Q5: Words for women, with Asante Blush founders [interview]

by Carey Finn (@carey_finn) Cuma Pantshwa and Zama Nkosi-Mabuye, the power duo behind female-focused marketing agency, Asante Blush (IG: @asante.blush), chat about the why, what and how of their work. Their agency was launched in Johannesburg on Women’s Day in 2019.

Asante Blush logoNote: This interview was conducted prior to the coronavirus/covid-19 pandemic being declared as such. The following comment has been added, as requested.
Cuma Pantshwa: The crisis has changed how we view the world and how it works. Now is the time to apply creative thinking and imagine new possibilities under such dire circumstances. Consumer behaviour, media consumption and spending habits have changed, and this means our industry, like many others, will take a big knock — but this time also presents itself as a time to keep abreast of the shifts happening around us. We have the opportunity to stay connected, deepen our understanding and reimagine what the next chapter could look like. Done correctly, this time could be the preparation we all need so that we’re fully loaded for the new wave and possibly a new type of consumer. We will have to create new narratives for new realities. There is a stillness that is fertile ground for new strategies and creativity.

Zama Nkosi-Mabuye: Do we have our anxieties about what the next chapter looks like? It would be disingenuous to say no, but we are determined to keep at it through the lockdown, post the lockdown and beyond. We believe empathy, kindness and ubuntu will be central to overcoming this time of uncertainty. This will have to infiltrate into our workspaces and into the type of work we all produce. This has always been a goal of ours, but this situation has amplified that need.

Q5: You describe Asante Blush as “female-focused” — what does this mean in day-to-day operations? Could you unpack it for us?
ZNM: Women account for 85% of all consumer purchases (source: Yankelovich Monitor and Greenfield Online) and we strive to work with brands and organisations that are genuinely aligned with the needs and desires of these women, without ignoring men. Those who understand that, when you cater to women, not only are the women empowered but so is the ecosystem that they power. We are here to help them speak the language of the women they serve and join the conversations shaping women’s realities. All while making a real and meaningful impact …

CP: We are happiest when crafting personalised, authentic marketing and communication solutions [that speak to the]  different audiences that make up the South African market.

According to Kantar’s analysis of advertising creativity and media effectiveness, 91% of marketers think they are succeeding at portraying women as positive role models in adverts, but almost half (45%) of audiences think women are still being portrayed inappropriately. [Cheryl Hunter]

Our work also speaks to addressing this and beyond. This is why we exist. Not only do we help brands and organisations reach women meaningfully but we go further and ensure they elevate women’s voices and that women are portrayed respectfully and in a positive manner. At Asante Blush, we empower marketers to speak to their female consumers in a manner that resonates with them.

Oh, and about our name? Asante [uh-san-tei] is a Swahili word meaning “thank you”; Blush [bluhsh], a colour typically associated with femininity, intuition, insight and nurturing. Together, they root us in gratitude and femininity: the key to unlocking magic and splendour for the greater good of those we serve.

Q5: What are the agency’s goals for 2020?
CP: We know that gaining client trust is a big part of carving out a successful agency, and this year we want to start proving ourselves to our clients and putting out work that will make our presence felt. We are working on growing our client base with brands and organisations that challenge the status quo and want to change the way we see the world and interact with it. In 2020, we aim to conduct a large national study with a nationally representative sample of women in order to segment the market using aspirations and lifestyle as opposed to age, race or LSM. Too many marketers use demographic variables as a segmenting tool, but we believe that women across demographics have similar aspirations and lifestyles, and that this should rather be used as a segmentation tool, especially in the female market. We also, of course, have a revenue target that we’re working hard to exceed!

Q5: How can agencies ensure they are reaching their target audiences? What data, insights and strategies do you use to make sure your clients’ messages reach women?
ZNM: It starts with ensuring that your boardrooms are mixed and diverse, from strategy all the way through to creative and execution. It is fundamental to understand our target audiences and their needs when it comes to any particular category. Once the understanding is done, it’s about creating messaging that is authentic, brilliant and respectful that will resonate. The days of treating people as homogeneous groups with no nuance are thankfully over. Consumers are more discerning, which means as agencies we have to dig deeper to create solutions and campaigns that actually resonate.

CP: At Asante Blush, research is one of our key pillars for this very reason. We believe you have a better chance at great ROI if you are speaking with a deeper level of insight. We immerse ourselves in the target market and understand them using various research methodologies such as quantitative surveys, individual interviews, focus groups, ethnography and social media listening. We gather data from various sources in all we do, because data, just like women, are multifaceted and, in order to build a big picture, we have to look at various sources.

We also have a great and diverse community that we call the ABCs (Asante Blush Collective), which is made up of the consumer landscape (both men and women groups). They help to probe and vet some of the solutions and creative campaigns we offer our clients to aid in landing the messages and products we are selling most effectively and creatively.

Q5: From a gender perspective, how has the media and advertising landscape changed since you started your career in it?
CP: We have both worked in agencies and organisations that were very progressive in terms of representation of women. There has been some change, but nowhere near enough. There is more representation of different types of women in the media we consume, and there is a shift in the type of messaging that women are receiving. The blatant, sexist stereotypes and limiting messages are on the decline.

ZNM: There are also more women in the rooms where decisions are made, so that affects the output that the public is exposed to in a positive manner. There is a wider variety of voices, and we hope that is something that grows because it can only benefit the advertising, marketing and media landscape and by extension, and most importantly, the consumer landscape, too.

Q5: How long will it take to see more-balanced representation of black female executives in adland? And how will we get there?
CP: There is movement on this front, with brands like Unilever proudly announcing achieving their target of a 50/50 gender balance in managerial roles by 2020, and the work that the Unstereotype Alliance is doing globally. Locally, we should strive to close the gender gap and that is one of the reasons we started Asante Blush. The progress is there, with trailblazers playing a huge role in shifting things, women like Nunu Ntshingila, Mathe Okaba, Makosha Maja- Rasethaba, and the younger generation, the founders of Think Creative AfricaMukondi Ralushayi Kgomo and Nkgabiseng Motau — taking [their places]!

ZNM: Seek to understand so you can be understood — this applies very much in adland; often decision-makers do not understand female realities. If we start by changing this in the boardrooms and elevating the young females in the industry, agencies will thrive. Women in the industry also need to consciously be lifting others as they rise.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with over decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diverse fields.

