by Marguerite Coetzee. The Bo-Kaap’s heritage protection sheds light on trends of ethical consumption.
It’s often argued that one of the attributes making us human is that we have both consciousness and a conscience. We are capable of thinking, reasoning, and acting — of behaving as rational, autonomous and ethical beings. We’re familiar with the idea that individuals are shaped by the time and space they find themselves in. We know that our context provides us with social notions of responsibility, accountability, agency, and intentionality. In short: we are socialised to adhere to particular moral rules, actions and reasoning within our social context.
What happens, then, when individuals act within the context of an organisation? Can an organisation be moral? We could argue that morality here would be shaped by individual choice, environmental factors, and organisational structures. In industry terms, the concept we’re looking for is “brand community”.
Take note
Bo-Kaap is Cape Town’s cobble-stoned, vibrant-coloured, community-oriented neighbourhood and oldest suburb. What started out as rental homes for enslaved peoples was later transformed into a colourful expression of freedom. Today, the community faces challenges of eviction, gentrification, property development and advances by wealthy outsiders looking to relocate to a prime urban location.
Recently, protests were held in a call for the protection of this Heritage Site. With the rise of ethical consumption, we’re increasingly seeing corporations come under fire for their seemingly immoral and unethical behaviour. The community of Bo-Kaap is united by a strong bond, communal purpose and shared sense of belonging. Threats to this community appear to be organisations and corporate individuals lacking integrity.
Lesson 1: Build a brand community
It seems that “growth” remains the strongest word in the corporate dictionary. Companies constantly want more consumers to buy into what they are selling, but there is a limit to growth. Companies risk losing their existing community in their pursuit of others. The problem with focusing on an untapped market is that organisations chance losing those who already form part of their brand community. Sometimes, fostering existing loyalty is more valuable than chasing after uncertain growth.
In the case of the Bo-Kaap, enabling and empowering it to be sustainable, recognised, and respected is vital to the continuation of the community, as well as its meanings, values, history, and culture. Building a deeply rooted sense of connection is difficult to do in any context — sustaining an existing one is simpler.
“There’s a kinship among [people] who have sat by a dying fire and measured the worth of their life by it.” —William Golding, novelist.
Lesson 2: Conduct ethical business
We’ve all at some point come across the phrase “the triple bottom line”: people, planet, and profit. While it’s admirable to address these three areas of responsibility, there are several others that should be taken into consideration. Some of these include: environmental sustainability initiatives, philanthropic giving, ethical business practices, economic responsibility, legal dimension, and more.
It’s wise to respond to trends of ethical consumerism while upholding the values of the organisation. In conducting ethical businesses, it would instil a deep sense of responsibility towards the brand among its community. It’s through the brand community that its attitudes, meanings, behaviours and more are furthered.
“Morality differs in every society, and is a convenient term for socially approved habits” —Ruth Benedict, anthropologist.
Lesson 3: Apply community-based solutions
Most marketing, advertising and business strategies aim to attain new customers and consumers. Alternatively, some brands are turning to community-based approaches in which they encourage their audience to be active participants in conversations and brand engagements. Traditional marketing tends to be one-sided and instructive, while a more-modern approach is non-intrusive and addresses the needs of existing community members.
“Everyone sees what you appear to be, few experience what you really are.” —Niccolò Machiavelli, diplomat.
Marguerite Coetzee is an anthropologist, artist and futurist who provides research and insight services through Omniology. FieldNotes, the latest series in her regular column on MarkLives, captures experiences from the field, shares the cultural lessons learned, and advises on qualitative tools, methodologies and frameworks when exploring the world of the consumer.
by Charlie Stewart (@CStewart_ZA) Recent research from Jumpshot and Rand Fishkin, one of the SEO industry’s pinup boys, found that nearly half of all Google searches fail to lead to a click. The study, which was based on an analysis of around 150bn Google queries from US-based browsers in Q1 2019, reported that 48.9% of searchers didn’t click through to any of the organic listings they found.
At first glance, the findings look like trouble for brands which rely on organic search for a chunk of their web traffic or sales. Unsurprisingly, the data has tempted many to (once again) call time of death on SEO. But the naysayers are missing the point. SEO’s not dead; it’s just harder to work with — and, for that reason, it’s all the more rewarding for those marketers who have the smarts to get it right.
Searching for love
Like one of the goddesses of Greek mythology, organic search is alluring. Offering an opportunity to intercept prospects during the discovery and consideration phases of the buying cycle, it’s as hot as Aphrodite but just as fickle.
Go back 10 years and SEO was pretty straightforward. Publish some content on your website, place your chosen keywords in its meta data, persuade a few websites to link to you and Google would bestow its love in the form of prominent rankings and bountiful traffic.
But if there’s one thing that’s marked the passage of search — just as it has mankind’s own existence — it’s evolution. As we’ve become more accustomed to using the internet to find stuff, so our habits have changed. So, too, has the way Google, the goddess of the internet, operates.
Changing intent
One of the most-profound changes has been our adoption of smartphones. Back in 2015, Google announced that more searches were taking place on phones than on desktops. Although Google’s provided no recent numbers, the frequency of mobile search will have increased significantly in the past four years with the widespread adoption of voice search. However, mobile searches, and voice searches specifically, tend to be informational in their intent: ‘What’s the weather in Cape Town today?’, ‘How are the Proteas doing in the cricket World Cup?’ (crap would be an appropriate response in both instances).
To cater for these types of questions, Google provides short snippets in its results pages so we can find answers to our questions without needing to click anywhere.
While informational intent may have impacted click-through ratios, it certainly doesn’t mean SEO is dead. Indeed, it has created an opportunity for shrewd marketers to build awareness of their brands by optimising their schema markup so their sites appear in Google’s featured snippets.
Making money
Another change that has impacted click behaviour lies in Google’s approach to monetisation.
Its own sites increasingly feature in the search results we’re served. According to Fishkin, in Q1 2019, nearly 12% of all clicks led people to Alphabet-owned properties, such as its travel booking or food delivery services. The search giant has also made it difficult to differentiate between an advert and an organic listing. Although PPC ads still only account for 7.2% of all clicks, their click-through rate has increased by 75% in the last three years.
While there’s little brands can to counter Google’s understandable desire to swell its coffers, it does seem that, like Icarus (another one of those fickle mythological characters), it could be flying too close to the sun. Regulators in Europe and the US are scrutinising whether these changes constitute uncompetitive business practices.
That might be why early June 2019 saw the appearance of a branded favicon to denote organic results when a search is conducted on a smartphone. Of course, for the favicon to display, brands need to be on top of their SEO and make sure their sites’ schema markup is on point.
Periodic complexity
In the latest iteration of its periodic table of ranking factors, industry publisher Search Engine Land lists the attributes it believes contribute to Google’s assessment of whether a website deserves to feature in its organic rankings. The table is very different from the first one it published back in 2011, with far greater emphasis on web architecture, site speed, user experience and quality content.
These are complex matters that require a variety of very specialised skills to implement. Which means it’s harder than ever for brands and digital agencies to compete with a second-rate SEO offer. That’s the essence of evolution; only those who are fit for purpose survive.
But, for those who are, the rewards are greater than ever. As the Jumpshot analysis found, around 41% of all searches result in an organic click to a non-Google site — that’s around 82% of all click action. And with more searches than ever, organic traffic volumes continue to grow.
Those calling the death of SEO are clearly living their own Grecian tragedy. Believe them at your peril.
Charlie Stewart (@CStewart_ZA) is CEO of Rogerwilco, a multi-award-winning independent digital agency best known for its expertise with Drupal, SEO and content marketing. A Scot by birth, he moved to South Africa in the early 2000s in his quest to support a winning rugby team — a search he’s reluctantly forsaken. Together with Mark Eardley, he co-authored Business to Business Marketing: A Step by Step Guide, (Penguin Random House, 2016) and may be found on LinkedIn. Charlie contributes the monthly “Clicks ‘n Tricks” column, which looks at how brands are using digital channels to engage their customers, to MarkLives.
by Siwe Thusi (@Siwe_Thusi) Photography is described by the OGs, the Latin, as the art of ‘painting with the light’. I think it’s more about a superhero quality of freezing time… but, hey, that’s just me.
