Steri Ts

marshmallow

vanillacustard

Steri Stumpie is launching a t-shirt range in collaboration with Levi Strauss and nine of South Africa’s hottest young graphic designers. A limited edition run of 900 t-shirts will be available and will be given away to fans of the brand via the Steri Stumpie blog www.steristumpie.com and secret codes on Steri Stumpies in-store.

The designers include:

Alex Latimer: Bubblegum
Theory One: Raspberry
Jordan Metcalf: Marshmallow
Ian Jepson: Chocolate
Dylan Wyndham Jones: Strawberry
Daniel Ting Chong: Crème Soda
Brandt Botes: Vanilla Custard
Patrick Latimer: Banana
Ctrl Click: Toffee Caramel

Forever Proteas

Masters & Savant Worldwide and TBWA Hunt Lascaris have created a TV and Cinema commercial which combines the corporate identity of Standard Bank with the fun, sun and excitement associated with watching the national cricket team play.

Says TBWA Hunt Lascaris Creative Director Damon Stapleton, “The Standard Bank global campaign focused on the  connections that Standard Bank creates. The creative team used various forms of illustration, and live action, to show how Standard Bank facilitates connections between people and between businesses globally. Standard Bank’s sponsorship of the national cricket team further demonstrates the bank’s ability to develop connections between itself and South Africans.”

So did you hear about the one about Vanilla Ice drinking a beer?

Former rap star Vanilla Ice brings some-tongue-in-cheek flavour to beer brand Castle Lite. The commercial, created for South African Breweries (SAB), emphasises the beer’s new extra cold attribute by aligning it with Vanilla Ice, otherwise known as Robert Matthew Van Winkle, and his number one hit single from the ’90s, ‘Ice Ice Baby’.

Art Directors Club says no to scam ads

A statement from the Art Directors Club sees the organisation take a tough stance on scam ads:

“Since its founding in 1920, the Art Directors Club has held 88 annual awards shows and presented thousands of ADC Cubes for brilliant creative work.  Unfortunately, like all other shows, the organization has also been challenged by scam ad entries.

The ADC Annual Awards is a serious competition for legitimate work, and all entries must conform to program guidelines of how and when the work appeared.  Any entry that raises suspicion is put under additional scrutiny, with more elaborate authorization and confirmation details required from both agency and client.  Entries which violate the guidelines are disqualified from competition.

As the upcoming ADC 89th Annual Awards season gets underway, the club wants the industry to know the following:

• Your secret is not safe with us. If we find an entry to be fake, the agency and client in question will be disqualified. Then, for the first time starting this year, we’ll take the additional step to communicate directly with other industry awards organizations and inform them about the scam ad so they too can be on the lookout and take action. We call upon other awards organizations to reciprocate.

• ADC realizes some interesting creative ideas never get approved or run. In cases like this, agencies may enter the work in the ADC Annual Awards Playground category, created four years ago specifically for work that for one reason or another never got approved by the client, or never ran.

By taking a leadership position in driving this collective information-sharing effort, as well as offering the Playground category as an alternative outlet, ADC believes we can work together with other awards shows to substantially reduce the opportunities for scam ads to make their way through the judging process.”

Also see

D&AD takes tough stance on scam ads
Loeries encourage ‘pro-active’ work
Time for Loeries to take a hard line on ‘fake ads’?
With a pat on the head, all is well again at Ogilvy

Steri Stumpie Pride

steri-ambassador_bumper-stickersmall

Steri pridesmall

Steri badge_greensmall

The Client: Parmalat
The Agency: King James (King James RSVP, Mnemonic, Atmosphere)
The Brief: Ensure Steri Stumpie is entrenched as the preferred flavoured milk in the hearts of young South Africans by tapping into their own personal associations and moments with the brand.
Creative Solution: ‘Everyone has a favourite’ became the key message about the brand. This insight was built into an integrated campaign, providing adorers of the brand a more tangible and exciting platform and means to engage with the brand. A Steri Stumpie playground was created that fans can interact with through the advertising, blog and social media campaign. Top-of-mind awareness were created in the form of billboards and was supported by an Official Unofficial Ambassador’s Program which is run off the Steri blog (www.steristumpie.com) and a new flavour promotion, which will roll out later in the year.
Creative Team: Alex Van Tonder (Senior Copywriter & Group Head), Ryan McArthur (Art Director), Jenny Ehlers (Creative Director), Bruce Wright (Creative Director – Mnemonic), Linton Davids (Designer – Mnemonic), Dan Pinch (Atmosphere)

James Dean – Legend

This commercial for Alan Gray, titled ‘Legend’, asks us to consider the possibilities of a legend like James Dean had he been given more time. What would he have achieved? How might he have benefited society?

The ad illustrates the importance of time in allowing potential to unfold. By King James and Keith Rose of Velocity Films.