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Fair Exchange: Rebalancing for branding post #CoronavirusSA

by Erna George (@edgeo23) I’m sure that this topic will be top of mind and frustratingly ‘done to death’ at the time of your reading this submission but this is our ‘new normal’ (another term used for the gazillionth time) and we need to learn and respond to it fast. One phrase you may not have heard of is to “focus on the dance”.

More important than ever

This I heard during a webinar on leading in lockdown, hosted by a great organisation called Lockstep. I’m not sure who coined it but it’s stuck with me as this is exactly what we as marketers and advertisers need to be doing at present. It’s what we’ve always needed to do but, now, it’s more important than ever. We have to spend time reconsidering how the dance works between people (our consumers and our teams), and between people and our brands. How do we craft a dance that reconnects and creates exponential value for consumers and shoppers and, ultimately, our brands?

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

I’ve been fortunate enough to have been invited to many research webinars and have been using much of this to integrate with my team and our brands. There is, once again, loads of content but what to do with it all? Things such as:

  • In lower-income communities, quality value brands could win over no. 1 market players, or staples and essentials will win over luxuries. All offer great observations but we need to understand what’s the play at a deeper level and specifically for the products and categories we operate within. What’s the definition of an essential and luxury in these times and which of our products fall into each of these definitions? From all the data I’ve seen, there are dessert and treat options globally that are growing — is this a lockdown-specific growth or will it reacquaint consumers with brands and products that will be part of their basket into the future? (Tip: Agencies which are providing support and info over these periods are creating strong connections with clients; think about how you can do this without losing revenue.)
  • There’ll be new competing categories for expenditure eg items within financial services categories such as medical insurance or savings products will compete for share of wallet, potentially pushing out other monthly purchases. Who is this true for vs those who’ll believe that living for today will be more important? Once again, which categories and products or brands is this true for?
  • There’ll be higher levels of unemployment or lower incomes. While some celebrate lowering interest levels from the Reserve Bank, this impacts severely on those who live off the interest of their investments. The long-term impact on disposable income will determine different baskets into the future across the board. Are you in a category that’s already impacted and do you need to innovate to future-proof?

Operating framework

What you need is time to think and facts to think about. You’ll need to rally yourself and teams around the ‘new normal’ and operating framework.

What am I doing across my categories? I’ve been:

  1. Preparing a data deck of channel mix and mix in channels: pre-, during and post-covid-19. Clearly, this is a work in progress but it will provide a view of trends and shifts. At the same time, it will also give a closer view and review of product performance by pack and channel and performance vs competitors — who is winning share and why? What packs are working and what needs to change?
  2. Preparing two views of production plans. First, I’ve been prioritising products now as all strive to maintain social distancing in manufacturing facilities and as retailers work to have the right stock on shelves for changed short-term requirements. Secondly, I’ve been preparing a view of what’s likely to prioritised in the future.
  3. Innovating around value and e-commerce. Remember, value is always about more than price. What value are you providing that facilitates easier shopping and more learning around cooking and baking; what packaging offers greater product protection etc?
  4. Reviewing media options and how to connect with my target market. Of course, don’t keep quiet over this time; you’ll need to stay top of shoppers’ minds and ensure correct messaging. There are so many pieces out there from agencies on how to manage messaging — be sensitive to the situation without being patronising etc, so find some time to review these tips and learnings.
    1. Try to engage with social media and listen to people’s comments, changing views and need. Watch stories, understand the ways people are thinking and the language they are using.
    2. What research can you continue doing and what research methodologies will be best into the future?
  5. Working on growth and re-entry-to-market plans to be ready for post covid-19 lockdowns

Most importantly, over lockdown, I spend much time checking in on how people are doing and building a resilient team that I can empower. Keeping people focused and engaged over this time is a challenge remotely but, again, isn’t something we can dismiss as only ‘now in lock-down’ behaviour.

Many people on my team have noted either how much harder they’re working or how much more they’re getting done. While many long for the social contact and to interact with consumers again, there’s a new way of thinking around how to work emerging: perhaps they could work from home when it’s thinking-work to be done or prep for certain meetings? Or could they work from home one or two days a week as they get more done and it facilitates great work-life balance, given no transport time? Even brainstorming on Hangouts or Zoom (and it only takes about 20 minutes). Be present as discussions are happening, so that you can listen to what’s being or not being said. Connect, connect, connect (technology or practising social distancing, please) even beyond work stuff, as this is a challenging time for everyone.

Fundamental shift

How many times will you able to watch a fundamental shift in consumer behaviour, when all context changes, choices are forced and new ways of being and consuming are being created? Soak it up now because, when it’s over, you’d better have captured the lessons and be ready to run.

  1. Keep reviewing performance of your brand and product range and changing behaviour around your category
  2. Prepare a plan for now and a plan for after the fear and lockdown effects
  3. Look at ways of working to allow for positive lessons from lockdown to be retained

Learn and grow from this experience that none of us expected or wanted. If you’re up for it, it’s allowing you to open up to greater awareness of the world. This will all be support for your career journey.

See also

Erna GeorgeAfter starting at Unilever in a classical marketing role, Erna George (@edgeo23) explored the agency side of life, first as a partner at Fountainhead Design, followed by the manic and inspiring world of consultancy at Added Value. She has returned to client-side, leading the marketing team in the Cereals, Accompaniments & Baking Division at Pioneer Foods. Her monthly “Fair Exchange” column on MarkLives concerns business relationships and partnerships in marketing and brandland.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#CoronavirusSA: “Virtual meetings” — WTF?!

by Leigh Tayler (@LeighAnneTayler) Our world’s been turned upside down in the past umpteen weeks, and advertising hasn’t been immune to the upheaval. Much has changed in a mindbogglingly short period of time, and one such thing is my latest WTF?! moment — the virtual meeting.