I started pursuing photography seriously about 10 years ago when I noticed my BlackBerry wasn’t just a bomb phone (a clear clue that this was decades ago); it was something I could use to see the world in a monochrome and abstract way. From shooting Fashion Week to my late grandmother’s kitchen to a one-year-old’s first birthday party, you have to capture the abstract: that feeling of ‘what’s happening’, the storytelling. The desire to tell the story has spilled over into my professional photography life as an event photographer, too. For me, every event has a beginning, middle and end — much like the stories that also play themselves out in 60-second ads.
Shooting a dinner
The most-recent event calling for my ‘freeze-time’ skills was a seasoned marketer’s 40th birthday dinner. Now, night shoots seem to challenge most photographers. If there’s poor lighting at the location, and you didn’t bring adequate artificial light with you, it’s pretty much game over. As luck would have it that night, the lighting was terrible. Inside the venue it was dim and dull, outside total darkness. The brains had to think quick to avoid game over.
Accountant brain
The accountant brain started panicking. Before getting to the shoot, a photographer has to calculate myriad things and set a price. There’s the obvious: your time; your investment in the equipment you use; the equipment and props you have to hire. The not-so-obvious? Putting a value on your skill. How do you put a value on your ability to find angles, play with split seconds and contort your body at times just to get that perfect shot? How do you account for the years of experience? Then, too, your editing style should be something that can’t be replicated, so it also contributes to the subjectivity of your pricing. Despite having an accountant brain, which I do, it can be hard.
So, I seek advice from a Whatsapp group I belong to called the Photographers Union, comprising really great black visual artists in Johannesburg such as Cedric Nzaka and Austin Malema. It’s a really great sounding board. But, for the 300 times someone has asked the group what price is right, there’ve been 301 answers.
Someone pointed out photographers will often take an underpriced job just to pay the rent that is due; this is a sad state of South African creative industry affairs. At the end of the day, the litmus test is simple… charge what you feel you are worth but you best be sure that the quality you deliver speaks more volumes.
As mentioned, the client celebrating her 40th comes from a marketing and operations field; she’s used to paying for good creative, and good service. I also had no problem charging a reasonable handful for ‘freezing time’. She was expecting magnificence and I wasn’t going to get it without better than adequate lighting.
Strategist brain
That’s when my strategist’s brain kicked in. Getting to the location early and testing the lighting is the no 1 go-to strategy for photographers. Golden hour, the hour just before sunrise or sunset, is also a magical bonus. On that particular night, I had no golden hour… and I knew I had a problem. But, with an hour’s warning, I put go-to strategy no. 2 into play: making the night brighter by enlisting the help of the venue’s staff.
With a few well-chosen words, before I knew it, I had numerous willing assistants. Waiters helped carry out lamps to awkward spots in the garden; waitresses held up reflectors like eager interns. Add to that my speedlight. Magic!
And back to the abstract, the storytelling. My client’s guests were running late, so I had to gauge what was more important: stopping when the time she’d paid for was up or capturing the story. It’s a strategic predicament most photographers face: knowing how to position yourself so that your time is taken seriously. It means monitoring your time by the minute and telling your clients that they have gone into overtime. At most times, clients are gripped by loss aversion and would rather pay for overtime than lose the photographic story and sequence of events. Staying longer is never the problem but staying longer for free is.
EQ brain
Then there’s making guests (the subjects) feel comfortable, which has nothing much to do with either my accountant brain or my strategic brain… and everything to do with my EQ brain, or emotional intelligence. My client’s party was a sassy theme so, as a photographer, I had to bring out the sass. The ‘yaaaassss hunny’ uttered frame after frame went a long way, trust me.
Having the accountant brain set the right price, the strategist brain provide the knowhow to respond to an unforeseen situation and the EQ brain set the right tone for the guests worked exceptionally well. But the ultimate reward was the “OMG Siwe *heart face emoji* *heart face emoji*” that followed WeTransfer’s cordial report that my download was successfully sent and the images successfully downloaded.
“It’s my pleasure, I freeze time for a living. I hope the service you experienced was fun and professional.”
Siwelile Thusi (@Siwe_Thusi) is a qualified South African chartered-accountant-turned-creative-strategist at FCB Africa and a working photographer. Since mid-2015, she’s been in strategic planning, working on some of South Africa’s big brands in different categories and industries in the ATL space. She contributes the monthly column “An Accountant in Adland” — exploring where, when and how the two ‘disciplines’ overlap… and why they should! — to MarkLives.com.
by Sabrina Forbes. “There’s been this wave of tech-fueled market disruption across a range of industries but… the industry that is certainly right here right now and has become the flavour of the month, in terms of everyone is aware of it, is digital banking. And it’s not just in South Africa; this is a global phenomenon.” So says Luisa Mazinter, chief marketing officer at TymeBank, a new disruptor to the South African banking scene.
“They call them neo-banks,” she continues. “Essentially, these are banks that are driven by technology as opposed to physical infrastructure and old legacy systems. It’s new tech, it’s new infrastructure, and they are unencumbered by the legacy of physical infrastructure.” She adds that it’s this surge in new neo-banks that is starting to redefine what banking is in this new tech environment.
“Wild ride”
On 28 September 2017, Tyme (Take Your Money Everywhere) was the first new banking licence to be awarded in SA in 20 years, followed closely by Discovery Bank and BankZero. It’s the beginning of a wave, according to Mazinter: “It’s been a wild ride, an incredible experience. In your lifetime you don’t get an opportunity like this, to literally launch a bank from scratch.”
Tyme was founded in 2012 out of a consulting project initiated between MTN and Deloitte. MTN was initially looking for something to help with its mobile money, and the solution that was built was soon spun off into its own separate business mid-2012. In 2015, Commonwealth Bank of Australia (CommBank) acquired 100% of Tyme, renaming the business TymeDigital by Commonwealth Bank SA. In 2018, ARC Imali-Madi (RF), a financial services company, bought a 10% stake in TymeDigital and, in November of the same year, African Rainbow Capital Financial Services Holdings — the financial investment company of SA entrepreneur, Patrice Motsepe —obtained approval from the South African Reserve Bank’s Prudential Authority to acquire the 90% stake then held by CommBank. In the same month, the business name was changed to TymeBank Limited and the brand’s entire CI was overhauled.
Luisa Mazinter, TymeBank CMO.
For Mazinter, 2018 was all about re-establishing the business and setting it up for its 2019 launch, which officially kicked off with above-the-line advertising on 24 February 2019. The acquisition journey has delivered a massive learning curve for this startup bank, especially when it comes to the compliance-related structure of the business, that she believes is an invaluable part of where TymeBank team is now, and where it believes it can go.
When asked about the public uptake of TymeBank, Mazinter admits that expectations were kept low, especially straight after launch. Towards the end of March 2019, the bank was sitting on over 150 000 customers but, according to BusinessTech, it should reach 500 000 by the end of this month and 1m by year-end — an impressive trajectory and one that the brand is really excited about, according to Mazinter.
Disruptive value proposition
“I think it all comes down to the value proposition, which truly is a disruptive one that’s unique in the market. We knew we had to come in and relook the norms of the industry and look at how do we create value for customers? Where are the opportunities to disrupt, to reinvent, and to actually streamline the process? One of the core pillars of our brand is stripping away all the nonsense and actually focusing on humanness. It’s about focusing on authentic stories and real people and that doesn’t happen in the banking industry. It’s inaccessible and it’s not real and we thought: ‘We’ve got to get away from all of that, we’ve got to completely reinvent a voice and a visual identity that will stand out.’ If we’re disrupting technically, we need to disrupt emotionally,” she says.
