Ad of the Week with Oresti Patricios – #lovecapetown

Ad of the Week with Oresti Patricios – Selling the Love one # at a time

capetown

For many South Africans, and not only those who live there, Cape Town has a special place in their hearts. For many it’s the ideal holiday destination, and has the proud distinction of being the South African city most foreign tourists want to visit. In fact, Cape Town it is recognised as one of most desired destinations worldwide.

Promoting the Mother City may seem like a dream job, but there is a lot that has to be considered when marketing a city. And when it comes to tourism, most people are more inclined to base their purchasing decision on what they read on a blog or a review site than in conventional channels. What makes this complex is that these days there is a lot of “noise” competing for people’s attention when it comes to making choices of where to go on holiday.

The challenge for marketers is how to cut through the clutter. Cape Town Tourism and its agency has done this quite smartly with the current ‘Love Cape Town’ campaign, an extension of the ongoing campaign that lives under the slogan of “You don’t need a holiday, you need Cape Town.” It includes Facebook competitions, a Twitter angle, blogging promotions and an Instagram competition. The idea is to get a conversation going about the tourist venue in social media, and this strategy has intelligently built the city’s brand over recent years. For this month, being tourism month, the hashtag #lovecapetown has been adopted to bring all the elements of the campaign together.

Last year local and international bloggers were hosted during the city’s tourism month promotion, and once again, bloggers from around the world are using the #lovecapetown hashtag to promote the city. The big names behind this year’s campaign include Abigail King from Inside The Travel Lab (UK); Carol More from Follow the Colours (Brazil); and Rachelle Lucas from The Travel Bite (USA). The idea is to find tourism experiences that are unusual – not the kind of usual fare a visitor might find on Lonely Planet or Tripadvisor.

This way tourists to Cape Town not only have their pick of ‘the things to do in the Mother City’ while they’re there, but also get to savour those interesting, unusual, out of the way, and less frequented destinations that make leaving home so worthwhile.

The hashtag #lovecapetown is now flying high on Twitter, Facebook and Instagram, as Capetonians and others weigh in on ‘local is lekker’ tourism topics, like must-visit restaurants, as well as other venues and sites. The Facebook page is dynamic and well-maintained, and the main site, at www.capetown.travel, is a well-crafted, clean and informative site that should make any potential visitor feel welcome, if not salivating.

All posts with the hashtag are aggregated on the www.capetown.travel/lovecapetown page, updating constantly with opinions, pictures and suggestions – normal people sharing their experiences of the Mother City, its restaurants, activities, ideas and tips.

I had decided to write about this campaign last week, and then on Saturday night, the #lovecapetown campaign was awarded a gold in the Digital & Interactive category at the Loeries – adding to Cape Town Tourism’s Cannes Golden Lion and Travel+Leisure Smitty Awards. I think this is worthy recognition for a campaign that uses the medium to its fullest.

What’s important to note about this campaign is that doing a visually arresting commercial and flighting it on traditional media offshore is the easy (and expensive) route cities can take. But that’s a lazy option, now isn’t it? Cape Town Tourism together with its partners at Ogilvy have chosen the road less travelled – they’ve come up with an innovative, crowd-sourced campaign that invites participation and discovery. A campaign that takes a lot more work to manage.

But this campaign proves that social media can be an effective and immediate way to interact with potential local and international visitors: it creates a dialogue with its fans, who are only too happy to talk about something that they are passionate about. Which in turn creates a buzz that forms a valid message for the target market.

SITES/MICROSITES TO LOOK AT:

www.twitter.com/capetowntourism;
www.facebook.com/CapeTown.Travel;
www.instagram.com/lovecapetown;
www.capetown.travel/lovecapetown

The international bloggers can be found at:

Abigail King: www.insidethetravellab.com; @insidetravellab;
Carol More: www.followthecolours.com.br; @follow_colours;
Rachelle Lucas: www.thetravelbite.com; @TravelBlggr.

Ad of the Week is published on MarkLives every Wednesday. See past selections here.
Oresti Patricios (@orestaki) is the CEO of brand and reputation analysis company Ornico.

Loeries 2013: Nice show, great work

Louise Marslandby Louise Marsland (@louise_marsland) A conversation I had with Draftfcb group CEO John Dixon at the annual Draft media lunch at The Bungalow, Cape Town, on Sunday afternoon got me thinking about The Loerie Awards and how far it’s come.

