#MagLoveTop10: Most shocking magazine covers of 2013

by MediaSlut (@MediaSlut) You get ‘good’ shocking and you get ‘bad’ shocking. Sometimes, a magazine cover makes you stop and look. And think . Sometimes, you just stop — what’s been done is just plain wrong. Here’s my #MagLoveTop10 list of the Most Shocking Covers of 2013, all of which had tongues wagging…

This is the fourth part of our #MagLoveTop10 magazine cover series, which includes:


Want to view all the covers at a glance? See our MagLove Pinboard!


10. YOU, 9 May 2013

YOU, 9 May 2013

I’m sure YOU magazine has been kicking itself for referring to then-pregnant Kate Middleton as a “waif” (“commonly used to describe an incredibily thin person, usually a woman”) and Kim Kardashian as a “whale” (self-explanatory).

By reading the comments on social media, I could see that its readers took offence to these terms, but they also took to the letters page of YOU to voice their opinions.

I would say this was a whale-of-a-mistake…

OVERALL SHOCK EFFECT: NEGATIVE.

 

9. Treats!, Issue 5, 2013  

Treats!, Issue 5, 2013 Treats 5 foldout

 Look at just the cover, and it doesn’t seem like anything special, except for the image being turned around…

But open the foldout cover, and you’re in for a treat — depending upon your tastes, of course! A very smart and clean (not riddled with cover lines) way to hide an otherwise potentially offensive cover, something unique  that stands out for me.

OVERALL SHOCK EFFECT: POSITIVE.

 

8. De Kat, September/October 2013

De Kat September/October English 2013 De Kat September/October Afrikaans 2013

De Kat’s October 2013 cover(s) also made it to my #MagLoveTop10 Best South African Covers of 2013, coming in at no. 8.

This was probably one of the SA magazine covers that elicited the most response from the media, and readers, some good, and some not so flattering for Elzabé Zietsman… The shock-factor was too much for some retailers, as all but Exclusive Books refused to stock this issue…

It definitely got people talking!

OVERALL SHOCK EFFECT: POSITIVE.

 

7. CANDY, Winter 2013 / 2014

Lady Gaga by Steven Klein for CANDY magazine fall 2013/winter 2014 issue

CANDY regularly publishes controversial and shocking covers. I mean, it’s a magazine catering for the very niche transvestite market, and only prints 1 500 copies, so it really can go wild!

This cover shocked me and, I think, the only reason why it wasn’t talked about a lot more is because of it’s 18+ age restriction and because most blogs have to warn readers that it’s Not Safe For Work.

That being said, I believe photographer Steven Klein has created yet another piece of art and that Lady Gaga looks great, even if she’s got a Charlie-Chaplin-Scorpio-on-Nipple-and-Naked vibe going…

OVERALL SHOCK EFFECT: POSITIVE.

 

6. Rolling Stone, August 2013

Rolling Stone, August 2013

If you recognise this cover, you probably saw the media storm it created on social media, bans for it to be taken off shelves, or that profits were donated to the Boston Bombing victims. Love it or hate it, it was one of the most-shared and -talked about (if not the most) magazine covers of 2013!

The storm has long passed, and I think a lot of people realised they overreacted without knowing the full story (such as for example, that Rolling Stone didn’t shoot this profile picture of him to make him look like a rock star but that it’s an old picture of Tsarnaev).

Interesting: AdWeek named this cover the “Hottest Cover of the Year”, and saying that it’s “hands-down the most memorable cover of the year”. I think the cover has great value, and that a lot of the attention it received was out of context.

OVERALL SHOCK EFFECT: POSITIVE AND NEGATIVE.

 

5. Time Out London, 12 February 2013  

Time Out London, 12 February 2013

Let’s be honest:  we’re all seeing two bodies (red is male, and white is female), and Big Ben represents a big…

The cover also made my #MagLoveTop10 Best International Covers of 2013 on its creative and design merits, yet it’s also pornographic. I do  wonder how it was received by the readers (and people walking passed the shelves)…

OVERALL SHOCK EFFECT: POSITIVE.

 

4. Playboy South Africa, March 2013  

Playboy South Africa, March 2013

At the beginning of 2013, South Africans were shocked by several horrible rapes (every rape is horrible, but the Anene Booysen case made everyone sit up and listen). Playboy South African took a stand against violence of any form towards women, and it dedicated an entire cover to promoting its message to its readers. It was bold and brave, and hopefully opened up some well-needed dialogue…

You can read more about this issue, and how the magazine continued the message inside the issue, by clicking here.

OVERALL SHOCK EFFECT: POSITIVE.

 

3. MAXIM South Africa, October 2013

MAXIM South Africa, October 2013

It was with much excitement that South Africans heard in September that we’d be getting a South African version! Unfortunately, the excitement on the launch date turned negative upon a social media outcry that focused on the very (VERY!) photoshopped Lee-Ann Liebenberg.

As South Africans, we all know that she’s extremely beautiful, so it baffling why the magazine had to go overboard like this, ending up being a Photoshop-Fail-for-the-Books…

Luckily, its next covers have all improved with each issue, restoring some faith in the new South African brand.

