Saving NATIVE

 

NATIVE_Logo

by Herman Manson (@marklives) NATIVE is correcting course after facing some difficult challenges following its entry into the market. Its peers seem to have written off the agency, racked after its creation by above normal staff churn, trouble at winning new business and a perception that it had failed in delivering on its stated aim of becoming the lead digital agency with clients. MarkLives sat down with CEO Jason Xenopoulos, MD Jarred Cinman and Chief Marketing Warrior Ben Wagner for the flip side of the story.

The agency was born just over two years ago through the merger of digital centric businesses Cambrient, Stonewall+ and Brandsh in a bid to combine for scale and to merge their respective skill sets – web design, mobile social media and web CMS.

Launched in late 2010 with a staff of 120 and a client list that included General Motors, Standard Bank, Seacom and DStv, NATIVE had hoped to take the sting out of traditional agency efforts to beef up digital skills in-house by building a strategy orientated digital offering that outpaced anything traditional rivals managed to pull together. Not happy to be a production house NATIVE was designed to compete on strategy with other client agencies.

For more than a year into the merger the agency leadership team was, by their own admission, obsessively introspective as it struggled to make

Jason Xenopoulos
Jason Xenopoulos

decisions in the ‘merger of equals’ – a process made all that much harder by an excessively large management structure inherited from these former businesses.

CEO Jason Xenopoulos admits the agency experienced instability and disruption following the merger. “What you know intellectually about going through such a process [merging different businesses] and what you experience emotionally are two very different things,” says Xenopoulos. “I do believe that ultimately it [lunching NATIVE] was worth it. It was just a lot more painful than we expected on the way in.”

MD Jarred Cinman describes a merger as an arranged marriage – the result was a brand with no initial meaning. Organisational culture had to be built up piece by piece by people who already had set cultures within their own organisations.

None of the founders of the three original businesses that make up NATIVE today had dreamed to start this business, says Cinman, for each their dream business was already in operation.

Facing financial trouble and negative perceptions around its brand and reputation the business had to urgently reinvent itself yet again – a task its leadership started just over a year ago.

NATIVE jettisoned its unwieldy management structure that included four CEO’s (Xenopoulos plus the CEO’s of each of the merged companies). Xenopoulos says at first he and his colleagues adapted a consensus based decision making process – but this meant decision making took a very long time – if it happened at all. Reconciling differences became an all consuming process.

Today an exco of three  (down from 12) makes operational decisions on a day to day basis. It has lead to a radical improvement in the business and in morale inside the agency.

As a result the organisational culture is growing more settled and better internal processes have been put in place to deal with any potential client or staff issues. Members of the management team have been deployed to make optimal use of their skills (Xenopoulos for example moved from operations to become the client face for the agency, day to day operations moved into the hands of Cinman etc.).

Jarred Cinman
Jarred Cinman

Cinman agrees endless discussions to find consensus between members of the initial management team was no way to run a business. The agency had to start getting things done. Granting real authority to individuals was a massive leap forward and facilitated the turn-around strategy.

This allowed members of the management team to stop obsessing with ‘being nice to one another’ to focus instead on ‘performing together’ according to Cinman. Xenopoulos adds that the endless internal debates, which cost the agency a number of pitches, have subsided since the structural and cultural changes were implemented, with attention and focus moving to client side, while the potential of especially the senior management team has been optimised.

The implementation of the NATIVE client tribe structure, which allows for smaller team groupings that centres on individual client requirements, has been a key development at NATIVE over the past 12 months, says Wagner. Teams, or ‘tribes’ in NATIVE parlance, have been given more freedom to innovate and come up with solutions.

Now there are five ‘tribes’ operating within NATIVE, each with its own leadership team, and Cinman goes as far as to describe them as ‘5 mini-agencies’ operating under the NATIVE banner. Each tribe is run as a business. The structure allows tribes to grab opportunities as they arise and make teams accountable to the business (through the performance of their tribe).

