Ad of the Week: The psychic insurance sell

by Oresti Patricios (@orestaki) Traditionally, insurance companies have tended to deal with matters such as death and accidents with a certain amount of gravitas. After all, death is no laughing matter. Or is it?

In the latest TV spot from Hollard, by M&C Saatchi & Abel, the mould has been broken, with a commercial called “Caravan”.



M&C Saatchi Abel TVC for Hollard: “Caravan”

You’ve seen them — those caravans at the side of the road with a big sign saying “Psychic”, promising to help you with your love life, your finances and/or health. They seem to stay for a short while, then move on, either because they’ve been asked to by the police, or because their clientèle has dried up. After all, there are only so many gullible people in any particular suburb.

Hollard Caravan TVC screengrab 5The ad starts with an expensive car pulling up outside one of these fortune-teller caravans. The sign above the door reads “Mystic Marie”. A well-dressed woman wearing sunglasses (even though it’s night-time) makes her way to the caravan. The music is comical, and the woman totters a bit on the uneven ground, setting the tone for the rest of the ad.

A closer shot as she enters reveals a sign that reads: “Speak to the past. Know the future.” A smaller bumper sticker reads: “I love Margate.”

Inside, the ‘client’ passes a photograph to the fortune-teller, and says, “I’d like to speak to my husband, please.” A close-up on the framed picture shows a young man, smiling.

The décor inside the caravan is as one might expect to find inside one of those seaside attractions: lots of chintzy drapery, candles and crystals. The fortune-teller launches into a bit of psychic mumbo-jumbo, before telling her client, “I can feel him. He’s here. You may speak, my dear.”

Hollard Caravan TVC screengrabIronically, even though the fortune-teller’s décor is pure Romany, the fortune-teller’s accent is 100% Cape Town.

The woman removes her glasses. “Vusi?” she says, “Vusi, can you hear me? Vusi, you left us WITH NOTHING!” — as she shouts the last words, the fortune-teller looks startled, and the woman continues: “No more ballet for Thogo, and no more piano for Sipho. And where are we supposed to stay now — in a caravan?”

The woman stops herself and looks apologetically at the fortune-teller, who shrugs sympathetically.

Plank Film Productions put together a great team for this ad: the set design is excellent, the lighting and cinematography are spot-on, and Peter Pohorsky’s direction gets the most out of his two great performers. Well, they seem great, and that’s the job of a good director and editor, isn’t it?

Hollard has taken a risk, by treating a dark subject with levity, and it has paid off.

Hollard Caravan TVC screengrab 2Yes, the death of a family member is a sad topic, and nobody wants to think about the possibility of death, especially an untimely one, but it’s the insurance industry’s business to make people think about these eventualities in a proactive way.

Often this takes the form of sombre presentations by aging TV icons on ‘the importance of planning for the future’, but these have usually been reach-for-the-remote moments: no-one wants to be lectured by a grey man about one’s possible demise, and leaving one’s ‘loved ones’ destitute.

As for this ad, it signals a change in Hollard’s slogan. The short- and long-term insurance company refreshed its logo earlier this year, and the old slogan of “Expect the unexpected” has now also been replaced.

Getting back to the fortune-teller, who by this stage is staring in shock at her client:

Hollard Caravan TVC screengrab 3“Oh, and another thing — this…” the woman exclaims, gesturing to herself and perhaps the entire fortune-telling caravan, “… doesn’t come cheap!” She slams the table and Vusi’s picture falls over. There is the sound of thunder.

The exterior scene shows the entire caravan shaking as the woman continues her tirade: “What were you thinking? I have to wash my own car, Vusi!”

The payoff line reads: “Ensure your family love you… forever.”

Hats off to Hollard and M&C Saatchi & Abel for pushing the boundaries in this ad and creating an entertaining — yet thought-provoking — message.

Credits
Advertising agency: M&C Saatchi Abel, Cape Town, South Africa
Creative director: Gordon Ray
Art director: Ntobeko Ximba
Copywriter: Kayli Vee Levitan
Agency producer: Bronwyn Henry
Director: Peter Pohosky
Producer: Anco Henning
Production company: Plank Films
Post production: Upstairs Post-production
Music: HeyPapaLegend Studios — Ross McDonald
Editor: Kobus Loots
Online editor: Charmaine Greyling

 

Oresti PatriciosAd of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research.


