#TheInterlocker: Pandemic lessons & inspirations for the PR industry

by Emma King (@emmainsa) Reputations are often made or ruined during times of crisis, and this novel coronavirus pandemic has served to expose the true colours of some brands — and some people. I believe the perception we form during this time will stick with us long after the initial chaos has abated. Who’s inspired you and/or what lessons have you learnt? Have any led you to considering implementing any changes in your business or ways of working in the long term? Florence de Vries, Luanne Slingerland and I respond.

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Florence de VriesFlorence de Vries

The extent to which a significant proportion of the South African media has further damaged fragile citizen trust with subjective sources, framing devices, headlines and article positioning underscored by biased social media activity has piqued my interest these past few months.

In my career as a communications professional, I assumed that the media’s social responsibility toward its citizenry is a well-understood aspect of its role as a fundamental pillar of a democratic society. What I’ve witnessed, thus far, is a promotion of narratives that leave citizens with little room to outmanoeuvre the ‘us’ vs ‘them’ school of reasoning. This is exacerbated by governmental decisions that led to the closure of hundreds of businesses, affecting thousands of jobs, which also partially gave rise to the simplistic life vs jobs dichotomy.

The lack of focus of our publications is illustrated in the many column inches of cigarette and rotisserie-chicken elucidation when we’re still uninformed about how the average citizen can assist the national effort. What I surmise from this is that some media houses are set up to be antagonistic while others — such as the Mail & Guardian, with its relatively diverse leadership over time — have been able to demonstrate some level of balance.

Here, I read stories about the innovation of small businesses, and presentations of the various models informing decisions such as the reopening of schools. It’s possible to hold the powers that be accountable, without further privileging an already well-resourced citizenry by being a watchdog that looks after their interests.

We won’t emerge from this pandemic with the media we once knew. What we need are journalists with less historical baggage to give us a genuine sense of where we’re going by fulfilling a duty premised on understanding their role in a post-pandemic society.

— Florence de Vries (@FlorencedeVries) is brand manager at Stellenbosch University

 

Luanne SlingerlandLuanne Slingerland

I’ve always been aware of Woodstock Brewery and its craft beers, but have only been to the establishment once or twice, so I can’t say I’m an expert on its offering or the brand in general. When we went into lockdown, Andre Viljoen, the owner of the brewery, and his team repurposed the site and converted it into a soup kitchen, using their brewing equipment to prepare 20 000 meals, six days a week.

The logistics and project management behind this wouldn’t have been for the faint of heart. It feels as if it happened overnight to me but it took weeks to pull it together.

There were calls for donations for ingredients and then, when all the ingredients started coming in, it did another call for more volunteers to assist with prepping the vegetables as they couldn’t keep up. It even set up a donation page on Howler for anyone who wants to assist. Through the media — and some great PR — it’s managed to tell its story and raise awareness around how many people are going hungry during lockdown. It’s been amazing to watch this grow and to see other breweries in different areas come onboard to make soup to assist their communities too.

This is true inspiration — the brewery took what it had, did some thinking and made some changes.

Sometimes we just need to stop for a second and look at what we have access to. We might not be able to solve every problem immediately — or even on our own. During this time, we need to be open to collaborating, and often changing the goal we were initially working toward will yield a better and more fulfilling result.

I’m not a beer drinker but will definitely support the Woodstock Brewery where I can, going forward.

Luanne Slingerland (@LuanneS) is PR business unit director at OFyt

 

Emma KingEmma King

All the world loves a villain, and never more so when we are in the midst of a global pandemic, it seems. The early days of the pandemic (how long ago they seem now), when we were all still so excited about banana bread and Zoom calls, seem naively simple now. How we all jumped up and down and called McDonald’s out when it released an image of its logo separated to illustrate how we should stay apart. How we all laid into small business that we thought were ‘taking advantage’ of the crisis by starting to sell toilet paper, or hand sanitiser, or whatever.

But things are that much more complex now. We’ve suddenly seen the very real, and very devastating, impact this is having on our country. I suspect there are few people who would judge a business that does anything it can to ‘pivot’ its offering to survive.

At the time of writing this, we’re in the midst of the biggest anti-racism protests of our lifetimes, and this, too, starts to put things in perceptive. Who cares if a business profits by stocking up on items that are low in supply when there’re people being killed just for walking down the street (or sitting in their own homes) by the very people who’re supposed to protect them?

I imagine that this will be the defining learning for us as brand custodians and business leaders from these times — that it’s not about what you say or about the cute social media post you did, but really about the way that you act, and the values you have, and the way that you treat people. Because, at the end of the day, that’s what matters and what people remember.

When we get out the other side of this crazy time that we are in now (sooner rather than later, and in one piece, rather than many, I hope), we’ll be looking at a pretty stark landscape. We’ll have a decreased spending power and be much more careful about who and where we spend it with. We’ll have memories of those who acted with care and compassion — and those who didn’t. And the business and brands that have survived to see another day will be those who had these values as a core part of their business from day one, rather than those who tried to develop a ‘reputation-building’ campaign to ride this crisis out.

Emma King (@emmainsa) is founder & MD of The Friday Street Club

See also

 

Emma KingEmma King (@EmmainSA) is the founder and managing director of The Friday Street Club (@TheFridayStClub). She specialises in communications strategy, consumer and brand marketing and PR, corporate comms, crisis and issues management, and writing. Emma contributes the resurrected column, “#TheInterlocker”, in which she picks a PR/comms-related subject and invites other marketers and PRs to discuss, to MarkLives.com.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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A South African state of mind #coronavirusSA

“Constraints can offer fertile ground for innovation as catalytic forces that stimulate the ability to make us more than we were before, rather than less than we could be.” —Adam Morgan and Mark Barden, A Beautiful Constraint (2015)

by David Blyth (@dvblyth) As a nation, we find ourselves in precarious circumstances. But constraints don’t have to be treated as insurmountable barriers.

We still have six months of 2020 to navigate, despite the emotional (and unrealistic) calls to ‘cancel 2020’. We have been, and will continue to be, constrained in the limitations on our freedom of movement, in access to and availability of resources, in safety and security, and in time as we navigate squeezing more into our (ab)normal lives.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Yet navigating constraints is how we South Africans operate. We’ve been finding new ways to deal with our circumstances through our uniquely South African character to make a plan, vasbyt, and apply the spirit of Ubuntu. True challengers, South Africans have a knack for making more from less. And so now, despite the factors beyond our control and the cynicism that surrounds them, we can take back control through one of our greatest assets: our state of mind.

Challenger thinking

Applying the lessons from challenger thinking is one way we can go about this. There are five characteristics of this thinking that we believe South Africans show in abundance that will help us get through not only this covid-19 crisis but also broader systemic issues that shape the everyday experiences of the majority of South Africans.