Mazinter mentions key pillars are fundamental to keeping the brand different from its competitors and positioning it in such a way that drives this challenger bank to continue to grow. One of these is ease of use.
The aim was to make it so simple to open a bank account that it could happen in under five minutes. With a partnership with the Pick n Pay Group resulting in TymeBank kiosks at Pick n Pay and Boxer stores nationwide, to open an account, all that is needed is one’s cell phone number, identify number and thumbprint. The kiosks are connected to Home Affairs and a number of other databases to verify identity through biometrics. Within minutes, a personalised debit card is issued that’s ready to use, and with TymeBank’s system being integrated with 14 000 till points at Pick n Pay and Boxer stores, cash deposits may instantly be made.
There are no monthly fees on the account and cash withdrawals at Pick n Pay and Boxer stores are free, too. “There’s nowhere else in the world that you can literally walk up to a kiosk and open a fully FICA compliant bank account. What we’ve tried to do is strip all the complexity out of the tech to make it as simple as possible but also as transparent as possible. Again, one of the things is this opacity as it relates to bank fees and charges and how banks work, and we’re trying to make it as clear and as open as possible,” reiterates Mazinter.
“Human potential”
Launch ad from King James Group, directed by Paul Ward of 0307.
Each TymeBank account comes bundled with a Goal Save tool which offers customers up to 10 savings pockets that they can name themselves and easily put money into; these pockets are entirely secure and can’t be touched by unauthorised debit orders. Mazinter says that this is just one of the many ways TymeBank is trying to encourage a savings culture in SA: “We’re the bank that really sees your potential and is willing to back it. We look at human potential as an incredible asset of this country and we want to give people access in a way that they’ve never had before.”
Delivering cards and taking cash are the only two things in banking you can’t digitally, which is why she believes its partnership with the Pick n Pay Group has been so successful. “From a cash-handling perspective, we have the equivalent to some of our competitors’, if not more points of presence for cash handling in the country,” she says.
Another pillar is price and according to Mazinter, TymeBank is the lowest-cost bank in the market by around 50%. “Because we don’t have the physical infrastructure, we don’t have all these costs that are associated with running a traditional bank; what we do is we pass all those savings back to our customers and look at every single way we possibly can squeeze value to give our customers. So, whatever we can give free, we will give free.” she says.
The bank also rewards customers for being customers through its deep relationship with PnP Smart Shopper, allowing customers to earn Smart Shopper points with any transaction anywhere, not just at Pick n Pay.
Data is core
Data is a core part of TymeBank, which has a full team of data scientists working with each element of the data collected to discover points of friction and develop ways to make the customer user experience smoother. By looking at drop off points, ways can be found to improve conversions. For Mazinter, it’s about asking how to help people to take more control of their financial futures. She believes that the better it know its customers, the more value may be added: “Because we don’t with this legacy infrastructure and we’re not sitting with silos of data that are sitting in different systems within the business, we can be a lot more agile around data and can use the systems that we have to really understand customer’s needs in order to deliver the best financial solution for them.”
According to her, while trends in banking and marketing might differ, there’s definitely an overlap. From a marketing perspective, the whole concept of brand visibility and cognition is starting to initiate scientific studies. These are happening worldwide in order to try and figure out how the brain works.
Pointing to her smartphone, she says, “It’s unbelievable to see how this device [has] shifted the way we consume media, the way we consume content. Old assumptions that the industry made really are out the window with this new research. I always like to say that marketing is absolutely at the intersection of science and art. You’ve got to be able to do both well. As a marketer, you need to be able to understand data at its core; you need to be able to look at data to extract behavioural insights and profile things that are going to help you to be more relevant to your customers but, at the same time, you need to know how to tell stories to make emotional connections.
“We are emotional beings and we don’t think with our rational brains. Many great marketers have known this intuitively; what’s exciting is that science is catching up. It’s absolutely fascinating to see how assumptions are being turned on their heads by actually look at how people respond and how they behave.”
What the future holds
All of this is something that excites Mazinter: “I don’t see technology and its evolution as scary. I love it! I love what the potential of the future holds. I love what we can only dream about today is actually possible in the future. I’d love to be a marketer in 50 years’ time.”
We know how easy it is for money to disappear under your nose. Take back control, with a new way of banking. Open your very own TymeBank account today? Just visit https://t.co/nOQkcIvn8rpic.twitter.com/qT8DfBbZMp
“#AgencyFocus/#BrandFocus” is an ongoing weekly series updating the market on ad agency performance and brand, including innovation, initiatives, the work, awards, people and business performance.
Sabrina Forbes (IG) is an experienced writer covering the food, health, lifestyle, beverage, marketing and media industries. She runs her own full-stack web/app development and digital-first content creation company. For more, go to moonwrench.com. She is a contributing writer to MarkLives.com.
by Mimi Nicklin (@MimiNicklin) Let’s be honest, transparency should be the word of the day. Without it, how do you have a hope of building long-term trust?
The reality is that our agency model is broken. If you have to charge for an account exec, the account manager, the traffic person, a planner, an art director and some designer time to change a logo, then we have a problem. It’s not to say that wasn’t the way. It was. And that’s not to say it’s not necessary to cover our overheads. It is. But, today, it just won’t wash.
Recently, our industry sat in Cannes, France, asking the ‘big questions’ about the state of our industry. All I could think was that we should instead be starting with talking about transparency. How many of the people you sell on a project does the client need vs the number you’re trying to cover? And, listen, I get it. I run an Omnicom-owned business, I have margin requirements and P&L structures, and the rest of it, but I’m entirely not comfortable with lying to my clients.
Lies catch you up
The thing with lies is they catch you up and turn you around and, in the end, you all lose out. So, tell your clients you need an hour of this, ten minutes of that, and three days for the other thing, and do it with heart because, at the end of the day, we’re all just people trying to do the best we can, right?
Let’s focus our efforts in making money on what people really value — EQ, IQ, intelligence, opinions, advice, experience — and not on creating cost estimates from entirely disputable and debatable structures. Head of strategy to rewrite meeting notes, anyone?
My take on today’s reality is that we know no other way. Because it’s complex and scary, and because, probably, our heavily structured offices can’t handle it. I’m the last one to want anyone to lose their job but, having said that, I am the first one to say, we need to work hard, really hard, at finding a solution. Many of those at the top are waiting out a few more years until retirement and don’t want to rock the boat, but can the industry really sit back and wait?
Fix ourselves
The South of France was full of people talking about disrupting tech, customer centricity and AI-driven brand interaction. I say we start with disrupting our own industry, focus instead on people centricity and human-driven brand interaction. Then we can think bigger than that. Let’s fix our models of doing business before we spend more of clients’ money trying to fix theirs.
Based in Dubai, Mimi Nicklin (@miminicklin) is managing director of RAPP MEA, an Omnicom company. A keynote speaker and thought leader, she has led global and regional brands from Europe, Asia, the Middle East and Africa, on both agency- and client side. She believes that leadership is 100% about serving her team, rather than the other way around, and is avidly committed to create change for good in the industry. Her new MarkLives column, “Frank”, focuses on being frank and open about issues in adland.
by ORiSA. Amazon founder Jeff Bezos said it best: “In today’s era of volatility, there is no other way but to re-invent. The only sustainable advantage you can have over others is agility, that’s it. Because nothing else is sustainable, everything else you create, somebody else will replicate.” But what do you do if your retail operation still needs to go through a digital transformation? Future-fit evangelist, Mike Perk, reveals the 10 things digitally mature leaders do to give them the competitive edge.
