Smile 90.4fm aims to shake up Cape Town radio market

grubstreet

by Gill Moodie (@GrubstreetSA) Last week Smile 90.4 fm – Cape Town’s new FM radio station – started broadcasting.

Backed by SA’s pre-eminent film producer Anant Singh, Smile 90.4fm won the first FM licence to be awarded by the regulator, Icasa, for Cape Town in 14 years.

It was a successful applicant amid a group that also saw Richtrau – a consortium led by Given Mkhari’s MSG Afrika Investment Holdings – get the licence for Power 98.9 FM in Johannesburg. There was also the Durban-based One Gospel, for which the licence is held by KNI – a consortium led by Revered Abe Sibiya who also heads the One Gospel satellite TV station.

Power FM’s station manager, Ferdinand Mabalane, told Grubstreet last week that preparations were afoot for switch-on this year but he did not smile fm Logowant to commit to a launch date while Sibiya did not respond to requests for information about One Gospel.

It does not appear that the station is on the air yet.

Last year Sibiya said that he was pushing to launch the radio station in June if all went well.

Smile 90.4fm – which held its official launch in Cape Town two weeks ago – will be unique in that it will be completely bilingual – going out in 50% Afrikaans and English and with a mix of music and talk. Half of the music will be local.

It has won a 10-year licence, which MD Tony Mallam told Grubstreet was quite surprising.

Mallam, who has worked for the SABC and was a shareholder in and financial director of Kfm – said: “My first licence with Kfm was for six years and when we got the paper work for this one, it was for 10 years. We checked with Icasa and they felt it was a mission to renew every six years.”

In its application, the station’s funding target was R36-million.

“We’re aiming to better that. We’re aiming to use less than that,” Mallam said. “The better we do advertising-wise, the less the shareholders will have to put in. It’s a three-year break-even. That’s our target financially.”

Mallam said that some competitors in the licence-application process were aiming for a one-year break-even target – a time frame he did not think was realistic.

“It’s a big financial investment, which is why we’re very glad to have the likes of (Singh’s) Videovision on board,” he said.

Singh, who joined the radio bid in 2009 before Smile successfully won the FM licence, is co-chairman of the board with Dr Ernest Messina, who is also chairman of the Groot Constantia Trust.

The Durban-based Singh is not new to the radio industry or the Cape Town business scene.

He is also the main driver behind Cape Town Film Studios while Videovision and Kagiso Trust Investments acquired the former SABC radio stations, Radio Oranje (OFM) and East Coast Radio, in 1996. This led to the formation of the JSE-listed Kagiso Media.

Singh was a board member of Eastcoast Radio, OFM and Kagiso Media until he resigned these directorships in 2006.

Smile’s investors comprise Videovision; Women’s Development Bank Investment Holdings; Allparts Cape; African Peoples Investment Company; and Radio 021.

Although the station has blue-chip investors such as Singh, it began as a small independent consortium founded in 2008 by Lizma van Zyl, who came up with the idea of a bilingual station in conversation with Ton Vosloo, the chairman of Naspers.

Vosloo – who Mallam described as a “moral supporter” of the station – was at Smile’s launch last week.

Van Zyl, who has worked in broadcasting – including the SABC, Kfm and e.tv – for more than 20 years is Smile’s content head while another veteran broadcaster, Clive Ridgway, is the station’s programme director.

Ridgway was Kfm’s head of programming for many years.

Many of Smile’s presenters – who include Bobby Brown, Benito Vergotine and Eloise Pretorius – came on board at less than they were earning before, Mallam said.

“We have been very conservative when it comes to finances. I’ve worked in venture capital and entrepreneurial businesses and the one thing about bootstrapping a company is that you have to be very lean and you have to grow into yourself. So even though it looks like we’ve got this huge talent, we’ve been very conservative about what we’re paying people. They are aware of the potential of the business and they’ve joined us with an upside in mind.”

Mallam said Smile would be spending a lot on marketing – with billboards, bus-shelter ads and print adverts in the works – to get it known among listeners as fast as possible but would also be using social networks.

“Again, it has to be clever use of money,” he said. “Shareholder funding is not a bottomless pit.”

Mallam forsees that the station will be competing against the big three Cape Town stations – Kfm, Heart and Good Hope – but also against successful community stations such as Voice of the Cape and Radio Tygerberg, both of which have gained Afrikaans listeners in the past two years.

“Overall, I think we will fragment the market,” he said. “There’s no doubt about it because… I think we’ll take a little bit from everyone.

“Our biggest challenge is to literally get people tuned in because when they do, they will love us and they will talk about it to their friends so there will be word of mouth and social media,” said Mallam. “The challenge is to draw the core of our audience in the first six months. It’s not about gradual growth. This is about making a big impact and then growing from there.