We’re all learning how to operate and survive in this ‘new normal’ (that’s what all the cool cats and kittens are calling it on the news channels). Gone are the good ol’ days of lengthy brainstorms over several almond milk flat whites at our local hipster barista. Gone are the days of TV shoots with expansive crew and cast who traverse the country, or globally, if you’re really lucky, from set to set. Now we’re left trying to come up with ideas virtually over Microsoft Teams with only our Nescafé Gold to fuel us — and it’s actually quite impressive, and depressing, how many TV ads and film pieces have been produced over the past few weeks by cobbling together stock footage and iPhone shots taken by employees.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

All things wrong

Now, I know there are pros and cons to this new way of interacting with clients and colleagues, the biggest pro being that no pants are required for meetings anymore —you don’t even have to leave your bed to be an economically productive member of society. But, sadly, this boon doesn’t eclipse all the things wrong with virtual meetings.

#1. Dodgy wifi

I’m sure we’re all familiar with the frozen horse-face aspect of virtual meetings, where one person’s wifi falters and their face is frozen mid-sentence, mouth open, eyes drunkenly shuttered. If everyone’s cameras are on, you’re then familiar with the response to this being everyone staring silently at the frozen face in the corner hoping it will spring back to life.

Ironically, it seems the only way for frozen face to be cured is when, after a good minute of silent staring, someone tries to say, “Jim, you’re breaking up,” just as frozen-faced Jim finds his bandwidth again and his monologue simultaneously kicks back in. This understandably causes confusion, where both parties stop talking to let the other go first; cue more silent staring of all the squares on the call. This may go on for a few rounds before productive conversation is restored.

If everyone’s cameras are off to save said bandwidth (and cover up pantlessness), then you miss the pleasure of experiencing frozen horse-face but you can still enjoy the pleasure of transformer voice. It’s not dissimilar to the above description: this time, Jim has switched his video off to prevent any glitches yet his wifi is still dodgy and so, every now and then, his audio goes from crystal-clear to a stuttering stammering compilation of dubstep. Again, everyone silently and patiently waits behind their profile pics for a minute before interjecting. Confusion ensues. More silence. More confusion. More silence. And then productive conversation is restored.

All the while, we’re all screaming into our silenced microphones, “WTAF?!?!”

#2. Poor etiquette

Virtual meetings are an art we’re still coming to grips with, and etiquette is still a work in progress. Here are just a few dos and don’ts.

  • Do mute your microphone if you’re not speaking — don’t leave it on so we can hear you cooking lunch in the background or, worse yet, taking a bathroom break.
  • Do consider nominating an MC or facilitator for the meeting. This person’s role is to ensure everyone has had a chance to contribute. This person is also there to keep the meeting on track and that the purpose and agenda is addressed.
  • Do follow the MC’s lead and let them run the meeting.
  • Don’t hog the microphone, not giving anyone else a chance to speak; this will result in a lack of collaboration and may compromise the quality of work the meeting intended to produce.
  • If the virtual meeting is a presentation, do use the chat functionality to ask questions that may be addressed later in the meeting so as not to interrupt the flow of the presentation. The chat box may also be used to signal your desire to talk when discussing or debating. Don’t use the chat box for starting parallel but unrelated conversations as a means to kill two birds with one poor attempt at multitasking.
  • Do place your microphone on mute should you wish to blindly scream and shout profanities at your computer screen in frustration. Don’t forget this as it may be career-limiting and no one likes a potty mouth.

#3. No feedback

If anyone’s had the displeasure of presenting via virtual meeting applications, you, too, will see this this as a serious con of the technology.

I have, in the past lockdown weeks, presented several key client presentations and even a pitch. I may be alone here (although I don’t think I am) but it’s awful. After 13 years of presenting, one would think I would be totally cool with presenting. One would think wrong. Virtual presenting has proven to be much more disconcerting that it would seem. I’ve had one of my team members send me a video of her hand shaking after presenting to a client.

Receiving feedback while presenting has proven to be a critical ingredient to being able to present confidently and energetically. But, with virtual presenting, you may as well be presenting into a silent void of nothingness — no nodding of the head to the left, no eye contact, no slight smile from the person across the table and no quiet “mhhmms” to be heard around the room. With no cues to keep going, presenting becomes akin to running the Comrades with no comrades to cheer you on — just you in a scene from some apocalyptic movie jogging slavishly alone for 89km through an eerily lifeless cityscape.

Moral of the story

pony-horse-making-a-face-funny by Hans Braxmeier courtesy of Pixabay
Image by Hans Braxmeier courtesy of Pixabay

So, I guess the moral of my story is virtual meetings are fairly unpleasant, so let’s not make them any worse than they absolutely need to be. Give people turns to talk, and make sure everyone’s voice gets airtime. Mute your mike when you’re not talking or feel the need to lose your cool. Use the chat box to maintain flow in the meeting. Consider keeping one video on when someone is presenting so they can see a friendly human face to cheer them on.

Lastly, if your wifi is dodgy, just accept that some colleague out there has a collection of screenshots of frozen horse faces to use as leverage later.

See also

 

Leigh TaylerLeigh Tayler (@LeighAnneTayler) is the strategy director at Joe Public United. During her career of more than 12 years, she’s worked in just about every imaginable category and has fostered a well-rounded and instinctual approach to strategic thinking that she applies at every level, from big brand concepts to last-mile moments of truth. Leigh contributes the new monthly column, “WTF?!”, which highlights the things one might hear within an agency or be asked of in briefs, to MarkLives.com.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#CoronavirusSA: CMOs, it’s time to roll up our sleeves

by Danni Dixon (@dannidixon) There’s no going back to how it was pre-covid-19. Last year’s ads, as well as your approved marketing plan, are becoming a distant memory. By now all your comms and channels have been scrubbed and, reactively over the last couple of months, brands have now unified as humanely as possible to support and collaborate where they can to make a real difference.

We all know that business unusual is now our new normal. We have moved from the phases of surprise/shock to acceptance/reactive mode to where we find ourselves now. It’s time to re-strategise for the next few months and go back to doing marketing while we keep readjusting our marketing plans for a new future.

Danni Dixon CMO action plan

You may be asking a whole lot of good questions at this point. What data do you use to inform your marketing in business unusual? What are the right things to focus on? How do you build product demand in a fast-declining market? What’s the point in advertising if the product isn’t available due to stock delays or, worse, no-one is buying it? How do I protect my brand health and saliency in times like these? How do I ensure ongoing relevancy?