ORiSA: What’s the first step a retail business should take to successfully execute a digital transformation strategy? Mike Perk: Education. By this I mean to adopt an ‘always-learning’ attitude. I have made this the first step for a reason. If retail leaders don’t have a clear understanding of what is happening in their sector, their thinking, strategies and decisions will be limited. The more you educate yourself, the more you know. The more you know, the better you can reduce risk, scale and solve problems. You don’t have to reinvent the wheel. Many have passed before you and shared their insights. Much of this is available online, so tap into that well of wisdom. Let others’ mistakes guide you in making better decisions.
Once you know how you want to move your company forward, you have to create a picture of the potential for everyone in the organisation. If you start to roll out your digital transformation programme without giving your team — the people who will live and breathe it — the opportunity to buy in from the start, you’re going to hit significant resistance and conflict. You’re going to be fighting with your teams more than you are the actual technology.
What is a picture of potential? It is that which resonates with people on an emotive level to inspire and provide optimism. Importantly, it is the purpose that enables your team to align their self-interest with the interests of the business. This is different to an archetypal vision or mission statement that would dictate: ‘In the next four years we want 50% of our income to come from the online space.’ The latter is a plan with specific outcomes. It is about making money, but this alone won’t get your teams aligned. A picture of potential tells the story of the higher purpose that your organisation is trying to achieve.
ORiSA: When technology is forever changing, what do you focus on? How do you set your north star? MP: This is controversial — but forget about the technology. Instead, retail leaders should embrace values-based decision making when it comes to digital transformation.
Amazon founder Jeff Bezos was always being asked, “What is the next thing I should be focusing on for my company?” And he would say that’s the wrong question. The question that should instead be asked is what’s not going to change in the next 10 years? For Amazon, the answer was three things: competitive pricing, fast delivery, and high stock levels. After understanding this, they invested in the technology that could fulfil these three requirements.
Understand what your values are. Understand what is not going to change in the next 10 years, and then look to apply the technology.
ORiSA: What do leaders need to do to lead a digital transformation in the retail sector? MP: There are 10 important things that leaders should do, and I’ve already mentioned two of them — ensuring you have a picture of potential, and that leaders embrace values-based decision making. The other eight?
Lead with optimism. If you’re a retailer and you keep telling your team that your business won’t exist in five years’ time, you won’t get your team behind you. You may well scare the living hell out them and they could start looking for other job, not to say anything about the adverse effect this approach could have on the mood, productivity and culture. The process must be led with optimism.
Communication is a critical part of any change mechanism. Communicate continually; be honest and transparent. Be willing to listen, and remember communication should be a conversation — a two-way process.
Become a heavy chef. Don’t just talk about being future-fit; live it and breathe it. Your team needs to see you living in the new digital world, buying online, using process improving apps and tools. Invest in training so that your team can see how you are becoming a heavy chef.
Reconsider the structures and processes that underpin your business. If you are digitising your retail organisation, your business will require a different type of thinking. This means you will have to change the structure of your business and teams so that it becomes more innovative, or enables innovation. Hierarchical organisational structures, for instance, don’t naturally support innovative thinking so, to change this pattern, you’ll need to shift the structures.
Embrace failure, but don’t celebrate it. Physiologically, failure feels terrible, so don’t celebrate it but realise that embracing more risk is part of the innovation process. In the old days, we used to call this research and development, and there was a budget assigned to this. The significant change is that digital transformation/innovation can come from anywhere in the organisation and you need to enable people to make small mistakes to get meaningful breakthroughs.
Create a learning culture based on the understanding that this learning can come from anyone within the organisation. Process improvements or digital innovations should be pervasive, and not be the sole responsibility of the leadership of the organisation.
Engender trusting teams. You’ve got to build teams that trust each other. When companies innovate, embrace change and create learning cultures, you have got to be able to trust the person next to you to create a high-performing team. When I say trusting teams, I mean that there’s got to be enough trust to put your distrust on the table. Even if that’s the only point you need to get to. If you can build trust in your leadership team to a point where there’s enough trust to put your distrust on the table, then you’ll move forward. You need people to be open and mature enough to be able to voice and listen to problems without getting overly defensive if you are to move forward quickly.
Ensure that you and your leadership team are better data analysts. Not because you need more data analysts but because your leadership are your sense-makers. The future of the boardroom is the ability to understand data, and the options it presents, so you can make better decisions.
Why have I chosen these 10 aspects? Because research and experience show that these 10 things are what digitally mature managers are doing to successfully effect digital transformation.
Online Retail in South Africa 2019 (ORiSA) is a study conducted by World Wide Worx and Platinum Seed with the support of Visa, and is endorsed by the Ecommerce Forum of Africa. Marklives.com is the media partner, and Heavy Chef is the learning partner for this initiative, which seeks to actively promote online shopping and the growth of online retail in South Africa. For more info, go to onlineretail.co.za, or download the executive summary.
In 2016, the Broadcast Research Council of South Africa (BRCSA) changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.
The Broadcast Research Council of South Africa (the BRC) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa.
by Herman Manson (@marklives)SoloUnion, a talent collaborative founded by adman Matthew Bull, recently launched locally as SoloUnion South Africa under the leadership of Rob McLennan (creative founder) and Gillian Rightford (business and strategy lead). It’s been taking briefs and wrapping up its first projects already.
In New York City in late 2017, Bull launched SoloUnion, a collection of 15 senior, award-winning strategists and creatives doing project work for clients. Members are all freelance but participate in a profit-share scheme depending on the amount of days they work for SoloUnion — on top of their fees. They promise to deliver the core brand strategy and idea to clients, which are then given over to agencies to develop campaign executions.
Worked with Bull
Both McLennan and Rightford worked together with Bull at Lowe Bull in the early noughties (2000s). McLennan is a veteran adman and was the creative founding partner of agency King James the Second (KJII — now King James Group JHB) alongside Graeme Jenner, where he worked on Allan Gray and PnP, among other brands. A former group MD of Lowe Bull, since 2017 Rightford has been running Adtherapy, a management, skills development and communication consultancy aimed at marketers and agencies, and with which her work with SoloUnion dovetails.
After leaving KJII in September 2018, McLennan says he set out exploring how he might continue working as a creative in the industry without the constrains of a traditional agency model. His complaint is that, as a senior creative, he had spent 90% of his time working on things he wasn’t very good with, mostly to do with running and managing an agency. He would rather spend his time at what he feels he does best: offer big strategic solutions to brand problems.
According to Rightford, she’s always been fascinated in exploring what gets in the way of good creative work, and how agencies and clients can work better together to get better quality creative. She already advises agencies and clients on creative and marketing strategy, and SoloUnion allows her to further access a strategic platform for big strategic ideas. With a network of senior creative, media and strategic brains, it becomes relatively easy to get to big ideas quite quickly, she says. A curated freelance network also helps the industry stem its talent drain as creatives in particular look beyond agencies to make a living.
Access to senior team
McLennan says another advantage of the SoloUnion format is that the client retains access to the senior team it met during the pitch; they’re the same people who will work on the client’s strategy. As more than 80% of agency costs doesn’t directly relate to the creative and strategy solution, there will be cost savings for clients, too.
SoloUnion isn’t only targeting a corporate client base but also makes itself available to both in-house agencies needing to access top talent and digital agencies looking for broader creative and strategic insights. As SoloUnion focuses on solutions-based creative strategy outside the regular day-to-day client requirements that most agencies fulfil, it’s not positioned as a threat to incumbents.
Rightford adds that working with SoloUnion holds definite advantages for clients with existing agency partners, noting that sometimes, especially during long-term client relationships, things can get or feel stuck. A strong relationship is not necessarily without frustrations, she notes, which is when the team could be parachuted in to help things get back on track and then back out. Because the SoloUnion team works on a project basis, it can afford to be brutally honest and offer an independent view without the baggage of having to protect retainer work. It also doesn’t take credit for work, allowing executing agencies to claim any kudos.
