Gallery: Pendoring 2014 — overall and gold winners

The 2014 Pendoring Advertising Awards were held on Friday evening, 24 October 2014, at Vodacom World in Midrand, Johannesburg. Here is a gallery of the overall and gold Pendoring winners. Congratulations to all!

Photos by Lettie Ferreira.

 

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Design Indaba — from event to institution

by Herman Manson (@marklives) Design Indaba is at an interesting stage of its development as it develops from an event to a design institution, with activities through-out the year.

Ravi Naidoo
Ravi Naidoo

Globally relevant

Design Indaba has upgraded its core media platform — the website designindaba.com — to put out prolific content that is globally relevant, says founder and managing director, Ravi Naidoo.

It is also focusing on aggregating speaker talks from the Design Indaba event into bespoke pieces suitable for educators to insert into academic courses. Naidoo says Design Indaba is actively advocating for academia to ‘plunder its resources’ in the hope that content generated by the event reaches a broader audience and serves as a source of inspiration for a new generation of designers.

This is especially relevant to South Africa, where we are not getting outcomes, considering the spend that is going to education. According to Naidoo, while we get the basics right, our education system has failed to put building blocks in place for people wanting to further their education.

Online curriculum

Design Indaba is working on putting together an online curriculum for the design industry and so assist those interested with further training. It also shifts the role of educators from academics to practitioners with real-world expertise in their respective design fields.

To that point, Designindaba.com now employs five editorial staffers and another five in the video-production department.

Tellingly, interest in conference simulcasts by academic institutions is growing; Design Indaba is now simulcast in Johannesburg, Durban, Port Elizabeth and Potchefstroom. Simulcast partners pay a licence fee to Design Indaba for the right to host the simulcast in their city.

Exporting the model internationally

It is proving so effective Design Indaba will be exporting the model internationally. One university coupled the simulcast with a mini expo where emerging designers marketed their products — and turned a R170 000 profit.

Design Indaba is also in the process of seeding new projects with speaker alumni. Naidoo is enthusiastic about the ‘simple honesty of making’. One such project, Christoph Niemann’s Petting Zoo app, was downloaded more than a million times, and later sold to German app company Fox & Sheep GmbH. Design Indaba had taken a minority stake in developing the app, allowing Niemann to gain real monetary benefit from the eventual sale.

Currently, Design Indaba is assisting other alumni in producing an animated TV series and producing furniture.

While some alumni projects are done with profit in mind, others hope to add social value, as in the instance of collaboration with street artist Faith47. The #Anothertlightup project, launched in February 2014, aims to erect 80 streetlights in Monwabisi Park, Khayelitsha, through crowd-funding. Every time you donate through the #Anotherlightup website, the lighting on the interactive mural lights up momentarily.

#ANOTHERLIGHTUP from Design Indaba on Vimeo.
Saving the Labia

Naidoo also aims to bring the Design Indaba movie festival back to The Labia Theatre this year — another attempt to save a part of Cape Town’s cinematic and cultural history. Design Indaba is funding a new production by Brett Bailey as well that will debut at the conference before starting a full season on stage

Design Indaba has already had a very tangible effect on the SA design economy. Over the past six years (the inaugural conference took place in 1995), it has contributed over R1.7 billion to the South African GDP. Through its annual expo, it has exposed 40 967 visitors and 808 buyers (211 international) to 509 exhibitors and generated R200 million in revenue.

Via its network of design contacts, Design Indaba is emerging as a creative broker, linking brands and designers. An example of this is how it helped one global brand find the architect for its new architectural pavilion in Cape Town.

Two international sponsors for 2015

The conference itself is going from strength to strength; it has signed two international sponsors for 2015 — Grolsch (based in Enschede in the Netherlands) and Pernod Ricard (Paris, France).

Design Indaba is already firmly established on the international design calendar, and efforts to build the brand globally should only benefit the SA design economy. It is putting Cape Town on the map to compete with international design centres while focusing attention on Africa’s varied design ethos and successes.

Its shifting focus to the practical — making things happen — is a wonderful evolution that should take more speaker talks from auditoriums and computer screens to the street, where it can offer so much more value.

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Smart Africa TV: How Millicom is backing Africa’s start-ups

Millicom logoby Russell Southwood (@BalancingActAfr) In this video interview, Raul Martinez, commercial director – Africa for Millicom, talks about:

  • drawing on its experience of rolling out Triple Play in Latin America
  • its investment in Rocket
  • its support to open the Think incubator in Rwanda and Millicom Digital Ventures
  • its partnership with Facebook in Tanzania
  • its approach to solving payment for digital services
  • and the road from being a mobile operator to a digital services company.

Martinez will be a speaker at AfricaCom, 11-13 November 2014. For further details, go to www.comworldseries.com/africa and follow it on #africacom

Smart MonkeyRussell Southwood is the founder of Balancing Act and the web TV channel Smart Monkey TV, and has been an analyst in telecoms, internet and broadcast in Africa for the last 14 years. Smart Monkey TV aims to capture the energy at the crossroads between African culture and technology. MarkLives is syndicating content from Smart Monkey TV on a weekly basis for the column “Smart Africa TV”.