#1. We have an unreasonable ambition and appetite for growth

While some naysayers might argue otherwise, South Africans are an enterprising bunch, finding innovative ways to overcome traditional constraints and identify opportunities for growth.

Have a look at Droppa, an on-demand platform for trucks and bakkies. Besides attracting multimillion-rand investments in its business, the web platform and app has grown to 300 drivers and has larger ambitions to expand its operations in the Western Cape and Gauteng, as well as Durban and Port Elizabeth.

Yoco is also a clear case of vast ambition. The point-of-sales payments startup aims to double its customer base from 50 000 to 100 000 this year, after having secured on of SA’s largest venture-capital deals of US$16m in 2018.

#2. We don’t settle for mediocrity

We South Africans are not shy about voicing our dissatisfaction with the status quo, constantly pushing boundaries and elevating standards of excellence.

Look, for example at Lady Skollie, one of our most-outspoken activist-artists. Through a variety of media, she tackles topics that many others skirt, such as sex, pleasure, violence and abuse, and, in the process, has been highly awarded for defying these taboos.

Also look at Netflix’s second African original series, and one of South Africa’s own, Blood & Water. Within a week of its debut, it trended as Netflix’s #1 series in eight countries and retained a top-10 position in another five countries, taking its rightful place as a leader on a global stage.

#3. We’re resourceful and creative

Whether it’s a response to lockdown or to systemic challenges in SA, individuals and organisations have found ways to overcome constraints in novel ways.

Consider Discovery’s online doctor consultations in partnership with Vodacom that ensure maximum reach and service continuity during the lockdown.

Also in healthcare, Iyeza Health started as a single entrepreneur on a bicycle helping collect and deliver medication to residents of informal settlements. It offers a way to enhance access for those who don’t have the money, time, energy or transport to collect medicine from public health facilities.

#4. We’re brave in the face of opposition

One thing South Africans are really good at is laughing at ourselves and using humour to make light of tough times. Take, for example, the ceremonial brass band parading to Tops at Spar as the lockdown alcohol ban was lifted.

We also see the celebration of humour in Savanna’s Virtual Comedy Bar, set up to keep its brand salient while supporting SA’s young comics.

Yet at the same time, we’re are eady and willing to fight for our freedoms. This especially evident in the fire that burns in SA’s youth. Our youth have showed bravery in the face of injustice, be it the uprising in 1976 which we commemorate this month, the nationwide shutdown of universities during #FeesMustFall in 2015, or the continued pressure being mounted on government to address gender-based violence.

#5. We push communities and societies forward

While there are still many challenges to overcome in our country, we have an undeniable spirit of Ubuntu that drives us to take care of one another despite difficult circumstances.

Take a look at Lumkani, a social enterprise founded in 2014 that manufactures heat detectors to help decrease the risks of fire in rural and urban informal settlements. The organisation has since partnered with Hollard to develop the world’s first hardware-enabled fire insurance specifically designed for informal settlements.

Also consider Pelebox. Through a unique smart-locker system, the organisation has increased SA’s access to medication by reducing the average collection time for patients from an average of 3.5 hours to 22 seconds, thereby addressing a key step in the value chain.

Embrace our DNA

We as South Africans have what it takes to take on this situation. Let’s embrace our DNA and let it live out loud in the face of these difficult times, and keep living with our challenger spirit.

Rhiannon Rees and Tumisang Matubatuba contributed to this article.

See also

 

David BlythDavid Blyth (@dvblyth) is an experienced strategy practitioner, with over 27 years global and continent-wide experience in leading significant brand, insight, marketing, people, research and technology projects for large organisations across more than 20 countries. Un September 2018, he founded Delta Victor Bravo, which represents strategic brand consultancy, eatbigfish, and The Challenger Project across Africa and the Middle East.

“Motive” is a by-invitation-only column on MarkLives.com. Contributors are picked by the editors but generally don’t form part of our regular columnist lineup, unless the topic is off-column.

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Loeries 2020 is about industry legacy, says new CEO

by Herman Manson (@MarkLives) “If we cancelled this year’s event, we would have failed in our mandate and our duty to the industry,” says Preetesh Sewraj, the recently appointed CEO of The Loerie Awards. Elsewhere, advertising awards and events have been cancelled, postponed or digitalised: Cannes Lions — postponed and then cancelled; SXSW — cancelled; D&AD festival cancelled, awards now digital; LIA — cancelled.

The local awards industry hasn’t been spared, with several award shows announcing winners digitally, or being cancelled.  But the Loeries continues, it was decided by Sewraj and team and, more than that, entries are free. Sewraj also hopes to still hold a physical event, if at all possible, in November 2020.

Morale boost

By ensuring that the awards continues this year, he wants to offer the industry a morale boost, as well as a showcase, and allow a stronger industry to emerge from the current chaos. His desire is to see the entire advertising ecosystem become stronger and more united in the face of covid-19 and its social and economic toll. It should be creating greater value, offering proof to brands that they should be investing in their agencies.

Looking at the ecosystem of award shows globally, Sewraj notes that the majority of them are for commercial gain, while the Loeries has a substantially different mandate as a not-for-profit organisation (NPO). Its mandate, he says, is to develop the ad industry in Africa and the Middle East. Its performance isn’t measured in revenue but in whether it contributes successfully to adding value to the industry. The decision on taking the event forward, and on lifting the burden of entry fees, is therefore in keeping with the organisation’s developmental goals.

The Loeries board was probably expecting his team to come back to it with plans for a cancellation, he says, but unanimously backed the revised initiative instead. Entry fees funds the festival, and Sewraj admits the team is still figuring out a funding model, but hopes to make it up through sponsorships and other as yet undefined initiatives.

Silver lining

According to Sewraj, the industry needs all the support it can get right now, and Loeries is on board to offer what it can. The novel coronavirus pandemic and lockdown have a silver lining for the brand communications industry, in that the latter can really prove the value it adds to business. The industry has been hard at work to ensure communication regarding the economic sectors functioning during the various lockdown levels reach consumers, including rules on social distancing, trading times, re-openings, and even initiatives such as the government’s Solidarity Fund needed communications, a website etc.

The industry deserves credit for its contribution to keeping the economy ticking along, he asserts. It’s done so in challenging circumstances, and with no playbook in place. This year’s Loeries, he hopes, will cover and celebrate much of this work, hence the deadline extension for award entries to 15 July 2020 so that work flighting in June may still be entered.

The festival itself, he believes, will serve as a platform “of collaboration, to help create change” by bringing together stakeholders in media, government, business and the creative community, and finding examples of best practice for communication to prepare for future pandemics, as well as economic recovery.

