economy — an agency guide

by Tom Fels (@thomasfels) There are two opposing statements which, in the here and now, hold almost equal merit.

“There has never been so much opportunity in the marketplace.”

“The marketplace has never been so constrained.”

Tom FelsClosed the gap

The internet, smartphones and myriad other technologies have closed the gap between brands and consumers to a needle point, empowering our collective audience with information while affording marketers the opportunity to engage in more personal communication than ever before.

And then there’s the economy, the state of the rand, the interest rate, the petrol price — together applying very real pressure to the idea of prosperity.

What this really means is the stakes are higher, the gaps smaller, the audience more expectant. Agencies, far from being immune to this, are highly exposed to the dynamics at play.

Rather than panic, a calm and measured approach to refining your agency offering and deepening client relationships will see you weather this storm and, indeed, define your future success.

How agencies will survive and thrive

Let’s start simply: accept that we are in a state of rapid and permanent change. Accept, too, that if you fail to recognise this, your days of competitiveness are numbered.

Then take heed of these seven tips on how to maximise your output in pursuit of advancement:

1. Be prepared to pitch more

Not only are retained agreements dwindling, but performance-oriented ad hoc engagement could soon become the norm.

If you can’t deliver, another agency will fill your shoes sooner or later.

Pick your opportunities and get stuck in.

2. Cut your overheads

In a people-intensive business, it’s hard to drop talent but there are still ways to cut your overall cost base.

Gone are the days of extravagance, regular parties and luxury travel.

While image is important, think carefully, too, about your office location and get creative with the décor. Inner city lofts can be just as appealing, and even more differentiating, than a slick corporate setup.

3. Deliver value

You know what clients value; sell more of that and less of the other stuff.

It starts with really understanding your consumer audience, so don’t scrimp on research and insight. Then look to form lean and efficient teams which are capable of enhancing the engagement experience.

Quality always triumphs in the long run, so deliver above expectation rather than cutting fees — the latter is unsustainable.

4. Leverage technology

Both in- and outside your business, digital tools are enabling unimaginable progress. From consumer engagement to the platforms and programs you should be using internally to aid increased productivity, in this digital age, eliminating the unnecessary is absolutely necessary.

Replace travel with video conferencing, calls with Skype, courier with electronic file transfers. You get the point.

5. Outsource

This may seem controversial to many a purebred creative head, but the businessperson in me says that not all specialisations need to sit under the same roof.

Strike up key relationships with trusted partners whom you know will meet your standards, and use them to fill key gaps — you’ll only pay for their time when you need it, also allowing you to focus your internal efforts on key projects.

6. Spend more on targeted marketing

Recessive economies often allow smaller players to gain a cheap(er) share of voice because others are cutting back.

Take advantage and communicate your difference; you will signal your suitability as an agency partner and attract like-minded clients.

7. Invest in training

In the business of intellectual property, your people are your most valuable asset.

Upskill your staff by investigating in cross-functional training to enhance overall ability, while also stimulating retention of your top performers.

Instigate change

While the above guide is not exhaustive, if you have an entrepreneurial mindset, a poor economic climate can be brimming with growth potential.

In many ways, agencies will have to move their sights beyond innovation — those that will reach the highest highs will have invented new ways of working and will have been constant instigators of change, consistently challenging the status quo.

As ever, the extraordinary will be richly rewarded.

With a decade of local and international experience in leading independent brand consulting, design, shopper marketing and integrated advertising roles, Tom Fels (@thomasfels) has gained a deeply relevant understanding of the dynamics of independent agencies. His skills are put to work daily as group managing director of MACHINE.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Influencers: Brand evangelists and brand churches — if they build them, others will come

by Jason Stewart (@HaveYouHeard_SA) I remember the day I swapped my North Star tekkies for Nike Air sneakers. I was the happiest kid you could imagine, with a smile and strut that would put JZ’s in the shade. But, just six months prior to the momentous day, I’d had no desire to wear a pair of Nike: I was at a school where North Stars were accepted and worn.

Jason StewartWhen I moved schools, however, the kids wore the ‘Just Do It’ brand, and I was out, different and not fitting in. A pair of Nike Airs was suddenly very desirable; not because I was moved by the athletic ability it promised to release from within me but because I was certain I would feel better about myself.

Pressured

I was pressured by my peers to choose a brand that meant nothing to me except acceptance. I had made the right choice and I was now liked. Superficial but true.

Peer pressure is a major force of influence and conformance across any age group, given our two major psychological needs: the need to be right (Informational Social Influence) and the need to be liked (Normative Social Influence).

Brands have long acknowledged these needs, and fortunes have been built by developing advertising that highlights the need and demonstrates how the brand may satisfy it.