If you are involved in making advertising that is smart, funny and/or engaging,
please let Oresti know about it at info@ornicogroup.co.za.


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#3D: I’m not just a number — I am your customer!

by Prakash Patel (@prakashpatel_1) Data, data everywhere — but what does it really mean to us as marketers when often we only see data as numbers and not insights about our customers?

What I mean by this is that so many businesses gather and hold millions of records, from a growing number of sources and touch-points, without giving any thought as to their value, purpose or what to do with it.

Keep Calm Step#3 Data Mining through a Single View by Fogg Experiential DesignNo one the wiser

In this case, data is simply seen as a number of records in a database that is now justifying the large IT systems to hold them. The records are not seen as customers, prospects or even future opportunities. They could either be active, lapsed, dormant or high-value customers vs the norm and no one would be any wiser!

To me, data is one of the most important assets you hold within an organisation on your current customers and/or future prospects — that, if respected and valued, can undoubtedly help you build far deeper engagements, ultimately resulting in sales. However, if done badly, it could also be your Achilles’ heel and could do more damage than good to your brand.

Over the past few months, I’ve discussed the principles behind “data-driven marketing (DDM)”, “how to get strategic” and “building the foundation” — it’s now time to talk about data, the fundamental asset and crux of #DDM. If you are to get any true meaningful insights about your customers through data, then it needs to be fit for purpose and truthful.

Big data, small data, dirty data, clean data and just data!

Today’s businesses have oceans of data available to them from various touch-points — websites, on and offline, loyalty programmes, transactions, social media, customer-service systems, mobile apps etc — all collecting, tracking and logging billions of bytes of data every second. And the phrase “big data and DDM” is revolutionising businesses through the application of principles for mining huge data sets, whereby companies are reaping results and gaining competitive advantages.

For example, if you know more about a prospect’s buying and behaviour patterns than your competitor does, than surely you are at an advantage — if used wisely when targeting.

Keep Calm and Follow Five Steps to #DataDrivenMarketing. Designed by Fogg.A data-driven business is all about having a data vision, with the ability to ask business and marketing questions to enable companies to start relevant and personal conversations (and it’s not hard or rocket science — it’s a process that needs to be embedded into your planning cycle).

But, to do that, you need to start with a solid foundation, where data is not just a number of records (fragmented view), but invaluable information on your customers from their perspective (single customer view). Let’s get started.

#Step 3: Data-mining and -interrogation – through a single view

Over the years, I’ve developed various customer experience strategies that looks at a company’s entire eco-system, from IT infrastructure and its database through to customer touch-points, distribution channels and its marketing to understand the entire customer experience.

But, at the heart of this, one of the most crucial modules is data, which is all about the data flow within an organisation — which goes into a lot of detail. However, the most important point is having a data business strategy and knowing why, where and how you are gathering data in the first place, then ensuring it is fit for data-mining and -interrogation and then finally how you intend to use it.

However, my quick cheat-sheet to getting a truthful view of data within an organisation is based upon having a clear data framework, with three crucial tiers, within your organisation (see below), which I believe any organisation needs to think about if it wants to use the data gathered for intelligent DDM purposes.

3 Data Tiers Model by Fogg Experiential DesignThe three tiers are all about how data is sourced, stored and processed, which can then be data-mined and interrogated to drive more impactful communication through data visualisation and campaign management. So let’s review each of these separately.

Tier 1 — Building the data foundation

This is the oracle of where the data is stored and processed to create a true single view of the customer. Key checks include:

Are you building a database that is fit for marketing (not just for IT)?

How is the data gathered, processed and cleaned (eg data-hygiene processes such as de-duplication)?

Creating a truthful view of your customers is about having a single view of your customers (see example below) that includes, eg one customer who has brought different products, his or her behaviours, transactions etc all appended to one master record holistically vs individually. If this isn’t done correctly, then all future activities in data-mining, interrogation and DDM through tiers two and three will be totally pointless and misleading (becoming your Achilles’ heel).