Facing pressure

The ad industry, on which the ad awards industry relies for revenue, has been severely impacted by the pandemic and the resultant economic shutdown, says Sewraj. Clients are facing pressure in the face of declines in consumer spending, a battered rand exchange rate making imported raw materials more expensive, and other supply chain disruptions. Marketing budgets are being cut even further. Sewraj points to the 2008 financial crisis, which took two years for business to return to some normality. He does believe that both consumers and brands have a culture to spend in the four quarter of the year (think Black Friday, Christmas etc) and that this should buffer revenue for agencies in the near term. There will also be a lull in Q1 2021 as companies plan for the next financial year.

The entire Loeries team has put their jobs on the line to ensure the event can continue uninterrupted this year, Sewraj admits. Without funding, obviously, salaries will be at risk at some point of the game. “But we know this is right for the industry,” he says. The organisation is working hard to put some sponsorships in place — and the industry should also invest back into it to protect the equity it’s built up for the ad industry.

There’s already been an overwhelming surge in the number of entries this year, compared to previous years, with entries up 2.5 times against the comparable time last year, and before the latest deadline extension announcement last week.

Legacy

The Loeries is celebrating its 42nd year this year, and Sewraj would like future generations to look back at this year and the innovative ways agencies and brands worked together to ensure public communication could continue. Having studied archaeology, he likes to consider the record we’re leaving behind for others to find. What is the legacy they will find? His hope is that it will be advertising and communication that distilled the human experience of this moment, even if only captured in 30 seconds or single pages.

MarkLives.com is an official partner of The Loeries Awards 2020.

See also

 

Herman Manson 2017Herman Manson (@marklives) is the founder and editor of MarkLives.com.

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Watched #coronavirusSA: Top 10 TV shows deciphered — May 2020

by Richard Lord (@rlord182) With a slow return to economic activity in South Africa, we’re seeing some of the television-viewing trends that we’ve been tracking over the last few months start to shift downwards.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Dashboard

In the second half of March 2020 and all through April, because people were sitting at home for much of that, we saw a massive spike in the amount of time people were spending sitting in front of the TV. Last month in May, when South Africa went to level 4 lockdown and some people started returning to work, we started to see a decline in the numbers.

Nielsen South Africa covid-19 tv viewing up to week 51 2020
Source: Nielsen iPort

Using Nielsen’s iPort tool, the average daily minutes being viewed by South Africans started to decrease as soon as level 4 kicked in. There was an 8.6% decrease in time spent viewing in the four weeks after the nation went to level 4. With level 3 now in effect and even more people having potentially gone back to work, it will be interesting to see what the effect on TV viewership patterns will be next month!

Along with the decline in average time spent viewing, audience figures have been dropping off slightly, too. So, let’s have a look at the top 10 shows for May and see what the effects of level 4 had on audiences.

Top 10: Main market

First, the main market…

LSM 4–7

Channel

Audience

Uzalo SABC 1 11 302 538
Generations: The Legacy SABC 1 9 148 977
Skeem Saam SABC 1 8 914 540
isiZulu News SABC 1 5 824 239
Scandal e.tv 5 683 364
isiXhosa News SABC 1 5 398 679
S’gud S’naysi SABC 1 5 141 200
Nyan Nyan SABC 1 5 025 105
Makoti SABC 1 4 844 171
Ngula Yavutivi SABC 2 4 701 754

Unsurprisingly, the top three programmes haven’t changed… and, to be honest, I think it’ll take something much bigger than covid-19 to shift them off the top of the table. But what we’re seeing, and this is true of most of the programmes in the top 10, is a decrease in average audiences vs April. When people were homebound, we saw a big uptick in audience. Now that the lockdown is easing, so, too, are the viewers…

March 2020

Apr 2020

May 2020

% diff May on Apr

Uzalo 9 486 146 11 382 535 11 302 538 -1%
Generations: The Legacy 7 829 601 9 671 777 9 148 977 -5%
Skeem Saam 5 784 067 8 788 444 8 914 540 +1%

We’re seeing this trend in the news as well, which has been increasing in viewership month on month since February. It seems, though, that news fatigue is finally setting in and far fewer people tuned in to watch the news on SABC during May. We also saw isiXhosa News, after a few months of steadily moving up the table, dropping down from no. 5 to no. 6, below e.tv’s Scandal.

Feb 2020

Mar 2020

Apr 2020

May 2020

% diff May on Apr

isiZulu news 3 190 491 4 351 305 6 019 790 5 824 239 -3%
isiXhosa news 3 282 960 4 149 079 5 967 203 5 398 679 -10%

Top 10: High-income

But what’s happening with the high-income earners?

Last month, we saw a major change at the top of the table for high-income earners, with the movie Contagion on SABC 3 taking the no. 1 spot. This was short-lived, however, and once again we see Uzalo, Skeem Saam, and Generations back in their familiar positions, reminding us anew that what happens in Sandton isn’t indicative of what happens in the rest of South Africa, and that we can’t let our personal biases and viewership habits dictate our media-buying selections. Anyone who still believes that people in LSM 8–10 only watch Carte Blanche are sorely mistaken.

LSM 8–10

Channel

Audience

Uzalo SABC 1 1 511 289
Skeem Saam SABC 1 1 359 156
Generations SABC 1 1 087 749
The Queen Mzansi Magic 848 869
Gomora Mzansi Magic 780 004
Scandal e.tv 769 425
isiZulu News SABC 1 736 848
Isibaya Mzansi Magic 733 206
The President’s Update on Lockdown SABC 2 713 843
Our Perfect Wedding South Africa Mzansi Magic 651 879

One the one hand, the good news for e.tv is that Scandal’s moved back up the table from no. 10 in April to no. 6 in May. This climb in position is also accompanied by an increase in audience of almost 5%! However, e.tv still only has one show in the top 10, compared to four programmes back in the beginning of the year.

Mzansi Magic, on the other hand, is entrenching its position as a force in the upper LSMs, matching SABC 1 with four top 10 programmes in May. This is up from three in April, and just two back in January. DStv is clearly getting something right with its storylines!

Out of interest, the best-performing programme on M-Net in May was the action-thriller starring Jean Reno, Cold Blood Legacy, which attracted 251 863 viewers — less than half of Mzansi Magic’s Our Perfect Wedding South Africa, with 651 879 viewers. Carte Blanche, a firm favourite of marketing directors across SA, attracted an average audience of just 190 174 viewers.

Given that last month saw the SABC 3 movie, Contagion, at the top of the list with 1.8m viewers, what was the best-performing programme on SABC 3 in May? It was a nature documentary series called Spy in the Wild and it attracted just 182 275, good enough for a ranking of 105. If there were ever an argument for good, relevant content being able to attract big audiences, this is it!

What will happen in June now that SA has moved to level 3? Only time will tell.