I’ve been covering the Loeries since the sequined Sun City days 14 years ago, when then M-Net presenter Michelle McLean changed her outfit more times than she got to hand out a Loerie, all through the chaotic excess of the Margate years to the return of the more-formal glamour of the Cape Town International Convention Centre.

Dixon asked what I thought of the awards Saturday night and my response was: “It was nice; the work was great, though.”

Margate epoch

I also mentioned how much I missed the drunken debauchery of the Margate epoch.

It gave us great copy — the legends about coke being handed around on a silver platter on the buses; the tent that almost blew down in the high winds that first year; the 4am streaking through Margate main road; the TVs and toilets thrown out of windows… and who can forget the lovely man who waggled his well-endowed manhood for all to see from the 7th story of the flats opposite the Mugg & Bean (we at least had video that year!)…

Or the weirdoes who mooned the audience, hopping from chair to chair while blissfully high (such a pity we didn’t have Twitter then); the drunken gold Loerie winner who fell off the stage after accepting his award, breaking a few ribs; and, of course, the infamous red underpants stunt that got the industry uninvited from the seaside dorp and plenty of copy in the tabloid press.

Rumours abounded of agencies offering cash prizes to the most badly behaved folk who got the most column centimetres…

Like the long Friday lunch, how I miss those days – as a journalist! What brilliant copy it all made.

What the industry needs

While a “nice” ceremony isn’t what gives us, the media, colourful copy, it is what the industry needs to showcase the work. Because, amongst all the sideshows of Margate and the interminably lengthy Sun City shows, the focus on the work shifted to the facilities, or lack thereof, and the behaviour of the industry as a collective.

And that was not good for business.

The Loeries should indeed be about the work, about promoting creativity, about promoting South African — and now African talent — in the industry. You should be able to take your clients and show off the industry and the work.

That’s what the creative industry has tried to achieve, with admirable results, since it took ownership of The Loerie Awards from the bankrupt Marketing Federation.

Business has changed

Business has changed during this global recession and all industry with it, including the advertising industry.

While we must celebrate the creativity and the eccentricity that makes the industry one of the most special and fun to work in and report on, with social media recording the minutiae of everyone’s lives in this YouTube generation, you can’t afford to have your clients not only think the worst, but to see the worst.

Yes, the MCs were mediocre — thank goodness for bad-boy John Vlismas who killed it on stage and brought levity to the Sunday night, although co-host, the young Dineo Moeketsi, was like a lamb to the slaughter in the face of Vlismas’s no-holds-barred comedy. Poor baby. How about a Vlismas/Nathaniel pairing next time? Now that would be as subtle as those Checkers commercials with Gordon Ramsay!

As it should be

So, as I said to Dixon at the lovely long lunch with a view (thank goodness some traditions haven’t died!), the ceremony should be low key, the MCs should be OK, people should dress up — because the work deserves it. And the Loeries is, finally, all about the work, as it should be.

— Louise Marsland has written about the FMCG, media, marketing and advertising industry for 18 years of her 25 year media career as a former Editor of magazines AdVantage, Marketing Mix and Progressive Retailing; as well as websites Bizcommunity.com and FMCGFiles. She currently edits the weekly Wednesday Media & Marketing Page for The New Age newspaper; and is the Co-founder and Publishing Editor of SA’s newly launched industry trendwatching portal, TREND. at www.trendlives.info, in partnership with MarkLives.com.

Are you a Loerie Fash-Ho? #loeries

Louise Marslandby Louise Marsland (@louise_marsland) Since bad behaviour is banned from the actual Loerie Awards (read our event overview here), the only thing we have left to write about outside of the actual awards that sets the industry apart as “creative” (read: outrageous, entertaining, fascinating, fashionable, uber-cool) is the fashion.

So why are you all dressing like clients? This was the most fucking boring red carpet I’ve ever been on and I’ve been covering The Loerie Awards since the Stone Age at Sin City!

In fact, I’ve had more interesting fashion combos from my toddler than what we were subjected to this past weekend.

What happened? Did everyone go to rehab? Was there a memo we missed? Did it say “Dress Code: Dress like a marketer” on your invites?

Is no one subversive anymore? *Sob*. It was all a bit ‘oudoos’, in fact.

If you’re just going to pitch in boring jeans and T-shirts, you might as well be totally shocking and actually wear black tie or a little black business suit (*note the sarcasm*).

The ultimate fash-ho, Joan Rivers of Fashion Police, would fine you all.