OVERALL SHOCK EFFECT: NEGATIVE.

 

2. Fairlady, July 2013

Fairlady, 7 July 2013

With its July 2013 issue, Fairlady in South Africa published a beautiful Brooke Shields with her two daughters on the cover. The only problem is that the picture was taken in 2008…

Shields always looks youthful, so if it were only her on the cover, one might not even notice. But, because of the children, who were five and two in 2008 and thus 10 and 7 this year, her fans would immediately know something is not right… this is a five-year-old image! Ouch! Misleading the readers, I would say.

This has to be one of the biggest cover bloopers of 2013…

You can read more about the story behind this cover, and the response from the editor, by clicking here.

OVERALL SHOCK EFFECT: NEGATIVE.

 

1. Lucky Peach, Summer 2013

Lucky Peach, Summer 2013 (Male)

Lucky Peach, Summer 2013 (Female)

If you’re going to use food to illustrate sex in support of your “Gender Issue”, you might as well just go completely overboard with every single food item that resembles the male and female genitals…

One such item on the cover alone would have been shocking, so do dozens more have more of an effect? Bizarrely, it does (as with all Lucky Peach’s other covers, too…)! The only difference here is that it’s done very creatively and tastefully, and for that reason, this cover comes in at the no. 1 position for Most Shocking Magazine Cover of 2013!

OVERALL SHOCK EFFECT: POSITIVE.

(Now, go on — go and have some fruit to get your body back into shape after the holidays ;-)


Find a cover we should know about? Tweet us at @Marklives and @MediaSlut.
Want to view all the covers at a glance? See our MagLove Pinboard!


MediaSlutMagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The (for now anonymous) blogger behind MediaSlut knows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.

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2013 Big Reads: The 40 best read stories of 2013 (Part 4)

We list the 40 most trafficked stories on MarkLives in 2013. See numbers 40-31, numbers 30 – 21 and numbers 20 – 11 here. Today we publish the 10 most trafficked stories on MarkLives in 2013.

10 Media Future: DStv Explora

The new DStv Explora decoder is about to deliver on the unmet promise of previous versions, but leaves the have-nots even further behind.

9. Exclusive: Rob Mclennan, Graeme Jenner and King James team up to launch new Jozi agency

Rob Mclennan, Graeme Jenner and King James Group teamed up to launch a new full service start-up ad agency, King James II, in Johannesburg.

8. Ad of the Week: Where’s my name? #ShareACokeZA

Coca-Cola is the global brand that proves time and again that it knows its market well. But, more so, it really understands how to connect with that market. Just in time for summer, when the pressure to grow market-share is on, Coca-Cola has launched an astute, bright campaign that makes its customers the hero of its marketing.

7. How to save TopTV: let customers pick packages of channels at various prices

What do you do when you’re playing in a market that is utterly dominated by one big player – as On Digital Media’s TopTV that was rescued recently in a complex takeover deal by China’s digital pay-TV company StarTimes  – found with Naspers’ DStv Multichoice? We offer some advice.

6. Media Tech: Is WHATSAPP violating your privacy rights?

The popular mobile and multi-platform messaging service, WhatsApp, was investigated recently by the Office of the Privacy Commissioner of Canada and the Dutch Data Protection Authority for apparent violations of Canadian and Dutch privacy laws.

5. Ten powerful front page tributes to Tata Madiba #NelsonMandela

Ten powerful newspaper front pages pay tribute to the life of Nelson Mandela.

4. The biggest circulating consumer magazines in SA (Q4 2012)

The ABC has released circulation statistics for the period October 2012 to December 2012. Here are a couple of consumer magazine ABC numbers that popped out for us. We also updated our list of the biggest circulating consumer magazines in SA!

3. Best of 2012: Tablet of the Year

Arthur Goldstuck picked the best tablet computers of 2012.

2. Media laughs on April Fools

April 1, a day in which the mainstream media plays tricks on readers by publishing/broadcasting stories that ranges from the plausible but untrue to the improbable, and disguises fiction as news, is always an interesting alternative measure of media zeitgeist.

1. Delicious, Tomorrowland comes to South Africa

We interviewed Lloyd Cornwall of VWV Massive on bringing the Delicious Food & Music festival as well as (possibly) dance music festival Tomorrowland, to South Africa.

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YouTube Views: Three case studies in best practice

by Jerome Mouton Today we highlight three case studies that are shining examples of best practice on YouTube. What makes these interesting is that all three campaigns decided to go the branded-entertainment route, unlike the majority of South African marketers, who simply upload TV ads.

I think that this is the primary reason that they’ve achieved such amazing viewership and audience-engagement volumes.

1. Silver Slipstreams

The first of these was produced by Bring Back Choirboy in Cape Town, for Mercedes Benz SA. Its strategy was to produce a social video, with YouTube as the main distribution point: downhill skateboarder Decio Lourenco taking on the A 45 AMG in the Franshoek Pass.

What I love about this video is that it’s a breath of fresh air and ticks all the right boxes. This is the type of content that bloggers will easily embed on their sites, because it’s not trying to sell but entertain.