See also

 

Richard LordRichard Lord (@rlord182) is media and operations director at Meta Media, South Africa’s newest media agency and part of the IPG global network and Nahana Communications Group of specialist agencies. With over 20 years’ experience in the media industry and having worked for FCB, UM in London, and The MediaShop, he’s spent most of his career with IPG. Richard contributes the monthly “Watched” column, which analyses monthly TV audience viewership figures in South Africa, to MarkLives.com.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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SA adland faces retrenchments, pay cuts — #coronavirusSA survey

HaveYouHeard logoby MarkLives & HaveYouHeard. MarkLives and HaveYouHeard have released results from a followup study on how the South African advertising communications services industry views the impact of covid-19 upon advertising and marketing professionals, the agency environment and marketing.

“While trust in company leadership has stayed the same or increased since the start of lockdown; confidence in the company’s future has reduced since March,” comments Claudia Schonitz, HaveYouHeard head of research and insights, on the survey results. “The most-positive impact of covid-19 remains companies showing flexibility, agility and the ability to change (65% of agencies vs. 47% of companies). However, flexibility and improved communications has decreased since the level five [lockdown].”

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

Negative/positive impact of covid-19 on agency

Agency

Brand/ marketing company

 

Freelancer/ consultant

 Total

Negative impact: Decreased billings 65% 34% 38% 50%
Negative impact: Caused retrenchments or salary cuts. 49% 37% 29% 42%
Positive impact: Shown flexibility, agility and ability to change 65% 47% 46% 56%

Significant impact on billings

The survey shows a significant impact on billings, with agencies taking particular strain (65% stating decreased billings). More than half of respondents expect their company’s short-term projected income to decrease substantially.

The ranked order of activities anticipated to decrease remains the same, (ie events, promotions and activations, outdoor, print and sponsorship), with some anticipated recovery for events and activations as lockdown starts to ease.

Digital is still expected to increase in activity. Concept and strategy have dropped one place to third behind mobile marketing (which increased significantly).

Respondents are feeling the strain, with those reporting retrenchments or salary cuts increasingly up from 18% to 42%. Stress levels are rising and many are participants reevaluating their careers, with 36% considering looking for a new job and 25% considering consulting or starting their own business. Half of respondents considering looking for a new job have felt their stress levels increase substantially since lockdown.

Change in stress levels

Staying at my current job

Looking for a new job

Freelancing or starting my own company

Total

Stress increased substantially 37% 51% 42% 41%
Stress increased slightly 37% 29% 39% 39%
Stayed the same 20% 9% 6% 12%
Stress decreased slightly 6% 7% 10% 6%
Stress decreased substantially 0% 4% 3% 2%

 

Key survey results

MarkLives HaveYouheard covid-19 agency followup survey 2020 01 trust in company leadership MarkLives HaveYouheard covid-19 agency followup survey 2020 02 measures taken by company
MarkLives HaveYouheard covid-19 agency followup survey 2020 03 confidence in company future MarkLives HaveYouheard covid-19 agency followup survey 2020 04 negative pandemic consequences

MarkLives HaveYouheard covid-19 agency followup survey 2020 05 positive pandemic consequences MarkLives HaveYouheard covid-19 agency followup survey 2020 06 anticipated decreases

MarkLives HaveYouheard covid-19 agency followup survey 2020 07 anticipated increases MarkLives HaveYouheard covid-19 agency followup survey 2020 08 impact on projected income

MarkLives HaveYouheard covid-19 agency followup survey 2020 09 personal professional impact MarkLives HaveYouheard covid-19 agency followup survey 2020 10 changes in stress levels

MarkLives HaveYouheard covid-19 agency followup survey 2020 11 future career considerations

See also

 

MarkLives logoThis MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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BREAKING: Joe Public United now majority-black‑owned

by MarkLives (@marklives) Joe Public United has announced that 60% of the company has been acquired by black shareholders, resulting in what the agency says is now the largest majority-black-owned, independent agency group in South Africa. The transaction sees three senior agency executives — Khuthala Gala Holten, Xolisa Dyeshana and Mpume Ngobese — acquiring a 26% shareholding through a newly created company, Ikamva Lakusasa, with 100% black-owned private equity investment company, Senatla Capital, buying another 34%.

New chairperson

In line with its mandate, Senatla Capital has funded a substantial portion of the acquisition by Ikamva Lakusasa. Senatla Capital was founded by Owen Maubane in 2010 with the mission of investing capital in South African companies and helping to transform the South African economy. Maubane now becomes the chairperson of the agency group.

The remaining 40% of shareholding is retained by the current shareholders, including Gareth Leck, group CEO; Pepe Marais, group chief creative officer; and Laurent Marty, group strategic officer. The new structure also includes a mechanism for equity to be made available, in time, to existing and future Joe Public staff.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

“Culmination of a journey”

“Xolisa and I have been with Joe Public for 15 years, and Mpume has been here for seven years, and we are steeped in its culture,” says Holten, Joe Public MD and Ikamva Lakusasa shareholder. “We not only look forward to being part of the group’s exciting new growth path but also to [being] part of the transformation process in this industry and opening the way for more black ownership in business.”

Concludes Leck, “This is the culmination of a journey that began a long time ago and included lots of hard work and late nights in pursuit of a dream to create genuine transformation in the brand communications industry. We’re confident that the structure of the transaction allows us to authentically transform the company into a majority-black-owned entity, while retaining our cherished independence and ensuring that high levels of ownership remain with the leadership team. Khuthala, Xolisa and Mpume have all made a massive and valued contribution in growing Joe Public United into the agency group it has become.”

See also

Photo taken pre-covid-19 pandemic. From top (L–R): Owen Maubane, Pepe Marais, Zanele Xaba (member of Senatla Capital’s strategy & operations board), Laurent Marty, Xolisa Dyeshana, Mpume Ngobese, and Neil van der Weele (Joe Public United board member and advisor). From bottom (L–R): Thato Tsotetsi (Senatla Capital principal), Khuthala Gala-Holten, and Gareth Leck.

 

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#Transformers: Mathe Okaba on change & transformation [interview]

by Charlie Mathews (@CharlesLeeZA) Mathe Okaba, Association for Communication and Advertising (ACA) CEO, knows how to face challenges head on. At the height of her career, after many successful years in the advertising industry as a media strategist and later as SABC 3 GM, she faced her fiercest challenge — a struggle with mortality. A cancer diagnosis saw her take on a life-and-death struggle, and transform. “When you go head to head with cancer, it teaches you who you are, and what’s most important to you,” she says. In this interview, MarkLives discusses transformation with Okaba.