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

And where do you start? The cracks in most businesses that were there pre-March 2020 are now really showing. The pace of digital transformation, technology disruption at play, aligning business purpose with company culture, doing good in society and to the planet, and the ability to truly deliver accountable growth marketing, sluggish go-to-market planning, brand trust erosion… These remain critical business imperatives that have accelerated post-covid-19. CMOs have to be part of leading these in an organisation and so have to help business, their teams and their agencies to quickly refocus and readapt these transformative strategies to ensure ongoing market relevancy, more agility and faster delivery than ever before. Those ahead in the race are already benefiting from their smartness and preparedness.

It’s a bit early to really understand the impact of the world coming to a halt in these unprecedented times, but there are things as marketers that you can focus on right now so that you can get ready to pivot your brand, products and business for growth. It’s time to roll up your sleeves and re-strategise so you don’t only survive but thrive during these challenging times.

Focus on retention strategies and stop the bleeding.

The best strategy is to retain as many clients/customers as possible. Churn is inevitable and, while focusing on growth is right, retention is better. Retention influences every other marketing input because, if you improve retention, you’ll also improve the rest of your funnel in terms of consideration and referral ratings for future acquisition. Now’s the time to really understand what your consumers want and need from you. Do you have the right value proposition that solves their new pain points? Are there new sub-segments or old segments that have become a priority for growth? Are any of your segments or product lines no longer profitable or relevant and you need to shift budget focus? Do your clients have new needs based on covid-19 that they didn’t have before?

It’s time to ask questions, to listen, to map new journeys and start testing some scenarios to find product-market fit as you readjust your value propositions to retain your market share and then take them to market as fast as you can. If you’ve not done this already, ramp up all your digital delivery.

Be innovative — Just keep moving with passion and pace

If you just keep moving, even at a slower rate than you’d like, you will overtake your competitors who might be waiting for this crisis to pass. Acting fast with a minimum viable product mindset to quickly test and launch new offerings or propositions can give you the edge. Use data to see what’s working. Look for the upside of the opportunity that’s being created post-covid-19 to be more agile and forward-thinking. Is it time to launch new verticals such as free delivery or adding value-adds with pricing strategies? Brainstorm new ideas on how to embrace new technologies, experiment with new advertising formats online or re-examine things you previously discarded as their time may be right, right now.

Market more

Given the level of economic uncertainty, companies/marketers will need to make strong justifications on investing in more marketing. The good news is that every indicator’s showing that people are spending more time online and are still buying. At the same time, many big advertisers have pulled back. This creates a golden opportunity for businesses. Building and maintaining a brand that consumers know and trust is one of the best ways to reduce risk when the economy is down.

Don’t be afraid of advertising and storytelling

Use research and social-listening tools to monitor mood and sentiment. These insights could help to build understanding for the new future of brands that will emerge. There’s still so much that brands can do to stay top of mind for consumers. I don’t think that the need for inspirational creative brand stories and compelling content has become less important because consumers want and need them — in good, but especially, tough times. People are looking for escapist entertainment to be transcended from reality (time to really think VR?), light-hearted or funny or inspiring stories that connect us together. And they don’t need to talk covid-19 directly as people are full-up on that.

Make informed adspend decisions based on long-term brand health trackers and start securing it at these discounted rates before you’re crowded out again. Don’t be afraid to give your agencies the opportunity to produce great storytelling that works! We’re in for a long journey so don’t delay getting your brand story on why your consumers should care about you (and this will help to keep your brand saliency on track).

Check your tone

Let’s pause on tone for a minute. We’ve seen brands and messaging all falling into the sea of sameness with similar market messaging. Also, while your message does need to connect with your consumers, I think we need to be careful of not falling into the oversentimental (and somewhat forced) approach we’re starting to see every day. We do need to be caring, build trust and be transparent in a way that creates ongoing engagement and connection so that you can still have a role in their lives — but talk to your clients/customers like you mean it and in the authentic tone they always knew you to have.

Plan for a new future

Planning for a variety of scenarios is going to be tricky. Use this time now to learn and listen from the best of what the future holds. I’m a big fan of futurists and insight agencies; they help us to strengthen our ability to recognise uncertainty the VUCA way and they have a big job to help anticipate the new future. The next three, six and 12 months will bring many societal and economic changes and will have large effects on future marketing plans. Ideally, a dedicated team (an integrated effort from marketing, finance, HR, digital transformation and leadership) needs to continue to plan ahead using these insights and predications so that marketers can adapt strategy, pricing, ongoing budget adaptations, product offerings etc to always predict not only the worst outcome but also build on the best outcomes, to keep innovating and tell brand stories that mean something. Decisive and nimble action will be required to ensure business goals can be achieved long term.

I read a good quote the other day about looking at this time as a comma and not a full stop. Now is the time to understand, prepare and respond for what works now and for the future. Continue to hone your craft and do brave work you’ll be proud of when you look back on this time.
imperative in surviving a recession.

See also

 

Danni DixonDanni Dixon (@dannidixon) is an award-winning, results-driven, purpose-inspired CMO. She has a proven history of innovation, strategic communications, creative leadership and brand achievement in financial corporates (recently as head of marketing at Investec), startups (her own agencies) and global network agencies (ex-MD of TBWA\Hunt Lascaris). She’s established a reputation as a transformational leader who’s driven by challenge and influenced brave strategic creative ideas. She is a regular contributor to the marketing industry.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines and become a MarkLives Member, too, to ensure continued coverage.

#CoronavirusSA: Bundling up — the bad CX caused by unbundling

by Craig Hannabus (@crayg) Recent research by the Mercator Advisory Group shows that the average American has 5.3 bank accounts. While the picture is slightly different here (estimates say that around 20% of our population is unbanked), those of us who are banked have signed up to at least three different financial institutions (including store cards).

Many financial institutions are currently in the midst of a very interesting problem. For the longest time, they’ve been unbundling their services, offering them as separate products completely independent of one another. Their various services are spread across multiple apps, websites, call centres, and databases. It’s become quite feasible for someone to have an insurance product with one bank, a credit card with another, a savings account with a third, and a home loan with a fourth.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

The unbundling problem

Unbundling is problematic on several fronts. It would seem that someone using several banks would have a fragmented customer experience. Instead of doing banking in one environment, with one institution, the customer has to roam across several apps and websites. This is true but most customers just don’t care. These customers are quite happy to work across different platforms because of the perceived benefits. They’ve either had poor experiences with their primary bank when applying for a secondary service (such as a home loan or a credit card) or they’ve simply been offered a better deal elsewhere. This creates a rift in data.