Seeking the True Single View of Data by Fogg Experiential Design
Example of fragmented view vs single view (the truth)

In the example above, you basically have two different views in how data is seen and interpreted, based upon how it has been processed:

  • The fragmented view: sometimes an internal view, when businesses don’t carry out sophisticated data processing but see the same customer as different customers, eg by products, area of business etc (four customers brought one product each and thus have four separate values).
  • The true single view: a view where the single truth is found. In this case, the business sees one unique customer and all his or her interactions eg a single customer who has brought four products and is worth four times as much vs the fragmented view.

There are so many ways you can apply this thinking: from a marketing planning perspective, what is the true value of your customers — does this affect how they are managed, contacted, communicated or even classified (are they high or standard value?).

This principle needs to be applied at different levels when building a single-view database; eg it needs to be able to differentiate between individual and household views.

Tier 2 — Data analysis and interrogation

Data without any insights, analysis or interrogation is just data with no meaning, intelligience or value. The art and science of DDM is all about data queries, asking questions, setting hypotheses, data-mining, data-planning and modelling. All seek to unlock valuable insights, eg from identifying cross-selling opportunities through to acquisition or predicting customer behaviour. (Remember the Target case study, from my second column, about data being used to predict if someone were pregnant?)

Tier 3 — Data visualisation and campaign management

The final tier is all about the ability to drive DDM in a more user-friendly, strategic and insightful ways. Two key requirements are important here are:

  1. Data visualisation: data on its own or in its raw form may be dull, hard to work with or understand. Data visualisation is all about bringing data to life. Visualising the data can help you understand it better, so you can explore key insights in a more creative and meaningful way.
  2. Campaign management: a marketer’s dream is the ability to orchestrate ways to deliver more relevant one-to-one communication across channels. Through campaign-management software, marketers are able to plan and execute far more sophisticated campaigns based upon customer habits, preferences and behaviour in a more intuitive way.

Hopefully the above has now given you some more thought and pointers around the value of data. In my final columns on Five Steps to DDM, I will take a deeper look at data, targeting, response handling, and how to close the loop (cradle-to-grave syndrome).
Five Steps to #DataDrivenMarketing. Designed by Fogg.Happy data mining!

Prakash Patel, October 2014

 

Prakash Patel (@prakashpatel_1) is chief strategy officer at Fogg Experiential Design, a technically-enabled, digitally-led, creatively-inspired, data-driven and strategically-focused design company based in Johannesburg and Cape Town. He has over 25 years of experience in advertising and data planning, a passion for integrated marketing strategies, and believes that the holy grail of marketing has always been — and always will be — data. Prakash contributes the monthly “#3D” (Data-Driven & Digital) column to MarkLives.com, exploring how data-driven and digital marketing can add value to marketing communication.

 

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Dissident Spin Doctor: Why the small details matter

by Emma King (@EmmainSA) I’ve always been a stickler for detail. I once refused to read a book that was self-published by someone (even though it was on an interesting topic) because it was laid out so badly — with inconsistent fonts and spacing and rubbishy low-res images.

It made me bad-tempered and irritable just looking at it.

What has this got to do with business, you ask?

Example of handwritten Yuppiechef note
Example of handwritten Yuppiechef note. Image courtesy of Simone Puterman.

Attention to detail makes the difference between an average and a good business.

Think, for example, of a PR company that sends out a badly written press release that is full of grammatical errors. Or one that sends out cut-and-paste emails to journalists without bothering to find out what they are interested in (or even getting their name correct!). What does this say about them, when they are positioning themselves as experts on communications (and charging poor clients as such)?

Or, likewise, an ad agency, whose account teams send out shoddy presentations to clients — littered with stretched images, and comic sans fonts, and clip art, and drop shadows on everything. What does it say about the company, when it is simultaneously trying to convince a client it is a master of crafts and aesthetics?