Tribes are built from the ground up with resources allocated to it as needs arise. In another departure NATIVE has been investing heavily in building a stable and strong creative team continuing the move away from production facility to agency, says Cinman. Ryan McManus was recently appointed as Executive Creative Director at NATIVE. It has also built out the strategy team  taking its membership from three to nine.

The high staff churn has diminished. Xenopoulos says the core management team has been stable over the past two years but initially the

Ben Wagner
Ben Wagner

combined agency lost people after the merger and losses continued as the agency initially failed to define itself or build a coherent company culture. Former NATIVE staffers dot the industry and helped spread word of its initial internal dysfunction. The agency is addressing the problem through a staff alma-mater that it hopes will provide incentive for former staff members to see changes at the agency and adjust their views accordingly.

Cinman says the performance driven culture at NATIVE is hard on people and only the best will make it in the business. It’s not a soft work environment and the business won’t carry under-performers, according to Cinman. Xenopoulos was similarly dismissive of former staff bad-mouthing NATIVE in the industry.

Cinman argues that early churn was not all the fault of the management team but resulted through a combination of factors including poaching of scarce digital skills by big agencies and Generation Y’s tendency to move around in the work space. Cinman and Xenopoulos seems to feel selective amplification of the truth gave the business a bad rap initially.

As those ex-staffers move into the broader marketing and ad industry it is hard to see how positive momentum can be maintained over the short term without genuine attempts to neutralise their often negative perceptions around the NATIVE brand.

Xenopoulos and Cinman can come across as brash and defensive in responding to critics and unhappy ex-staffers which does little to settle attitudes. The agency will need to walk the talk if it really wants to change perceptions and rebuild relationships in a small and tightly bound industry. Wagner, the clever and mildly spoken agency diplomat, will probably fulfil a key role in this essential task.

Internally the business is working hard on building a unified culture and opening channels of communication with staff. Some of the new practices implemented over the past couple of months include how achievements & milestones are celebrated, how new team members are welcomed, the launch of an internal social network and the implementation of various staff learning forums such as NATIVE Axe Sharpeners, the NATIVE Academy and NATIVE Arts.

Wagner, who ran Stonewall+ before the merger to form NATIVE, stands by the decision to build the new merged business. The blurring of lines between what was considered traditional advertising and digital advertising happening faster than expected. Wagner for one believes his original digital design business would have been made obsolete by changes in the industry as stand alone, if not already, then soon.

As tangible proof of the successful turn-around strategy at NATIVE Wagner says the agency has finally managed to secure the lead agency role on a number of clients “which represented a significant shift in the way that clients are now viewing our role as brand and conceptual creative custodians. The work that will be executed extends way beyond the digital canvass and includes all manner of through-the-line executions.”

Clients include Nedbank (Lead Digital Agency), RCS, GM, Standard Bank, Nestle, Pernod Ricard (Lead Digital Agency on Chivas Regal, Jameson, Absolut, Malibu and Pernod Ricard SA), Caxton, L’Oréal, Sappi and Foschini. Last year it lost the South Africa Tourism and Distell business but new clients have more than made up for these losses.

According to Wagner the turn-around process has catapulted NATIVE into becoming the second largest digital agency in SA in revenue terms (close to R100 million), the third largest in staff count (150) and in the top 5 creatively.

Cinman says digitally-led full service agencies like NATIVE will win against traditional outfits with digital capacity unless those agencies pull digital teams into senior positions inside their agencies – something the NATIVE team says appear unlikely as most agencies are buying digital outfits and housing them in silos or as an add-on service outside the primary business.

Xenopoulos is confident that the business has finally put behind it debilitating process and cultural issues, a string of lost pitches and financial difficulties. It is emerging stronger than it has been at any point over the past two years and finances have turned around over the past six to eight months. The agency, which had trouble making ends-meet at the beginning of 2012, is profitable today. Xenopoulos expects growth of between 25-30% in 2013 on top line earnings. It won 8 of the last 10 pitches it participated in over the six months to November 2012.