“Gone are the days when you launch quietly and grow steadily. People’s consumption of media these days is governed by a short focus of attention so you’ve got to grab them now. We’ve got to be a talking point in Cape Town. We want people saying: ‘Did you hear this on Smile 90.4? Did you hear what the guy said this morning on Smile 90.4?’ ”

– SA’s leading media commentator, Gill Moodie, offers intelligence on media – old and new. Reprinted from her site Grubstreet.

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Media laughs on April Fools

by Herman Manson (@marklives) April 1, a day in which the mainstream media plays tricks on readers by publishing/broadcasting stories that ranges from the plausible but untrue to the improbable, and disguises fiction as news, is always an interesting alternative measure of media zeitgeist. Of course, post WMD and the Iraq war and Rupert Murdoch’s incarnation of The Galactic Empire, the more cynical amongst us could be excused for feeling many news days offer little more than Ground Hog Day meeting April Fools.

So what are on the media’s radar this year? Oscar Pistorius and North Korea, increasingly desperate measures by the treasury to dig into your pocket as the political class empty out the cookie jar and technology and its impact on language/habits/life all made an appearance. Julius Malema, deposed from his soapbox and stripped of his assets, was less fun to make fun off, although Times Live gave it a shot.

Here are some April Fools highlights from around the web:

techcentral

TechCentral: Gov’t to tax Internet use

Finance minister Pravin Gordhan proposed at the weekend that a levy of 50c/MB be imposed on broadband users from next year to make up for dwindling government tax receipts.

The proposal would mean that a mobile user who consumes on average 500MB of data per month can expect to pay an additional amount of R250/month for access to the Internet. For example, Vodacom’s “broadband standard” bundle of 500MB, which currently costs R149/month, would rise to R399 under Gordhan’s proposal.

mybroadband

BitTorrent downloads, websites to be blocked in SA
BitTorrent downloads and access to popular torrent tracking websites like The Pirate Bay are set to be blocked in South Africa

The South African Federation Against Copyright Theft (SAFACT) has successfully lobbied the Department of Communications (DoC) to issue a policy directive to block BitTorrent protocols and access to all popular torrent tracking websites in South Africa.

news24

News24: Mxlish the 12th official SA language

The government has announced that Mxlish has been included as South Africa’s 12th official language.

Mxlish, the language used on Mxit, has been adopted on a recommendation from the department of arts and culture and endorsed by the Pan South African Languages Board (PanSALB).

The first street signs in Mxlish should be ready once tenders have been awarded. Reports suggest that three companies from Limpopo have been included on the preferred bidders’ list.

dailymaverick

Daily Maverick: Oscar Pistorius signs up for North Korea’s inaugural Friendship Run

Paralympian (and murder-accused) Oscar Pistorius will lead South Africa’s team in Kim Jong-Un’s latest initiative, aimed at building bridges between less-understood world regimes and less-understood global figures. According to unconfirmed reports, Pistorius’s brave and principled stand inspired the Young Leader to launch the Friendship Run.

The inaugural Friendship Run takes place on 10 May, at 18:00 local time (12:00 SA time) SABC 1,2, and 3 will broadcast the event live. The New Age will have its team in Pyongyang, by gracious personal invitation of Kim Jong-Un. Watch the Twitter stream from The New Age breakfast: North Korean edition

timeslive

Times Live: Julius Malema joins the DA

Former ANC Youth League president and political firebrand Julius Malema has joined the Democratic Alliance.

“The ANC has become the new Nationalists, they have become the voice of the oppressor,” Malema continued, “and a united opposition is needed to stop them.”

guardian

The Guardian: Guardian Goggles: because life’s too short to think for yourself – video

From the printed word to the multimedia tablet, the Guardian has embraced technology like no other newspaper. Now, Alan Rusbridger, editor in chief, unveils the latest exciting step in the Guardian’s mission to harness the power of online media: Guardian Goggles, delivering our quality journalism straight between the eyes

—  Guardian launches ‘augmented reality’ specs to offer immersive liberal insight

Guardian Goggles’ anti-bigotry technology will automatically redact columns by Melanie Phillips or Richard Littlejohn

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Mthatha in surprise bid to host Loeries

Mthatha city councillor Golden Magrede has announced that the city is preparing a bid to liberate the Loerie Awards, an annual advertising award backslap, held hostage by the City of Cape Town these past several years.

“It’s time South African advertising plucks its head out of the Madam’s backside,” said Magrede, in an apparent reference to Western Cape Premier Helen Zille. “This is a thriving city, part of the beating heart of Africa, and we believe it is in the best interest of the South African advertising industry to come here and rediscover its roots in our fertile soil.”

“We also produce great weed in vast quantities,” says Magrede, “I heard Cape Town ran out of blow this year. That stuff is bad news – the trend is towards organic products – another point ad execs need to consider when they look at our bid.”