Anyway, we managed to scrounge around and find a handful of beautiful people who made an effort to glam up or stand out… We salute you for being a shining beacon in a sea of mediocrity.

Apart from the ‘dress like a corporate client’ theme which was prevalent, gold glam was a clear trend; the brave few still brought their short skirts despite the thick snowfall on the Cape mountains (including Table Mountain on Friday); there were a fair amount of prints in line with the current fashion trend — we loved the few who featured skulls; and of course the biggest accessory was the heavy statement or ‘collar’ necklace, a fetching trend to jazz up any outfit.

On the whole, the men were more stylish this year than the women as the skinny jeans trend extends to very sharp skinny pant evening suits. The men also had bigger hair this year than the women. I blame ghd for the uniform straight helmet-hair trend. We loved the gals who rocked out their ‘fros’.

We only saw two hats this year, but think they were only worn to disguise bad hair days, except for the guy who was clearly channelling Johnny Depp’s less attractive cousin.

1.   Pirated…

We love the skulls prints. It screams “I’m fierce, a little dangerous and I work in a cool job where I can rock prints like this!”

Skulls 1

Skulls 2

 2. Shine a light on me…

More gold than a gold Loerie, more glitter than Martha Stewart and a ham, these red carpet stars shone brightly in the fashion stakes.

Shine 1

Shine 2

 3. Big hair… big ???… Not.

This year the men rocked the big hair. I’m not sure this is a good trend. Leave it to the ladies.

Big hair 1

Big hair 2

 4. Print it…

There were some gorgeous print dresses, off-the-shoulder numbers and diaphanous fabrics.

Prints

 5. Collar me…

The current fashion trend of big collar necklaces seriously glammed up many outfits.

Collar 1

Collar 2

 6.  Shoe porn: ’nuff said.

*Envy!*

Shoes 1

Shoes 2

Shoes 3

 7. Who let the dogs out…?

Not sure what statement Mike Schalit was making with this print shirt with dogs on it. And not even doggy-style, which would have been nicely off-centre. Maybe he was trying to say, “I’m really just like the rest of you guys, not a millionaire ad agency legend with more Loeries than you have red underpants.”

Schalit

 8. We got the skinny…

Love the skinny suits on the guys.

Sharp suit

 9.   The long and short of it:

Last year there were so many fanny pelmets on display that Sharon Stone sued for copyright infringement; this year, short skirts weren’t much in evidence, probably due to the snow on the Cape mountains.

Short

10. WTF?

Short

— Louise Marsland has written about the FMCG, media, marketing and advertising industry for 18 years of her 25 year media career as a former Editor of magazines AdVantage, Marketing Mix and Progressive Retailing; as well as websites Bizcommunity.com and FMCGFiles. She currently edits the weekly Wednesday Media & Marketing Page for The New Age newspaper; and is the Co-founder and Publishing Editor of SA’s newly launched industry trendwatching portal, TREND. at www.trendlives.info, in partnership with MarkLives.com.

Loeries & Pendoring: Not quite a post-mortem

2013 Loeries: Sunday Awards Ceremony

Hermaneutics, a column by Herman Manson (@marklives) Flames roared impressively, smoke spilled over the stage and kids screamed. I had just been reading their naively thankful tweets to their educational institutions, such as the AAA School of Advertising, expressing eternal gratitude for securing them seats IN THE FRONT ROW!! of the auditorium at The Loerie Awards, and I had been wondering what fate — and the ad industry — would have in store for them… Welcome to the biz, kiddos.

The ad industry gathered in Cape Town this past weekend, starting on Friday evening, 20 September 2013, with the Pendoring Awards [winners list] and continuing through Saturday and Sunday evenings with The Loerie Awards [Loeries 2013 — all winners], to celebrate and award its creative output of the past year.

Quick turn-around

Yup he really said that
Yup, he really said that.

The Loerie Awards evening certainly impressed with its quick turn-around and general slickness. I think the event organisers pulled the whole thing off in less than two-and-a-half hours on each of the two evenings. Gone seem the days when we huddled for untold hours on the world’s most uncomfortable seats while people in the world’s most unfashionable hats (something apparently killed off, thankfully, by our own Louise Marsland) spent forever dry-humping and not quite managing to get on stage (the sooner they get there, the sooner they can bugger off again). It just about makes paying for your own pre-drinks worthwhile.