Wagner believes the business is successfully building a foundation from which to regain trust of staff and clients and the broader industry as well. NATIVE is being rebuilt as a learning agency – it has been unafraid to look back at its own history, drew some hard learned conclusions and expensive lessons, and is focussed on correcting past mistakes.

If it maintains course it could finally take the place in the South African ad industry that its management team had hoped to win when three businesses set on a path to merger two years ago.

Saved, the story of NATIVE, the agency promises, is only just beginning.

Correction: An earlier version of this story identified Ben Wagner as a member of the NATIVE exco. While he sits on the board he is not a member or the smaller exco as inferred. We apologise for the error.

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The Third Place: Trends in shopper marketing

by Louise Marsland (@trendlives), publishing editor, TREND. Shopper marketing is the fastest growing advertising category globally and is set to become one of the biggest growth areas in South Africa too. Yellowwood strategic marketing consultancy reports that in the past Trolleyyear, shopper marketing has taken an ever greater share of marketing budget, showing 21% year-on-year growth in budget allocation in 2012, globally.

The retail trading environment is tough and it is only getting tougher as recession-hit consumers shop for value and for the best deals they can get.

Retailers and brands are scrambling to keep up and the increasingly competitive trading environment in store has spawned a myriad of new media options in the last few years, aided by digital innovation and with the aim of targeting a consumer that is ever harder to please.

We spend so much time in malls that they are referred to as our ‘Third Place’ – after home and the office.

Malls have become the leading entertainment and leisure destinations in this 21st Century world. And a captive consumer enjoying themselves is a consumer ripe for the picking, as retailers and marketers have discovered, hence the boom of mall and in store media in the last decade.

Shopper marketing has become a retail science all of its own and a mass medium that is taking an ever greater slice of the marketing pie. Depending on who you talk to, the fact is that between 68% and 72% of purchasing decisions are made in store – in the aisle, at the shelf. Research has shown that shoppers organise their shopping trips around the type of experiences that they want to have, not only around what they need to do.

However, as we go into year five or six (depending on which region of the world you live in) of the world’s worst recorded global depression, the consumer is a different animal these days: in the main price conscious, cash-strapped, stressed and with a powerful voice, handed to them by technological and digital evolution in the last few years.

The key word is VALUE. Retailers and brands have discovered that you need to enrich the lives of your customer-base. And to be able to do so, you need to get to know them very well. The era of marketing to the individual is upon us.

These are some of the key trends identified in the latest TREND. Dissect report: The Third Place.

  1. Shopper Marketing Channel: Shopper marketing is the fastest growing advertising category globally.
  2. Value Mart: Price matters, but so does value. You need to enrich the lives of your consumers, either through a superior product experience, information, or a pleasant shopping environment.
  3. I ‘Heart’ You: You need to care and the consumer needs to believe that you do. Not just about them and their needs and the needs of their family, but about the environment they live in, that their children will grow up in, what they consume and where products are sourced and how they are made/grown/harvested.
  4. Price Point: The majority of grocery shoppers in South Africa display strong store and brand loyalty, but rising food prices and economic uncertainty is driving store brand popularity and a decline in non-essential purchases. South Africans have become cautious, price sensitive grocery shoppers.
  5. Loyalty Legion: South African shoppers demonstrate high levels of store loyalty and brand loyalty and don’t switch shops or brands necessarily for price only.
  6. Shopper Tribes: There are new “tribes” of shoppers following on the recession, as identified by trend forecaster Dion Chang: notably the ‘Forever-frugal Shopper’.
  7. What’s in it for me? If you want brand fans for your social media channel, you have to give them something in exchange, consumers want something back for supporting their retailers and brands and they are quite mercenary about it.
  8. Experiential: Offering shoppers instant rewards in store or on loyalty cards or via mobile couponing; or providing ‘solutions’, like meal combinations for dinner.