Magrede also offered to put together ‘connected BEE deals’ that would ‘save the industry from over-regulation.’ Magrede says she and her fellow councillors have identified Advertising “as having better potential for short term returns” than the mining industry.

“There’s no more money in mining with all the wild-cat strikes happening, the comrades need to shift focus to new industries with short term potential, said Magrede.

Creative Director Stoffel Braaksel endorsed the possible move to Mthatha by saying “I have a swivel chair. Viva creativity viva!” It’s unclear whether the swivel chair in question was part of a “perfectly legal incentive to support Mthata’s bid” as claimed by Magrede.

Magrede rejected claims infrastructure and services have “completely collapsed” or that the Mthatha River has been turned into a giant snaking turd thanks to the town’s overflowing sewers.

Magrede blamed third force activities for the state of affairs, as well as the liberal white-owned media and sabotage by UK trained agents of the DA.

It is believed the Loeries board might well be swayed by Mthata’s bid. Says one insider “Few journalists could afford jetting into Mthatha Airport which suits us fine.” It’s believed the SABC has already been approached to launch a 24 hour news channel dedicated to broadcasting the event lasting two days and nights. The Mthatha city council also offered to request funds from Treasury for a bunker “for the president of the Loeries.”

“Mthatha could solve a lot of problems for us,” said the Loeries insider, “and their deputy mayor is unlikely to pitch for the opening speeches, so there will be nobody delegates could potential boo/clap off the stage.”

* MarkLives would like to officially endorse Mthata’s bid to host the Loerie Awards from 2015 onwards. We deny any insinuation that swivel chairs and weed played a role in this purely independent editorial decision. We also deny claims by enemies of the creative industry that Magrede, Momoney, Frontall & Associates are negotiating to acquire a stake in MarkLives. MarkLives expects to soon become a ‘preferred content partner’ for tenders and pitches placed by the Mthatha city council. Viva creative accounting ity viva!

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Shelf Life: Fry’s gets your goat

Louise Marsland’s (@Louise_Marsland) pick of new product, packaging and design launches.

We couldn’t resist a screaming goat, although we don’t think the meme will outlast kittens; Kellogg’s and JWT lauded internationally for local brand launch and Consol lets its inner party animal loose.

Fry’s gets your goat

Fry's screaming goat

Capitalising on the recent meat scandals, where traces of goat, donkey, horse and water buffalo have been found in all kinds of unrelated meat products, Fry’s vegetarian products decided to highlight the benefits of its meat alternatives. Given the bad taste the scandal has left in many people’s mouths, agency Joe Public thought it was a perfect time to promote Fry’s vegetarian product range. Wally Fry has been making vegetarian meals and meat substitute products since 1991 to combat the negative impact of animal agriculture on the planet.

And of course, with screaming goats being the YouTube sensation of the moment, there’s a screaming goat. The ad is well done and very topical, but I have to admit, I still want a steak after seeing it sizzling on the braai in the first clip, goat or no goat!

 

JWT creates a stir with Kellogg’s

Kellogg Woza Porridge FrontBack Rside_10 May 2012

Kellogg’s South Africa has received the prestigious ‘W.K. Kellogg’ global values award for applying best practice in contributing to business success for the launch of new product, Kellogg’s Corn Flakes Instant Porridge.

In just six short months from launch, the company’s newest offering has received significant share within the cereal market and this marketing excellence award celebrates the team’s approach in applying top performing Kellogg values and is judged across the Asia Pacific region.

Agency JWT South Africa worked closely with Kellogg’s to deliver the project, product, distribution and marketing elements to tight deadline. The ‘Stir it up’ campaign promoted the benefits of the Corn Flakes taste in a hot porridge.

Kellogg’s currently has over 40% share of the ready-to-eat breakfast cereal category, which it has dominated for 75 years. The new product was designed to compete with other hot porridges during the winter months.

Glass is good

Consol campaign

Consol Glass has been promoting glass as a sustainable and attractive packaging proposition for years, and in a new campaign to promote glass, agency human.kind was briefed to create a consumer-driven promotion over the typically high-consumption festive season.

To immerse consumers in an experience with glass, the Consol Mixology cocktail campaign encouraged party goers to choose their drinks in bottles to win a sponsored party. Social media was the driver and the competition mechanic invited consumers to take a photo of themselves and their friends enjoying their drinks in glass bottles. These images were uploaded to Consol’s Facebook page and votes for the best image counted towards the selection of the 12 winning images.

As an additional consumer touchpoint, Consol partnered with Taste of Christmas to host the inaugural Consol Mixology Theatre. Practical cocktail making sessions showcased the Consol cocktails and highlighted the positive attributes of glass packaging at the same time.