Loeries CEO Andrew Human, speechless for once (he had lost his voice at some stage pre-event), seemed happy with the end result, as did most of the attendees. A big contributing factor to reducing the monotony usually associated with award show events was that ads were only flighted once on the AV screens, so the audience did not have to sit through repeat after repeat (a handy tip offered by MarkLives in our overview last year. Looks like we are worth having around, after all).

Poked fun

Xolisa Dyeshana, ECD at Joe Public and chairperson of the Loeries , proved once again to be the most unassumingly charming gent in adland with a funny opening speech in which he poked fun at all sorts of agency and client stereotypes — a (fake) pitch to Metrorail for a localised version of the globally awarded ‘Dumb ways to die‘ campaign.

The Saturday night MC duo, Joey Rasdien and Dineo Moeketsi, was smooth but not terribly entertaining. Nobody seemed to miss the international has-been celebs the organisers have been subjecting us to over the last few years. Only thing to miss about MC Hammer was funny tweets on the #loeries hashtag.

Grands Prix

Saturday evening saw two Grands Prix awarded, one a worthy win by Ogilvy & Mather Cape Town for Volkswagen’s “Street Quest” (in the Digital & Interactive — Social Media category). The second, for Engen’s “Fire Blanket Calendar” campaign by Draftfcb (in the Alternative Media & Field Marketing category), might prove a more controversial decision.

It goes, I suppose, to the essence of what we are awarding as an industry. If it is great creative ideas, then by all means, this is one, and worthy of the recognition. If it’s about ideas and results…

Watching the video presenting the aims of the fire blanket campaign, it sounds as if Engen, a leading supplier of paraffin (which is widely used by South African shack dwellers for heat and light), hopes to “affect real change” (to quote the video) in fighting fires started accidentally through use of this product.

The answer

For Draftfcb, the answer was to change the calendars distributed by Engen to its customers — and which would not be put away and so be out of reach in an emergency, hanging on the wall as it does — into fire retardant fire blankets. The idea is that, if you can suffocate the fire when and where it starts, you can save not just one household but many, or even a whole community. It’s a brilliant insight.

2013 Loeries: Sunday Awards Ceremony
Speechless

“Hopefully this year will be better for residents of South Africa’s informal settlements,” the video presentation concludes.

So how many of these fire calendars were made and distributed to residents inside informal settlements? Several hundred, says the agency. It just wasn’t cost effective.

And the insight, to stop a fire at its source, would require every residence in the community where it is distributed to have one, surely, for it to be effective and achieve the clients core brief — “affecting real change” and preventing shack fires.

If the brief said affect real change, and you are talking about 1.2 million households in settlements at risk, several hundred fire blankets isn’t that.

Back to the Pendorings

Before we get to the Sunday night Loeries event, let’s step back one night to Friday evening and the Pendoring Awards.

Pendoring has come a long way in 19 years. From what felt quite isolationist and reactive, it is emerging as a uniquely South African take on creative awards, celebrating our diversity and talking to people in their home tongue, rather than just English. It’s going to keep on growing in importance if it continues on its path to celebrating Truly South African, rather than simply Afrikaans.

It’s a newfound dynamism that was not adequately reflected in the opening act of the awards ceremony, which threw the audience face first into the ’80s with Joseph Clark somehow managing to push covers of Skipsop, Queen and Michael Jackson into one performance. One delegate felt compelled to tweet “Josh from Nickelback is on stage with Joseph Clark, performing “I Want It All”. I feel like I took shrooms.”

Look, the event was diverse and culturally mixed, and kudos to the organisers in this regard, but the opening act sets the scene for the rest of the evening and it was a hard slog recovering from the Clark culture shock. Emo Adams came close, and would have been great had he opened.

Ongoing evolution

Change has already happened in terms of the actual work being awarded — now the event, PR and marketing for the Pendoring Awards need to catch up with its ongoing evolution.

Xolisa Dyeshana. Pitching Dumb Ways To Die to Metrorail
Xolisa Dyeshana. Pitching Dumb Ways To Die to Metrorail

Only eight gold and 26 silver trophies were awarded as part of a mission to impress upon the Creative Circle that the Pendoring judging criteria are strict and on par with the Loeries.

Many of the judges, counting some of the best regarded creative directors in the country amongst them, pointed to the continued failure of the Creative Circle to count the Pendoring Awards within its points system, and demanded the issue be addressed with some urgency.