TREND., the South African trendwatching portal and MarkLives’ sister site, takes an in depth look at Shopper Marketing in the latest TREND. Dissect report, ‘The Third Place’. The full Shopper Marketing ‘The Third Place’ report is available at TREND. on www.trendlives.info, for free.

Breaking news: Ireland/Davenport wins Vodacom advertising account

by Herman Manson (@marklives) Industry sources have confirmed that Ireland/Davenport has won the Vodacom advertising account. It was announced earlier this week that Draftfcb had lost the business after 19 years. A formal announcement is yet to be made by Vodacom and/or Ireland-Davenport.

Ireland/Davenport describes itself as a boutique communications agency and clients include BMW, Investec and SA Tourism. The agency was founded by Executive Creative Directors Philip Ireland and John Davenport. Susan Napier is the Managing Director. It is a WPP associate.

More details to follow

Update: Official Vodacom statement received

“We entered into an agency pitch process last year. The review was a really competitive process and we have made a decision this week that it’s the right time to make a change in advertising agencies. Ireland/Davenport has been appointed as Vodacom’s new creative brand advertising agency, effective 1 April 2013.”

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M&C Saatchi launches new kind of media agency in South Africa

 

M&C Saatchi Connect

by Herman Manson (@marklives) UK based agency network M&CSaatchi has launched a media agency in South Africa called M&C Saatchi Connect. The new agency will be lead by Martin MacGregor and share offices with M&C Saatchi’s South African agency M&C Saatchi martin macgregorAbel.

MacGregor was the MD at Nota Bene MEC Cape Town before he joined M&C Saatchi Abel as a managing partner in early 2012.

M&C Saatchi Connect is a homegrown agency – MacGregor isn’t launching an existing M&C Saatchi agency into the country. MacGregor believes the new agency will challenge the status quo in terms of the relationship between media and creative agencies.

MacGregor says that there has been considerable industry chatter about bringing back together the agency and media function “like in the early 90’s” before specialist media houses started launching in SA and cornered the market. But the market has changed and having media as a department in an agency offers little value in a media environment now built around paid, earned and owned media across multiple customer touch points. Media needs to be a fundamental part of the agency – not a silo.

An opportunity existed to create a new type of agency that strives to understand the broader touchpoint world of the modern consumer (a touchpoint is any potential place or time that a consumer could engage with a brand), that recognises the importance of integration between ideas and touchpoints and looks at measurement across all touchpoints. It aims to move media from being a commodity to a strategic resource.

And here lies the problem for the existing specialist agencies says MacGregor. Established to drive value (for your buck, rather than for your strategic objectives) and deliver efficiencies they have lost any understanding of touchpoints beyond paid for media when it is clearly no longer the only viable touchpoint to consumers. This has lead to a message/integration disconnect. In short, says MacGregor, media agencies are living in their own world and haven’t acquired the skill sets to break out of that. M&C Saatchi Connect will not be active in the media buying business but will work with existing client media agencies to facilitate this function as part of a broader touchpoint strategy.

The new agency already works on several M&C Saatchi Abel clients and will operate from Johannesburg and Cape Town.

M&C Saatchi Abel currently employs 165 people in Johannesburg and Cape Town and revenue is closing in on R100m.

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Magazine covers we love (this week)

MarkLives.com runs a regular slot featuring the best local and international magazine covers every week. We recognise well thought out, powerful and interesting (and hopefully all three in one) magazine covers and celebrate the mix of pragmatism, creativity and personal taste that created each of them. By media blogger MediaSlut.