Said business unit director at human.kind, Paul Williams: “The challenge was creating something new for Consol without losing the rich and robust heritage of the over 60-year-old brand. The result was Mixology – a short, sharp and festive campaign that got consumers choosing their drinks in glass.”

Louise Marsland– Shelf Life by Louise Marsland is a weekly column on MarkLives. Tweet new product, packaging and design launches to @louise_marsland or email her at louise.marsland at gmail.com.

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Louise Marsland has written about the FMCG, media, marketing and advertising industry for 18 years of her 25 year media career as a former Editor of magazines AdVantage, Marketing Mix and Progressive Retailing; as well as websites Bizcommunity.com and FMCGFiles. She currently edits the weekly Wednesday Media & Marketing Page for The New Age newspaper; and is the co-founder and Publishing Editor of SA’s newly launched industry trendwatching portal, TREND. at www.trendlives.info, in partnership with MarkLives.com.

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The Ad Contrarian on in the murky world of online “ghost publishers”

by  Bob Hoffman (@adcontrarian), San Francisco Bay I have to admit that I get a great deal of deliciously perverse pleasure from reading reports that online ad hustlers are picking the pockets of marketing morons and their clueless but oh-so-fashionable agencies.

Apparently there’s a lot of hanky-panky going on in the “murky” world of online ad exchanges. An article in Adweek last week had this to say…

“Indeed, while the Web has never been short of tricksters…a new breed of cheat is fast becoming a plague in the exchange world: the ghost publisher…very little of these sites’ audiences are real people. Yet big name advertisers are spending millions trying to reach engaged users on these properties.”

How wonderfully delicious is that? Here are some examples they give:

Adweek points out a site called Toothbrushing.net. Sounds fascinating doesn’t it? It’s part of a group that also includes BabyPowder.net. No, I’m not kidding.

According to Adweek, these sites “typically offer 20 million to 25 million impressions via ad exchanges.” Yeah, sounds about right to me. Who wouldn’t want to read about tooth brushing or baby powder? But that doesn’t stop dimwit advertisers like Mercedes and JetBlue from winding up on these sites.

Adweek quotes one online buyer.

“These sites have hundreds of millions of bogus impressions, and those illegitimate sites are regularly in the top 10 by volume for major SSP’s,”

Another example, given by Adweek,  is of a company called Alphabird:

“Alphabird’s properties are consistently among the top suppliers of inventory within exchanges and SSPs…according to multiple sources, a large number of Alphabird’s sites are rife with traffic produced by bots… In fact, among the Alphabird sites frequented by bots rather than people, 75 percent of the audience is overlaps. In other words, a huge proportion of the audience for sportsnewsstories.com also visits fashionfantastica.com.”

Yup. I know the first thing I do after reading football news is click around to get some fashion updates. Major advertisers on Alphabird sites include Budget, BMW, Virgin, JetBlue, and Pillsbury.

Now, in the interest of full disclosure, I have to admit here that I don’t know a damn thing about ad exchanges, bogus or otherwise. I’m just taking Adweek‘s word for all this. As for the sites in question, they claim that they are not the source of all the phony traffic and, in fact, they are the victims here. Colour me officially sceptical.

Either way, it is very satisfying to meditate on the knowledge that someone is screwing the gullible chuckleheads who, driven by agency nitwits, dive willy-nilly into the hideous joke that is online advertising.

Adweek sums it up well:

“…you might come away wondering why any major brand even bothers with online advertising.

Not only are banners dull and clickthrough rates low, but all the technology flooding the industry promising perfect targeting perfection can’t even deliver real human audiences much of the time.”

Hmmm, I seem to recall reading exactly that sentiment somewhere around here for the last five years.

– The Ad Contrarian is Bob Hoffman, ceo of Hoffman/Lewis advertising in San Francisco and St. Louis. Hoffman is the author of The Ad Contrarian and 101 Contrarian Ideas About Advertising. Reprinted from his blog The Ad Contrarian.

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Ad of the Week with Oresti Patricios – switch off the lights

MarkLives Ad of the Week with Oresti Patricios – switch off the lights

The big switch off is part of The Earth Hour campaign, which has been running since 2007 and was conceived by the World Wildlife Fund (WWF) with the help of the Leo Burnett Company. Aimed at creating awareness of the impact the consumption of power by human beings is having on all the other inhabitants of this planet; this WWF inspired campaign encourages homes and businesses to switch off non-essentials and to think about the need for all of us to take action on climate change.

Held on March 23, 2013 from 20h30 to 21h30 during the local time of participating countries, the first event in Sydney saw some 2.2 millionearth hour locals down under switching off non-essential lights.

Under the slogan “Uniting people to protect the planet”, this year Earth Hour began in Uganda, a state where 6000 hectare of forest is destroyed each month. The WWF in that country pegged 2,700 hectares of degraded land that it challenged government, business and citizens to repopulate with about 500,000 trees. In Botswana the country’s former president, Festus Mogae took up the challenge by promising to plant 100,000 trees in a local region where land has been compromised, called Goodhope.