Institutions often notice when there’s a gap in their customer’s product sets, and will often campaign to fill those gaps. This may often lead to unwanted communications and phone calls as agents try to sell you products you have elsewhere. These marketing efforts cost money, and are often wasteful.

To counter this unbundling, many banks have made a move to helping customers re-bundle by offering preferential rates, rewards, and services to customers who use more features within that bank.

The cause

But what caused this unbundling in the first place? There are several factors at play.

First, most banks (and many large corporates) are internally unbundled. This may even go as far as databases, where getting a single customer view may be almost impossible. Once again, there are people working tirelessly to rectify this problem, which is partly a legacy issue and partly an internal fragmentation issue. Where it hits the customer the most is with comms. Since services have their own teams that don’t communicate with each other, creating a bundled experience for the customer becomes difficult. Many corporates have also introduced the idea of internal competitiveness, making teams compete with each other for financial reward. For the most part, internal competition is seen as a discouragement to cooperation.

The cost

It’s assumed that most customers are looking for this unbundled experience. They’re not, though. Once a customer understands the benefits of keeping everything at one financial institution, that becomes their choice. To be clear, unbundling hasn’t been driven by the customer; it’s been driven by corporates and adopted by customers as a new norm.

Fixing all of these problems costs money, it costs time, and it requires fundamental changes in how a business thinks about itself. While I’ve used the examples of massive financial institutions, no business is immune to unbundling and the accompanying defragmentation of customer experience.

Poor communication

Poor communication is the core problem and it’s not just a scourge for large institutions; it may be so for smaller businesses, too. It’s a problem that could very well get worse if the work-from-home (WFH) culture stays as pervasive as it’s been since lockdown started. WFH might seem nice but the old adage “out of sight, out of mind” may come into play. Without constantly seeing your colleagues, will you remember to talk to them?

There are two key ways to improve internal communication:

#1. Establish a protocol

Communication protocols aren’t just for computer networks. Having a good baseline of information-sharing with key decision-makers is vital. While initially this may lead to overshare, as time progresses and communication gets better, the normalisation of sharing practices will also occur.

#2. Accountability (RACI)

Using the RACI model for every project, service, and product can fundamentally change the way the business operates. I won’t unpack RACI here but you can read more about it at this helpful resource.

It’s a brave new world; let’s try not make the same mistakes that we made in the old one.

See also

 

Craig HannabusCurrently the strategic director at Rogerwilco, Craig Hannabus (@crayg) has spent his adult life in the tech and marketing industry, exploring both the development and the content creation aspects. Through the years, he’s developed a strong interest in exploring the world of customer experience and has worked on brands including Standard Bank, Nedbank, General Motors, Nestle, and Caxton.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#CoronavirusSA: Silence & sci-fi #curiosity

by Marguerite Coetzee. The morning of the first day of lockdown, I was woken by a complete absence of sound. It felt like an episode of a budget sci-fi film.

The usual rumbling of a delivery truck outside our window wasn’t there. The call and response of people either side of the street was absent. The incessant hooting of taxis was gone. Even the overly vocal dog next door was silenced. Only the wind, like the hum of a distant ocean, found its way through a gap in the window frame. A dove swooped past and I felt and heard it, rather than catching a glimpse.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Soundscapes & fearscapes — sounds of life

Our acoustic environment is filled with soundmarks that make our immediate soundscape unique, compared to anywhere else in the world. These sonic facets of a community offer insight into the physical qualities of and social actors within a space. Similarly, stories and storytelling help us make sense of our surroundings, as well as how we imagine a future world and the people in it. Storytellers have the power to create a sense of fear or of hope in relation to future possibilities, as well as a notion of optimism or pessimism towards humanity and its ways of being.

Cyberpunk & Afropunk — narratives of revolution & resistance

On a Saturday in April 2020, a community of futurists and authors gathered virtually for a nine-hour symposium: Science Fiction as Foresight. Writer Karl Schroeder presented on theories of change, identifying six lenses through which we perceive change. Paraphrasing his definitions:

  1. He did it — someone with agency causes change through prophecy and punishment
  2. Natural cycles — nature as a metaphor for how the world works: it creates, destroys, and repeats
  3. It’s all clockwork — existential dread and the death of free will
  4. We can manage the system — things appear random but, if we break it up into parts, we can exercise control
  5. Dimensions of surprise — radical uncertainty
  6. Constraint — escape the system and its limits through creative means and exploring pathways of possible change

What?

Storytelling is transcendent — it has the ability to go beyond the here and now, the usual and expected. Brands and businesses have the opportunity to contribute to how we view and experience reality, through the stories they share with us.

So what?

Culture in quarantine doesn’t start and end here; it draws on past problems, and carries them through to life after lockdown. Brands and businesses have the opportunity to reflect on where society’s fault-lines lie, and how they could contribute to a solution.

Now what?

Conducting fieldwork in a pandemic isn’t only possible but necessary. Brands and businesses have the opportunity to be present and listen. Here are some innovative ways that researchers are exploring the world while staying home:

  1. Sounds of Pandemia: a collective testimony of the global crisis we are inhabiting (contribute to the sound archive here)
  2. Pandemic Dreams Archive: what do earthlings dream of in the age of global pandemic? (share your dreams here).

See also

 

Marguerite de Villiers Marguerite Coetzee is a senior strategist at Instant Grass International and an anthropologist, artist and futurist who provides research and insight services through Omniology. “Curiosity“, the latest series in her regular column on MarkLives, explores the hidden and obscure histories, stories, and experiences of things in South Africa.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#CoronavirusSA: Humanity is the new currency #notsoordinary

by Taazima Kala-Essack (@taazimakala) Recently, I came across the sentiment ‘humanity is the new currency’ and it’s stuck with me in a way that none ever has.