INTERNATIONAL

Época, 27 January 2013

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Just like The Batman cover (which was my #1 International cover for 2012), these Época covers are also extremely sad and striking after the death of 238 students in the Kiss nightclub fire on 27 January 2013. Puts it much more into perspective when you see the faces…

The lines “Tão Jovens, Tão Rápido, Tão Absurdo” means “So Young, So Fast, So Absurd”…

Golf Digest, March 2013

Gholf Digest

Certain people fantasize about a sea of women, or a sea of food, or a sea of money. I’m sure that many golf fanatics dream of a sea of golf clubs… I thought it’s a great idea for their 2013 Equipment Guide, and something quite different from what you would expect of a Golf title.

i-D, Pre-Spring 2013

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ID 4

 

Kate Moss is on 4 different covers for the i-D A-Z of Now issue, and all of the covers and images are just Kate-Beautiful! She been a favourite of i-D magazine since 1993 (when she was still relatively unknown), and his since appeared on 17 of their covers (including the new 4). What I LOVE about their cover concepts, are that each and every cover has to symbolize someone ‘winking’ or ‘closing one eye’, and the way they do it on some covers are very creative… For all 17 Kate Moss covers, you can click here.

Interior Design, January 2013

Interior Design

This cover plays tricks on my mind. I keep wanting to look up to see what they’re ‘looking’ at… Just a fun cover, and something different from what I’ve seen before.

– The (for now anonymous) blogger behind MediaSlut knows way too much for his own good about media in South Africa. Magazines in particular. His mission is to show when South African magazines might fail, but most importantly, succeed. If you’re looking for a library about South African magazines and news, your one-stop pitstop is MediaSlut. #MagazinesForTheWin

– Find a cover we should know about? Tweet us @marklives and @mediaslut
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New editor for the Sunday World

Times Media has announced internally that as of March 1st Marvin Meintjies, currently deputy editor of the Sunday Times, will be taking over the editorship of Sunday World. Sunday World is a Sunday tabloid with a focus on ‘infotainment’ (as per the TML website).

The announcement states that Meintjies helped launch both the Sunday World and The Times and was deputy editor at The Times before rejoining the Sunday Times.

Vodacom loss will affect 10% of Draftfcb revenue, staff

by Herman Manson (@marklives) John Dixon, the CEO of Draftfcb, says the Vodacom account represented around 10% of group revenue. The agency has just learned that after nearly twenty years it had lost the Vodacom business – its biggest single client.

Draftfcb had been informed in December that it would have to repitch for the Vodacom account. Initial pitches took place Jan 31 and Feb 1. The vodacomagency made the shortlist alongside WPP owned Ireland Davenport and a WPP consortium called Team Red (an apparent reference to the bespoke WPP unit that services Vodafone in the UK, a majority shareholder in Vodacom) but has since fallen out of the running. It is believed that Vodacom will make its final decision between the two remaining agencies on Friday.

Dixon says the Draftfcb leadership team is drawing up a response plan and will be able to communicate it fully to staff by Tuesday. The agency will be restructured and it could affect up to 10% of staff. That would translate, judging by publicly available data on employment numbers at Draftfcb, to between 50-60 people.

Dixon says that while Vodacom leaving represents a loss to the agency it also offers opportunities for internal renewal. Management time and top resources will be freed up to focus on other business and clients.

The final shortlist of two WPP aligned agencies suggest Vodacom is seeking to align its account with that of majority shareholder Vodafone. The company changed its branding in 2011, adopting the Vodafone red as its new corporate colours. In July 2012 Vodacom also announced the departure of CEO Pieter Uys and the appointment of Shameel Joosub as his replacement.

WPP owns stakes in various agency networks and agencies active in South Africa including MetropolitanRepublic, The Jupiter Drawing Room, Ogilvy (which already handles Cell C), JWT and Y&R.

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TopTV – determined to not bottom out

Kim Penstone talks to Peter van den Steen, the man appointed to save TopTV from bottoming out.

On October 31 last year, TopTV sought business rescue protection under Chapter 6 of the 2008 Companies Act.  What this means to TopTV is toptv logothat it provides the company with a protective bubble within which to restructure itself and hopefully avoid liquidation.  What it means to the media industry is that the local Pay TV sector could once again become a monopoly dominated by Naspers-owned DSTV. What it means to court-appointed Business Rescue Practitioner, Peter van den Steen, is that there is a lot of work to be done, because it is in the public’s interest that TopTV lives to broadcast another day.

