D&AD takes tough stance on scam ads

D&AD has joined the One Show to take a tough stance on scam ads (or ‘pro-active’ work as it is called here in SA). In a statement on its blog D&AD clearly states that “work must have been produced in response to a genuine brief and be approved and paid for by the client. Works created solely for the purpose of entering competitions are not eligible.”

D&AD CEO Tim O’Kennedy and D&AD President Paul Brazier further announced that beginning with the 2010 D&AD awards show, the Executive Creative Director or an equivalent officer of the entrant company will be required to validate the eligibility of every item, ensuring that work does not slip through without their knowledge. “A plea of ignorance is not an acceptable defence.”

Locally the Loeries has broken ranks with its international peers by stating that it will continue to encourage ‘pro-active’ work – that is “work done on behalf of a client but perhaps with a small flighting and production budget.” In practice this generally means the agency comes up with a concept it thinks can win awards and then pays for the production and flighting of said ad. Finally a smallish brand gets roped in to support the ad (it should be the other way round folks).

Loeries encourage ‘pro-active’ work

– One Show call for tougher stance on ‘fake-ads’ dismissed by Loeries
– Loeries support and encourage ‘pro-active’ work
‘Pro-active’ work seems rather similar to how The One Club defines ‘fake ads’

MarkLives recently reported that a stringent new policy regarding scam ads has been set in place by The One Club. Agencies that enter an ad made for nonexistent clients, or made and run without a client’s approval, will be banned from entering the One Show for 5 years, as will the creative team behind such an entry. An agency that enters an ad that has run once, on late night TV, or has only run because the agency produced a single ad and paid to run it themselves, will be banned from entering The One Show for 3 years. The One Club then went on to call on other international award shows to follow suit with similar policies.

Local advertising awards, The Loeries, has already rejected the call for more stringent policing against scam ads in spite of the recent ruckus caused by a local ad agency which saw it stripped of its Silver Clio for entering work not approved by client. The discussion that followed on BizCommunity.com tended to support the stance that the practice of creating and running scam ads is acceptable to the local industry (which now seems increasingly out of step with its international counterparts).

Andrew Human, CEO of The Loerie Awards, released the following statement on the matter;

“Generally speaking, international shows such as the One Show and the Cannes Advertising Festival suffer more from this problem because it is very difficult for judges to determine the validity of a campaign. This is because work comes from all over the world and judges aren’t familiar with regional brands and agencies.

With the Loeries we have two main things in our favour: Firstly, the judging panel is very aware of the local brands and it is difficult to enter a large media campaign for an unknown hair salon (for example) without being exposed. Secondly, the Loeries attracts a lot of local attention from consumers and marketers so it’s not really possible to enter fake work – and then win – without this coming to the attention of the brand custodian. Having said this, our rules clearly act against scam work (work that has not run and/or has not been approved by the client).

On the other hand, we do differ somewhat from the One Show in that we encourage ‘pro-active*’ work – that is work does on behalf of a client but perhaps with a small flighting and production budget. In many instances, pro-active work has won awards and subsequently received far greater flighting. Part of the aim of these awards is to promote better work and pushing pro-active (and legitimate) work is an element of this.”

* The One Club defines “fake ads” as: ads created for nonexistent clients or made and run without a client’s approval, or ads created expressly for award shows that are run once to meet the requirements of a tear sheet.

Channel O launches Coco Joe

cocojoe
Channel O has appointed design and publishing consultancy The President to launch the magazine Coco Joe as a brand extension for the channel.

The magazine is segmented with half the print run appealing to females (Coco) and the other half at males (Joe).

This issue was edited by Johannesburg based Nonkululeko Mlangeni – whose recent projects include curating “Do You Know Where Brenda Fassie Is?” as part of the Cape ’09 Biennale.
Together with the creative team of The President, they developed the concept as well as the look and feel for Channel O’s Coco Joe.

Time for Loeries to take a hard line on ‘fake ads’?

The Loeries should be taking a similar line on scam ads. What do you think?

Issued by The One Club

New York, NY – In the light of the recent events surrounding the “Tsunami Ad” created by DDB Brazil for WWF, the One Club announces today that we will implement what we believe to be the most stringent and thorough “fake ads” policy in our industry.

The One Club defines “fake ads” as: ads created for nonexistent clients or made and run without a client’s approval, or ads created expressly for award shows that are run once to meet the requirements of a tear sheet.

For 2010 and onwards, the One Show will be adopting the following new rules and penalties.

1. An agency or regional office of an agency network that enters an ad made for nonexistent clients, or made and run without a client’s approval, will be banned from entering the One Show for 5 years.

2. The entire team credited on the “fake” entries will be banned from entering the One Show for 5 years.

3. An agency or regional office of an agency network that enters an ad that has run once, on late night TV, or has only run because the agency produced a single ad and paid to run it themselves*, will be banned from entering The One Show for 3 years.