We’ve all likely come across some version or other of this turn of phrase, albeit in somewhat different outfits — ‘ideas are the best currency’, ‘innovation is the only currency’, and so on — but there’s something incredibly basic, fundamental and soul-wrenchingly frank about these words and fact that kindness and humanity can and will triumph, especially now.

Re-evaluated

We’re in a time when the very value of material items and commerce is being re-evaluated for their worth. Oil prices are plummeting, diamond sales are being halted and most people are sitting at home without the indulgences we might otherwise be splurging on during a normal day because, well, normal doesn’t exist anymore.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

The news and content we long for is about wellness and joy. We celebrate the triumphs of people and nations in this most eerie of battlefields and cheer for challenges that would otherwise get side-eyed.

Simple efforts are winning hearts and minds every day because of the shear humanness and sacrifice we’ve all learnt to recognise in each other, and the best of brands are very much a part of that. Some are demonstrating the very real fact that, despite knowing businesses and brands will suffer in unprecedented ways, we may actually find cause to celebrate the rise and emergence of better, more-human marketers who see this not as an opportunity to thrive but to unite.

https://youtu.be/nL_UDABXLX8

In the US, Italy and China, online platform Zoom has temporarily waived fees for its video-conferencing facility so education doesn’t come to a grinding halt. Nike has directed budget towards more-inspirational and -uplifting commercials encouraging people to play on, even if they can’t play together for now. Fashion houses have halted business as usual in favour of producing gowns for the healthcare sector. Luxury ecotourism outfits are digitally transporting social media followers to the beauties and sensory experiences of the Skeleton Coast or Botswana’s Okavango Delta to escape feeling confined as they stay home. And fast-food brands such as Chipotle are creating digital hangouts to combat the feeling of solitude many are experiencing during lockdowns.

We’re human

Consumers the world over aren’t looking for cleverly executed ways of making a sale; they actively don’t want to place their trust in a corporate brand devoid of any emotion. At our most very basic and true to our very core, we aren’t consumers, doctors, lawyers or dwellers of ‘LSM 3’ with ‘high-income earning potential’; we’re human. As crisis continues to redefine everything we thought we knew, we’re brought back to reality and this most fundamental of facts.

The marketers and businesses which emerge from this pandemic with true merit will be those that show empathy and human connection, putting people first, above and beyond product, and the héros du jour will be the brands which have already, inherently, shown that they prize humanity above all else.

There’s something truly encouraging about knowing that we’re united in staying apart today in order to be together tomorrow. There’s something inspiring and true about the brands we know and love feeling and sharing this new reality in wholly authentic and emotive ways that place the greater good and the human condition above the bottom line — and yet, in doing so, still help their bottom line.

So, how do we give this currency a fighting chance of high supply and demand — of truly sustainable worth — well after we’ve sent the coronavirus packing? We celebrate in kind; we recognise and reward the brands that step up, show up and show us what it means to be more human. We give in and embrace human connection and those who value it as sacrosanct.

Do more and be more

So, let’s challenge the brands and businesses we consume to do more and to be more. Rather than blind loyalty, let’s support those that are already stepping up. From big global brands to local enterprises and even individuals’ brands, we demand and deserve better. And, in this time of such fluidity, let’s embrace the opportunity to evolve for the better and for the right reasons — as people, as brands and as professionals.

Humanity is the new currency. And long may we stand.

See also

 

Taazima Kala-EssackTaazima Kala-Essack (@taazimakala) is lead consultant at Hotwire PRC, Botswana’s oldest and largest PR consulting business which is aligned to FCB Wired. Drawing inspiration from her observations of brands and how and what they communicate with internal team, consumers and the wider market, she has a firm “question everything” philosophy. In her regular column on MarkLives.com, she believes in challenging the status quo and celebrating the #NotSoOrdinary.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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MarkLives #AdChamps of the Month [May 2020]

by Kyle de Waal & Morgan Botha. Here’s our latest choice of South African ads that’ve connected and engaged with us during lockdown — Vodacom (Ogilvy Joburg), South African Tourism (MetropolitanRepublic), Spur (99c) and Dunlop (FCB Durban) — plus two honourable mentions, Toyota South Africa (FCB Joburg) and Willowton Group (Ogilvy Durban).


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#AdChamp: Vodacom — Stand together

This marvellous ad starts us off on the right note this month— it was put together using the bedrooms, gardens, garages, and bathrooms of creatives, and no one left their house during production.

It starts by showing what looks like a normal day in a South African home (alarms going off and coffee being made) but then we see that the people are working from home, having work meetings via video-conferencing and studying online. But we’ve not just learnt how to work; we’ve learnt how to share our lives with the people we care about while staying apart. Vodacom provides a platform on which we can all connect and this ad shows the many ways we’ve figured out to stay connected, no matter what keeps us apart: have game nights with our friends, video-chat with our grandparents, and sharing photos and videos of it all from the comfort and safety of our homes.

“Our brand is at its best when it helps South Africans tell their own stories,” says Abey Mokgwatsane, Vodacom managing executive: brand & comms. “This is a story of hope and connection and I thank South Africans for inspiring each other…”

Rating

Thumbs up!  Thumbs up!

Credits

Ad agency: Ogilvy Johannesburg
TV producer: Helen D’Hotman
Creative director: Matthew Berge
Copywriter: Clint Bechus
Art director: Anke Grater
Director: Markstry
Production company: The Star Film Co
Executive producers: Adam Thal, Ksenija Strydom-Micic

 

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#AdChamp: South African Tourism — South Africa, it’s in your hands

Freedom Day takes place on 27 April each year, and is usually the day we celebrate the fights won for us so we may all enjoy work, travel, and the unbiased human interactions of friendship and love. This year, however, things have been different and celebrating our freedom has seemed strange while required by law to stay indoors during lockdown

This ad, however, from South African Tourism, in collaboration with The Nelson Mandela Foundation and Videovision Entertainment, reminds us that we’ve sacrificed these freedoms because we understand that, without the people of South Africa, we’ll lose what makes us a truly great country. Being part of the nationwide effort to slow the spread of a life-threatening pandemic to prevent our medical systems being overwhelmed doesn’t include braais, parties and hugs, but it does make us a stronger nation.

Rating

Thumbs up!  Thumbs up!