And, we hasten to add, that’s not just because TopTV has resubmitted its application to broadcast adult content in South Africa!

“This is a business with 250 direct employees, and about 3 000 independent bakkie brigade installers. It is a business into which R1.4 billion has been invested over the past two and a half years – much of which is tax payers’ money [Major institutional shareholders include the Industrial Development Corporation and the National Employment Fund]. And it is a business which provides, or could provide, healthy competition in a sector that has been dominated by one player for decades,” says Van den Steen, the man who has been appointed to turn the ailing broadcast company around, and is committed to working every angle in pursuit of this goal.

“Yes, adult content could well fit into the plan. You and I both know that adult content drives the internet, we are told that internationally, it is sports and adult entertainment that drives Pay TV, who’s to say it can’t drive TopTV back into business?” he asks.

However, the potential broadcasting of adult content in South Africa is not the sole topic of our discussion – there are many issues surrounding the business rescue, not least of which, as always, is cash. In this case, the lack thereof.

TopTV’s debt is currently “unacceptably high”, according to Van den Steen. When the company applied for business rescue, which it is obliged by law to do when the Board believes that it will not be able to meet its financial obligations in the ensuing six months, it was already at risk.

According to the official Business Rescue documentation, this was partly due to the fact that one of the possible strategic equity partners with whom talks had been progressing suddenly withdrew from any further discussions.  This, coupled with the fact that the traditional shareholder funders of the company had stated that they did not wish to provide further funding to the company in a situation where there was no other strategic equity partner on board to share the burden, meant that the board had no other choice but to file for business rescue.

When Van den Steen was appointed, he learnt that TopTV had been granted R150 million in equity funding from its major institutional shareholders, the Industrial Development Corporation (IDC) and the National Empowerment Fund (NEF) on October 1, 2012. But after filing for business rescue on October 31, the company learnt that the IDC and NEF had separately (and for separate reasons) withdrawn their respective commitments to further fund the company.

What followed is a bit like a game of cat and mouse. The company management, led by the Interim CEO Eddie Mbalo, now under the direction of Van den Steen, entered into discussions with the IDC, which resulted in an agreement to reconsider the funding upon the provision of a concrete plan to save the business. As part of this plan, TopTV pursued its application to ICASA to broadcast adult content – a decision which had actually been taken by the board prior to the company applying for business rescue, and to which no shareholder had objected at the time.

Upon presentation of the plan, the IDC expressed reservations. Van den Steen and management agreed to withdraw the application to broadcast adult content, acknowledging that without this funding TopTV had little or no hope of surviving. But then the funding was denied anyway.

“It’s a hard pill to swallow. One of our major shareholders turned its back on us, after we agreed together to do everything in our power to save this business,” says Van den Steen.

Without any clear commitment as to funding in the interim period, the board elected to resubmit its application, believing that this remains the best possible way of growing the business in a sustainable way into the future.

“The right to choose lies at the heart of the South African Constitution,” says Van den Steen, “so we believe South Africans should have the right to decide for themselves whether or not to consume this content, but unfortunately there are some people out there that are determined to prevent South Africans from exercising their Constitutional right to choice.”

He adds that the access to the three proposed channels will be strictly controlled at three levels: 1) TopTV is not free to air, only subscribers will have access; 2) Subscribers can opt to not include the adult content channels in their specific bouquet, and 3) Even then, the channels will be pin-code protected ensuring that only adults with the pin codes will have access.

“Contrary to some of the sensationalist comments that have dominated the press, TopTV is not hellbent on destroying the moral fibre of society. The decision to resubmit our application to ICASA, whilst it is a principled one, is also a business decision. We are hellbent on saving this company.”

And as any businessman would, Van den Steen has resisted the – ahem – temptation to put all his eggs in the adult entertainment basket.