King James:
Executive Creative Director – Alistair King
Head of Art – Karin Barry-McCormack
Copywriter – Paige Nick
Agency TV Producer – Caz Friedman
Managing Director – James Barty
Client Service – Laurel Mader, Bobbi van Sittert

Velocity:
Keith Rose – Director
Grant Davies – Producer Velocity
Tristan von Berg – Creative Assistant/head of research

The little Ho(a)rse

Horsesmall

Frogsmall

The Client: Mebucain (Switzerland)
The Agency: Saatchi & Saatchi
Illustration: Am i Collective
The Brief (to Am I Collective): Each character is portrayed as a classic sideshow act of and features some kind of oddity commonly associated with a sore throat. The audience is then prompted to escape this fate (The Mouth of Horrors) by using Mebucaine, a lozenge that soothes sore throats.
Creative Solution: Various photographs were composited together in Photoshop to create the strange deformed faces of the characters.
The fonts used in the signs were designed by Am I but modelled in 3D. The ads ran in Switzerland.
Creative Team: Larissa Elliott (Art Director), Anton Crone (Creative Director), Jillian Lochner (Photographer), Kirsten Lipschitz (Stylist), Alice Gnodde (Writer), Am I Collective (Illustration)

The Adolf Hitler, James Dean Mash up

‘Whether its software and microchips or music to swing your hips, we’ve got it.’

That’s the line from one of the ‘mash up’ images in a CNA campaign by Jupiter JHB.  The campaign morphs together images of famous people, with some interesting results to make the point of CNA’s wide product range.

The line above belongs to Bill Presley, a visual mash up of Bill Gates and Elvis Presley.

FamousPeople-BillPresley

The campaign includes mixes of the likes of John Lennon and Albert Einstein as John Einstein and Queen Elizabeth II and Mother Teresa as Queen Teresa.

And in a move that the Huffington Post describes as ‘controversial’, the most eye-catching mash combines Adolph Hitler and James Dean as Adolf Dean.

FamousPeople-AdolfDean

The images in the series are quirky and arresting. But I have to wonder if the Huffington Post and AdFreak are right in saying the Adolf Dean image will provoke a storm of outrage.  Is using and image of Hitler in this context apt?  Or is it just another example of clanging commercialised insensitivity?

All kinds of images inform our cultural consciousness, good and bad. And advertising tends to work best if it speaks to and has meaning within that cultural context. What makes Hitler any less of a cultural reference point for dictators than Marilyn Monroe is a cultural reference point for pin ups? What do you think?

Advertising Agency: The Jupiter Drawing Room, Jhb, South Africa
Chief Creative Officer: Graham Warsop
Creative Director: Thomas Cullinan
Art Director: Dana Cohen
Copywriter: Shane Durrant, PJ Eales
Illustrator: Wayne Trotskie

Posted by Kate Wolters. Follow her on Twitter.

Lurking about at the Loeries

Loeries 2009: Apocalypse Now? For a Loeries virgin, the annual weekend of awards and debauchery was something of an eye-opener. The work was inspiring. The dress code was suitably kooky. And the awards ceremonies were big. Certainly bigger than expected. With uber-graphics, pounding audio and a massive, people-dwarfing stage.

The response from the attendees was less so.

I was expecting a kind of competitive chaos of cheers and jeers as the evenings wore on.  But it was more like general rumble. Something to do with drinking all day, I’m sure. The only Agencies who made any serious noise were Jupiter and Ogilvy. Perhaps because, for the first time in its 31 year history, the Loeries was held in Cape Town, home to a sizable portion of these agencies’ headcount.

The Cape Town location had its pros and cons, according to Loeries veterans. Younger ad hipsters lamented the lack of intimacy that the mini-mecca of Margate afforded. While older dudes gushed about the widened range of activities: smaller, invite-only parties and a lead up of fringe events hosted by local agencies. Much nicer than mingling with the hoi-palloi in a tent, darling.

For those new to Cape Town, the mercurial weather was also a dampener, no pun intended.  Unseasonably, – but still predictably – wind and rain lashed Camps Bay and Long street, the centres for Saturday’s smchoozing and cruising, resulting in cancelled events and streaky makeup (although, I’m not sure the latter wasn’t deliberate…creatives!)

It didn’t stop the party. Marquee clad Long Street was at the heart of the late night action. But I heard more than one “VIE” (Very Important Ego) ticket holder wonder what they were really getting for their money. Organisers gleefully extolled the virtues of free transport and entrance to the ‘free food and booze’ areas of the events, but one has to wonder if one can really eat a grand’s worth of fish samoosas. And while I don’t doubt that hiring Goldfish as the entertainment wasn’t cheap, you didn’t need to be inside the Marquee to enjoy their groovy sounds.

Speaking of the free booze, I can understand keeping your mouth shut about what’s being poured for you gratis, but I did get a little annoyed forking out over R15 for a Heineken, the only beer allowed at the Long Street and Battle of the Bands events. And I wasn’t the only one raising an eyebrow at inflated prices. One hotel guest told me that he could only get room service if the order was over R120. A bit steep when you just want a toasted sandwich. This doesn’t bode well for 2010.