Talent pool
SoloUnion SA is also able to tap the US group’s talent pool if required, and vice versa; clients pay for the talent, rather than hours. A lot of talent has come in for conversation, and McLennan and Rightford have put a number (as yet unnamed) strategic and (creative, digital, marketing) creative partners in place as they work hard to create a team.
SoloUnion, says Rightford, taps into the sharing economy — like Uber and Airbnb, it offers a direct path to its offering — but its biggest challenge remains explaining to clients how its model differs from what agencies offer and that it doesn’t limit itself to solving advertising/communication projects.
Herman Manson (@marklives) is the founder and editor of MarkLives.com.
by Bradley Elliott (@BradElliottSA) Digital transformation is challenging and changing marketing departments like never before. In this sea-change era, I’m examining what it is to be a chief marketing officer (CMO). We talk to Heidi Brauer, Hollard Insurance chief marketing officer, in this third Only Connect podcast episode.
Full podcast transcript
Bradley Elliott: Welcome to Episode 3 of Only Connect, a MarkLives.com podcast. I’m Bradley Elliott, your host, founder of Platinum Seed and Continuon. This month I have the privilege of interviewing Heidi Brauer, CMO at Hollard Insurance. She has some great thinking around agencies, the agency process, around pitching, digital segmentation, how we derive insights and how marketers become more commercially minded, if commercially minded at all. So, strap in for this episode, and enjoy.
Firstly, thanks so much for taking the time to chat to me. Maybe I should give you some context on who I am since we’ve never spoken before and then I fit into the picture. I started a digital agency about 10 years ago, and I’ve been involved in two or three other tech startups along that journey. As part of all the digital transformation, how digital has shifted the role of marketing outside of just social media and Google and websites and apps, we thought it’d be good to speak to CMOs around how they see the role of technology and digital impacting their marketing strategies. And, more importantly, if their agencies — which tend to be, in honesty, quite Jurassic in their approach — are able to keep up with rapid rate of change, because obviously, we believe that data, technology, and all these things have given greater insight into understanding our customers, and therefore have shifted customer centricity and the role of marketing quite a bit. And, yeah, it’s just really about understanding where CMOs’ heads are at, what they expect from their agencies and kind of how the role of marketing has changed over the past couple of years. Heidi Brauer: OK, that we can do.
BE: I’ve obviously looked at a bit of your background, and you’ve moved through quite a few different industries, from Comair, you were at Ipsos back in the earlier days, and I just want to understand how you landed up at Hollard?
HB: So, if you really want to go far back, I have a BSc in nursing. And there’s a story, a long story for another day. I can safely say that I learned what pivot means before pivot was invented in the language of business and iterative improvement today. So, my journey has been one from healthcare, healthcare research and pharmaceutical, broad research and brand research. Looking after a brand that was Kulula, actually multiple [brands], British Airways and Slow, and then I left and I actually did a freelancing and Hollard was one of my clients and I started to do some work with them on employee engagement stuff and here I am, six years later, married. So, I suppose my journey’s been all the time in the space of understanding customers and employees and brands and what makes them connect with one another or not.
BE: And what have you seen? What are your insights and what does make them connect — if there are any sort of key golden ones, or golden rules?
HB: I think that there are some conventional wisdoms that are probably safe to overturn now, and new ones that are being bandied about that are going to need overturning soon again. So, for years and years, everybody thought that people made decisions, and consumers or anybody really that [were] customers were making decisions based on price and that price was the be-all and end-all, and [in] my years of doing digital statistical correlations to understand experiences and how experiences affected engagement and loyalty, I never ever once saw in any industry, B2B or B2C, a single example where price was ever the generator or the precursor to engagement with a brand. Not once ever, ever, ever. And no matter how much you tell people price and you have to have it as a ticket to the game, slowly, slowly people are starting to realise actually that it’s not a differentiator and brands that are premised on that are realising that they need more. So, that’s one thing that’s starting to be turned on its head. And I think that the other thing that might be is assuming that a consumer is one thing. Especially in this country, we have so much depth and breadth in terms of what a South African is, and so much diversity, that, if we try to segment, we are going to end up stuck. Come unstuck. Be stuck. Both of them. It’s weird, I’m hearing less and less about segmentation; I wrote an article once saying segmentation is a four-letter word, which it is, but I think somewhere between thinking we can segment into nice little units that are easy to understand, and thinking everybody is the same, is the right place, and data can either enable that or disable that, depending on how we use it.
BE: I think you’ve touched on some really, really important points there. The first for me: your research or your correlation is amazing. You know, that experiences [are] really one of the key drivers or truths. And we often talk about customer experience (CX) and all of the things, but to hear that it actually trumps price or that it’s actually the sort of entry point is amazing. And I’ll touch on that a bit more just now. But to your second point around segmentation. I’ve got exactly the same views on segmentation, particularly when it comes down to using sort of demographic and should I call it dry data to segment. I think what is where segmentation may go — and it’d be interesting to hear your thoughts — is based more on behavior. So behavioral segmentation, in terms of [having] a person from a different background, different culture, different income group [whp] behaves in very much the same way as someone from a totally different class, race, income group, whatever it may be. And rather to segment on a behavioral attribute than other attributes, if that makes sense?
HB: Yeah, and I think that’s exactly it. Look, I’m no expert any more, and I haven’t spent time on segmentation in a long time, in terms of looking at the academics on it, but I think that behavior is one dimension[al], but we are multidimensional, we have values, we have lifestyles, we have aspirations, we have all of those things that make us such fascinating creatures, and trying to take one of those layers out because it serves us in terms of buying media or choosing a channel of communication is just diminishing everything. It makes it much more difficult but it means you have to just have some sort of like gut or instinct or insight or personaes, I think, were a way that we described it, but can you describe: Who’s this person? What do they look like? What do they feel like? And how do they live? What are their values? What do they want? Much more than what’s their income and often you talk [about] having an income conversation and you say, guys, what are we talking about, household income or personal income, and everybody’s thinking about different things. So, I mean, segmentation is so flawed and the risk with this new world of data is that common understanding isn’t there. And we end up doing ourselves an injustice and our customers and consumers an injustice, too. We’re so much more, which makes it so much harder and so much more enriching.
BE: That’s a great point. And, as you said, being insight-driven and finding those nuggets of insight by actually engaging with people, as opposed to just looking at raw data, is also important. Touching on your past at Kulula, where customer experience, especially in that industry, is everything: what does good experience or good customer experience look like to you?
HB: So, I’m not going to say delighting people because I don’t know what delighting means any more. It was such a word — I must delight people — but I suppose you have to understand that there are ticket-to-the-game things, basics, the fundamentals that you have to get right and you can’t assume that you’re getting those right and that everybody’s getting them right in the organisation. And then you have to look to deliberately design — “deliberately” I suppose is the word — experiences that build on that so I suppose maybe my go-to example always is a little outside of Kulula, but it’s the Slow Lounges and when we conceived the Slow Lounges, with Grid, at the time, and Tonic (which always sounds like I’m asking for a gin and tonic). We were in this position where, globally, British Airways was redoing their airport lounges. We needed to do the same with the sub-Saharan African lounges, which was prohibitively expensive. We said, “What if we didn’t follow your gallery spec?” and they said, “You have to.” We said, “What if we didn’t?” And then they said, “You can’t call it a British Airways lounge.” So, we said, “Okay, that’s a [inaudible] We’ll call it something else.” Or maybe it needs to be something else. And we really did ladder right down to saying what happens when people travel, what do they want? What do they need? What don’t they even know that they want and I think that’s the thing that gave us the great gift of Slow Lounges, which still make people’s hearts warm today, is that it’s beyond just saying the food must be good, the toilets must be clean, it must be open at the times I want and so on. It’s what gets layered in between all of those things that people can’t tell you they want. But when you give it to them, lay it all together, it just is like [sighs] “Oh, I only want this.” For me, it’s an analoguey of chocolate cake: I say one slice of multilayered chocolate cake sometimes is much more delicious than another. And you can’t always say what it is, because you don’t take it apart and go, oh, it’s the richness of the cocoa, oh, it’s the Irish butter cream; it’s all of those things and you can’t take them apart and go, “I know specifically what it is,” but when you have a bite of that really, really amazing cake, or that really, really amazing lounge or that really, really amazing… snail bar, or whatever it is, altogether, it’s something special. And I think the trick is understanding that it’s not one big thing; it’s lots of little things all together. And the other thing is knowing that you cannot ask consumers what they want. Because, believe me, before power steering was invented, you couldn’t say to somebody, “what do you want?” and expect anybody to say power steering. They would have been able to tell you that it’s helluva hard to park a car, and to turn into a parking is difficult and all of those things they could tell you what their problems are, but they [couldn’t] solve it for you. So, solving customer experience is about understanding that it’s multifaceted and that you can’t ask people to tell you what they want, paradoxically. BE: Yeah, and I think you said something really important right in the beginning: it’s taking the decision as a business to be customer-centric and really interrogating that customer experience and taking a conscious decision to purposely build that customer experience.