MarkLives logoHow has facing, fighting and overcoming cancer changed you?
Mathe Okaba: I struggled with cancer for three years and had a bilateral mastectomy. You can’t go through this without it redefining you. I know exactly who I am and what I want. I have become incredibly certain — for good or for bad. I am unafraid of making decisions and am willing to be accountable for the decisions I make. I don’t allow things to fester. When I’m presented with something, I know whether it’s bullshit or not. I have agency and a clarity of vision, and I know it when something is good for me or not. My cancer journey of getting better has made me unafraid to be myself and to do me — regardless of how unpopular that might make me.

MarkLives logoWhat brings certainty?
MO: I know myself, my agency. I can decipher things and see patterns. Once you’ve been on your deathbed, you become less afraid to fail. But, more than this, I have come to understand how important confidence is to transformation, and how it drives forward movement and progression. Confidence breeds action, and action incites change. You know, for me, it’s all about understanding your personal power. Understand the power you possess; once you get this, you understand the authority you have over your entire life — over the things that you want and the very direction you want to follow.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

MarkLives logoWhat is personal power?
MO: It is remembering what is important to you in life, and what experience has taught you. There are multitudes of humans [whom] we engage with daily, and we live in a world where some of these people will build you [up]. But some will try break you. When you abdicate your power to humans who diminish you, you take away your own authority; you take away your own knowing. Don’t ever take that away from yourself. Understand that, whenever you engage with anybody, you’ve got the power to walk out the door or stay in the room. You have agency. Use it.

MarkLives logoML: Why is confidence important?
MO: When you lose your own confidence, you begin to doubt yourself, and don’t have faith in your decisions. You don’t trust yourself. I think self-trust is important because, when you know and trust yourself, others can trust you. Confidence breeds confidence.

MarkLives logoWhat is your personal experience of transformation in the South African marketing and communications sector?
MO: I came to advertising in the early ’90s and back then the heads of business were all these white boys, no disrespect to them. All these white boys having a good time playing golf together. Not having to share their social spaces, not having to share their monetary rewards.

MarkLives logoML: Why is the industry so untransformed?
MO: It is a latent fear that nobody wants to recognise or to talk about. I understand that change is hard, that it is difficult, but we must survive. To survive, we must change. And, to change, we need to understand each other, all of us. This means having difficult conversations with each other. It doesn’t help to be defensive about white privilege or about the fact that South Africa’s education system is still unequal. And it doesn’t help if those who have power and ownership are aggressive and refuse to let go or take risks. To survive, everyone needs to now reach out and collaborate; it is more essential to our collective survival than ever before. But, despite this, we still have some people of color who sit on boards and who are afraid to initiate change because it may prejudice their own success or status. This is a huge concern. I don’t understand this fear of loss, and this is something we must challenge. Fear shuts transformation down, but conversation and speaking about our fears can drive transformation forward through creating understanding.

MarkLives logoML: How do we take the next steps?
MO: We talk. We listen. We understand. We empathise. Transformation is negotiated; we get there through conversation. By learning. But mostly by being courageous and opening ourselves to diversity and new thinking. By letting go and embracing change head on, no matter how difficult it is.

See also

 


Association for Communication and Advertising (ACA) logoTransformers Transform 2020” is a special series produced by MarkLives and HumanInsight and sponsored by the Association for Communication and Advertising (ACA), running Jun–Sep 2020. Our objective is to explore and map new paths for brands and marketers to transform, adapt and build resilience while the world adapts to covid-19 and its resultant social, political and economic toll. This is an independently managed, journalism-driven research project.


 

Charlie MathewsAs an entrepreneur, Charlie Mathews (@CharlesLeeZA) has worked in growth teams with Naspers, Microsoft, and Tutuka.com (the global prepaid card company). Mathews has also successfully founded and exited two marketing companies. Published in Rolling Stone magazine, Guardian UK, and SA’s Greatest Entrepreneurs, edited by Moky Makura, Mathews wrote for Daily Maverick during the title’s legendary startup era. Today, Mathews is the founder and CEO of HumanInsight, a research, insights and learning company that helps brands better understand, and serve — humans.

 

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#BlackLivesMatter — and should for SA’s ad industry as well

by Veli Ngubane (@TheNduna) The transformation debate is no longer an issue about black and white people; it’s about opening practical, results-driven dialogue between the people who care about the future of this industry.

Core problem

The core problem with the transformation debate is that it’s been more about politics than about reforming the economy, resulting in the discussion being more about the past than the future.

It’s also been seen by some as a system to replace white economic power, when its objective has always been an equitable sharing of that power and its benefits, that is, including a sector of society that had faced legislated exclusion for hundreds of years. It’s time we start an inclusive discussion that aims to correct this — also in our industry — to ensure a future for all of us.

I sit here addressing an issue that shouldn’t be taking centre-stage at this advanced stage of human development, a topic that we as people should have long progressed from. This is the topic of race, white privilege and positively correcting the social injustices of the past to ensure a fair future for all. If we can launch a rocket 384 400km into space and take people to the moon and back, then surely, we can understand that “Black Lives Matter”.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

This article is a declaration of war, a warning and an agitated plea to the industry decision-makers to take transformation seriously for their business survival and the development of the country, to take a stance against racism and the lack of appreciation of black people’s talents notable in our industry (and many others).

Both the present and future

Our lives as black people matter in the world and in the advertising industry in South Africa because our collaborative voices, experiences, insights and work represent both the present and the future of this communications industry. We have and still can contribute much to the growth of this industry, if transformation is achieved and the barriers to access are broken.

Silence by our industry leaders in the fight against systemic racial oppression — faced daily by black entrepreneurs, creatives and practitioners — counts as an endorsement of this wrong; we need more people to speak up. Disappointingly, many brands and agencies have been silent on these issues concerning race, gender and other social justice issues.

It’s time for the industry to unite in creating a sustainable roadmap for the future of the industry. This should involve a collaborative approach by the various industry organisations and stakeholders, where we aim to find common purpose, reporting, measurement and planning in all issues related to transformation.

Hashtags and superficial support are simply no longer enough. It’s time for concrete, visible, practical and measurable solutions to be applied and reported on.

Position of privilege

If what you’re seeing happening in the world today is a shock to you, then you stand in the position of privilege and that’s what we must put an end to as an industry. It’s been the reality of millions of people, the only difference now being that it’s widely documented with the advancement of technology. Racial inequality is the real pandemic.

It’s a privilege when your social conditioning, environment and upbringing don’t create insecurities and doubt just because of the colour of your skin. It’s a privilege that your ‘success’ is automatically accepted and not constantly interrogated or probed because a sector of society doesn’t believe that you have the acumen or ability to achieve and deliver, simply because you’re black. It’s a privilege that there are positive preexisting media biases and narratives that are in place to automatically support your progress because of your race.

That we have to fight to matter in this world as black people is a real indictment on our society, as it is on societies around the globe.