The creators were not limited by the traditional 30-seconds, and the result is a great example of true engagement and content strategy. Not surprisingly, this is also the most-watched video on the Mercedes Benz SA channel, with 280 907 views so far.

2. The Power Inside

Next up is The Power Inside, Intel & Toshiba’s latest social film.

Starring Harvey Keitel, this is a bizarre, zany story about aliens who disguise themselves as moustaches and uni-brows, and take over the upper lips and eyes of people around the globe. The main character, together with his friends and the help of technology, must find a way to defeat the invaders. Six episodes were launched.

Now, if you look closely at the YouTube stats for this campaign, you will discover that episode one received 2.4 million views, and the other five between 200 000 and 400 000 views.

So what went wrong? The content creators made the mistake of uploading the last five episodes a month after they uploaded the first one. They should have finished all the episodes first and uploaded an episode every week.

It’s critical for brands to keep a regular schedule; YouTube marketing is not a one-night stand. By creating regular content on YouTube, you will keep your channel-feed active and build more subscribers.

Short films are a fantastic way to entertain your target audience, and this campaign was a good example.

3. True Move H

The third campaign is the brilliant short film for Thai Mobile Company, entitled True Move H. With over 14 million views, this video has been pulling the heartstrings of users all over the world.

This campaign is my favourite; looking at this video, you just know the majority of the views was earned, because it’s the type of video people can’t wait to share.

A social media afterthought?

Looking at the success of these three dedicated YouTube productions, I often wonder why marketers, strategists, media- planners and buyers generally always start with TV first, and then launch commercials on YouTube — almost as a social media afterthought.

Surely it should be the other way around?

The reason viewers skip ads on YouTube is because most commercials have already had widespread TV exposure, so why watch these again? If you start with a YouTube TrueView campaign, your earned views will probably increase drastically as well — in a highly competitive marketplace, where audiences are bombarded with enticing entertainment propositions, we are hardwired to look for the new!

Originality the only way

However, with masses of media clutter to rival your message, originality is the only way to claim people’s attention spans. Content on YouTube will only be viewed if it succeeds in entertaining and engaging viewers.

Remember, the less an ad looks like an ad, the more it will be consumed and shared. Content designed to engage = more earned views, and a higher ROI.

jerome mouton

 

Jerome Mouton is founder and creative director at 34 South Media, a video-content agency specialising in branded entertainment. He contributes the monthly “YouTube Views” column, focusing on YouTube marketing, best practice and viral videos, to Marklives.

 

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Ad of the Week: It’s a love virus

by Oresti Patricios (@orestaki) A big hello to 2014, but I’ll forgive you for being a little trepidatious because it is an election year. Yes, we can expect a lot of political conflict this year because this poll is going to be fiercely contested.

In a year that’s poised for political friction, it warmed my heart to discover Advantage Y&R’s endearing advert for Mobile Telecommunications Limited (MTC), a cellular access company based in Namibia. I dare you to watch the ad and to try resist breaking into a broad grin.

Advantage Y&R’s TVC for Mobile Telecommunications Limited: “MTC Hugs”

The ad opens on a corrugated iron bus stop in what must be rural Namibia. The street is a dusty, sand road and the bus shelter frames a cool-looking young man and a Gogo sitting, waiting for the public transport to arrive.

The hipster-ish guy gets an SMS. Beep, beep it goes. He reads it, and then smiles. In a flash he leans over to the older woman sitting next to him (who’s busy knitting). What comes next is a big bear hug that makes the gran shriek with surprise and delight.

Image source: flyonthewall.co.za
Image source: flyonthewall.co.za

Contagious hug

The camera pans out, and before that hug has ended, we’re seeing another: a woman with a bold yellow dress reaches out to hug two passers-by. The hug’s contagious; it’s a love virus.

And the invisible thread that holds this advert together is the story of how the hug spreads. It’s as if the camera travels throughout the length and breadth of Namibia to show how “giving a little goes a long way”.

In fact, that’s the payoff line for this mobile campaign — “Giving a little goes a long way”. The advert was made to showcase MTC’s festive specials at what appears to be very short notice, but does so much more than that

Directed by Fly on the Wall’s Bryan Little, the production company mentions on its site that the crew had 10 days to prep for the three-day shoot in Namibia. “It’s amazing how much we got done,” Little says and laughs. Fly on the Wall’s not a production company — the folks there prefer to call themselves a ‘film and art making collective’.

An interesting oke

Little’s an interesting oke; he’s not just a commercial director but has also made a couple of documentaries. The most recent is a film called The African Cypher, which explores street dance in this country’s townships. The winner of the Audience Award at Encounters South African International Documentary Festival, and Best Documentary at Durban International Film Festival, Cypher straddles slums and suburbs. It joins the economic divides as it delves into the underworld that is isipantsula, sbhujwa or what is known in the western world as krumping.

For the MTC commercial Little did in Namibia, he worked with a local crew called The Power & The Glory Films. Like Little, Power & Glory has film experience rich in both commercial and documentary craft.