Credits

Brands: South African Tourism, Nelson Mandela Foundation & Videovision Entertainment
Ad agency: MetropolitanRepublic
Chief creative officer & art director: Paul Warner
Executive creative director & copywriter): Kamo Sesing
Group account director: Terry Unser
Account director: Linda Oompie
TV producer: Aileen Kennaugh
Post-production company: Tessa Ford Post
Editor: Heema Daya
Producer: Tarryn Reddy
Animation: Sphere Animation Studio
Motion graphic designer: Nico Janse van Rensburg
Audio: Earworm
Audio engineer: Rob Mitchley

 

#AdChamp: Spur — Happy birthday

As two childless millennials, we weren’t much affected by schools closing, other than reading the tales of woe on Facebook. When we saw this promotion, however, we realised that kids are having a hard time, too. No school, no friends, and no family except those in your home. Spur has taken it upon itself to do something that reminds us all of our normal routine: going to Spur for birthdays — the best (or most embarrassing) part, of course, being when all the waiters get together and sing for you.

For these personalised videos to every member of the Spur Kids Clubs, some of the wonderful Spur employees have put on their uniforms to sing happy birthday for every child who’s been missing out on their Spur party due to lockdown (we’re definitely having flashbacks to our own eighth birthday parties). This idea is so incredibly sweet and shows that there’s a genuine love and consideration for the children during this tough time.

Rating

Thumbs up!  Thumbs up!

Credits

Ad agency & production company: 99c
TV producer: Collette Cruywagen
Creative directors: Marius van Rensburg, Dane Alexander
Copywriters: Andre de Wet, Eliot Powell
Art director: Tarryn O’Brien, Amri de Villiers
Executive producer: Melissa Curtis

 

#AdChamp: Dunlop — Don’t take the road

On a more-sombre yet beautiful note, we have Dunlop with an almost bittersweet reminder that we should be staying away from our favourite places, for now, so we can visit them again. This ad speaks to the aching heart of many South Africans, saying, “We know you miss your friends, we understand you miss your family, and all the hangouts you could be having, but this is bigger than you.”

Since 1888, Dunlop has been telling us all to enjoy the road, to travel and experience but now it’s asking us to stay home, avoid the road, and remember that we hold the power to slow down the infection rate simply by staying indoors. This ad speaks to both consumers and other businesses, and sets an example of a company dedicated to moving people and goods around that still puts the country first.

Rating

Thumbs up!  Thumbs up!

Credits

Ad agency: FCB Durban
Executive creative director & copywriter: Brandon Govender
Creative director & art director: Declan Sharp
Production company: Postboxx

Honourable mentions

Toyota South Africa’s “Stay home, South Africa. And stay safe”

FCB Joburg, Your Girlfriend and Produce Sound

Willowton Group’s #StayHomeStaySafe

Ogilvy Durban

See also

Spur credits updated at 12:03pm on 11 May 2020.

 

MarkLives logoWho are Kyle de Waal and Morgan Botha? We are two young-at-heart millennials trying with all our might to break the mould of the stereotypical ‘all millennials are the same…’ because — after all — we’re all just people. Together with the editors of MarkLives.com, we enjoy finding ads worth watching and talking about, and then showcasing them here in our new monthly MarkLives column, #AdChamps.

If you’re involved in making South African or African advertising that’s smart, funny and/or engaging, please let us know at adchamps@marklives.com.

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#CoronavirusSA: Navigating brand meaning in times of crisis

by Emma Odendaal (@EmmaOdendaal) Uncertain and ever-changing lockdown restrictions require brands to plan with caution, yet act with speed. How may we walk the tightrope of achieving budget targets and demonstrating genuine empathy in this covid-19 maelstrom?

Monumental shift

Covid-19 has ushered in a monumental shift in consumer behaviour. South Africans are spending more time online than ever before, craving new content and new experiences from their couches. Kantar and McKinsey & Company have shown that time spent streaming content, playing online video games and searching for content is up more than 40%. YouTube traffic also increased by 1.34m unique visitors from February to March 2020.

Audiences are searching for recipe inspiration and exercise videos (Google Trends, March 2020), and are less tolerant of flashy celebrity endorsements. They’re shopping less often but with a larger basket size, and are more likely to experiment with a new brand when their trusty faithful is out of stock at their local.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

People are isolated, fearful, and many are lonely. Yet Kantar’s Covid-19 Barometer shows that 88% of South Africans believe brands should talk about how they can be helpful in this new way of life. Consumers are asking brands to provide relief from their unique challenges, to engage, to help them connect with others and remind them of better times.

Defining characteristics

Above all, consider your brand’s role in the ‘new normal’ and how it can alleviate the worry in your customers’ lives with these defining characteristics of the new consumer psyche:

#1. Higher anxiety

Consumers are fearful in terms of their health but most are even more fearful about financial uncertainty, according to McKinsey & Company. Brands must create a sense of security, wellbeing and calm amid the fear. While it’s okay to be optimistic, your brand tone has to be tuned for clarity and action. It’s great to be human and encouraging in trying times, but the bar for sincerity and authenticity is higher than it’s ever been.

#2. Shifting value equilibrium

Many consumers will reconsider values around consumption and discretionary spending, and focus on greater good over displays of wealth. Brands have to come up with ways to re-engage the consumer in the things that they may have taken for granted. That means budgets should shift from basic price promotions to building trust, telling stories that associate the right kind of attributes with the brand.

As fear for the future continues to grow, consumers will look to businesses and brands that take a meaningful perspective on consumption. Products they choose will reflect their personal values. Communicating brand purpose therefore becomes key. Brands must deliver on immediate needs in creative ways. Focus on using your digital offering to provide useful solutions or find ways to minimise interaction while still offering product. As a brand, what can you legitimately speak about with authority? And does this resonate with your customers’ new value system, with its focus on optimisation of self, family and community?

#3. Accelerated digital adoption

Digital commerce is the clear winner out of the novel coronavirus disruption. Omnichannel strategies will remain important but the offline component is likely to be less important than before as preference for e-comm continues to accelerate. A seamless offline-online experience is crucial, now more than ever. This includes a mobile responsive website with seamless UX, as well as an effective SEO strategy to ensure that your brand is findable, through authoritative content and expertise.