Earth Hour 2013 CEO and Co-Founder Andy Ridley said acts like this were by no way extraordinary: “People from all walks of life, from all nations around the world, are the lifeblood of the Earth Hour interconnected global community. They have proven time and time again that if you believe in something strongly enough, you can achieve amazing things. These stories aren’t unique, this is happening all over the world.”

Countries that participated in the event this year included Samoa, Fiji, New Zealand, Australia, Argentina, Papua New Guinea, Japan, South Korea, Indonesia, Malaysia, Taiwan, Singapore,China,India, Dubai, Bahrain, the United Arab Emirates, Greece, France, England, Italy, Denmark, Canada, and the United States of America.

Earth hour is a noble endeavour that is predicated on the idea that humans are good at heart. In reality, studies have shown that humans are not naturally inclined to behave appropriately when summarily told what to do. It’s just human nature to want to rebel to authoritative demand. For example those Eskom ads telling us to switch off, well, they’re just as likely to tick us off than have the desired effect.

Ogilvy CT met the complex challenge of trying to influence human behaviour by flipping the proposition: instead of cajoling people into being socially responsible, the idea was to make the concept into a fun, creative and inviting event. Creative Director Jacques Massardo, says, “This year we decided to take a different approach to Earth Hour. It seems people know about Earth Hour and what it stands for, but lack real motivation to participate. So instead of Earth Hour feeling like a bit of a chore when we all sit in the dark without being able to do much, we wanted to make it more of a calendar event.”

In the TV ad, the animation is fun and simple, reminiscent of that art exercise we used to do in grade school, when we would coat a white page in black wax crayon, and then scratch a picture, exposing the white of the page. The simple, white-on-black animation starts with the text “Things to do in the dark” and then portrays kids playing in the dark, looking at stars and so on. The soundtrack is (appropriately) acoustic: a single voice singing with a guitar: “There’s a lot to do in the dark” – a simple, catchy tune, with a simple, clear message: that it’s fun to be away from screens and all the trappings of modern society; it’s fun because it’s different.

The print versions use the same style, of white-on-black artwork, with various simple suggestions: “Be a Romancy Pants” suggests one, picturing a candle. “Dance! No-one’s watching,” “Scare the ba-jeepers out of someone,” has a kid in a ghost costume. It’s bound to bring a smile to even the most jaded cynic.

As an extension, the campaign drew on the assistance of commercial partners. A dedicated Facebook app linked through to venues and events that formed part of a much bigger whole. The Jo’burg Zoo held a night tour, the V&A Waterfront had an unplugged candlelit concert, SANBI Botanical Gardens hosted a night picnic with Jembe drummers. Various restaurants also participated by hosting candlelit dinners.

Hats off to Ogilvy CT for an intelligent and interesting campaign that scored loads of publicity, and that showed the agency and its client really understand human behaviour.

Ad of the Week is published on MarkLives every Wednesday. See past selections here.
Oresti Patricios is the CEO of brand and reputation analysis company Ornico.

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Green Sky Thinking: Sustainable by design

by Colwyn Elder (@colwynelder) Last month’s Design Indaba offered up the usual healthy dose of inspiration we have come to expect from what is now one of the world’s leading design events; not to mention a notable force behind putting South African design on the world map and Cape Town’s selection as World Design Capital 2014.

As an Indaba novice, I was particularly interested to note the common threads and themes that emerged across various and disparate speakers, colwyn elderand how these act as signposts for our times. More emphasis on sound for example, is a response to the dominance of visual culture. Our eyes are tired and our ears are only too happy for some candy such as Alexander Chen’s Baroque.me interface, inspired by the “sound of a scribble”.

Sustainability once again played an important role in this year’s Indaba and here too respective themes reflect shifts in the sustainability landscape. Overall it’s becoming a more inclusive, more social, more human-centered space; and almost counter-intuitively, it’s using technology to achieve this.

Sustainability by default

The sustainability revolution has drawn many parallels with the digital revolution and it’s interesting to see just how quickly the conversation has jumped from ‘digital by default’ to ‘sustainability by default’.

Daan Roosegaarde is well known for creating interactive designs that explore the relationship between people, space and technology and talks to making “sustainable solutions a part of our default thinking”.

His smart highway project aims to make roads more proactive and participatory in our landscape, thereby saving energy and improving road safety. Temperature responsive road paint shows ice-crystal patterns when the temperature falls below zero to warn drivers of slippery conditions; and photo-luminescent paint allows for road markings to absorb sunlight during the day so as to release this energy at night; a glow-in-the-dark solution that is far more effective than energy intensive streetlights. The cherry on the top is a ‘green’ induction priority lane that charges your electric car as you drive.

