Mixed reviews for online launch of news brand eNCA

by Herman Manson (@marklives) eNCA, the South African based satellite news channel, recently launched a beta version of their website promising “an immersive experience for users”.

eNCA should be a much bigger news brand in the South African media market than it is. Its reach is limited to subscribers to MultiChoice’s DStv platform (and more recently the SKY digital satellite platform in the United Kingdom) although it also syndicates news content to free-to-air channel e.tv. The rebranding from eNews to eNCA in late 2012 means the brand is also still new to consumers.

While it dominates satellite news and its viewership figures is nothing to sneeze at, as a news brand it can and should be much stronger. A multi-channel approach is required to build any media brand today, and with revenue under pressure, the stakes for this business could not be higher.

Remgro, which owns a substantial stake in the eNCA holding company, Sabido, said in its unaudited results for the six months ended 31 December 2012 that advertising sales on e.tv and eNCA were “under pressure during the period under review but programming and operating costs remained stable.”

To address this, Remgro announced in a SENS statement that “the focus of the group for the forthcoming months is the ongoing development of a multi-channel strategy to enhance its competitiveness across a multiplicity of platforms and provide opportunities for new revenue streams. This includes the launch of e.tv Online and eNCA Online in the first half of 2013.”

There is obviously a lot at stake for the larger eNCA brand in pulling off the successful launch of eNCA.com

But reviews thus far have been mixed, at best. “Creating a new online home for eNews Channel Africa could have presented the news brand with a great opportunity to differentiate itself from the public broadcaster, but unfortunately an outdated look and cluttered execution just makes it look like more of the same,” says journalist and media commentator Mandy de Waal. “Fonts aside, the SABC and ENCA news sites are much of a muchness.”

Hermaneutics: In digital, associations are losing relevance

In the early to mid-1990’s the commercial internet was just grabbing a toehold in South Africa. In ’96/’97 I was still one of only a handful of journalists covering ‘new media’ in this country. I was classed a ‘tech journalist’ even though I didn’t know anything about gadgets. You see people who worked on/with/through the internet were easy to silo (at that point as ‘tech’).

Then digital went all Big Baboon House on every industry you can imagine. No more silos. If you work in media, part of your job is working on/with/through the internet. Ditto for advertising, marketing and a host of other industries.

This brings us to an interesting point. If you are an association created for people functioning in the digital silo, in a time when (dear senior big agency management please place your hands before your eyes – just for a moment) the digital silo is bust, just how relevant are you?

It seems to be one of the questions facing the Digital Media & Marketing Association (DMMA) – an association focussed ‘on growing and sustaining a vibrant and profitable digital industry within South Africa.’ Its members consist of a bunch of publishers and agencies that value their digital capacity and skills, and often have a digital legacy, but are no longer necessarily digital pure plays.

Speed walking, Gazelle lets the geeks rule award shows

by Herman Manson. Award recipients at the 2012 Bookmarks Awards are excellent speed walkers. Following the rules of the evening, they raced in a giant loop around the stage at the Artscape to receive their Pixels.

Hermaneutics: A tale of three award ceremonies

by Herman Manson. It’s like inviting Bucks Fizz to MC a champagne & sparkling wine event. I’m of course talking about flying in MC Hammer to MC the Loerie Awards on Sunday evening, or not, as the case might be.

Ad award success no longer sole arbiter of agency and industry respect

The 2011 Loerie Awards are done and dusted (no pun intended), with Cape Town agencies grabbing three of the top five (first, third and fifth) spots on the official overall ranking table. Two of the three Grands Prix were awarded to Cape-based agencies.

The waning influence of ad award shows

The statues are stacked in neat rows along office walls. It’s come to define our industry. Kids are told they need to win ’em to impress the creative director and secure that job. Creative directors are told they need to win ’em to impress the MD and prove their relevance in a competitive industry. MDs care because they are told the talent cares, and with a bit of spin and a celebratory lunch, the client might be induced to care, too.

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