Speaking about the MTC hug ad, Little says, “I’m fascinated by the weird contrasts of urban Africa — visually and culturally — so it’s natural that it’s quite prevalent in my work,” and adds, “There wasn’t an art director, so we had to do everything with the locations and the cast.”

Soundtrack

When you experience the story of this beautiful, viral hug, you’ll realise that what makes this idea work so well (in part) is the soundtrack. The visuals are backed by a soundtrack, created by Simon Kohler, which is quite folksy.

I hear that the song has become so popular that it may be released as a radio single. Little says he has a very collaborative partnership with Kohler: “We work together from the very beginning. Simon comes on set as the sound recordist, which would normally be a different person from the composer. This allows him to listen to all the scenes on set, so that by the time he starts composing he has a clear idea of where we’re going.”

The ad’s by no means a pioneering or novel idea. It’s the execution that makes it stand apart. The casting, acting, film work and soundtrack are all excellent and the sum of it makes for an experience that feels a lot more like watching a feel-good little movie, than an ad.

In a world where mobile service offerings are increasingly reaching parity, it’s the brand backed by brilliant customer service that will make operators stand apart. Smart campaign, MTC; now let’s hope your product experience and delivery are just as good.

Let’s not forget

Lastly, a happy new year to everyone. It’s going to be a testing year, but let’s not forget that a little warmth, a little kindness and a bit of compassion can go a long, long way.

Watch the MTC “Hugs” ad on Vimeo.

Oresti Patricios

Ad of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research.


If you are involved in making advertising that is smart, funny and/or engaging,
please let Oresti know about it at info@ornicogroup.co.za.


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WSJ’s Mary Kissel: Here’s why people pay for our content

by Andrea Carson, University of Melbourne Despite the gloom surrounding the future of media, technological changes present new opportunities for quality journalism — but should call into question the role of state broadcasters such as the ABC, says the Wall Street Journal’s editorial board member, Mary Kissel.

wall street journal logoA guest at the Public Knowledge Forum in Sydney on 4 November 2013, Kissel said media is being failed by its business model, not by the quality of its journalism, and criticised state-supported media as being detrimental to innovation.

The largest newspaper by circulation in the United States, The WSJ is published by Dow Jones & Company, part of the Rupert Murdoch-owned News Corp. The paper has won numerous Pulitzer Prize awards, and is regularly ranked as one of the most influential in the US.

After starting at WSJ Asia and serving as an Asia-wide finance correspondent, Kissel edited the WSJ Asia opinion pages.

She speaks to Andrea Carson about her views on print paywalls, philanthropic journalism, the troubles with public broadcasting, NSA whistleblower Edward Snowden, Amazon CEO Jeff Bezos’ Washington Post takeover, and eBay founder Pierre Omidyar committing US$250 million for a new online journalism venture.

Read the full interview transcript here.

Mary Kissel: I think there is a lot of concern about the decline, or the death, of good quality investigative journalism and I think the media business is undergoing a difficult time. There is no doubt about that, it is a wrenching transition, and we are seeing that, not just in the United States, but everywhere around the world.

Companies are trying to figure out how to provide news that people want to pay for because ultimately media is a public service. It is protected in the United States’ Constitution. It is the only industry that is. But it also has to be viable. And the internet, I don’t think there is any question, that the internet has fundamentally transformed the delivery of media, the immediacy of it, and the availability of it. There is a lot of choice now.

Part of what we are going to speak about, I hope, at this conference is what are successful ways that news is getting delivered, how is the quality improving – because I believe it is improving – and how might it change.

Andrea Carson: Do you not subscribe to some of the more negative commentary that quality journalism is in crisis?

Kissel: No, I don’t. I think that the business model is in crisis, for sure. You can’t have your advertising base fall away and not have some sort of crisis. It is very difficult I think now to make money, however, I think that competition should be welcomed in the media business just as it is welcomed in every other industry that we cover and that we write about.

I always found it odd that there is this idea that you need a state to back your media in order to have quality media. I have never subscribed to that. I think competition is an excellent thing. I think in the age of the internet when you think about media there is a tendency to think about media’s traditional means like newspapers, magazines this kind of thing.

But we have infinite choices now and I think that is good for consumers and it is good for information. In some respects it might even benefit brands like ours at the Wall Street Journal because we have already developed a brand that is trusted, that people can turn to. They know when they read our news or editorials that they are reported and that they are trustworthy. I think that competition, even for us, is an excellent thing.

Carson: Looking at the revenue model of the Wall Street Journal, it was one of the first, if not the first newspaper to set up a hard paywall back in 1997. From my research it seems to be a successful model with over 800,000 digital subscribers and a reach of about 2.4 million combining with print. Why are readers prepared to pay for your content online? Is it because of the specialised nature of some of your business reporting, or is it more than that?

Kissel: That is a great question. A couple of responses to that. The first is people are willing to pay for quality of any product. They are willing to pay, for example, for our editorial page which provides them with a point of view that they can’t really get anywhere else. It is reasoned reporting, reported editorials and commentary from news makers about leadership. People are always willing to pay for that. If, of course, you are writing on topics that are meaningful for them.