The general feeling is that this point has been made, underscored and filled out in triplicate, and it looks as if the industry is moving much faster than the Creative Circle, which is tied into knots with the Loeries, in any case. Tony Koenderman does a more sophisticated and credible points ranking — one which happens to include the Pendoring Awards — if you want to be on a ‘points’ list, maybe that is the one to be on then.

Big winners

The big winners on the night were the Draftfcb Johannesburg radio campaign Taai Oumas, Taai Tieners, Taai Meisies, done for Toyota, and Black River F.C. for its Nando’s TV-campaign titled Athletes, Anthem, Izikhothane.

Joe Public also did well for itself, and Ogilvy Johannesburg, TBWA\Hunt\Lascaris Johannesburg and Draftfcb Cape Town all took gold.

Loeries on Sunday

Back to Sunday and The Loerie Awards. No fireworks, no screaming kids; just MC John Vlismas, who did a pretty good impression of both, actually. Tats, leather, possibly drugs and lots of bad behaviour had a couple of old-timers reminiscing about the ‘old’ advertising days and Margate (where the Loeries were held at one stage) with some fondness.

The big winner was MTN’s “The Everywhere Library” Media Innovation entry, by MetropolitanRepublic. It really is a remarkable campaign that makes good in the community and does well for the brand. It’s a combination any brand should be taking with if expanding into the rest of the continent.

Frank.net’s “Death Doesn’t Have To Try Very Hard” Radio Campaign by FoxP2 took the other Grand Prix awarded on the night. It was another worthy win for the agency.

Hall of Fame

Graham Warsop, founder and chairman of The Jupiter Drawing Room South Africa, was inducted into the Loeries Hall of Fame for his outstanding contribution to the South African and global advertising industry.

‘Africa Middle East’

There were some interesting work from agencies outside South Africa in the fast-growing ‘Africa Middle East’ category. The three pieces that really stood out included the brilliant “The Everywhere Library” for MTN by MetropolitanRepublic, ‘On the job interview‘ by Ogilvy Africa (see below) and ‘Land Rover: Bookshelf‘ by Advantage Y&R.

Other worthy winners

In other categories across the two evenings, other worthy (bronze, silver and gold) winners included TV ads Sh-Boom from TBWA\Hunt\Lascaris Johannesburg for Standard Bank, and ‘Boxer‘ by OwenKessel for Amstel Lager. Music video ‘Fatty Boom Boom‘ by Egg Films won for Die Antwoord (in the TV & Cinema Commercials – above 90s category).

‘Roachville‘ was a worthy win for Doom Fogger and agency TBWA\Hunt\Lascaris Johannesburg. ‘Selfies‘ from Lowe + Partners Cape Town, for Independent Newspapers, stood out in the Newspaper category. ‘Hope Soap‘ for Safety Lab and Blikkiesdorp4Hope, by Y&R South Africa, encouraged kids to get into the habit of washing their hands by placing toys inside bars of soap.

Johannesburg Zoo’s Tweeting Honey Badger by Draftfcb was inspired and generated international media interest. Finally, ‘The other side of war‘ for Ditsong Naitonal Museum of Military History by Ireland-Davenport stood out in the posters category — in spite of only taking home a bronze for the agency.

All images supplied by: Loeries

— Hermaneutics is a column by MarkLives.com editor Herman Manson. It indicates opinion as much as reporting.

Loerie Awards 2013: the two creepiest winning ads this year

MarkLives.com picks the two creepiest ads awarded at the 2013 Loerie Awards.

1. Swapped at birth
Agency: TBWA\Hunt\Lascaris Johannesburg
Client: Uniball
Award: TV & Cinema Commercials — up to 90s

 2. ‘BooHoo to PooPoo’

Agency: TBWA\Hunt\Lascaris Johannesburg
Client: Twinsaver
Award: Bronze Outdoor Loerie

tbwa1BooHoo to PooPooBooHoo to PooPoo

Loerie Awards 2013: All winners list

The second night of the 35th Annual Loerie Awards took place last night, Sunday 22 September 2013, at the Cape Town International Convention Centre. FoxP2 won a Grand Prix for Frank.net’s “Death Doesn’t Have To Try Very Hard” (Radio Campaign  category), while MTN’s “The Everywhere Library” by MetropolitanRepublic won a Grand Prix in the Media Innovation category.

Graham Warsop, founder and chairperson of The Jupiter Drawing Room South Africa, was inducted into the Loeries Hall of Fame for his outstanding contribution to the South African and global advertising industry.

The full winners list can be found here Loeries 2013 — all winners (it combines the Saturday and Sunday winners lists).