The reality is that without a substantial cash injection, the adult entertainment issue becomes a moot point. TopTV simply might not survive long enough to hear the decision. Van den Steen thus approached the company’s only secured creditor, The Development Bank of Southern Africa (DBSA), as well as trade creditors, and asked for permission to continue trading as well as a payment holiday to give him and management time to save the company. He was given until 14 December by which time he had to negotiate with all other major creditors for a payment holiday until at least the business rescue plan was voted upon by all creditors.  He was further given until January 7 to get a serious offer on the table that would form part of the greater business rescue plan.

By the end of December, TopTV had offers from interested consortia, and by January 7, Van den Steen provided DBSA with a few written expressions of interest. The next deadline, for a binding offer, is on February 8.

None of these offers is likely to be contingent on TopTV winning its application to broadcast adult content, and Van den Steen remains optimistic that at least one offer will come through. While he does believe that the adult channels could contribute towards bringing TopTV back to life, he is firm that it is only one element of a plan to save a company that has so much to offer (to the public, its partners and staff alike).

“Did you know that, worldwide, it generally takes between five and seven years, plus the equivalent of around R5 to 7 billion to get a pay-TV operation off the ground? TopTV has only had two and half years, and R1.4 billion. It deserves more,” he concludes.

Right of Reply: Industrial Development Corporation : “As you might be aware, the Board of ODM had voluntarily resolved to put the company under business rescue due to financial difficulties.  This was primarily to enable the company to undergo a proper restructuring process, including finding a strategic equity partner, with the required expertise and capital to invest in the business. We support this process as it will allow us to properly determine our further involvement in TopTV. At this stage, we have withdrawn our funding until there is sufficient clarity on how best we can participate in the project.”

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Breaking news: Vodacom and Draftfcb to part ways

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It has been confirmed that Vodacom is moving its advertising account from Draftfcb. The agency has held the business for close to 20 years. The news broke last night and by this morning had found its way onto Twitter.

The new agency for Vodacom is expected to be announced on Friday.

Twitter reaction to the news this morning:

AHMED TILLY ‏@AhmedTilly

@marklives so it’s true. Quite sad to see them move. #DraftFCB have been with them from the beginning of mobile in SA. Iconic work.

Chris Moerdyk ‏@chrismoerdyk

DraftFCB has lost the Vodacom account after decades of sterling service. I just hope this isn’t change for the sake of change.

Kelvin Jonck ‏@KelvinJonck

Fresh CEO. Was bound to happen. “@marklives: Vodacom is moving its advertising account from Draftfcb. More details soon on Marklives.”

BenWagner ‏@BenWagner

Big implications and opportunities abound as Vodacom parts ways with DraftFCB – end of an era..

Note: For an update on this story click here

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Shelf Life with Louise Marsland: selling SA wine in the States

Louise Marsland’s (@Louise_Marsland) pick of new product, packaging and design launches.

Marketing SA wines in the US is not a picnic, Top Shop provides a window on new fashions, another ‘BlackBerry’ launch, and we find out which is the most desirable tablet is in South Africa…

Indaba Wines refresh

Indaba carton with Chardonnay lowres

Indaba Range lowres

South Africa’s Indaba Wines has undergone a fundamental image transformation to embrace its African roots and reflect the reality of wines which come from ‘A beautiful place where beautiful things grow’.

The United States has its own robust wine industry and is ultra-competitive. Despite Indaba’s 15 year success in the US, Cape Classics felt the packaging did not reflect the quality of its wine.

“To significantly increase market share of Indaba, we had to start from scratch,” says Robert Bradshaw, Cape Classics president.

The new design reflects the rich diversity of the Western Cape’s floral beauty and also draws on the region’s commitment to recycling and sustainability with its choice of a plain craft carton free of colour or varnish.

“The colour choices for each varietal are based on what you see in the Cape – the slightly muted hues, the way the light falls on the mountains, that sun-faded affect caused by the strength of the African sun, were all taken into consideration,” explains Molly Choi, marketing and sales executive vice-president for Cape Classics.