This is no low key event – the lavish spending was obvious. Good for Cape Town, as the Mayor, Alderman Dan Plato and Helen Zille, Premier of the Western Cape both happily pointed out. But it rang a little hollow as agency folk stood around the champagne, oysters and top of the range sound equipment, talking about tightened budgets, the effects of the recession and the challenge of finding great diversity talent. And I couldn’t help wondering if the ad industry is so keen to lose its ‘ponytailed, coke sniffing’ image, why it’s most high profile event of the year is mostly about the hangovers.

– Kate Wolters lives a hybrid life. She’s the group communications manager for a brand consultancy and served as the MarkLives & MandyLives social editor at the 2009 Loerie awards. Kate is riveted by how digital and social networking is changing the way we communicate, but wonders how she’s going to remember all her log in details.  Follow her occasional tweets on twitter www.twitter.com/katewolters

Only connect.

Loeries 2009: Apocalypse Now? With Loeries 2009 just past Mandy de Waal looks at how digital and mobile technologies are forcing the reinvention of advertising.

Before you lift that glass of bubbly to your lips, take a look around your world. Everything you know is about to change. Forever. The continued growth of the mobile market together with the coming broadband boom and rise of telecommunications entrepreneurs and competition to Telkom means that cellular and internet connectivity is going to be more pervasive than it ever has been. This as key municipalities and government (at last) start their own broadband initiatives to get cities wired. Even Knysna and Royal Bafokeng have got in on the act realizing that broadband is directly connected to regional economic growth and development.

What this means for marketers and agencies is a complete revision of the advertising model as consumers begin to live in channels that are social, connected and dynamically changing all the time. And as they do South Africa’s top experts offer insight to agencies about how the coming revolution will affect them.

Mark SherringtonMARK SHERRINGTON: “The whole advertising model is inappropriate. Advertising agencies think in terms of media, they just can’t help themselves. When TV started 50 years ago agencies took radio ads and put visuals onto them. The same thing has happened with the internet. If your only tool is a hammer, then every problem looks like a nail. What we are dealing with is not just a media but a social forum, a distribution channel, an aggregator, a connector. An exchange that has technology at its heart so it is changing all the time. If what you are doing is writing ads to distribute via media channels then the entire way you are looking at digital is wrong. Although traditional advertising talks about attitudes and behaviours, fundamentally what agencies are doing is trying to change what people think about a brand. When it comes to digital you are interested in what people think, but you are fundamentally trying to change what they do. This is why digital is so measurable and accountable because it affects what people do. Then the sheer pace of digital is overwhelming and the traditional model works completely differently to the way digital works. Digital is more dynamic, immediate, and demands real time thinking. Because of this you have to experiment in a way you can’t in traditional advertising. The heart of advertising is creativity; the creativity you apply in the traditional advertising world is having an idea and finding an expression for that idea. In online creativity is crucial but it is about reconfiguring and finding different connections – you have to be creative in a three dimensional way. Digital brings together a multi-verse of tools, applications and solutions like search, social media, commerce, and aggregation, so creativity is about finding fresh and interesting connection in the way that things work together.” – Sherrington is the Non Executive Chairman of Quirk eMarketing was a brand manager for Unilever and found global brand and market insight company Added-Value.

Matthew BucklandMATTHEW BUCKLAND: “To decide whether you should advertise online and how much, a brand should ask: what is the internet penetration of my particular target market? That should determine the level of your investment in web, mobile or social media advertising. National internet penetration figures are in fact, and have always been, irrelevant.” – Buckland heads up an innovation start-up called 20FourLabs for Naspers’ 24.com and is the former GM of Mail & Guardian Online.

Mike StopforthMIKE STOPFORTH: “There is a growing aversion by consumers to traditional advertisers. It is not a conscious aversion, more a natural, primal response to a serious lack of capacity to consume all the messages and communication that consumers are required to take in on a daily basis. It is not so much a battle between consumers and advertisers nor an uprising. In advertising what is required is a natural progression away from the patterns and behaviour we have come accustomed to. It is about rethinking the approach to consumers as consumers, who simply don’t have the time and space to pay attention to what advertisers would like them to pay attention to. Attention is a scarce commodity that we now have to vie for.” – Stopforth heads up Cerebra, and is a technology commentator for local media. A co-founded of Afrigator and 27dinner Stopforth lectures on social networking at business schools and universities.

ANDREA MITCHELL: “Advertisers are already moving into the digital realm, as they know it’s more cost effective and of course, measurable. Other Andrea Mitchellmediums are feeling the pinch, but I’m pleased to say, digital is smiling as a result! And of course, there’s the matter of consumers no longer tolerating being “told” what they should or shouldn’t – do/have/get/be – thanks to digital’s influence. Advertisers are realising this. But a lot of education is still required though.”
Mitchell has been actively involved in digital marketing since 1997 and is hugely respected in the digital marketing field. She is the founder of digiVOX, a specialist digital marketing agency.

GRANT SHIPPEY: “Is traditional media measurement an ineffectual stab in Grant Shippeythe focus group dark? Broadband and mobile is here. Experiment. Measure everything. Make profit… and know where it came from.” – Shippey is the CEO of Amorphous New Media. Shippey serves on the e-commerce committee of the Direct Marketing Association and speaks on the conference circuit.

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