2013 Loeries: Sunday Red Carpet, Pre and Post Awards

35th Annual Loerie Awards — first winners

Xolisa DyeshanaThe first evening of the 35th Annual Loerie Awards was held on Saturday, 21 September 2013, at the Cape Town International Convention Centre. A total of 155 awards were handed out, two of which were Grands Prix, 15 were gold and six were Craft golds.

Winners in the following categories were announced at Saturday night’s ceremony:

  • Student Awards
  • Print Communication & The Times Newspaper Award
  • Outdoor, Ambient, In-Store, Alternative Media, Direct Mail & Field Marketing and the AdReach Street-Pole Award;
  • Communication Design & the Antalis Creative Use of paper Award;
  • Digital & Interactive Communication
  • Unilever Ubuntu Award for Sustainable Marketing
  • Special awards: Creative Future Scholarship, Marketing Leadership & Innovation Award, and the Adams & Adams Young Creatives Award.

The two Grand Prix winners were:

  • Draftfcb for Engen’s “Fire Blanket Calendar,” in Alternative Media & Field Marketing.
  • Ogilvy & Mather Cape Town for Volkswagen’s “Street Quest,” in Digital & Interactive – Social Media.

George Sombonos of Chicken Licken was honoured with the Marketing Leadership & Innovation Award.

A pdf containing all the winners on the night can be downloaded here Loeries 2013 — all winners [updated – full winners list].

Read our event review Monday morning!

 

Pendoring 2013 — five favourites

MarkLives.com picks its favourite campaigns from the 2013 Pendoring crop.

1. Title: Athletes, Anthem, Izikhothane (Campaign)
Category: Truly South African: Television
Agency: Black River F.C.
Advertiser: Nando’s

2.
Title: Project English (Campaign)
Agency: Joe Public
Advertiser: One School at a Time

Not available online.

3.
Title: Taai Oumas, Taai Tieners, Taai Meisies (Campaign)
Agency: Draftfcb Johannesburg
Advertiser: Toyota

4.
Title:  Human Spirit
Agency: The Jupiter Drawing Room Johannesburg
Advertiser: Absa

5.
Title: Hyundai Superband
Agency: The Jupiter Drawing Room Cape Town
Advertiser: Hyundai

Nando’s, Toyota big winners at Pendoring Awards

The 2013 Pendoring winners have been announced. Eight gold and 26 silver Pendoring trophies were awarded to advertising agencies on Friday, 20 September 2013, at the Cape Town International Convention Centre.

Draftfcb Johannesburg took two gold trophies and walked away with Prestige Award for its Toyota radio campaign titled Taai Oumas, Taai Tieners, Taai Meisies. Black River F.C. also took two gold trophies and a silver, as well as the Umpetha award for its spicy Nando’s TV-campaign, titled Athletes, Anthem, Izikhothane. Joe Public won a gold Pendoring and five silvers.

Ogilvy Johannesburg, TBWA\Hunt\Lascaris Johannesburg and Draftfcb Cape Town each won one gold, while Draftfcb Cape Town bagged three silvers and Ogilvy Johannesburg two.

Silver Pendoring awards also went to Baie-Lingual Concepts, tbsp///beyond the line and The Jupiter Drawing Room Johannesburg (two each), while FoxP2 Cape Town, Studio Zoo, M&C Saatchi Abel Cape Town, MetropolitanRepublic, The Jupiter Drawing Room Cape Town, Etiket and Haas Advertising each walked away with a silver Pendoring.

The advertising schools that received silvers were AAA School of Advertising Cape Town (three), Northwest-University (two) , the AAA School of Advertising Johannesburg and The Red and Yellow School of Logic and Magic, (one each).

TELEVISION/CINEMA (with a production budget exceeding R500 000)

Silver
Title: Cell C Manifesto
Agency: Ogilvy & Mather Johannesburg
Advertiser:  Cell C

TELEVISION/CINEMA (with a production budget less than R500 000)

Silver
Title: Afrikaans Kom Kaap Toe
Agency: Draftfcb Cape Town
Advertiser:  Pendoring Advertising Awards (2012)

NON-BROADCAST VIDEO & FILM

Silver
Title: Missie Moskou
Agency:  Haas Advertising
Advertiser:   SARU

RADIO
Gold
Title: Taai Oumas, Taai Tieners, Taai Meisies (Campaign)
Agency:  Draftfcb  Johannesburg
Advertiser:  Toyota