I don’t think that anybody would pay for editorials on my local hometown of Jupiter, Florida, except people living in Jupiter, Florida. But that is not what we are editorialising about. Secondly, in terms of the kind of content, we have actually become a more generalised publication in the last couple of years.

That doesn’t mean that we have abandoned the business/finance focus. That is always the heart of a newspaper, but I think the idea was, and if you talk to Gerry Baker, our editor-in-chief, he would probably say that what we have done is apply the rigourous kind of journalism that we do on the business and finance topics to other topics: to general news, to local New York news to leisure and arts and these kinds of things, and we have found that that has been very successful.

We have also had to innovate. We were not only the first to have a paywall, we were also the first out with a quality news product on the iPad. That launched very quickly after the iPad came on the market, and that has also been very successful in a large part because it gives you a range of choices. You are not just taking the print edition and throwing it on the iPad, you can get our Asia edition or our European edition with video content now.

Carson: There is some criticism of hard paywalls, less so of metered paywalls – and I note that the US now has over 400 daily newspapers with paywalls and most are metered paywall of some sort – and yet the Wall Street Journal seems to be a great example of where the hard paywall works. Why is that?

Kissel: I don’t think there is any one business model that is the business model. A metered paywall might work for a smaller publication, or a niche publication that is trying to attract more readership that wants to give a bit more access. For us, particularly at the editorial page – that is what I am familiar with because that is where I work – we attract more provocative thought leaders than many other publications do. I think people are willing to pay for that. There is demand for what we do.

We also have a very different point of view. We are the only really consistently pro-free market, classical liberal editorial page in the country. So if you want to know that point of view there is really nowhere else to go but to us. That has been an advantage of ours for decades. We have had that point of view for a very long time.

I think it would be a mistake to say, and I don’t think this is what you are saying, that gosh the Journal should adopt the New York Times approach or vice versa. I think it is a transitional time and these companies are trying to figure out what works for them.

Carson: Because the Wall Street Journal adapted to the paywall so early you have vast amounts of information about your subscribers…

Kissel: Right.

Carson: And a repository that other publications perhaps envy, does that allow for more strategic advertising because you understand your subscriber base so well?

Kissel: You know that is probably a question for the business side. I don’t see those statistics. I do think that the ability to understand your subscriber base and either sell advertising that reflects that or if you look at — and I put this in an article I did for the American Review — a place like Rappler in the Philippines, they have basically started a separate consulting arm and are using anonymous information about their subscriber base.

We are more informed and connected in the United States today than we were even five years ago. I am not persuaded by the idea that we are less informed or not as well informed. I would argue just the opposite.

I think journalism is the only business where there is increasing demand for it, almost infinite demand for what we do and this is why I have such scepticism of state broadcasting in democracies. Nothing against them, I think there are plenty of very fine journalists. I have friends at the ABC (Australian Broadcasting Corporation) and the BBC (British Broadcasting Corporation) and they do great work, but I am inherently suspicious of state funding. I think it introduces a tendency for bias or for political influence that as a reporter I am quite suspicious of.

Carson: Would you venture as far to say that countries should be without publicly funded broadcasters?

Kissel: No. I think if a democracy decides that a majority wants to pay to start some sort of broadcaster, well good on them. If you want a public broadcasting model like PBS in the US, largely supported by philanthropic donations, well good on you. I think, though, it is interesting that the most competitive media market is in a place that does not have that kind of influence.

If you look at the media landscape in Britain, as opposed to the US, again there are differences in size and population and all of those things, but I think if you look at the vibrancy of the innovation and the competition, it is far more competitive in the United States in the absence of state influence.

Carson: Some journalism, of course, is being funded through philanthropy, particularly in the US. This month we saw Ebay founder Pierre Omidyar committing $250 million to a new journalism venture and working with seasoned investigative reporters such as Glenn Greenwald, do you see that as part of the future of investigative journalism? That, as a society we will need to rely on philanthropy for quality investigative journalism? That funding has moved beyond a market model?

Kissel: No. I don’t think you need philanthropy to have successful investigative journalism. I think this idea that you have to be separate from a point of view and somehow a ‘Switzerland’ to do good investigative journalism, I would strongly disagree with that.

That is not to say that there is not a place for ProPublica, which is a similar kind of model, that’s a non-profit, they are based in New York, that they won’t do very good work.

But let’s be honest, every kind of journalist comes to their story with their own personal bias. There is no such thing as a neutral point of view. In fact, I argue in the [American Review] piece that in some respects trying not to have a view in some ways promotes very lazy journalism because you will get “he says this” and “she says that” and then “here are five caveats” and that is our story. It prevents searching for the answer that we try to do.

Look, I think there is a place for outfits like the eBay founders’ company, and a place for CEOs like [Amazon’s] Jeff Bezos who want to buy a paper and try and preserve it – although I think it will be difficult for him. But I think there is no reason that investigative journalism cannot also be a financially vibrant enterprise.

Carson: Do you foresee a time when the Wall Street Journal might be a digital-only publication?