I’d like to believe that, because of our democratic transition and the victories associated with it, we as South Africans have progressed beyond the American condition, where black people are still fighting to matter politically. Ours is now a legislated path to making sure the imbalance of the past is corrected. The issue for our industry is the acceptance and the authentic execution of the intent of those laws, which is about having equity in the economy and a power dynamic that reflects the demographics of the country.

Sacrifices can’t be forgotten

You see, black lives have always mattered to us as black people and that’s why the sacrifices of previous generations can’t be forgotten, as they laid the foundation for us to truly liberate ourselves from the shackles of slavery, injustice and systemic racism. Yet our racial and economic divide is clear for all to see, and made even more obvious by the covid-19 pandemic. The divide is real and needs us all as South Africans to address it.

This time allows us to prepare for a post-covid-19 environment, where transformation is indigenous and organic to the behaviours of agencies and brand custodians. We need to put the struggle of black people, especially black women, at the forefront of our transformation agenda.

I’m reminded of a board position I once held at what was then a leading globally owned agency, Ireland/Davenport, where I flagged the dire need to take transformation seriously at board level and its importance to the survival of the company. I was promptly replaced. A decade later, the results become clear when it was abruptly left to ‘black’ hands to save the business — but the cards had already been stacked against them because of the historic reluctance to transform.

Without an authentic approach to transformation, your organisation will struggle to survive and cease to exist in a transformed economy; this is the reality of resisting transformation. The consumer is growing more intolerant to the ignorant communication that has become a norm in our industry, with communication showing little appreciation of their culture and intellectual essence.

Out of touch

Strategists and creatives keep on dishing out their prescription of offensive, non-insightful, social media trend-dependent creative that they think we love while we, as the consumer, blankly stare back in amazement at how out of touch they are with the market and the consumer.

Many businesses in our industry don’t publicly discuss that transforming is a grudge purchase, something they wish away, and I’ve even heard some people say that, “after 26 years of correcting over 350 years of the evil legislated injustice of the past, transformation doesn’t work.” It’s the equivalent of getting a head start in a marathon for hours and then expecting the people who were held back legislatively to have an equal chance at success. We need to debate these in a non-political way but a progressive factual stance in order to understand each other.

Well, here is a story: transformation works.

It has for me in growing the largest 100% black-owned and -founded advertising group in South Africa, and it’s working for many businesses that are benefiting from applying the spirit of the law correctly.

The fallacy promoted by a few that it benefits an elite minority is a lie. I was born in Kwam’Mhlaba Uyalingana in rural Natal (now KwaZulu-Natal). There are many of us and we’re unstoppable.

The next phase

We’re now at the next phase of this battle: the economic phase. As we celebrate Youth Month, we remember the brave young people who paid in blood for our rights to be treated as humans, marching daily and refuting tirelessly against the legislated limitations of our freedom based on our skin color. We’ve not stopped. Our long walk to freedom is far from over. We use their inspirational feats as fuel to achieve economic freedom and dismantle the systematic oppressive systems in our society that are aimed to stunt black progress.

I implore you to be on the right side of history. Stand up and join the fight to truly transform this industry. We need to hear from South Africans of all races on a constructive way forward if we’re going to start a substantive dialogue.

We’re at a crossroads that needs our collective effort. Examine the role your brand or agency plays in practically transforming this industry — it’s no longer a time to simply talk about it or hope that the need to transform will go away with time. It’s time for measurable action.

Connect with Veli via Twitter or LinkedIn to further this discussion.

See also

 

Veli NgubaneVeli Ngubane (@TheNduna) entered advertising after completing his BSocSci (law, politics and economics) at UCT and a post-graduate marketing diploma at Red & Yellow, where he’s currently advisory board chairman. He also sits on the IAB’s Transformation & Education Council, is a DMA board member and Loeries, APEX, Pendoring, Bookmarks and AdFocus. He is the group MD of AVATAR and co-founder of M&N Brands, which is building an African network of agencies to rival the global giants. In his monthly MarkLives.com column, “Young, Gifted & Killing It”, he profiles award-winning, kick-ass black creative talent in South Africa.

“Motive” is a by-invitation-only column on MarkLives.com. Contributors are picked by the editors but generally don’t form part of our regular columnist lineup, unless the topic is off-column.

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Fair Exchange: Diversity in marketing critical for growth, positive outcomes

by Erna George (@edgeo23) We all know South Africa has a highly diverse consumer base, yet the marketing and advertising industries’ focus on building diverse thought and inspiration is still too slow. There are still too many similar agency profiles and responses, and people still use friends to conduct work, not because of credentials for a particular task (fit for purpose) but because they’re known entities. Breaking into this industry is a challenge but so is changing it.

It doesn’t mean a single or one-dimensional fix; it must be addressed from all angles.

Note: I wrote this before the explosion on Black Lives Matter but it would probably look strange for me not to comment on it in a column talking to diversity. This column clearly focuses beyond race and, in my view, brands that comment on #BlackLivesMatter should tread carefully for reasons below. Supporting the right causes is admirable but only if you can do it well and with clarity that you are 100% in the right in all of how you behave and operate. 

  1. Societal and political issues are always challenging for brands and needs to be handled with great care. Beware the total context — you must understand the scenario context and detail and you will need to articulate the message carefully so it doesn’t appear that you’re just jumping on the bandwagon for a platform that’s getting attention
  2. It must be relevant to your brand — its proposition, role or purpose in society and the context of the story you’re telling
  3. Most importantly, only do it if your house is in order. If commenting on Black Lives Matter, then ensure you truly live this ideal ie diversity is part of your team/business approach and values. If not, don’t use it as an opportunistic play for your brand.
MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Aspects of diversity still have to be a consideration in SA

I managed to convince a young and very smart black candidate to move to Cape Town to join my marketing team, once upon a time, from Jozi (no small feat, given the Jozi vibe). He came in and shook up thinking, especially with agencies. On about the third revert with one of the agencies, he said something along the lines of: “Have you guys ever looked at what outdoor life looks like for young black people in Joburg because it isn’t mountain climbing and walking on beaches — and, by the way, it isn’t only soccer?”

Where’s the balance between aspirational and relevance or connecting on a platform of understanding? I hope we’re moving on from having to represent each of the racial groups in every TV ad or showing gender in the most-typified ways. There must be representation of diverse people (race, gender and more) in culturally relevant situations that consumers can connect with. To deliver this in a non-derogatory or contrived way, we need people on teams in our business and agencies who have a deep understanding and appreciation of a multiplicity of cultural nuances and have diverse teams who are keen to truly understand your brand’s market.