I once knew of a branding consultancy that charged a small fortune to advise corporates on how their customers’ perceptions of them affected their reputation and their bottom line. Meanwhile, its own offices — the first impressions clients had of them — were a run-down, cigarette-stained (this was back in the day) hell-hole in need of a scrub and more than a lick of paint.

Set apart

And yet, conversely, look at those businesses and brands that have set themselves apart because they care about the little things.

What about Yuppiechef, which — despite having grown inordinately since it started — still includes a handwritten note with every (beautifully packed) order? Of course, it wouldn’t be a successful business if it didn’t have a water-tight business model, great products and a stellar customer-service team. But it all adds up, especially attention to the small things.

Innocent, the trendy and fun UK smoothie company, has also grown a loved and massively successful brand by paying attention to the little details. Despite now being a multi-million pound business, the founders still obsessively check every aspect — down to things such as having “enjoy by” instead of “best before” dates on the packaging.

I heard about a photographer who would send the assistant out to get a photo printed of the couple during their wedding reception, so a framed print of their wedding day could be handed to them before they left on honeymoon. Think about the goodwill harnessed, let alone that valuable “word-of-mouth endorsement”.

Epic, special, effective

It’s not just in customer service that attention to detail matters. In developing a campaign or a marketing plan for a brand, that same attention to detail — that obsession over making every single element just that tiny bit better — is what makes something particularly epic, special or effective.

So, people may roll their eyes or laugh when I pedantically check spelling and font formatting in documents. I don’t care — because I know there are other people out there who feel the same and will want to work with my business over another because of it.

Emma King

 

Emma King (@EmmainSA) is the owner and MD of The Friday Street Club (@TheFridayStClub). Previously, she was head of PR at The Jupiter Drawing Room (Cape Town). She contributes the monthly “The Dissident Spin Doctor” column on PR and communication issues to MarkLives.com.

 

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Smart Africa TV: Facebook’s largest African markets

by Russell Southwood (@BalancingActAfr) In this video interview, Nicola D’Elia, head of growth and partnerships, EMEA, Facebook, talks about:

Facebook logo

  • Facebook’s subscriber numbers in Africa and its biggest markets
  • its relationships with mobile operators and the different business models it’s trying
  • its advertising operation in the region; the work of its strategic alliance Internet.org, and
  • its present and future relationship with developers in the region.


Smart Monkey TV logoRussell Southwood (@BalancingActAfr) is the founder of Balancing Act and the web TV channel Smart Monkey TV (@SmartMonkeyTV), and has been an analyst in telecoms, internet and broadcast in Africa for the last 15 years. Smart Monkey TV aims to capture the energy at the crossroads between African culture and technology. MarkLives is syndicating content from Smart Monkey TV on a weekly basis for the column “Smart Africa TV”.

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Marrying PR and social, new agency shoots up in a year

by Herman Manson (@marklives) Where do journalists go as their industry divests from original content? To industry doing the exact opposite, of course — like marketing, to be exact.

Tom Manners spent several years as a tech journalist, watching the need for quality content boom all around him. Testing the freelance market, he turned to producing content for a number of PR agencies working with technology brands.

That was three-and-a-half years ago.

Tom MannersTook the gap

Six months in, he was joined by his journo buddy, Nic Simmonds (founding editor of MyGaming). The duo set out acquiring their own client base, saw a gap in the burgeoning social-media space — where they decided to position themselves as specialists — and they were properly in business.

They quickly started working on brands such as Nintendo, Playstation and Ster-Kinekor.

At the start of 2013, Clockwork Media, as they had dubbed their business, added a fully-fledged PR division to the business. PR and social are the new holy grail in communications, in case anybody hasn’t noticed.

Booming business

The PR business, integrated with social-media strategy skills, has seen the business boom, growing from just the two at the start of 2013 to 17 staffers by August 2014. It is built on five pillars: content, media relations, digital, creative and demand-generation.

Clients now include SAP, Philips (globally, through OnceVoiceConnect*), PlayStation and Ster-Kinekor, among others. The agency has just set up shop in London, making use of the rand/pound exchange rate and a reputation for quality to attract new business.

Today, around 80% of Clockwork Media’s revenues comes from technology brands. Between 30-40% is still generated through managing the social strategies of these clients.