Another project and more fun example of this thinking is Daan’s sustainable dancefloor – a massive generator that harnesses energy as we dance the night away.

Human-centered design

The notion of Human-Centered Design has grown in popularity over recent years as design emphasis has shifted from hardware to user experience.

The team from City Soft Walks spoke about using existing systems and structures in new ways. By simply observing how people interact with their environment they have successfully built more capacity and functionality into public spaces, turning sidewalk scaffolding into mini seating and meeting areas.

Daniel Charny spoke to user-centered design with the highly insightful perspective that our world that has become dominated by machine based logic, causing us to become overly focused on ‘results’. He believes that putting the person at the centre of the process makes us focus on the process, thereby emphasising the value of ‘making’ rather than outputs.

“Learning respect for the process enables imagination,” he says, and as an educator as well as a designer, Daniel impresses the fact that our education system is also over focused on results, which is problematic and restrictive. Alternatively “teaching people the way to do things rather than what to do, results in an imaginative use of skills”.

Daniels’s Fixperts social initiative is a knowledge-sharing platform that matches Fixperts (designers and engineers) with Fixpartners (anyone with a problematic boiler or a squeaky wheelchair). Fixperts apply skills and imagination to everyday problems, improving lives in the process. At the same time each ‘fix’ is captured on film as a mini-documentary creating a library of ‘fixes’ for sharing, learning and inspiration.

Shaping new futures

Daisy Ginsberg is a designer who looks to the future. “Design is about new possibilities, so why do we try and solve existing problems?” she asks. In order to use design to shape new futures, Daisy interrogates emerging technology and science, by asking new and different questions, quoting Einstein as her inspiration: “no problem can be solved from the same level of consciousness that created it.”

Daisy’s E. chromi project is a collaboration between designers and scientists in the new field of synthetic biology. E. chromi is essentially a new technology whereby genetically engineered bacteria secrete a variety of coloured pigments visible to the naked eye, and Daisy proposes the uses for this technology in the future are numerous and useful. For example being able to indicate the safety of drinking water (if it turns red it contains toxins), to the quality of the air (red sky in the morning, Google health warning), and ingesting a probiotic drink that will tell you whether your body contains certain diseases identifiable from the colour of your poo.

So, can design save the world?

Pecha Kucha speaker and budding designer Michael Grigoriev, asked this big meaty question: “Can design save the world?” and for Michael the answer is all about numbers.

How do we aggregate the collective intelligence in sustainability and use this to create meaning through design?

It’s an interesting question.

Leveraging the collective and existing intelligence, imagination and ideas of the above handful of speakers alone, would create significant meaningful change in the world around us.

Just imagine if we could harness the rest.

For the rest of our Design Indaba coverage please click here. It includes interviews with some of the speakers mentioned in this column.

Y&R strategy director Colwyn Elder (@colwynelder) has 17 years of experience in strategic planning, together with specific credentials in sustainability communications, social marketing, corporate social responsibility and cause-related marketing. She contributes the monthly “Green Sky Thinking” column on sustainability issues to MarkLives.

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Media Future: Here comes the tablet killer

by Arthur Goldstuck (@art2gee) A new entrant in the ultra-low-cost tablet market is also a global brand name at the high end. That could make all the difference.

While the world watches the battle for the high-end tablet market being waged between Apple and Samsung, a surprise attack is being mounted aceron the low end of the market.

Acer is best known for quality notebook computers, but late last year announced a series of tablets and Ultrabooks that positioned it alongside the equivalent high-end devices from Apple and Samsung. However, its pricing was so out of kilter with the competition at that level, it in effect wiped out the rest of its differentiating factors.

It seems that Acer won’t make the same mistake again. This week, it announced the imminent arrival of a tablet targeting the entry-level. That’s the arena dominated by no-name generic 7” tablets running the free Android operating system, imported from the East and given local branding. Prices range from R1000 to R3000 but, at the low end of that range, devices are barely functional for high-speed or interactive use.

Most quality name-brand tablets competing at this level, such as the Huawei Ideos, came in at around R3500. Its successor, the Mediapad, ran to R4300. However Apple shook up that market segment with the 7.9” iPad mini, starting here at R3400 – cheaper than buying the device in Europe.

That left Asus as the last international brand standing at the entry level, with the 7” MeMO Pad. It carries a reported R2000 price tag on a tablet running the Android Jelly bean operating system, weighing 358g, sporting a single-core 1GHz processor, 1GB of memory, 8GB or 16GB storage, and the option to expand storage via a microSD slot. A microUSB port also offers easy escape for files.

Given this scenario and its pricing history, when Acer announced the B1 earlier this year and promised it would target the entry-level user, it was not expected to compete directly.