A blend of global and local is another growing aspect of diversity

The world is getting smaller, and recognising when to showcase a global awareness with a local scenario will help key brands. Showcasing other customs or societies in your communication without an innate understanding of these will come off as fraudulent as societies blend more than ever. This is important for lifestyle and aspirational brands which overtly express a balance of global and local nuances. It’s also important for those brands looking to global for trends or new waves. The reason this is important is that we need to balance global and local inspirations.

The keyword is inspiration — not duplication. So please don’t tell marketers that since veganism or gluten-free is mainstream in Europe, it must be so in SA (and I’m not suggesting anything wrong with veganism or reducing gluten). Being ahead of the curve doesn’t mean force-fitting a curve when all things are heading in the opposite direction.

In this situation in SA, it might be preferable to consider ranges that have a variant for vegans or target a niche (and probably premium) sector but don’t imagine we are Europe or that SA can be turned into this. Identity which markets South African product lifecycles, behaviours or interests typically follow by category, and then watch, test and borrow. Tread carefully as getting this blend of social or ethnic shades wrong can create an unforgivable circumstance for the brand or failed launches.

What’s most critical is that you don’t imagine yourself as the consumer

You’re not a proxy for the consumer, especially if you’re distanced from the consumer set or the product has never been part of your point of reference. A typical situation arose recently when I had to taste-test Maltabella in a benchmarking exercise. While my sister loved what she called “brown porridge”, it was never part of my diet.

When you work on a brand, please immerse yourself in it but don’t consider yourself a loyalist or expert. When was the last time — or have you ever? — tasted corned meat, used roll-on or cooked with Bisto? If you work on a brand that makes products that were never part of your basket, you can’t rely on your tastebuds or experience to judge changes, manage quality or product-delivery profile. Create a panel in your business of users or get a consumer panel, otherwise don’t be surprised when changes don’t resonate. Stress-test your connection to the product test, even if you understand the brand well.

An article by Monique Bell in Adweek (“Advancing Diversity in Advertising Starts in the Classroom”; paywall) suggests that this starts with education: “[When students] of all backgrounds become more knowledgeable and mindful about racial representation and related practices, they will begin their marketing careers endowed with an appreciation for diversity and inclusion. Eventually, the marketing communications that they produce can shape consumer behavior (particularly among underrepresented consumers), which will translate into engagement and sales.”

Respecting and embracing diversity is more important than ever

This is a key introduction but, as some of us can’t go back to the classroom, there are other considerations we must take on to balance and bring the right level of diversity to our marketing world.

  1. Build diverse teams and be served by diverse partners who commit to knowing your consumer market in depth
  2. In-depth understanding is not a once-off; keep immersed and stay open to ensure relevance
  3. Rely on your consumers, even if you’re part of the target market — you’re not every consumer

Respecting and embracing diversity is more important than ever — age, experience, interests, ethnic and culture. Explore and honour to win.

 

Erna GeorgeAfter starting at Unilever in a classical marketing role, Erna George (@edgeo23) explored the agency side of life, first as a partner at Fountainhead Design, followed by the manic and inspiring world of consultancy at Added Value. She has returned to client-side, leading the marketing team in the Cereals, Accompaniments & Baking Division at Pioneer Foods. Her regular  “Fair Exchange” column on MarkLives concerns business relationships and partnerships in marketing and brandland.

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SA TV Ratings: May 2020 primetime — DStv, e.tv, SABC 1, SABC 2 & SABC 3

by MarkLives (@marklives) The hottest primetime shows on DStv, e.tv, SABC 1, SABC 2 and SABC 3 in South Africa revealed: TV ratings for May 2020. Please take heed of this notice regarding the impact of covid-19 on the Broadcast Research Council of South Africa (BRCSA) homepage.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

DStv logoDStv, May 2020

Top 30 Programmes All Adults 15+ & DStv Adults
Prime Time 5.30pm—10pm

Source: BRCSA May 2020

BRCSA TV Ratings May 2020 primetime DStv
Click to enlarge to view clearly.

 

 

e.tv logo for SA TV Ratingse.tv, May 2020

Top 20 Programmes All Adults 15+
Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8091

Source: BRCSA May 2020

Day

Date

From

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Station

Programme title

Genre

AR

Viewers

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 Tue 05/05/2020 1930 1958 e.tv Scandal Soap 16.63 5 986 978 39.5
Tue 05/05/2020 1900 1928 e.tv Rhythm City Dram 12.92 4 653 579 31.5
Mon 11/05/2020 1927 1929 e.tv Just for Laughs Gags Filler Sitc 12.06 4 341 575 30.2
Sun 10/05/2020 2000 2151 e.tv The Transporter Movi 11.17 4 021 359 35
Sun 31/05/2020 2000 2154 e.tv The Transporter Refueled Movi 11.09 3 993 529 34.9
Mon 04/05/2020 2130 2159 e.tv Imbewu: The Seed Dram 10.88 3 917 145 38.6
Sun 24/05/2020 2002 2202 e.tv Transporter 3 Movi 10.33 3 720 728 31.1
Sun 17/05/2020 1959 2140 e.tv Transporter 2 Movi 9.85 3 545 931 29
Sat 30/05/2020 2000 2205 e.tv Charlie’s Angels Ii: Full Throttle Movi 9.7 3 492 039 32.2
Sat 23/05/2020 2000 2154 e.tv Charlie’s Angels Movi 9.02 3 246 358 29
Sun 03/05/2020 2000 2217 e.tv Robocop Movi 8.55 3 079 487 29.7
Sat 09/05/2020 1958 2149 e.tv Happy Feet 2 Movi 7.6 2 735 995 24.1
Sun 03/05/2020 1800 1857 e.tv Family Feud South Africa Vari 7.03 2 531 833 20.7
Sat 02/05/2020 2000 2207 e.tv Happy Feet Movi 6.97 2 509 867 22.3
Sun 24/05/2020 1859 1934 e.tv News Night News 6.39 2 301 848 15.5
Sun 03/05/2020 1930 1958 e.tv Collateral Damage Movi 6 2 160 695 16.8
Sat 16/05/2020 2000 2200 e.tv Tower Heist Movi 5.83 2 099 418 19.4
Sat 09/05/2020 1800 1853 e.tv Spartan Race: Ultimate Team Challenge Real 5.57 2 004 037 16.8
Sun 10/05/2020 1929 1956 e.tv Blackish Sitc 5.22 1 881 095 14.8
Sun 31/05/2020 1930 1957 e.tv Modern Family Dram 5.21 1 874 237 14.5

 

SABC 1 logoSABC 1, May 2020

Top 20 Programmes All Adults 15+
Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8091