* The One Club reserves the right to review ‘late-night, ran-once’ and launch versions, at The One Club’s discretion. If it is determined that the ad was created expressly for award show entry, the penalty will hold.

The One Club exists to champion excellence in advertising and design in all its forms. We will stringently enforce these rules and penalties to ensure that The One Show remains the pinnacle of advertising and design created for marketers and brands.

The One Show encourages other international award shows to follow suit with similar policies. In addition, we are in the process of developing an initiative in the agency, client, and creative communities, in which individuals and agencies will be called upon to monitor and eliminate “fake” ads at their source. A detailed guidelines will appear in the 2010 One Show Call for Entry.

tsunami ad

For the TV ad click here

The SA debate

Kids have more fun with earth

National Geographic Kids

National Geographic Kids

National Geographic Kids

There are certain kinds of things kids love doing that can’t be properly enjoyed on other planets – whether it be building sandcastles, blowing bubbles or simply riding a tricycle. The ads won a Cannes Lion at the recently held awards. It ran in Real Simple and National Geographic Kids magazine. It was created for Nat Geo Kids by agency FoxP2
Creative Team: Andrew Whitehouse, Justin Gomes (Creative Directors), Robin Goode, Andrew Whitehouse (Art Directors), Andrew Verster Cohen (Photographer)

MTN birthday no celebration

MTN has been told off by the Advertising Standards Committee following complaints lodged against a major promotion and competition celebrating its 15th birthday. Hopefully the ruling will serve to deter unscrupulous cellular providers from taking consumers for a ride with ludicrously priced competitions. MTN, instead of celebrating 15 years in existence,  just underscored how far it is removed from consumers, and how little they offer us to celebrate.

More details on the finding (provided by ASASA)

THE COMPLAINT
Six complaints were received. In essence they all complained that the advertisements state that it costs R7,50 to enter the competition but once the first SMS is sent at R7,50, one is required to answer a number of questions, each at R7,50, before one is entered for a chance to win one of the prizes. As if that was not all, one is lured into answering as many questions as possible in order to increase their chances of winning. The cost then is not R7,50 but after dozens, and even hundreds of SMS’s are sent, the cost is huge.

RULING OF THE ADVERTISING STANDARDS COMMITTEE
Having viewed the TV commercial and been presented with the newspaper advertisements, the Committee is of the view that the overriding impression created by these advertisement is that by sending the first SMS, the entrant is entered to win one of the many pricey prizes. However, as admitted by the Respondent, the entrant had to answer subsequent questions, at an additional cost, before being entered in the competition for a chance to win.

A reasonable viewer of the TV and/or recipient of the promotional SMS would not be expected to scrutinise the terms and conditions on the website or mobi site in instances where the cost is already presented as R7,50 per SMS to be entered into the competition. For many such reasonable viewers, the MTN claws had already clasped them after they had made the first SMS.

The Respondent is no stranger to the ASA and its disciplinary committees. It knew, or ought to have known, that the competition constituted an advertisement and should have ensured that it complies with the Code. Instead, we were told that the competition was run along the lines of the Lotteries Act by an agency who is an expert on such matters, but not an advertising agency. This adds to the view that this was no more to celebrate 15 years of MTN’s existence than to generate a huge income by luring subscribers and other people into entering a lottery type competition. Ms Pinheiro, for the Respondent, disavowed any such motive but the facts that lead to this conclusion are very strong. By its own admission, entrants were only warned of the rising cost of the SMS’s after they had spent R195,00 (on the 26th SMS), but were not stopped at that stage because their chances of winning the main prizes was dependant on multiple entries.

The Committee finds that the Respondent’s advertisements were in breach of clause 4.2.1 of Section II of the Code in that:

* They directly stated that “SMS ‘15’ to 37187 (R7.50).” The promotional SMS can only be read to mean that R7,50 enters one into the competition and that for the first entry there is a free or automatic prize (of a ringtone).
* They implied that entrants would enter the competition at R7,50 per one SMS.
* They omitted to state that the cost would be accumulate, as multiple SMS’s are required before an entrant stands in line to win something.
* At best they were ambiguous about the cost of entering the competition.

Accordingly, the complaint is upheld.

In light of this, the complainants are afforded ten (10) working days to comment on whether or not sanctions in terms of Clause 14 of the Procedural Guide are appropriate, and if so, which sanctions. After this time, the respondent will be afforded an equal opportunity, after which the ASA will consider whether or not any sanctions are warranted.

More at ASASA

‘Taking care of business’ in Tanzania

HKLM CI for law firm

HKLM Cape Town developed this new corporate identity to support prominent Tanzanian attorneys/advocates Mawalla Advocates. The big idea behind CI is‘ Taking Care of Business’.

The project included creating the brand strategy, new brand identity and visual language with applications to new stationery, a corporate brochure and signage with future roll-outs including a new website and environmental branding principles. 

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