Silver
Title: Diamante is ‘n duisend woorde werd
Agency: The Jupiter Drawing Room Johannesburg
Advertiser:   Browns

Silver
Title: NG vs Klopse
Agency: Ogilvy & Mather Johannesburg
Advertiser:  Mzansi Magic

Silver
Title:  Vriendskap
Agency:  M&C Saatchi Abel Cape Town
Advertiser:  Takealot.com

NEWSPAPERS

Gold
Title: Stories, Spelling, Rose (Campaign)
Agency: Joe Public
Advertiser: Bryanston Parallel Medium Pre-Primary School

MAGAZINES

Silver
Title:  Jan van Riebeeck, Nul, Klinkers (Campaign)
Agency:  FoxP2 Cape Town
Advertiser:   National Geographic Kids Magazine

Silver
Title: Ontbyt, Koffie (Campaign)
Agency: Joe Public
Advertiser:  Clover

POSTERS

nissan

Silver
Title: Onweerstaanbaar
Agency: TBWA\Hunt\ Lascaris Johannesburg
Advertiser:   Nissan

Silver
Title:  Satanis, Voëls, Dik Vingers, Flerries (Campaign)
Agency:  Joe Public
Advertiser:  OFM

Silver
Title:  Vat Oor: Sydney, Vat Oor: Londen, Vat Oor: Tokio (Campaign)
Agency: Draftfcb Cape Town
Advertiser:  Pendoring Advertising Awards (2012)

OUT OF HOME
No award

DIGITAL & INTERACTIVE COMMUNICATION
No award

DIGITAL MIXED MEDIA CAMPAIGN
No award

INTEGRATED CAMPAIGN

Silver
Title:  Grootste Afrikaner van Alle Tye
Agency:  Etiket
Advertiser:  Maroela Media

ORIGINAL AFRIKAANS

Gold
Title:   Onweerstaanbaar
Agency  TBWA\Hunt\ Lascaris Johannesburg
Advertiser: Nissan

Silver
Title:   #DISAFRIKAANS
Agency:   tbsp///beyond the line
Advertiser:   kykNET

Silver
Title: OLX Bakkie
Agency: Studio Zoo
Advertiser: OLX

RETAIL
No award

CRAFT: Animation

Silver
Title:  Mnr. Neus
Agency:  Joe Public
Advertiser:   Clover

CRAFT: Illustration

Silver
Title:  The-O: Studio Wall Design
Agency:  Baie-Lingual Concepts
Advertiser: The-O Recording Studio

CRAFT: Illustration

Silver
Title: Vat Oor: Tokio, Vat Oor: Londen, Vat Oor: Sydney (Campaign)
Agency:  Draftfcb Cape Town
Advertiser:  Pendoring Advertising Awards (2012)

COMMUNICATION DESIGN

Silver
Title:  The-O: Identity Programme
Agency: Baie-Lingual Concepts
Advertiser: The-O Recording Studio

LIVE EVENTS & ACTIVATIONS & DIRECT COMMUNICATION

Silver
Title:  #DISAFRIKAANS
Agency:  tbsp///beyond the line
Advertiser: kykNET

Silver
Title: Hyundai Superband
Agency:   The Jupiter Drawing Room Cape Town
Advertiser:  Hyundai

TRULY SOUTH AFRICAN: TELEVISION

Gold
Title:   Athletes, Anthem, Izikhothane (Campaign)
Agency:   Black River F.C.
Advertiser:  Nando’s

Gold
Title: Parliament
Agency:  Black River F.C.
Advertiser:   Nando’s

Silver
Title:  Human Spirit
Agency: The Jupiter Drawing Room Johannesburg
Advertiser: ABSA

TRULY SOUTH AFICAN: RADIO

Gold
Title:   Skhot’ So Hard
Agency:  Ogilvy & Mather, Johannesburg
Advertiser:  KFC

Gold
Title:  Warranty, Elijah, Mega Mileage Bonanza (Campaign)
Agency:  Draftfcb, Johannesburg
Advertiser:  Toyota Automark

Silver
Title:  Mielie Meal Anel, Rahul (Campaign)
Agency:  Black River F.C.
Advertiser: Nando’s

Silver
Title:  Project English (Campaign)
Agency:   Joe Public
Advertiser: One School at a Time

TRULY SOUTH AFRICAN:  GENERAL

Gold
Title:  Fire Blanket Calendar
Agency:  Draftfcb Cape Town
Advertiser:  Engen