Kissel: I don’t know. Clearly we are migrating towards digital, but will print every completely disappear? Well, I think that depends on the price that people are willing to pay for it. It is like any other product in the market place. Maybe print becomes a very niche product, and it is double or triple or quadruple or ten times the price that it is now. We may get to that point. But clearly the digital transition is well under way.

Mary Kissel is a member of the Wall Street Journal editorial board and is in Australia as a guest of the US Studies Centre to speak at the Public Knowledge Forum at the Sydney Opera House on 4 November 2013. The Public Knowledge Forum is an international seminar examining the nexus between today’s rapidly changing media landscape and democracy. These are the personal views of Mary Kissel, not the views of the Wall Street Journal.

The ConversationThis article was originally published at The Conversation; read the original article here.

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2013 Big Reads: The 40 best read stories of 2013 (Part 3)

We list the 40 most trafficked stories on MarkLives in 2013, starting with numbers 40-31 on Monday, numbers 30 – 21 yesterday and ending with numbers 10-1 on Thursday.

20. What MetroR, MTN should know about education in Uganda

“Ad agency MetropolitanRepublic claimed in its recent Loerie award entry that its client, MTN, had implemented a cellphone-based learning programme which eliminated the need to build and maintain expensive libraries, an incredibly bold claim in any country. It turned out the programme itself is only in concept stage and it was compelled to withdraw the awards it’d won.”

19. heat South Africa publishes last (known) Reeva Steenkamp interview

heat South Africa has published the last (known) interview with Oscar Pistorius’ deceased girlfriend, Reeva Steenkamp, conducted 7 days before her death.

18. Agency execs Cape Town’s ad execs most admired in 2012

Cape Town executives overwhelmingly chose King James as their most admired agency, and King James co-founder and Group Creative Director Alistair King as their most admired Creative Director. King James Group Chief Executive James Barty was voted the most admired agency boss in Cape Town, an accolade he shared with Claire Cobbledick, MD of The Jupiter Drawing Room Cape Town. Ogilvy Cape Town was voted the Cape Town agency with most success in integrating digital into its offering.

17. The most admired agency execs in South Africa

Who is the most admired ad agency, creative director, or agency boss in the country? MarkLives asked South Africa’s ad agency MD’s and CEO’s to nominate their peers whom they most admired during the course of 2012.

16. The biggest circulating consumer magazines in SA (Q3 2013)

The ABC has released circulation statistics for the period July 2013 to September 2013 (2013 Q3). Here are a couple of consumer magazine ABC numbers that popped out for us (see our newspaper ABC analysis here). We also updated our list of the biggest circulating consumer magazines in SA! There was significant movement in the top 10 positions.

15. The biggest circulating consumer magazines in SA (Q1 2013)

The ABC has released circulation statistics for the period January 2013 to March 2013. Here are a couple of consumer magazine ABC numbers that popped out for us. We also updated our list of the biggest circulating consumer magazines in SA!

14. Vodacom loss will affect 10% of Draftfcb revenue, staff

“John Dixon, the CEO of Draftfcb, says the Vodacom account represented around 10% of group revenue. The agency has just learned that after nearly twenty years it had lost the Vodacom business – its biggest single client.”

13. Breaking news: Ireland/Davenport wins Vodacom advertising account

“Industry sources have confirmed that Ireland/Davenport has won the Vodacom advertising account. It was announced earlier this week that Draftfcb had lost the business after 19 years. A formal announcement is yet to be made by Vodacom and/or Ireland-Davenport.”

12 Smile 90.4fm aims to shake up Cape Town radio market

Backed by SA’s pre-eminent film producer Anant Singh, Smile 90.4fm won the first FM licence to be awarded by the regulator, Icasa, for Cape Town in 14 years.

11 The real cost of SA’s most expensive website

More was spent on the planning of the Free State government web site than most South African corporates have ever spent on the full development and implementation of their web sites.

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2013 Big Reads: The 40 best read stories of 2013 (Part 2)

We list the 40 most trafficked stories on MarkLives in 2013, starting with numbers 40-31 yesterday, and ending with numbers 10-1 on Thursday.

30 Newspaper circulation decline continues

The ABC has released circulation statistics for the period January 2013 – March 2013.

ABC member circulation totals:
Weeklies: down to 630,268 from 697,254 for the previous corresponding period
Weekend: down to 2,292,053 from 2,443,855
Hydrid: down to 157,975 from 167,119
Dailies: down to 1,541,488 from 1,672,658

Shocking stat for the day: Out of 1,256,023 daily papers sold in South Africa only 2,894 were digital copies.

29 Oops! Newspapers just did it again

Yup print newspaper proprietors generally did a decent impression of Britney Spears’ career path judging by the current (continuing downward) trajectory of newspaper print circulation.

The ABC has released circulation statistics for the period October 2012 – December 2012. Here are a couple of numbers that stood out in terms of newspaper circulations.

28 EXCLUSIVE: 60 layers of cake to merge into The Jupiter Drawing Room Cape Town

60 layers of cake  become part of The Jupiter Drawing Room Cape Town effective Feb 1 2013.