Source: BRCSA May 2020

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Date

From

To

Station

Programme title

Genre

AR

Viewers

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Tue 05/05/2020 2031 2059 S1 Uzalo Dram 29.43 10 597 540 71.2
Tue 12/05/2020 1830 1859 S1 Skeem Saam Dram 25.03 9 013 729 64.7
Tue 05/05/2020 2000 2029 S1 Generations:  The Legacy Soap 24.4 8 785 046 58.1
Fri 22/05/2020 2032 2101 S1 Makoti Movi 20.1 7 238 380 52.3
Mon 04/05/2020 1900 1929 S1 isiZulu News News 15.82 5 696 998 39
Tue 05/05/2020 1859 1930 S1 isiXhosa News News 15.16 5 459 811 37.3
Tue 12/05/2020 1800 1829 S1 Nyan Nyan Real 13.65 4 914 930 39.9
Mon 11/05/2020 1812 1829 S1 Expressions Actu 13.6 4 897 912 39.8
Mon 04/05/2020 1930 1959 S1 Sgud’snaysi Sitc 13.55 4 879 614 33.1
Sun 24/05/2020 1930 2122 S1 Big Momma’s House Movi 10.74 3 866 138 29.1
Fri 08/05/2020 1930 2000 S1 Live Amp Musi 10.68 3 846 381 28.2
Wed 20/05/2020 1931 2000 S1 Dipiri Le Makunutu Dram 10.67 3 843 167 28
Mon 04/05/2020 1800 1829 S1 My First Docu 10.58 3 810 191 32
Wed 06/05/2020 1929 1956 S1 Nomcebo Dram 10.28 3 702 250 26.3
Wed 13/05/2020 1930 1958 S1 Young Adult Movi 9.91 3 568 821 25.7
Thur 07/05/2020 1929 1958 S1 Throwback Thursday Musi 9.78 3 522 460 25.6
Wed 20/05/2020 1800 1830 S1 Mi Kasi Su Kasi Real 9.66 3 477 876 30.2
Tue 12/05/2020 1930 1959 S1 Selimathunzi Vari 9.65 3 476 378 24.2
Fri 15/05/2020 1802 1828 S1 Lip Sync Battle Vari 9.22 3 320 855 30.1
Wed 27/05/2020 1930 1959 S1 Chommies Dram 8.98 3 233 352 23.5

 

SABC 2 logoSABC 2, May 2020

Top 20 Programmes All Adults 15+
Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8091

Source: BRCSA May 2020

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Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

Wed 13/05/2020 2042 2117 S2 President’s Update on Lockdown Actu 19.06 6 862 788 44.7
Wed 13/05/2020 2117 2120 S2 Live Lotto Draw Vari 14.78 5 323 689 39.6
Mon 04/05/2020 2100 2130 S2 Muvhango Dram 12.64 4 550 556 35.8
Wed 13/05/2020 2029 2042 S2 Ngula Yavutivi Actu 11.9 4 284 619 28.2
Thur 21/05/2020 2056 2100 S2 Music Musi 8.73 3 144 738 14.2
Fri 15/05/2020 2057 2100 S2 Behind the Scenes: The Riviera Docu 7.12 2 565 283 11.6
Wed 13/05/2020 2147 2213 S2 Lithapo Dram 6.08 2 187 908 24.1
Thur 28/05/2020 1800 1830 S2 7De Laan Soap 5.77 2 076 497 17.8
Fri 01/05/2020 2129 2158 S2 Mopheme Dram 5.06 1 822 318 16.6
Wed 06/05/2020 1830 1858 S2 Nuus News 4.18 1 503 811 10.9
Wed 13/05/2020 2000 2029 S2 Ses/Tsw/Sep News News 3.96 1 427 295 9.8
Thur 28/05/2020 2129 2159 S2 Bone of My Bones Dram 3.94 1 417 655 16.2
Fri 15/05/2020 2131 2200 S2 Phamokate Dram 3.56 1 282 424 12.7
Sat 23/05/2020 1026 1055 S2 Muvhango -O Dram 3.35 1 207 557 19.9
Sat 16/05/2020 1831 2030 S2 Point Break Movi 2.95 1 061 289 8.4
Mon 25/05/2020 1401 1459 S2 Knight Rider Dram 2.91 1 048 972 14
Fri 15/05/2020 2200 2230 S2 Mmampodi Dram 2.8 1 006 473 12.8
Sat 09/05/2020 1829 2044 S2 Coach Carter Movi 2.78 999 691 7.8
Mon 25/05/2020 1331 1401 S2 Ga Re Dumele -R Sitc 2.72 980 128 12.6
Wed 13/05/2020 1956 1959 S2 SABC 2: Melody Docu 2.69 966 859 5.3

 

SABC 3 logoSABC 3, May 2020

Top 20 Programmes All Adults 15+
Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8091

Source: BRCSA May 2020

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Date

From

To

Station

Programme title

Genre

AR

Viewers

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Sun 03/05/2020 1724 1730 S3 Music Musi 2.09 7 51 331 9
Sat 16/05/2020 2000 2059 S3 Tropika Island of Treasure -R Real 1.99 7 17 952 5.9
Sun 03/05/2020 1500 1724 S3 Singh Is Bling Movi 1.92 6 90 251 7.4
Sat 02/05/2020 1800 1859 S3 Top Billing Maga 1.89 6 80 862 5.8
Tue 19/05/2020 1759 1929 S3 Basic Education Minister Adress 2020 News 1.85 6 64 475 5
Sat 02/05/2020 2130 2344 S3 Jack Reacher (Mov) Movi 1.76 6 33 927 9.8
Sat 16/05/2020 2100 2129 S3 News News 1.68 6 06 451 5.8
Tue 26/05/2020 1200 1259 S3 The A-Team Dram 1.56 5 62 193 7.8
Wed 27/05/2020 1200 1257 S3 Knight Rider Dram 1.5 5 39 253 7.4
Sun 03/05/2020 1930 2024 S3 Spirit Dram 1.47 5 29 844 4.1
Mon 11/05/2020 1101 1130 S3 Isidingo -R Soap 1.47 5 27 724 8.4
Mon 04/05/2020 1000 1200 S3 SABC News News 1.43 5 14 704 8
Sun 17/05/2020 1430 1657 S3 Housefull 3 Movi 1.42 5 09 548 6
Tue 19/05/2020 1937 2033 S3 Tropika Island of Treasure Real 1.41 5 07 409 3.5
Mon 04/05/2020 1205 1257 S3 Magnum P.I. Dram 1.39 4 99 894 7.3
Thur 14/05/2020 1200 1254 S3 Airwolf Dram 1.39 4 98 782 7
Sun 10/05/2020 1429 1720 S3 24 Dram 1.37 4 94 379 5.9
Thur 28/05/2020 1300 1558 S3 On Point News 1.35 4 86 394 6.8
Sun 03/05/2020 1730 1828 S3 Mela Maga 1.35 4 84 833 4.4

 

See also

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

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