Positioned as storytellers

Manners believe PR and communication agencies will continue to grab budget share. Agencies with strong below-the-line credentials and strong content departments are especially well-placed for success. They are positioned as storytellers, and storytelling, believes Manners, is where marketing budgets are increasingly moving to.

According to Manners, South Africa will be the main production hub of the agency and is especially proud of the social campaigns it manages for Philips (through OnceVoiceConnect*) via Johannesburg. It generates responsive content around events, such as South by Southwest (SXSW) and the FIFA World Cup for us, across Philips’ global social-media platforms.

Growth is coming from two sides — content marketing and lead generation. It’s on the lead-generation side that Manners really want to build out the business, moving the agency towards a consultancy model. It already consults to large sales teams on how to turn social and digital interactions into actual sales. It is currently developing its own social selling tool, called Mouthpiece, that is set to be rolled out in 2015.

Specialists should specialise

Managing its quick growth has been a steep learning curve, says Manners, who was named by the Mail & Guardian as one of its top 200 young achievers. Putting in place processes has been key, as has allowing staff to specialise, rather than to try and become jack-of-all-trades — writers write; media managers manage media relationships; specialists should employ specialists, he says.

It’s a strategy that seems to be paying off for Manners and his team. The focus on integrating strategy, production and dissemination of content in its niche has made it stand out and forced clients to sit up and take notice. It’s a new breed of communications agency.

It looks like the market is ready for it.

* Information updated 2014/11/11

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MagLove: Unfolding the who’s who of Disney and Pixar

MediaSlut (@MediaSlut)’s choice of the best international magazine covers this week:

  • M (Le Monde)
  • New Scientist
  • Newsweek
  • Scuba Diver
  • WIRED

INTERNATIONAL

M (Le Monde)

M (Le Monde): Special New York issueThe photography on the cover of M (supplement to Le Monde) is what drew my attention. For its special “New York” issue, its main cover story is about everything in New York that is “always higher”; this specific picture illustrates it perfectly as it’s clear the picture was taken from a building that is still being constructed, and higher than most other buildings.

New Scientist, 1 November 2014

New Scientist, 1 November 2014The age-old debate, on whether new technology is better or worse for children, continues on a beautifully illustrated and conceptualised New Scientist cover. Read part of the article and interesting points raised.

Newsweek, 7 November 2014

Newsweek, 7 November 2014Newsweek is investigating how the “black market trade for endangered animals flourishes on the web”, including on Facebook, and this way speeding up their extinction. The article is not just about our beautiful rhinos, but you can read the full (scary) article right here.

Scuba Diver, Issue 7, 2014

Scuba Diver, Issue 7, 2014This cover encapsulates the wet dream for any and all scuba divers, as this is the view they live for and dream of experiencing themselves — or, even better, want to capture with their GoPro :-)!

WIRED, November 2014

WIRED, November 2014Vanity Fair always does it brilliantly with its annual “Hollywood Issue”, with a three-panel foldout cover featuring “distinguished actors” to celebrate “a year of spectacular film”. Well, I think WIRED has also done a bloody good job with its own foldout featuring the who’s who from the Disney collection of brilliant movies.

WIRED, November 2014: 'Hollywood Issue' - fold out


Find a cover we should know about? Tweet us at @Marklives and @MediaSlut.
Want to view all the covers at a glance?
See our MagLove Pinboard!


MediaSlutMagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The (for now anonymous) blogger behind MediaSlut knows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.

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Joe Public exits Cape Town

by Herman Manson (@marklives) Joe Public is exiting Cape Town, Joe Public South Africa chief executive officer Gareth Leck has confirmed.

Joe Public Growth to the Power of nThe group launched a Cape-based agency called Joe Publicⁿ in June 2013, under the leadership of executive creative director Leon Jacobs and MD Franco Raffa. At the time, it had acquired digital agency, Knnktr, headed up by Raffa, Shawn Roos and Wayne Ashley Berry.

According to Leck, Raffa and his partners will now lead a management buy-out of the business and rebrand it as Next, which will be focusing on strategy and software development. It opens for business on 7 November 2014.