27 Breaking now: WPP buys NATIVE, joins agency to VML network

vml

Digital agency NATIVE, one of the last major independent digital agencies in South Africa, was bought by WPP. VML, one of WPP’s digital marketing agencies and part of the Y&R network, acquired 76% of NATIVE for an undisclosed amount. NATIVE was rebranded NATIVE VML.

26 Agency execs Joburg’s ad execs most admired in 2012

joe public

Who is the most admired ad agency, creative director, or agency boss in the country? MarkLives asked South Africa’s ad agency MD’s and CEO’s to nominate their peers whom they most admired during the course of 2012.

Agency executives in Johannesburg picked Joe Public as the Johannesburg agency they most admired and its leader, Gareth Leck, as their most admired Joburg agency leader. Pete Case, Creative Director at Gloo Digital Design, was voted as their most admired creative director by Jozi ad executives. They selected Draftfcb as the Jozi agency with most success in integrating digital into its offering.

25 Saving NATIVE

“NATIVE is correcting course after facing some difficult challenges following its entry into the market. Its peers seem to have written off the agency, racked after its creation by above normal staff churn, trouble at winning new business and a perception that it had failed in delivering on its stated aim of becoming the lead digital agency with clients. MarkLives sat down with CEO Jason Xenopoulos, MD Jarred Cinman and Chief Marketing Warrior Ben Wagner for the flip side of the story.”

24 Exclusive: Sekunjalo Group company buys digital agency World Wide Creative

Saratoga Software, a subsidiary of  JSE listed Sekunjalo Investments Limited, acquired a majority shareholding in Cape Town digital agency World Wide Creative.

23 MetropolitanRepublic in Loeries scam scandal

MetropolitanRepublic has lost all its Loerie Awards this year after being caught out in a major scam scandal.

22 FNB’s You can help – the ad campaign with democratic tendencies

A social contract exists between civil society and business that demands of business to engage with communities on issues relevant to them. Conveniently, business often ignores this contract, preferring to stay close to the politically connected, avoiding ‘hard’ issues and offering little more than sport sponsorships as their part of the bargain.

Faced with the abusive vitriol aimed at even the mildest critics of government performance it’s hard to blame corporate SA from shrugging off its responsibility to actively and publicly engage with civil society on issues of national importance including government performance.

21 The most popular mobile phone in South Africa is …

With the world’s attention on the Mobile World Congress and the very latest in smartphones, we ask: which is the most popular mobile phone in South Africa? You may never have heard of it.

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Media Future: Privatised Dell reinvents itself

by Arthur Goldstuck (@art2gee) It took a bruising battle for Dell to take itself private. Its next quest — to reinvent itself as an innovator — may well follow a smoother path.

Dell, the world’s third biggest PC maker, has a point to prove. Taken off the market in a $24,9-billion deal in September after a bruising battle with shareholders, the newly privatised company revealed a reinvigorated strategy at the Dell World customer conference in Austin, Texas, hedl in December.

“This privatisation has created a new sense of excitement at Dell,” said founder and CEO Michael Dell in his opening keynote address. “I feel I’m part of the world’s biggest start-up.”

Few start-ups can invest a billion dollars a year — and climbing — in research and development, but in one respect it hardly looks like a 30-year-old business:, sales revenues this year have increased by double-digits.

“Now, as a private company, we can accelerate our strategy and take a longer term view of innovation,” he told the conference. dell

He formally unveiled two new programmes focused on innovation, namely a Dell research division that will pursue innovation organically, with a 5-10 year focus; and a strategic innovation fund to be run by the Dell Ventures investment division, with a $300-million cheque book, in effect to buy innovation.

At a press conference following the opening, he elaborated on the importance of going private as a means of accelerating strategy: “It’s about making the bold moves and having the freedom to invest in the long term and focusing 100 per cent on our customers.  We grew up as a company with big ears, listening to our customers, and we are building the business from the customer back.”

Chief financial officer Brian Gladden stressed that the core strategy of the business was not changing: “We’ll continue to focus on growing our foundational business, and improve customer reach and customer experience. But there are things we’re going to do to accelerate it.

“The changes include long-term commitment, aggressive investments, and expanding presence, speed and edge. We’re not changing our customer focus, strategy, or our culture and spirit. Having owners who are fully aligned with our strategy is a huge benefit for us, and it takes out time and effort spent focused on multiple shareholders. We are less distracted by the quarterly rhythms that clouded the system in the past.”

He outlined five key areas of investment designed to accelerate this strategy:

  • Investments in expanding the company’s solutions offering through research and development, mergers and acquisitions and new ventures;
  • Enhancing and simplifying the customer experience;
  • Increase its presence in emerging markets around the globe where growth is a priority;
  • Growing its PC, tablets and virtual computing services business;
  • Expanding its sales force and channel relationships to serve and support customers better.

The face of these changes is unlikely to be visible soon, says Don Ferguson, chief technical officer (CTO) of Dell’s software division.