Silver
Title: Connector Bot (Campaign)
Agency:  MetropolitanRepublic
Advertiser:  MTN

Silver
Title:  The Rhino Stamp Project
Agency:  TBWA\Hunt\ Lascaris Johannesburg
Advertiser: Stop Rhino Poaching

Silver
Title:  Yawn Machine
Agency: Joe Public
Advertiser:  Douwe Egberts

TRULY SOUTH AFRICAN: INTEGRATED CAMPAIGN
No award

STUDENTS

STUDENTS: TRADITIONAL MEDIA
No award

STUDENTS: DIGITAL MIXED MEDIA CAMPAIGN
No award

STUDENTS:  CRAFT – Editorial Design

Silver
Title:  Fokofpolisiekar
Tertiary Institution:  AAA School of Advertising Cape Town
Product/Service:   Fokofpolisiekar Band
Student:  Francois Linde

STUDENTS:  CRAFT –  Design

Silver
Title: The Unholy Trinity
Tertiary Institution:  AAA School of Advertising Cape Town
Product/Service:  Selfpromotion
Student: Misha le Roux

STUDENTS: INTEGRATED CAMPAIGN

Silver
Title: Blink Stefanus Kaggelk*k
Tertiary Institution:   North-west University
Product/Service:  Blink Stefanus
Student:  Stephan Pretorius

Silver
Title:  VredeFest Toffie
Tertiary Institution: North-West University
Product/Service: VredeFest
Students:  Lanita Germishuys, Janine van der Bank, Vicki Joubert, Iske Conradie

STUDENTS: TRULY SOUTH AFRICAN – GENERAL

Silver
Title: Analysis of Space
Tertiary Institution: AAA School of Advertising Cape Town
Product/Service:  Selfpromotion
Student:  Kim Albrecht

Silver
Title: E-toll
Tertiary Institution: AAA School of Advertising, Johannesburg
Product/Service:   Nando’s
Student: Kgosietsile Mogorosi

STUDENTS: TRULY SOUTH AFRICAN – INTEGRATED CAMPAIGN

Silver
Title:  Vertrekker Vellies
Tertiary Institution:  Red & Yellow School of Logic and Magic
Product/Service:  Vertrekker Vellies
Students:  Grant Renecle, Beatrice Willoughby

PRESTIGE AWARD:

Title:  Taai Oumas, Taai Tieners, Taai Meisies (Campaign)
Category: Radio
Agency: Draftfcb, Johannesburg
Advertiser:  Toyota

UMPETHA AWARD:

Title: Athletes, Anthem, Izikhothane (Campaign)
Category:  Truly South African: Television
Agency:  Black River F.C.
Advertiser:  Nando’s

Finweek drops adland coverage

by Herman Manson (@marklives) Finweek will no longer be carrying its regular advertising and marketing pages, edited by veteran marketing journalist Tony Koenderman. Finweek editor, Marc Ashton, says the decision was taken in a bid to refine and define the magazine content to ensure that every page plays to its strength in the entrepreneurial/personal finance space and to focus on more “how to” type content in both print and digital formats.

“Audience demands a focused product”

“As a relatively young editor, one of the lessons which have been drilled into me over the last few months is that an audience demands a focused Finweek 1 Decemberproduct,” says Ashton. “I think sometimes we have tried to cater for too broad an audience. When we have focused our content around our core reader (personal finance and entrepreneurship) it reflects in sales.

“I think one area where we can be particularly strong is in the ‘how to’ space and one of the avenues we are chatting to a few players is the digital marketing space and how entrepreneurs can use technology to execute their plans (with a focus on specific briefs and how they were executed).

“The other aspect to consider is that advertising and marketing are two tools that can be executed well in a digital environment. We have done things like ‘Ad of the Week’ and video content around adverts on Finweek.com and these have been quite actively shared in the social media space. We want to focus on getting some of our digital properties right.”

Left to pursue other opportunities

It is understood that Koenderman has left the magazine to pursue other business opportunities. He has already launched a new podcast show called T’s & C’s Apply on BizRadio.

Ashton noted that the industry awards annual and event, AdReview, used to be a joint venture between Finweek and Tony Koenderman, but that in 2011 there was an internal restructuring which saw AdReview actually moved into M24 Business magazines, which aligned it with the recently closed down trade magazine AdVantage.

At the time of writing, it was still unclear what is happening with the AdReview brand.

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