The B1 specifications place it ahead of the Asus MeMO Pad.  It is also a 7” tablet running Android Jelly Bean, but with a dual-core 1.2GHz processor and weighing only 320g.  With a premium brand on the box, it was expected to play in the R2000-R3000 space.

Instead, says Damien Durrant, country sales manager for Acer South Africa, the company is committed to bringing it in at between R1400 and R1700, depending on the exchange rate.

This seems unlikely at first glance, given the specifications of the B1. Sure, it’s memory, storage and connectivity options are similar to those of the MeMO Pad, hinting at the products sharing their provenance with many of the lower-cost Android devices.

Not so, says Durrant.

“It’s 100% Acer-designed and built. Bear in mind that 10% of Acer’s workforce is employed in research and development. We also have massive buying power for components.”

The result is a tablet that expressly targets “newbies looking for comfortable and easy-to-use companion for everyday usage”. A second market segment, “families opting for a second tablet to entertain their children while adults use their own device”, is a little more speculative. However, many niches remain available in this market.

Until the end of 2011, around 400 000 tablet computers had been sold in South Africa in total. The figure leaped in 2012, with 600 000 sold. More than 50% were iPads. With Samsung in not too distant second place, and Huawei tasking about 5% market share, Acer’s share was miniscule.

“We brought 10 000 Android devices into the country and they eventually sold out, but after that there was a big gap in the roadmap,” says Durrant.

The B1 will be the game-changer, if not for the market, then at least for Acer. It will arrive in South Africa in April, and is expected to match that previous 10 000 mark fairly quickly.

It will be joined in local stores by a series of tablets targeting different market segments, including hybrid devices that convert from mini-notebook to tablet and back – at significantly higher prices.  Once the B1 is available in most electronics outlets as well as through mobile networks, though, it is expected to make up 75% of Acer’s total device shipments to South Africa.

Will no-name brands still have a space in that market? Perhaps, but that’s no battlefield for the faint-hearted.

* Arthur Goldstuck heads up World Wide Worx (www.worldwideworx.com) and is editor-in-chief of Gadget. He is a Consulting Editor to MarkLives and our media tech columnist. Follow him on Twitter on @art2gee. Reprinted from Gadget.

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Marketing at the end of History

By Rudy Nadler-Nir (@rudyn)  Early 21st century society is adopting globalised political and cultural principles and subjects both to business paradigms. Products and services are measured by reputation, as expressed through peer-to-peer interaction. Marketers may find it increasingly difficult to differentiate their brand.

Portable politics takes over

In 1989, American political scientist Francis Fukuyama generated an enormous amount of interest – and controversy – with an essay named rudy nadler-nir “The End of History?” in which he set out an intriguing, some said revolutionary, premise.

The world, he said, seems to be dumping existing ideologies like hereditary monarchy, fascism and communism and moving towards a global, liberal democratic system of government.  He pointed out that, while the twentieth century saw the developed world descending into horrendous acts of ideological violence, it ended with economic and political liberalism.

The so-called ‘Western idea’ overshadowed, then annihilated, other ideologies – so 1989 saw a world in which there were no viable systematic alternatives to Western liberalism. Throwing his ideological cat among the pigeons, Fukuyama said that it may very well be that liberal democracy constitutes the “end point of mankind’s ideological evolution” and the “final form of human government,” and as such, it may have heralded the “end of history.”

In other words – since humans seemed to be opting for a globalised, liberal political system, one that can be easily exported and transferred to anywhere in the world — there will soon be very few differentiators between nations, since the ‘one-size-fits-all’ nature of this portable liberal democracy precludes differentiating ideologies.

A ‘globalised’ political system had increasingly offered ‘universal’ ideologies that subsumed, then replaced, unique national ideologies. And of course globally politics is increasingly being exposed to – and influenced by – global business players.

Unsurprisingly, Fukuyama’s idea did not go down well with the powers that be – political, financial and academic. In subsequent written works, he hastened to explain his use of the term ‘history’ — which, he says, many people understood as a linear series of occurrences, or events. His view of history, however, was of an evolutionary process encompassing human experience through time.

Wiping clean the cultural slate

Simply said – we live in an age in which networked existence, based on quick, reliable and, by-and-large, cheap transport, globalised language capabilities and currency systems, as well as incredibly fast delivery infrastructure, made the world much smaller.

News networks and the Internet push information at lightening speed, and social networks allow people to communicate across time, distance and, often, language barriers. And so, nations, who were once differentiated by unique ideologies and life-choices, are hardly distinguishable from each other. In this one-system-fits-all, old ideologies may seem anachronistic and irrelevant. It is not difficult to see that most – if not all – political reversals in the last four decades have sought – at least partially – to replace existing systems of government with liberal democracy.