Doorway

Whether your brand is ripe for providing much-needed entertainment for escapism, building a like-minded, virtually connected community or exploring one of the rising interests (such as online learning or podcasts), you can be the customers’ doorway to manifold experiences and stories that address the realities of the coronavirus and the human condition.

As many of us sit in isolation, our need for connection has never been greater. We believe this need will continue long after lockdown as we enter into a ‘new normal’. Great content changes minds and lifts hearts, and forges lifelong affinities, passions and conversations. Continue having conversations with your customers by telling stories with meaning and empathy, driving a stronger affinity with your brand long after lockdown.

See also

 

Emma OdendaalEmma Odendaal (@EmmaOdendaal) is the digital director at John Brown Media South Africa, part of Dentsu Aegis Network. She is a digital marketer, content creator and team leader with over 15 years’ experience in communicating with customers using branded content.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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Q5: The science of brand memory, with Hamish McPharlin [interview]

by Carey Finn (@carey_finn) Hamish McPharlin (@hamishmcpharlin), BBC Global News head of insight, talks us through the key findings of a study on branded content, called “Science of Memory”. Using neuroscience techniques, the 2018 study explored how emotions affect memory — and what this means for brands.

Q5. Tell us about the study: how, why and where was it run?
Hamish McPharlin: Science of Memory is a thought-leadership study from BBC Global News. The study explored the ways in which emotion works in branded content to stimulate long-term memory and revealed new insights into how to harness this for enduring brand impact. BBC has previously demonstrated how emotion is key to brand uplift in branded content. However, what hasn’t been known is the extent to which this emotion drives memory of that brand over time, allowing appropriate recall at time of purchase.

Science of Memory took the methodology of our emotion-testing studies and combined it with the latest neuroscientific techniques in measuring long-term memory. The result was a side-by-side view of how emotion and memory work together. Six brand-films created by BBC StoryWorks were tested with over 2 100 test subjects in four markets (US, Germany, Australia and Singapore). The study produced new insight into effective storytelling for optimal memory impact, including the pacing and positioning of emotional spikes, best use of cinematic techniques and brand integration, and appropriate emotions to use in proximity to the brand reveal. The research has allowed BBC Global News to ensure that [its] branded storytelling is optimised for maximum impact, and has established the company’s reputation as master storytellers.

Q5: What were the key findings?
HM: #1. Emotion drives memory: 70% of long-term memory-encoding peaks was associated with peaks of emotional intensity in the narrative. The key was a significant jump in emotional intensity.

#2. Any emotion can trigger memory: Our study demonstrated that any emotion can trigger memory; it is the intensity of that emotion that is the determinant of a memory event.

#3. Frequency of emotional peaks — more is better: We looked at memory performance benchmarks of over 400 advertising content tests and, through our analysis, we were able to produce a rule that a 3–5 min brand film that triggers 10+ emotional peaks can expect to benchmark in the top 25% for memory performance. For content makers, this is a useful guide for effective narrative design.

#4. Trigger intensity early: We analysed the positioning of emotional peaks and discovered that those that delivered their highest emotional peak in the first third of their runtime delivered higher memory scores overall. We discovered the importance of “revving the emotional engine” early to set the emotional stakes at a pitch that would ensure a lasting engagement with the content.

#5. Emotion precedes memory: One of the most-fundamental findings that emerged was the discovery of a particular pattern: a key moment of emotional intensity often causes a rise in memory encoding shortly afterwards. There is roughly a five-second gap between the two events. Essentially, an emotional moment is followed by a window of opportunity for getting something into memory. This finding has interesting implications for the timing and positioning of “brand” moments in the narrative.

#6. Brands can ride memory moments: Through analysis, we were able to show that those who had a higher emotional response to key moments adjacent to the brand were significantly more likely to become considerers of the brand. We were able to demonstrate how brands can “ride memory moments” for maximum effect.

Q5: What do these findings mean for brands?
HM: Branded video is a fast-growing area for advertising; however, campaign effectiveness tracking focuses on basic metrics such as reach, impressions, VTRs and dwell-times. Advertisers are keen to explore these richer (but more-expensive) formats; however, the industry is not supplying them with richer data that is reflective of the deeper impact of bespoke branded content. Science of Memory is significant because it not only demonstrates the value of branded content (creating a compelling case for its usage that unlocks the potential for significant takeup), but also reveals a blueprint of best practice that content-makers and advertisers can use worldwide.

Q5: Could you give us 1–2 concrete examples of how brands can create positive long-term memories among consumers?
HM: Example 1: Positioning the brand reveal for maximum memory (Mini)

One key finding was “emotion precedes memory”. The brand film “Roads” for Mini showcased how this principle can be used for creating memory of the brand. We were able to show that a key moment of emotional intensity (such as depicted below) drove consideration of the brand, but it worked because the brand reveal was positioned a few seconds after the emotional peak, when memory is at its highest: an elegant integration in which the viewer sees the brand logo on the steering wheel of the car.

BBC Science of Memory - Mini - greater emotions and brand outcomes BBC Science of Memory - Mini - chromatic map of steering wheel

Example 2: The impact of personal stories (Brand South Africa)

Our research consistently shows that personal stories have emotional impact. If you want to tell the story of a place, tell it through the eyes of a character. The character allows us to create that empathetic emotional connection. We produced a film for Brand South Africa on Laduma Ngxokolo, the South African knitwear designer and founder of Maxhosa brand. The intention of the film is to inspire investment in South Africa. A significant moment in the film was exploring Laduma’s knitwear origins through his relationship with his late mother. This created a strong emotional response that triggered significant memory of the brand film. Ultimately, the film delivered strong KPIs, such as a 350% increase in a subconscious association with South African entrepreneurship, and a 167% increase in desire to invest in South Africa.

BBC Science of Memory - Brand South Africa - the emotional impact of family and context

Q5: Were there any unexpected findings in the study? Any interesting surprises?
HM: “Emotion precedes memory” was a surprise. We weren’t expecting that there was a delay effect between an emotional event and the onset of memory encoding. However, it does make sense in retrospect. Understanding it is a very useful lever for branded content storytelling. We also found that emotion is best-served early. Rather than build[ing] towards a climax, you need to engage people right away. This then “warms the engine” to allow a much-higher emotional and memory response across the whole piece of content.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with over decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diversive fields.

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