Take cues

However, while we all have an inbuilt and non-negotiable need to be liked and to be deemed right by our chosen group of peers, we also — importantly — take cues from individuals who act as ‘signposts’ for what is right.

These influencers within our communities — be it the popular girl everyone loves, the celebrity, the expert on the topic — are the real influencers of brand choice within your target market because they are able to motivate others to change their way of thinking and behaviour.

Influencers vary in their influence level, but they do have either high moral or high formal authority over others. They usually talk with passion and conviction about the subject, and have influence because they are generally an expert in that field.

Can’t be typecast

Influencers can’t be typecast but come in all colours, shapes and sizes. They may be influential either offline, online and sometimes both. Importantly, they don’t just look the part or seem ‘cool’.

What they are, always, is connected and credible, and they have a high number of friends and peers who look up to and respect them. Consequently, smart brands are moving into a new era of communication and ditching the one-dimensional route of advertising a message. Instead, they are adding influence to their arsenal.

In Malcolm Gladwell’s Tipping Point, he used the example of how Grasshopper reclaimed its cool when influencers within the fashion industry started wearing the shoes because no one else was, and that behaviour set them apart.

Exposure

Thanks to the exposure the shoe received on the feet of influencers (fashionistas, models, photographers, stylists etc), others started wearing the brand and, slowly, more and more people started following what the cool kids were wearing until it became mainstream.

You see, the change a brand wants only comes about when the majority of the target market embraces a new perception and it takes hold.

It is therefore here that the brand has to embrace the more traditional or social channels of communication as the most effective way to build critical mass and momentum is through the creation of dedicated communities.

Spreading the message of religion

The same way religion spreads its message, marketers need to spread theirs. By helping disciples to build churches that recruit new users and turn them into passionate users, who in turn recruit new users, the ‘brand church’ grows.

An example? Ducati in 1996 was selling only 12 000 motorcycles a year and had to take drastic action to save the company.

Instead of an ad campaign, it started talking to the existing 200 000 passionate Ducati owners by organising events and bringing them together as ‘communities’. This simple action stirred their enthusiasm for the brand, helped Ducati spread its influence and spurred hundreds of informal clubs and meet-ups.

Today, Ducati sells well over 44,287* motorcycles a year by simply leveraging the passion of current consumers. And the Ducati Owners Clubs are stronger than ever, growing and creating a sustainable communication (and sales) channel for the brand.

* Correction 2014/03/28: We’ve corrected the number of motorcycles Ducati sells every year.

Jason Stewart, a Red & Yellow School graduate, joined the industry as a project manager at Draftfcb Cape Town before taking on business development responsibilities at Instant Grass, a position he held for three years. He is now managing director of HaveYouHeard (@HaveYouHeard_SA), an innovative word-of-mouth and social media agency founded in Cape Town in 2008.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

South African YouTube metrics at a glance

by MarkLives (@marklives) YouTube has released data on its growth and user figures for the South African market. Views in South Africa increased by over 90% in 2013. According to Jared Molko, YouTube brand partnerships lead at Google South Africa, “entertainment and comedy are the most consumed content category by South Africans on YouTube and this is something South African creators really understand.”

YouTube logoMolko says 70% of South African YouTube users are between the ages of 18 and 34.

YouTube metrics at a glance:

South Africa in 2013

  • YouTube views in South Africa grew by over 90%
  • 68% of SA users watch YouTube for education and learning
  • 55% of users agree that YouTube has more unique content than TV
  • 70% of users see YouTube as the first place to go when looking for online content
  • 63% of SA YouTube users have taken action after seeing an ad on YouTube (clicked on the ad, looked for more information)
  • Partner revenue from mobile ad sales tripled in 2013

Sub-Saharan Africa in 2013

  • YouTube views in Nigeria grew by over 100%
  • YouTube views in Kenya grew by over 70%
  • YouTube views in Ghana grew by over 40%
  • YouTube views in Senegal grew by over 100%
  • YouTube views in Uganda grew by over 50%

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

MagLove: A smorgasbord of stark winter, cute males, glitter, stained glass and ink

by MediaSlut (@MediaSlut) My choice of the best international covers in MagLove for last week:

  • Winter
  • OHMYDOG!
  • OUT
  • Stylist
  • TAMABI

INTERNATIONAL

Winter (a mag for all seasons), Issue #1

Winter (a mag for all seasons), Issue #1

Winter magazine launched last week Thursday, 20 March 2014, with the help of crowdfunding, which I find very admirable, and possibly a new trend to look out for, for smaller publishers.