“From an engineering point of view, part of the privatisation is to give us an opportunity to take a longer-term view. It’s a good thing for a CTO, because we can spend time thinking about product innovation.

“When we operate in the short term, we tend to focus on features and functions of the next product release in the next six months. We have good products, but it gives us an opportunity to innovative around solutions and not only products.”

One of the key challenges the company faces is that its software division is so new that, on the surface, its solutions don’t appear differentiated from that of competitors. Ferguson believes that the Dell difference will soon become apparent.

“We have inherited differentiation through the products and companies we have acquired. You will find innovations in any of our individual software products. Secondly, we can do some unique things in security, for example, by putting products together, which is really innovation through integration.

“The third area of differentiation is a big focus is simplicity. Most large vendors have enterprise grade products they try to simplify for small and medium businesses, and that almost never works. We start from the perspective of simplicity.”

In the last financial results delivered by Dell before going private, in mid-August, it reported that overall revenue was flat, at $14,5-billion, but that sales from Enterprise Solutions, Services and Software was up 9 per cent to $5,8-billion, confirming that a high-stakes gamble to move beyond hardware was paying off.

Arthur Goldstuck heads up World Wide Worx (www.worldwideworx.com) and is editor-in-chief of Gadget. He is a consulting editor to MarkLives and our media tech columnist. Follow him on Twitter on @art2gee.

This article has been republished from Gadget.

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2013 Big Reads: The 40 best read stories of 2013

We list the 40 most trafficked stories on MarkLives in 2013 starting with numbers 40-31 today and ending with numbers 10-1 on Thursday.

40 MagLove: The De Kat cover retailers don’t want you to see

dekat

We’ve been told, and have read, that a lot of people don’t like these De Kat covers with a naked Elzabé Zietsman, which were so controversial that only Exclusive Books decided to stock the issues. But our media columnist thought it’s brave, bold and beautiful. It started a conversation, and that’s partly what makes it a great cover!

39 Newspaper front pages dominated by Pistorius arrest

Beeld_20130215It was the same splash that day – the sensational Oscar Pistorius shooting – so it’s really interesting to see which South African newspapers came up trumps in the design and headline department in our daily round-up of front pages.

38 #AdoftheYear: South Africa’s 10 Best Ads of 2013

Our list of the Top 10 South African ads for 2013

37 Joe Public heads to Cape Town

Joe Public set up a new agency in Cape Town.

36 Breaking news: Vodacom and Draftfcb to part ways

Vodacom moved its advertising account from Draftfcb. The agency has held the business for close to 20 years.

35 Industry reacts to MetropolitanRepublic Loeries scam ad scandal

As news broke that MetropolitanRepublic has been stripped of all its Loeries wins @marklives started retweeting industry reaction on our Twitter feed. We have reprinted some of those retweets here. These tweets offers an overview of industry reaction. (RTs don’t represent our views.)

34 Ad of the Week with Oresti Patricios – Miracle on the Hudson

If this advert doesn’t bring tears to your eyes, or at the very least a lump to your throat, perhaps you need to check yourself in for some psychological observation. It’s rare that an advert gives me a sucker punch, but the new television for Nedgroup did just that. It took my breath away and reminded me of what a powerful story can do to communicate brand values.

33 Lowe + Partners criticised for ‘homophobic’ Flora ad

Agency Lowe + Partners is having a rough couple of months. First its Cape Town agency faced international criticism for using blackface in a TV ad for client Cape Town Fish Market.

Then the Johannesburg agency faced another backlash, this time for what critics suggested was a homophobic ad for Flora margarine. The ad, on a pink background, displays the words ‘Uhh dad, I’m gay’ in the shape of a bullet, heading for a porcelain heart. The tag-line reads “You need a strong heart today”.

flora gay ad

32 Ad of the week with Oresti Patricios – A ‘lekker’ local campaign with wings

kulula

Kulula continues its tradition of cheeky, humorous and thoroughly South African commercials, this time with a print ad that introduces the livery on the airline’s new fleet of Boeing 737-800s (and takes an indirect swipe at the national carrier).

31 South African team behind the Mars One film

Mars One, project to establish a human colony on Mars, which will be funded through merchandise, sponsorships and possibly a reality TV show, launched a global online campaign to find potential ‘astronauts’ willing to join the production/project. The short film calling for formal applications was produced by South African ‘high-concept’ creative agency Now&Partners who are also early investors in the project.

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Smart Africa TV: Guinness Africa on how it uses social media in Africa

by Russell Southwood (@BalancingActAfr) In this interview, Ross Haddow, brand manager — PR and Digital at Guinness Africa, talks about:

  • how the company uses social media;
  • the size of its Guinness VIP platform;
  • the increase in its digital advertising spend; and
  • how he sees the future of social media in Africa.

Smart MonkeyRussell Southwood is the founder of Balancing Act and the web TV channel Smart Monkey TV, and has been an analyst in telecoms, internet and broadcast in Africa for the last 14 years. Smart Monkey TV aims to capture the energy at the crossroads between African culture and technology. MarkLives is syndicating content from Smart Monkey TV on a weekly basis for the column “Smart Africa TV”.

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