Retains the brand

Meanwhile, Joe Public retains the Joe Publicⁿ brand.

The Cape Town agency had been moving towards product development, when the needs of the Joe Public group meant it required a digital communications agency. The Cape Town agency also hadn’t managed to attract a broad client base, says Leck.

Joe Public will now focus on expanding its digital capabilities in the Johannesburg agency, and has appointed Dylan McLean as managing partner and ECD of Connect Joe Public to help achieve this objective.

Not a priority

While the initial intention was for Joe Publicⁿ to function as the group’s core digital agency, that capability will be moved to Johannesburg. Leck says the agency will rethink a Cape Town presence at some point but it’s not a priority at this time.

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Heroes & Zeros: Land Rover gets the thumbs up

Every week, The Ad Feature team on 702 takes you through the highs and lows of advertising in South Africa. This week, Jenny Crwys-Williams (@jcwLIFE) gives a thumbs up to Land Rover, while Lewis Hamilton and Nico Rosberg spin out of control with a thumbs down.

Find out why these feature in this week’s Heroes & Zeros by watching the webisode below:

 

For a fresh look at the world of advertising, Jenny Crwys-Williams of talk radio station 702 (@Radio702) chats to advertising critic Andy Rice on The Ad Feature, every Wednesday 2.30pm — 3pm. The filmed Heroes & Zeroes will appear on MarkLives every Friday as a webisode.

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The Assegai Awards — all the 2014 winners!

Assegai Awards logoThe 2014 Assegai Awards winners were announced on Thursday evening, 6 November 2014, at a jam-packed gala dinner at Shine Studios in Braamfontein, Johannesburg. Comedian Nik Rabinowitz was the MC for the night.

Congratulations to everyone!