HB: In some way, in the layers of that cake might be one teeny, tiny, tiny, tiny, tiny little thing that suddenly just makes that cake unreplicable and just something that’s everybody’s favorite, and that’s what they want. And you’ve got to take the time.
BE: Yeah. 100%. Going back to sort of insurance and insurance industry and innovation and customer experience in that industry, fintech technologies, really, if you look at a lot of industries, financial services is one of the ones that have really become tech-enabled faster than some of the other industries. And if you look at fintech and specifically, like insuretech, like Lemonade out of the US and those type of things, I know Hollard has got Naked as well, that they’ve launched or invested in. What is your sort of play on how technology as a catalyst helps that customer experience and/or the business in becoming better serving for their customers?
HB: I think that the benefit was, if you’re in fintech insuretech and you can start from scratch without the legacy, your ability to streamline and to enable wonderful customer experiences is just enhanced enormously and I see that with the Naked offering. I think I was, it was three years ago this time, I was at Google in San Francisco and seeing the driverless cars for the first time and we all thought they’d be here like next month, and all the cars would be driving around the world driverless by now and insurance wouldn’t be necessary because cars would be driverless, and they’d be perfect. In reality, [it] takes time for things to change and for consumers to trust and change behavior and, unfortunately, it’s the fault of insurers also that knowledge and understanding and insight level about insurance, because of the complexity of it, is quite low. Which means people’s ability to change to something high in technology and low in human is not as easy as one thinks.
BE: Especially in an industry or sector that has low trust from consumers?
HB: Absolutely. Absolutely. And that have had price shoved down consumers throats for so many years, where they don’t understand what other value is important beyond price, it becomes very difficult. So, barriers to switching are actually low and consumers’ understanding of value is also low. And it’s also a low frequency of touch industry, right? Because typically you buy your insurance. Sometimes you pay a premium annually, and you don’t touch anybody, please God, for a long time, if ever, right? So, saying, Oh, you won’t have to speak to a call center is very difficult, because I haven’t, actually. I think it’s paradoxical. So the value it can bring is amazing. Persuading consumers to switch and stay because of that is the challenge. And adoption isa different kind of curve to what I think we’d like to imagine it will be.
BE: And with all the increase in sort of channels and platforms over the years — you’ve got a huge amount of experience and you’ve been around maybe before the days of, let’s call it digital, or these all these new platforms and channels — how have you seen the role of the marketing department change, if at all, in any of the organisations that you’ve been involved in, given the sort of influx of channels and platforms and new technologies that allow us to connect with people?
HB: I always describe it like this: that human beings are whole things and they are exposed to multiple things and they don’t separate them into boxes like we would like to imagine that they do. So, attribution, I suppose. Just imagine the world before anything digital. Marketers would sit down and go, “I wonder why they bought our product? Did they see our TV ad? Or did they see a billboard, right?” And attribution is pretty much impossible because when you ask a consumer, “Where did you see our ad?”, they say TV, even if you never had a TV ad. Now with digital, because it’s measurable, the assumption of attribution in it can be dangerous, right? You can think it’s that. The truth is a consumer is a whole human being who is exposed to messages everywhere. Just think of your day. Minority Report just sprung to mind. But that’s what it is, right? The example: you’re standing in Dis-Chem trying to choose a body lotion; you pick one off the shelf and put it in the basket. Actually, in your mind, you’ve made a million micro choices, based on a whole bunch of things. And I think the assumption that you can separate how consumers consume into neat little boxes is one of the dangers of this digital vs analogue, if I can do that, communication world because you can’t. Long, long, long time ago, working with Gidon Novick at Kulula, he once said to me, just because I gave him a big bill of billboard holdings rentals to sign off, “Hey, remind me why we do this billboard thing?” And, and it was funny because it was his billboards before I was even there. So, he was cleverer than I. But [with] full prices within five rand of each other, I want them to choose my brand because something resonates with them and they may not be aware of what it is. And passing the billboard on the way to work is one of them. Scrolling past an ad when they’re looking at their Facebook feed in the bath at night is another one of them. So [it] wasn’t so long ago that I wrote an article that talked about new media, and it said when will new media not be called new media any more. And guess what? It’s not. And it’s not; it’s another channel, right? We have to remember that, for consumers, it’s just another channel. It’s not the be-all-and-end-all. We have to, as marketers, understand it. We have to not throw everything at it just because it’s lovely and shiny and new and measurable. And because actually the agencies that do it are sexier. Usually. It’s a whole, right?
BE: Right, 100%. I think let’s move on to some of the juicier stuff around marketing departments, clients and agencies because I see that you are also involved in your own communications agency, Halo, if I’m not mistaken?
HB: I was actively involved when I was on my little journey of consulting and freelancing and [am] now a very quiet partner. But, you know, in my 12 years at Markinor — to all intents and purposes an agency, right — I’m selling ideas and selling solutions. So I appreciate what it’s like to try to position yourself in a morass of sameness and to try to differentiate and keep your fans loving only you. Yes, I get it.
BE: What is important for you, then, because we see around the world that — at least, in my opinion and feel free to challenge me —the agency model is a broken model. Billable-hour models work for certain types of professions, like lawyers and accountants. But when you, as you said, are solving problems coming up with ideas, it’s very difficult to put a value on that and do sort of value-based pricing. But what do you look for in your agencies and are agencies keeping up with, with the sort of trends and changes that are happening? Because your level of thinking might be quite far apart from what my perception or at least experience has been with a lot of agencies and agency bosses who tend to retrofit an insight to an idea, rather than use the insight to drive the idea.
HB: It’s actually quite interesting because, back in the days of Markinor, which was even before we sold to Ipsos, I remember we were approached by a group who wanted to put a whole bunch of complementary agency services together. This was before digital, PR, media, advertising, research, all together under one umbrella. I think the premise back then even was the agency model is broken. I suppose want to say, “Is it more broken now because of digital or not?” This is an ideas industry or a thinking industry, premised on human beings and people do business with people, not companies. For me, when I’m looking for an agency, the ticket-to-the-game stuff is the technical competency that I need. The next thing is the human beings and can I connect with them? Will my team connect with them? Do we connect with each other? Do we think we can have an adult-adult relationship? I go back to that old psychological model of parent/adult/child. So much of the time, the relationship between an agency and a client is a parent-child relationship, where the client is the parent and the agency’s the child. Just think about a pitch — a pitch actually, is, honestly the most-revolting environment for anybody —
BE: I couldn’t add — I’m very glad to hear you say that. It’s just not a respectful way to do business.