The question arises, then – if no substantial ideological differentiation exists between nations, how does this affect their culture? And if the importance and relevance of both culture and history becomes diluted by one-size-fits-all ideology and culture, what future do symbolic expression, creativity and imagination have?

Historian Jacques Barzun says that humanity is reaching a point of no return – he sees it as “the levelling of the ground, the wiping clean of the cultural slate.” Echoing Fukuyama, Barzun says that we are witnessing “the liquidation of 500 years of civilization – the entire modern age dating from the Renaissance.” Great periods come to their inevitable death, he adds, through “exhaustion and self-destruction combined.”

Barzun is out for the so-called Esthetic Man – an “all-devouring” being “who want(s) the entire cosmos drawn like a wire through (a) single keyhole… symbolized by the ghastly word creativity, which all these poor gulls have seized on as the prize that life denies them.”

The iconic historian then administers to Esthetic Man what could only be described as a good old bollocking:  “[e]very job must be creative. All schools fail that do not develop creativity in their children.” Barzun concludes, acerbically, that Esthetic Man should be “extinguished as a true act of mercy.”

Thankfully, he says, some modern artists are trying to counteract Esthetic Man’s legacy by offering art that is ‘disposal, minimal, accidental, and junk,” which they use to ridicule (‘fool’) humans who do not listen or see, and that are “full of notions” and of expectations for “copies of the great masterpieces, or derivatives of them.” These “fooling arts” keep art-seekers in a constant state of awareness, of perspective.

Marketing and the end of History

The transformation to reputation-based decision process, one in which people use peer-based networks to obtain advice from like-minded peers, puts massive pressure on marketers. Barzun’s ‘fooling arts’ came out of a growing disrespect for authority — who, many believe, has lost its credibility through greed and corruption.

Marketers, who were always an external voice to that of the crowd, need to move quickly to understand the principles under which positive reputation may be achieved.

Modern analytical systems take it for granted that on many social networks, peers can help or hinder reputation, they can collude – or generate a planned wave of positive or negative sentiments, and they can also predict the success or failure of products or services. Marketers are called on to put in place consensus propagation systems, through which peers help to share positive views of a brand or a service.

According to MIT’s Chris Dellarocas, one needs to be able to harness “the collective intelligence of crowds and communities.” He reminds us that user-generated content platforms, open source software, crowd sourcing, knowledge markets and other online activities are all based on inviting “large numbers of loosely networked users” to “create or evaluate products, content or ideas.”

In their book “Building Web Reputation Systems”, Randy Farmer and Bryce Glass argue that it is not a simple matter for “random and disparate reputation statements” such as the ones one find in opinionated conversations, to “cohere and become a reputation.” Generally speaking, one needs to use “sources of opinion” to define “the best reputable entities,” and codify the various claims made by those sources.

If we accept that reputation should become the core driver of market-related opinion, laid bare by the move towards globalised, ‘portable’ political and cultural systems, then it follows that marketers should focus on the collective intelligence of crowds and communities, in order to fill the gap left by the obliteration of erstwhile opinion gathering tools and marketing strategies.

rudy nadler-nir–  Rudy Nadler-Nir has been passionately immersed in the interactive world for 20 years. Digital stomping grounds: Internet Africa’s GM for client experience, founding member of leading portal iafrica.com and strategic director for Ogilvy & Mather’s OgilvyInteractive. He MD at DIGIACS – Reputation Observation and Analysis Specialists

Resources:
Barzun, J. (1984) Critical Questions: On Music and Letters, Culture and Biography, 1940-1980, University of Chicago Press
Barzun, J. (1975) The Use and Abuse of Art, Princeton University Press
Dellarocas, C. (2010) Online Reputation Systems: How to Design One That Does What You Need (sub or paid content)
http://sloanreview.mit.edu/the-magazine/2010-spring/51308/online-reputation-systems-how-to-design-one-that-does-what-you-need/  Last accessed – 25/02/2013
Farmer, R. and Glass, B. (2010) Building Web Reputation Systems, O’Reilly Media, Inc.
Fukuyama, F. (1992) The End of History and the Last Man, Free Press; Reprint edition (February 28, 2006)
Fukuyama, F. (1989) The End of History?
http://www.wesjones.com/eoh.htm Last accessed – 25/02/2013
Fukuyama, F. (1992) The End of History and the Last Man,
http://www.marxists.org/reference/subject/philosophy/works/us/fukuyama.htm
Last accessed – 25/02/2013
Geertz, C. (1973 [2000]) The Interpretation of Cultures, NY: Basic Books.
Looking at man and his arts; Jacques Barzun, Cultural historian and critic
http://www.csmonitor.com/1980/0717/071710.html
Last accessed – 25/02/2013
Sigala M. and others, (2012) Social Media in Travel Tourism and Hospitality: Theory Practice and Cases, Ashgate Publishing, Ltd.

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