Awards Title of Entry Company/Agency Name
MEDIA AWARDS
3D Bronze Red Bull X-Fighters Media Kit Publicis Machine
Direct Mail: Addressed Campaigns Gold Nedbank Brighter Tomorrow Personal Loans Campaign Lesoba Difference
Gold Nedbank Best for You Personal Loans Campaign Lesoba Difference
Gold Nedbank Next Step Personal Loans Campaign Lesoba Difference
Gold SOS Christmas Mailing 2013 5th Dimension
Silver Nedbank What you Need Personal Loans Campaign Lesoba Difference
Silver SOS Recipe Mailing 2014 5th Dimension
Bronze BA Credit Card launch Mortimer Harvey
Leader SOS Seed Mailing 2013 5th Dimension
Direct Response Mass Media: TV, Print, Out-of-Home and Radio Bronze Myths OPENCO The Open Collaboration
Leader Virgin Money WTF card campaign Mortimer Harvey
Face to Face Activations / Field Marketing Silver MWEB WiFi Virtual Wine Tour Ambrosia Brand Experience Agency
Silver Vaseline Skin Analysis in 60 Seconds Liquorice & Minanawe
Bronze Momentum: FPI Campaign Lesoba Difference
Bronze Shield B+W Top Gear Festival Activation Gorilla Creative Media
Bronze Stimorol Sensations Activation POD Communications
Bronze Rewards & More Field Activation The Foschini Group
Bronze Pin Pop School Tour Nungu Marketing & Distribution
Leader The Heartfelt Project Fine Healthcare
Experiential Media Silver PoloTag OgilvyOne South Africa
Silver MINI “minilectrix” Gloo
Silver Make Think Become Did BNRY & Jupiter Drawing Room JHB
Leader SMoD – Street Museum of Design iKineo
Leader Smith & Nephew Visionaire Fine Healthcare
Leader Journey of Water OgilvyOne South Africa
Mobile SMS, MMS Silver KFC Ka-Ching Dash Ogilvy & Mather Johannesburg
Bronze POND’S flawless radiance 7 Day Challenge Gorilla Creative Media
Mobile Marketing: Interactive (Display, Games, (pull) Banner ads, Mobi Sites) Gold BMW “are you 2 enough” Gloo
Silver BMW 2 Series – Are you 2 Enough? Vizeum South Africa
Silver KFC Ka-Ching Dash Ogilvy & Mather Johannesburg
Silver PoloTag OgilvyOne South Africa
Bronze Make Think Did The Jupiter Drawing Room (Johannesburg) South Africa
Bronze bookly NATIVE VML
Search Marketing: SEO and PPC Silver Direct Axis SEO Illumination Campaign ROGERWILCO
Bronze HealthCart.co.za SEO Sprout, by iKineo
Leader ooba SEO campaign ROGERWILCO
Leader Genesis Medical David vs Goliath SEO project ROGERWILCO
Online: Banners, Micro sites, Websites and Other Gold FNB “League of Innovators” Gloo
Gold Capitec Bank #AskWhy Quirk Cape town
Silver Capitec Bank Website Quirk Cape town
Bronze Tiger Brands Beacon Easter Campaign EOH Digital
Leader #GLAadventure iProspect
E-commerce Leader HP Shop’s Makeover Digital Planet
Telemarketing: Outbound Gold ABSA Rewards Outbound Sales Campaign NEXT
Gold Cell C GET MORE NEXT
Social Media (Social Media Platforms) Gold Absa RooiBokke Cerebra, Base2, Playmakers, Thackwell & Whittaker on behalf of Absa
Gold The Street Store M&C Saatchi Abel
Silver SuperSport World Cup Live Levergy
Silver PoloTag OgilvyOne South Africa
Bronze Magnum Pink & Black Twitter Auction Liquorice, The Hardy Boys & Marcus Brewster
Bronze Nandos 16 Pictures Publicis Machine
Email Marketing Gold MINI “the new original” Gloo
MULTI CHANNEL / BORDER AWARDS
Integrated Direct Marketing Campaigns Gold FNB “League of Innovators” Gloo
Gold Ke Yona NATIVE VML
Silver Inflation Bulldog 99c Communications
Silver PoloTag OgilvyOne South Africa
Silver Johnnie Walker Meet Your Match King James
Silver The Hungry Lion Lucky Bucket Quirk Cape Town
Bronze Democratic Alliance – General Election Campaign 2014 M&C Saatchi Abel
Bronze Make Think Did The Jupiter Drawing Room (Johannesburg) South Africa
Bronze Tropika Island of Treasure Six 7 Different Kinds of Smoke
Leader Golf R digital launch campaign OgilvyOne South Africa
Leader For The Bold Mortimer Harvey
Leader 1818 ClubhoUse Driver Notabene
RELATIONSHIP MARKETING AWARDS
CRM Programmes Gold Momentum 947 Cycle Challenge Demographica
Silver Adidas 3Stripes Prime Arc
Bronze Momentum: Passion for Life Campaign Lesoba Difference
Loyalty Programmes Silver CELL C GET MORE Stratitude (Pty) Ltd
ERM: Employee Relationship Marketing Gold REDbutler Stratitude (Pty) Ltd
Gold NTT One Million Absa Bank Limited
Silver Switchlab Innovation Management Program Afrocentric Health and Inter-net
Silver Multichoice MLIFE Stratitude (Pty) Ltd
Bronze Momentum: DNA ERM Programme Lesoba Difference
Bronze 10/10 – mConnect Intranet Relaunch The Actuate Group (Pty) Ltd
Database and Analytics Innovation Silver Incremental Response Lift Modelling Nedbank Personal Loans
CRAFT AWARDS
Most Effective Use of Content Gold Johnnie Walker Meet Your Match King James
Silver Your Legend Lives On 99c Communications
Bronze Standard Bank Financial OMNICOMMEDIAGROUP SA
Leader Make Think Did The Jupiter Drawing Room (Johannesburg) South Africa
Branded Content Silver The Volkswagen Golf R OgilvyOne South Africa
Silver Zinger Double Down Ogilvy & Mather Johannesburg
Bronze Ke Yona NATIVE VML
Bronze Standard Bank Financial OMNICOMMEDIAGROUP SA
Leader Johnnie Walker Meet Your Match King James
Leader Your Legend Lives On 99c Communications
Leader Kreepy Krauly Wrangler Retroviral and Ebony + Ivory
Leader Dentyne Anytime OgilvyOne South Africa
Art Direction Gold Where Women Walk Base2
Gold Habari Media Pow Wow Calendar Publicis Machine
Gold PoloTag OgilvyOne South Africa
Gold Absa Private Bank Staff Campaign Mortimer Harvey
Silver World Leisure Holidays – Children of The Pool OPENCO The Open Collaboration
Silver FNB “League of Innovators” Gloo
Silver World Leisure Holidays – Little Shop of Toddlers OPENCO The Open Collaboration
Bronze Red Bull X-Fighters Media Kit Publicis Machine
Innovative Solutions Gold The Street Store M&C Saatchi Abel
Silver App launch-Mission Control studio with personalised responses and LCD mail pack to social influencers Standard Bank
Bronze FutureNOW iKineo
Bronze PUMA “VISAR” Gloo
Leader MINI “minilectrix” Gloo
Leader Discovery Wellness Experience BNRY
UX, Interface and Navigation Design Gold BMW “are you 2 enough” Gloo
Bronze Golf R digital launch OgilvyOne South Africa
Use of New Technologies Gold bookly NATIVE VML
Silver Chocnology NATIVE VML
Bronze ATNS: Video Booklet Campaign Lesoba Difference
Apps Bronze BMW “are you 2 enough” Gloo
SPECIAL DIRECT AWARDS
Non Profit Direct Marketing Campaign Gold The Exchange NATIVE VML
Gold The Street Store M&C Saatchi Abel
Bronze Journey of Water OgilvyOne South Africa
Leader Save the Children – SA Cares Micro Site 5th Dimension
Leader Buckets of Love Campaign Downes Murray International
Student Direct Marketing Campaign Gold Phyllis Robertson Home Coin-laying Student group from University of Pretoria
Gold Human Trafficking Impact Communication Agency University of Johannesburg
Bronze Human Trafficking Ignite Solutions University of Johannesburg
Public Benefit Direct Marketing Campaign Silver Guardians Campaign Downes Murray International
INDIVIDUAL AND COMPANY AWARDS
Organisation of the Year
Direct Marketer of the Year
SME of the Year
Young Direct Marketer of the Year Faheem Chaudhrym M&C Saatchi Abel
Agency of the Year
Brand of the Year Nex Media Magazine
DMA HALL OF FAME Julian Ardagh
SAPO Nkosi Award Lesoba Difference Direct Mail: Addressed Campaigns Nedbank Brighter Tomorrow Personal Loans Campaign