HB: It’s not respectful, it just diminishes, and everybody bloody hates it. So, then, don’t do it, right? Check that you have the competencies, have a chemistry session, get a vibe, do all the due diligence that you need to and so on. But there’s different ways of doing it and what we need, more than ever, because resources are tighter than ever, is we need adult-adult relationships. And either you can have that and you ‘vibe’ with people and you can bring that or you can’t. Because, when times are tough and strategies are changing, and focus is changing and you’re scrambling to get every last inch out of your cent, and you’re annoying each other, God, you better have an adult-adult relationship otherwise you’re in trouble. So, for me, it doesn’t matter whether you’re a digital agency or a traditional agency — and let’s talk about that in a second as well, because I have some thoughts on that — is it’s about the humans. Yeah. And we forget that.
BE: It’s about relationships, and as it is, starting off a relationship, dating, where you don’t — well, I hope most of us wouldn’t put three potential partners in front of us and ask them to pitch to us as to why we should date them. We may do it behind the scenes, but I don’t think in a room.
HB: You know the truth is, what I’ve done before, as I’ve said, here’s what I need. I need this kind of competency. I need this kind of experience, I need somebody that’s, like, we’re the right [indistinct] fit for each other. I have — and it’s on record — said I want an ECD over 40 because I need people who’ve done stuff, not only have thought of stuff. And then we’ve said, okay, here’s an obviously non-competing business, and we’ve made a list of who that might be and then we’d have coffee dates with them individually, obviously, just to get a vibe first. And if we’ve got a vibe and the competencies are all there, then we can go to the next level.
BE: You mentioned a word that also triggered a thought on my side. There’s a great book I read called “Win without pitching”, obviously very skewed towards agency bosses and the author basically says the only job of an agency, or between agency and a client, is not to sell yourself but to actually find whether you guys fit or not. And that’s really what it boils down to.
HB: And that’s it. Because, especially in the world of creative — look there’s two things, so let’s talk about creativity and now the world of digital, which in itself needs a definition, because nobody knows what it means. In the world of creativity and digital, there are people who don’t speak those languages, right? And the minute that things get tough and we don’t know what each other’s saying, if we don’t have a relationship and a connection, we’re screwed.
BE: Back to digital vs traditional.
HB: Let’s talk about this broken model. And now we can add consultancies into the mix, given all what’s going on everywhere. It used to be that there was a thing — if I could talk with my hands and you could see my hands, I’m drawing a continuum — on the one end is a full-service agency. Yeah, that’s what they used to be right? Yeah. Or they were specialist agencies. No, we’re not full-service. We only do PR or we only do media or whatever. Then along came on the other end: digital, we’re digital, specialist digital. Forgive me if I’m not getting this perfect but you’re getting the vibe. The next thing is the full-service agency goes, “Oh, we also do digital,” so they’re nudging along the continuum toward the other end. The digital agencies are going, “Hold on a second, we’re missing some of the pie, so let’s say we’re a full-service digital agency.” I don’t know what even those things are anymore, right? So we’ve got full service — I’m being very polite —
BE: No, be rude, please. I want you to be as honest as possible — that’s the whole point — because I’m very opinionated as well, so don’t worry.
HB: I don’t even know what a full-service digital agency is. Does it mean you’re full service in terms of your digital offerings? Or does it mean you also do TV ads as well?
BE: Technically [it] should mean you’re meant to do but let’s just assume that digital as a word we all know what that means. Let’s just assume that for a second, but it assumes that you do all the digital stuff. You don’t touch TV ads and billboards.
HB: So, nobody understands, right? That’s the problem. And then everybody, because they don’t want to lose any revenue, says they can do things and we believe them and then we all believe each other and then we end up in trouble. Now the consultancies are saying we can do all of it, and we can think better than anybody. The bottom line is: any company is only as good as the talented human beings that it has. And in one of the questions you asked, “What advice do you have for ad agency bosses?” — no. 17, I did read it. For me, talent management is my advice because one of the biggest, people do business with people — I said it before — not companies. Your ability to provide the skills and understand the business of my business as if it were your own is dependent on the human beings that you have. And these days, because everybody’s allowed to be a slasher and jump-hop every two years and whatever, young people, you know, acceptability of all of those things, it means lack of continuity and stability for brands. If I had any advice, I’d say, “You know what? I don’t actually care what you call yourself, really —full service, through-the-line, above-the-line, in-the-line, digital, analogue, I don’t care — just be clear on what you can do and what you can’t do and then try to do whatever you need to do to have some stability in your talent for what’s a reasonable amount of time, so that we can all be in service of the brand.
BE: Yeah. And I think that’s really, really a great piece of advice. And it almost talks to another point or another question that I had further up, that is: do you think we have the talent, and if assuming we don’t, how do how do we nurture that talent? And retain it? I don’t want to get into the millennial discussion. because technically, I would be classified —
HB: I didn’t say a millennial, you said millennial —
BE: I know, that’s why I said, I don’t want to use the word —
HB: I’ve given birth to two!
BE: That’s why I don’t want to use the word — but the discussion around, let’s say, job hopping, the acceptance around that and moving careers more frequently than any generation in the past. Let’s put it that way.
HB: Yeah.
BE: How do we have the talent and how do we nurture that talent really?
HB: I talked about in service of the brand, so I say that it takes a village to raise a brand and what I mean by that is that you have to know your brand like a child; it is your child, you’ve got a responsibility to raise it, nurture it, know what it’s good at and all of those things. I think the more you allow everybody to be fully read into that and to be a full adult participant in that, rather than keeping them on the sidelines because they’re only junior copywriter or whatever it is, the less chance you have of nurturing that brand to its full potential and of having people so love doing the work that they want to stay because I feel enriched and they don’t feel like they’re diminished or undervalued or whatever. Because young people — and I’m on purpose, not using the m-word —now more and more than ever want to feel the purpose and the meaning of their work. Well, sometimes to earn the money, you also have to sell Smarties. Right? It can’t all be the deep stuff. But you can still get purpose and meaning and reward out of doing a great job at selling the Smarties. And you can do that if you are allowed to be fully engaged as an adult and not treated like a child who must deliver the line and leave the room. Yeah, so I think that that’s got a lot to do with how clients engage with agencies and where they allow them in, and how they allow them to participate in the raising of that brand, as much as it does have to do with the agencies and how they handle their people.
BE: Yeah. And I think that’s a very good point and some great advice. Two points that I just wanted to touch on and then we can start wrapping up, otherwise I’m going to have to keep you the whole evening, is do you think agencies — you were talking a lot around squeezing every cent out earlier on, or getting the most for every cent that you spend, do you think that agencies are commercially minded enough? [That’s] no. 1, and no. 2, going back to your point on pitching and having these relationships/with getting the most out of your agency— I’m using the word relationship on purpose, adult-adult related conversations and relationships — why do so many businesses, especially big corporate South Africa, still insist on going and using pitch-based models? If they know that’s not the best way to get the best, the most value, out of their partner agencies.
HB: I’m scared to tar everybody with the same brush. So, maybe the fair way to do this is to say, “Do I think marketers are commercially minded?” How’s that for diplomatic? I’m going into politics next.
BE: That’s very diplomatic. HB: I have to keep reminding the marketers that I work with all the time that business objectives lead marketing objectives, and it sounds so obvious, right, but it’s so easy to say, “Oh, the ad was brilliant or the event was fantastic.” Why? Because it was beautifully, creatively pleasing or the food was fantastic at the event or whatever. My question always is: the event was great, and I expect that because that’s the quality of work we deliver, but what were our business objectives? Were we trying to get this much more revenue from these clients? Or this many new clients or whatever the business objectives might be? Then we have to go back and say, did we deliver that? And it sounds so obvious, but it isn’t. So, if that’s how marketers are positioning what they do and what success looks like, then agencies are going to be doing the same thing, right? What is success? Meeting the deadline for getting an ad flighted, or filling the content calendar —
BE: Getting 1000 likes —
HB: Getting 1000 likes, right? Let’s talk about that. For my penance for something or other, every now and then I judge awards. Actually, the truth is it’s a privilege and — that was another diplomatic one — it really gives me insights and keeps me on my toes and I love to have a good argument with my peers. But, let me tell you, the digital submissions particularly can attempt to bamboozle everybody with data to the point that you don’t even know — and talk about retrofitting! — what the objectives were in the first place.