This from about the launch date, and the title: “The last day of winter as per calendar. It was something of a group therapy project; we wanted something good to come out of the terrible Berlin winter. However, the experience and the outcome have been so good that we’ve decided to make Summer, Spring and Autumn magazines, too, in that order and under the title ‘A Mag For All Seasons’.”

I think the cover encapsulates the feeling of a harsh winter perfectly, and it has so much emotion and feeling in it!

OHMYDOG!, Issue #21

OHMYDOG!, Issue #21

Don’t worry, I didn’t include the cover of this title because of its cover design appeal… I included it because I find the name of the title, OhMyDog!, very smart and different, and the little design effects on the letters “o” very cute.

If you want to see more of Maron and his master Chino, just click here. 

OUT, April 2014

OUT, April 2014

It’s a glitter-explosion!!! Neil Patrick Harris is covered in glitter on the cover of the latest OUT issue. Very striking and effective, but the OUT cover with his wedding picture (February 2012) is still one of my favourites with Harris…

You can also few some of the extra pictures from the shoot right here.

STYLIST, 12 March 2014

STYLIST, 12 March 2014

Oh my…! Love this cover for a number of reasons! Actually, I think it’s one of my favourite covers of 2014 so far…

The editorial team has taken the main story (“The new religion – Why women are swapping sermons for self-help”) and illustrated it with a design element all of us can relate to churches, done brilliantly and realistically!

You can read the article here.

TAMABI, various

TamabiTamabi 2Tamabi 3

I’ve included some covers of TAMABI as it’s the first time I’ve seen this magazine, and I think it’s a great example of how to be creative with a title and to just think out of the box!

What makes it even more interesting is that this title is done for and by the TAMA Art University in Tokyo! Creative directors, watch and learn…


Find a cover we should know about? Tweet us at @Marklives and @MediaSlut. Want to view all the covers at a glance? See our MagLove Pinboard!


MediaSlutMagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The (for now anonymous) blogger behind MediaSlut knows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every three work days. Sign up here!

Ads and media tweets

by Herman Manson (@marklives) Not an awful lot seems to have been written about sponsored tweets making their way into the Twitter feeds of media organisations or journalists until a mini blowout early last year, when The Associated Press started publishing paid-for tweets, clearly marked SPONSORED TWEET but which still caused some upset.

The initial reaction of many editorial teams to paid-for tweets on their news feed is one of horror. In media, reputation does twittermatter — without credibility, you don’t have readers, which means you don’t have advertisers, which ultimately means you don’t have a business.

Taken very seriously

Media ethics is taken very seriously and competitors won’t hesitate to stick the knife in at even the mildest hint of anything inappropriate.

Media brands have invested significant resources into the smooth running of social media channels. It puts the brand out there, catches new readers and send traffic to websites, all while hopefully still scooping competitors (a matter of pride at most news organisations).

Through paid-for tweets they hope to recoup at least some of this investment in a more direct manner.

Enough to keep you afloat

The Nieman Journalism Lab reported as long ago as November 2011 that regional papers in the US were experimenting with paid-for tweets; in one instance, this brought in as much as 5% of total advertising revenue for one local paper. In terms of media margins today — that could well be enough to keep you afloat and publishing.

AP has certainly helped push the practice into the mainstream. As long as sponsored tweets are clearly identifiable, there are no ethical questions which don’t already extend into other publishing spheres.

It goes like this: can your content be credible when you receive advertising revenue from those you cover? The answer is, of course, yes. As long as clear guidelines exist.

Don’t spam

Some are obvious: people don’t want to be spammed with advertising, so keep them few and relatively far between, and mark paid-for tweets as, well, paid-for.

In the US, the Federal Trade Commission suggests clear indicators of a tweet being sponsored, so it needs to be marked with ‘Ad,’ ‘Sponsored’ or ‘Sponsored Tweet’, rather than an abbreviation such as ‘#spon’ which might not be clear in meaning to all tweeps. Disclosure should be upfront and not follow on after the message.

Some commentators have raised the concern that “advertising isn’t journalism” (no, it’s not, but if it’s marked as advertising, it doesn’t pretend to be journalism, now does it?) and that it might confuse readers as to what is news and what is, in effect, advertorial.

Offline consumers smarter than online?

This sounds like a suggestion that offline consumers are smarter than online consumers — after all, when we see advertorial in newspapers or in magazine we know it for what it is (don’t we?). For some reason, the same principle doesn’t seem to hold online…

The more important point is: will it offend or irritate followers? It might but, as with all media, people understand that they can make a simple cost-benefit analysis and, if the odd sponsored tweet doesn’t outweigh the relevance and benefit found in following a particular feed, continue to stick around.

Further reading:

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