Choi told MarkLives that it is incredibly challenging to market SA wines in the US as there is a real lack of brand identity for South Africa in general. “Any positive associations are very limited and there’s nothing for a consumer to really ‘bond’ with as with other wine producing regions in the world. It is not unusual to find SA wines in the back of a shop, on the bottom shelves between Greece and Kosher selections. And on a wine list, you typically wouldn’t find more than a handful of options.”

Choi says they focus instead on the wines themselves being delicious and less on the region where they’re from.

That said, South African wine imports are up in the US and they’re experience growth across all the SA wine brands they represent.

“Indaba is one of South Africa’s leading brands in the US market, with presence in major retailers, including Whole Foods, Wegmans and Costco; and national on-premise accounts including Capital Grille, Seasons 52 and Fleming’s.The brand (is) widely recognised by the trade and consumers for its quality and value,”Choi adds.

In the last five years the Indaba brand has experienced an overall growth rate of over 86%.

Cape Classics was founded in 1992 in New York City by South African born Andre Shearer and also represents Kanonkop, Buitenverwachting, De Toren and Thelema wines in the USA.

Tablet boom

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It shouldn’t be a surprise that one of the most desirable products in South Africa is a tablet.

What is interesting is that the tablet boom over this past festive season – has led to an online shopping boom globally – not just in South Africa.

Tablets came second only to the gobii eReader  as the highest selling device  on kalahari.com. The Google Nexus 7 beat the Apple iPad on Kalahari.com as the favourite among customers, followed by other entry level tablets like the Coby and Prestigio 7 inch tablets.

Tablets in the local tech market  have grown from claiming 18%  of the webbook and mobile PC market, to a 26% share from February  2012 to March 2012 (GfK).

And Kalahari found that 73.4% of tablet owners said that they were already  using the devices to shop online and it is expected that the growing demand for mobile tablet devices will fuel an online shopping or T-commerce boom globally.

A tasty BlackBerry launch…

Liqui Fruit Blackberry pack shot

Capitalising on the hype surrounding the launch of the new BlackBerry 10 smartphone globally and the rebrand of RIM to BlackBerry, Liqui Fruit produced a limited edition BlackBerry flavour in a pack that is designed to look a bit like a mobile phone.

The “on-the-go 250ml Liqui Fruit BlackBerry handset” will be available from convenience stores until June 2013.

“To kick off 2013 we wanted to connect our consumers to our new Liqui-Fruit Limited Edition Blackberry, in true‘the power is in the juice’ style. Its status:  100% fruit juice, high in vitamin C, with no added preservatives,” explains brand manager Karen Veysey.

There’s also a competition to go with the launch of the new variant and pack – a chance to win 10 BlackBerry smartphones in posters that play off Vodacom, MTN and Cell C brand advertising, with “BlackBerry 4 U” and “Ayoberry” taglines and a Vit© brand. Cute.

A fashionable window

Top Shop window

Given just 10 days before the launch of the first Top Shop in South Africa, Clarion Printed Products met tight branding deadlines to dress the windows of the high profile store in Sandton City, as well as produce the store’s full range of retail point of sale materials.

The in store requirements varied from mat vinyls and textured wallpaper, to backlit polyesters and non-curl PVC banners for the 950 sq m store, which opened late last year.

Louise Marsland– Shelf Life by Louise Marsland is a weekly column on MarkLives. Tweet new product, packaging and design launches to @louise_marsland.

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Louise Marsland has written about the FMCG, media, marketing and advertising industry for 18 years of her 25 year media career as a former Editor of magazines AdVantage, Marketing Mix and Progressive Retailing; as well as websites Bizcommunity.com and FMCGFiles. She currently edits the weekly Wednesday Media & Marketing Page for The New Age newspaper; and is the co-founder and Publishing Editor of SA’s newly launched industry trendwatching portal, TREND. at www.trendlives.info, in partnership with MarkLives.com.

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