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Ogilvy Joburg nabs Alistair Mokoena from FCB

by Herman Manson (@marklives) Alistair Mokoena, managing director at FCB Johannesburg, is leaving the agency to join Ogilvy Johannesburg as MD.

Mokoena has been with FCB since November 2012. Before that, he was head of marketing: retail & business bank at Absa Bank. He has also spent time in marketing positions at Cadbury Schweppes, SABMiller, Tiger Brands and Unilever.

Alistair Mokoena
Alistair Mokoena

Mokoena says he leaves FCB on a high note to return to an agency he considers home, having worked with Ogilvy for many years client-side — eight out of his 17-year marketing career was spent working with the agency.

Sudden offer

The job offer happened suddenly, says Mokoena, and he admits it will be challenging, especially as the agency starts its merger with Gloo to form an integrated, digitised agency.

According to Mokoena, Ogilvy Joburg has always been the benchmark agency in the ad industry, and it’s something he would like to see the agency reclaim and maintain.

He is also excited about how fully the agency is plugged into its international network and says many of its current clients are past colleagues, so it will be like walking back into a circle of old friends.

Replacing Ribeiro

Mokoena takes over a position vacated by Julian Ribeiro, who recently left to become CEO for Lowe and Partners South Africa. Ribeiro has been MD at Ogilvy & Mather Johannesburg for more than eight years.

Mokoena officially starts 1 January 2015, and is currently working out his two-months’ notice (it might be shortened but this depends on FCB). No decision has been taken regarding a replacement at FCB at this stage.

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