BE: I agree with you 100%. That’s why I mentioned it.
HB: Now, a million impressions in a country with 500 bajillion… consumers is a different story to a million impressions in… you know. We have to go back to what are the business objectives and then how do we measure them? That’s what commercial mindedness is, right? And, all the time, what are the business objectives? I think we’re all at fault, honestly. And then you had another part of the question and now I’m —
BE: I loved your point so much about not pitching that I decided to bring it up again: if the best way to work with any partner —i’m not talking specifically agencies, but generally any strategic supplier or a strategic partner — is to have an adult-to-adult relationship, why do so many companies, especially in big corporate South Africa, still follow a pitching process?
HB: I think that cost-driven procurement departments are a big part of that. I think there’s a big issue with maybe lack of confidence and lack of experience from the client side, and I believe that that’s the way it goes. And if you don’t have experience and people don’t want to trust their guts — they don’t understand that gut comes from experience and intuition comes from experience but not everybody has enough experience.
BE: Maybe they don’t wanna be held accountable either?
HB: Yeah. And it’s much easier to say I’ve got a panel and I put it through this, and it’s a power thing, too, let’s be honest, honestly. When you put yourself in that position, you’re actually dismissing accountability, rather than what you should be doing. I think it’s horrible. At the last pitch I sat in, the last best ‘traditional’ pitch I sat in (it wasn’t my pitch and I was consulting to this company) and it was pitch three or four or five or whatever. The lady was sitting next to me, the person from the agency, and she was checking her email while her team was pitching. She didn’t want to be there as much as we didn’t want to be there. The next thing that happens is everybody’s, like, — ah it’s just a power thing, it’s horrible.
BE: It is horrible. And finally, to end off, a question that I always ask everyone at the end is your favorite resources or any great books, podcasts you listen to?
HB: Lately, I have been reading fiction, not nonfiction, and my greatest resources are my sons, who are in their 20s.
BE:Great answer.
HB: It’s the truth, too.
BE:Give you a lot of insight?
HB: Yeah.
BE: Awesome. Well, thank you so much for time and have a great evening.
HB: You too. Thanks.
BE: Thanks for listening. This has been Only Connect, a MarkLives.com podcast. If you have any questions, or if you’d like to be featured on the show, please feel free to email me at Bradley at platinumseed dot com. Until next month, keep connecting!
Transcribed using otter.ai and then edited lightly.
The founder of Continuon and Platinum Seed, Bradley Elliott (@BradElliottSA)has created a number of businesses in the digital and technology sectors. He believes that marketing needs to be reinvented so that it becomes more useful to humans and brands. He’s also a collector of fine whisky. Bradley contributes “Only Connect”, exclusively to MarkLives.com. In this podcast, he chats to custodians of the world’s top brands about what matters most to them.
by Carey Finn (@carey_finn) Selina Bieber (@selinabieber), GoDaddy EMEA’s regional director for Turkey and MENA, talks business about entrepreneurship and women’s empowerment, and how the internet can support both, better. GoDaddy is an international internet domain registrar and web-hosting company.
Q5: What is the best advice you can give somebody wanting to start a small business online? Selina Bieber: Don’t delay — get your feet wet as soon as possible so that you can learn, improve and grow. Thanks to the internet and the various digital tools available today, it’s not difficult or expensive to create and promote your brand online. Turning an idea into reality online is easy and you start by finding the perfect domain name and using a website builder to build a professional website in under an hour. From there, you can start to build an online community for your idea through marketing and social tools.
Here are a few more tips:
Think of a domain name that reflects your business’s personality. Release your new website into the world with a memorable web address that reflects your brand or personality (eg konfettilove.com). Not ready yet? You can register your domain name now and then start to build your website and online presence when you are ready.
Mobile continues to rise. More than 90% of internet users in South Africa are mobile. You should focus on improving site speed, navigation structures and readability on mobile devices, and look to optimise your website from the start for the mobile experience.
Simple design. This is an extension of creating mobile-first experiences. Focus on relevant, concise and catchy content [and] professional images, as well as an elegant, simple design that is easy to navigate to help you catch your users’ attention.
Q5: Many women in SA don’t have access to laptops or desktop computers, or fixed internet. Would you say there is scope to run an online business using only a mobile phone? SB: Yes, definitely! It’s not uncommon for entrepreneurs to run their businesses using primarily a mobile phone. We are living in a mobile-first world and there are plenty of powerful tools available for small-business owners and entrepreneurs who want to run a business straight from their smartphones. GoDaddy offers website builder tools that give you a one-page website ready for you to customise from the get-go. Our focus is on ease-of-use, so you can create and update your entire site on your phone, for example. Other tools and apps you need for an online business — email, social media and so on — are also integrated and available for your mobile device. The key is keeping it simple, starting slowly and learning as you go.
Q5: What can South Africans do to address the current gender divide in online entrepreneurship, here and globally? SB: Keep telling the stories of the many female entrepreneurs making a dent in the online world, like Marissa Vogel here in SA, and other local women who have created small, thriving local business on the internet.
Help to make financing and venture capital more accessible to women
Provide information and mentoring for women who want to start their own businesses There are many would-be entrepreneurs who need help with basic finance and compliance matters, for example.
Help build support and mentoring networks where female entrepreneurs can share experiences and knowledge with others who share their challenges and ambitions
Keep pushing the technology industry to address its gender imbalance
Encourage digital literacy and STEM studies among girls in our education system
Q5: What can technology companies like yours do to encourage entrepreneurship, especially among women? SB: Our customer research shows that costs, time and technical difficulty are among the most-significant barriers that digital entrepreneurs face [emphasis added], whether you are a woman or a man. Technology companies should aim to empower people with easy, affordable tools that help them get online and run their businesses from the device that best meets their needs.
As a technology company, we can help to reduce the technical complexities from running a business online, while also providing education, inspiration and advice to aspiring and existing entrepreneurs and small-business owners. This can include tutorial and inspirational information, as well as products and services that are easy to use and affordable, for entrepreneurs who are just getting started.
I also think it’s important for technology companies to showcase their female customers who are thriving as entrepreneurs. Doing so can inspire other women who are considering pursuing their entrepreneurial dreams and reinforce the huge population of female entrepreneurs around the world.
Q5: Are you spotting any ecommerce/start-up trends particular to SA? SB: GoDaddy ran a survey among 300 SA customers in late 2018 and found the services sector is thriving. This includes the IT, legal, accounting, consulting, marketing, and web-development sectors. Many entrepreneurs and freelance professionals in the services industry are making effective use of their digital presence to reach people in new markets — whether they are growing from local to national businesses or from national to global businesses.
We also noted that many of the customers surveyed identified as ecommerce retailers. Despite a gap in connectivity and logistics, our SA customers have largely tapped into digital technologies and shown an increased interest in ecommerce services. We anticipate the drive of these early adopters to spill over and support a broader segment of the population looking to benefit from ecommerce within the next few years.
It was interesting to see just how the idea of the “side hustle” has taken off in SA. Solo entrepreneurs accounted for nearly 60% of our total respondents; of those, nearly two-thirds are side hustlers. For side hustlers, the no. 1 short-term priority is becoming more successful and creating the financial conditions to quit their current full-time job to focus on what they love doing, currently their part-time activity.
Carey Finn (@carey_finn) is a writer and editor with a decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her new regular column “Q5” aims to hone in on strategic insights, analysis and data through punchy interviews with experts in media, marketing and design.