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Pendoring Advertising Awards — all the 2014 winners!

The 2014 Pendoring Advertising Awards winners were announced on Friday evening, 24 October 2014. In total, 25 silver and eight gold Pendoring trophies were awarded. [View a gallery of overall and gold winners here.]

Joe Public maintained its status as the Pendoring leader over the past few years with three silver and one gold Pendoring. Ninety9Cents Communications took four silver Pendorings. OPENCO – The Open Collaboration, won one gold and two silver Pendorings.

Pendoring logoOgilvy & Mather Johannesburg won a one silver and one gold Pendoring and FCB 1886 won two silver Pendorings. Blink Stefanus clinched a gold trophy for his “Blink Projek” entry in the live events, activations and direct communications category.

FCB Johannesburg won a silver and a gold Pendoring and Black River F.C. won one gold Pendoring. M&C Saatchi Abel Cape Town bagged two silver Pendorings and Native VML, TBWA\Hunt\Lascaris Johannesburg, DDB South Africa and The Jupiter Drawing Room Johannesburg each took home one silver Pendoring each.

King James Cape Town won a gold Pendoring in the truly South African television category (with The Reader for Bell’s Whisky)and a silver in the truly South African Craft category for cinematography. At the end of the evening King James Cape Town was also crowned the overall winner in the Truly South African category with the Umpetha award.

North-West University (NWU) won two silver and one gold Pendoring. Judy Kriel of NWU was chosen as the overall winner in the Student category with her work for MK entitled “MK-Sosiaal”.  Student entries from the University of Johannesburg and Vega School of Brand Leadership in Cape Town each received one silver Pendoring.

Winners of the 2014 Pendoring Advertising Awards:

TELEVISION/CINEMA (with a production budget less than R600 000) – Sponsored by kykNET
No Award

NON-BROADCAST VIDEO& FILM

Silver
Title: Zander
Agency: Ogilvy & Mather Johannesburg
Advertiser: Pendoring 2013

RADIO

Silver
Title: Hoekslypers
Agency: FCB 1886
Advertiser: Cell C

Silver
Title: Watsê die Jakkals?
Agency: FCB 1886
Advertiser: Cell C

NEWSPAPERS – Sponsored by ADS24
No Award

MAGAZINES
No Award

POSTERS

Silver
Title: Hardloop, Heelal, Hakskene(Campaign)
Agency: Joe Public
Advertiser: Produce Sound

Silver
Title: Blaaskans Bederwers (Swembad, Restourant)(Campaign)
Agency: OPENCO -The Open Collaboration
Advertiser: World Leisure Holidays

SWEMBAD

DIGITAL & INTERACTIVE COMMUNICATION – Sponsored by Media24

Silver
Title: #YourLegendLivesOn
Agency Ninety9Cents Communications
Advertiser: Tassenberg

Tassenberg

ORIGINAL AFRIKAANS – Sponsored by ATKV

Gold
Title: Hardloop, Heelal, Hakskene (Campaign)
Agency: Joe Public
Advertiser: Produce Sound

Silver
Title: Apple-uitverkoping
Agency: Ninety9Cents Communications
Advertiser: Digicape

apple

RETAIL
Silver
Title: Apple-uitverkoping
Agency: Ninety9Cents Communications
Advertiser: Digicape

Silver
Title: Hotel, Kegelbal (Campaign)
Agency: FCB Cape Town
Advertiser: Musica

CRAFT

Gold
Craft: Illustration
Title: BlaaskansBederwers(Swembad)
Agency: OPENCO -The Open Collaboration
Advertiser: World Leisure Holidays

Silver
Craft: Illustration
Title: Droomvakansie, Droomkar, Droomloopbaan (Campaign)
Agency: Joe Public
Advertiser: Lovers Plus

Silver
Craft: Illustration
Title: BlaaskansBederwers (Restourant)
Agency: OPENCO – The Open Collaboration
Advertiser: World Leisure Holidays

COMMUNICATION DESIGN
No Award

LIVE EVENTS & ACTIVATIONS & DIRECT COMMUNICATION

Gold
Title: Die Blink Projek
Agency: Blink Stefanus
Advertiser: Blink Stefanus

TRULY SOUTH AFRICAN – TELEVISION

Gold
Title: Picnic, Wedding (Campaign)
Agency: Ogilvy & Mather Johannesburg
Advertiser: MultiChoiceDStv

Gold
Title: The Reader
Agency: King James Cape Town
Advertiser: Bell’s Whisky

Gold
Title: Giving
Agency: Black River F.C.
Advertiser: First for Women

Silver
Title: Coke Bobby
Agency: FCB Johannesburg
Advertiser: Coca-Cola Southern Africa

TRULY SOUTH AFICAN – RADIO

Silver
Title: Môre Oompie, Afrikaners is Plesierig, Jan Pierewiet (Campaign)
Agency: DDB South Africa
Advertiser: Wrigley Orbit

TRULY SOUTH AFRICAN – CRAFT

Silver
Craft: Illustration
Title: Mountains, Township, Football, Beach (Campaign)
Agency: The Jupiter Drawing Room Johannesburg
Advertiser: Safari Braai Products

Silver
Craft: Cinematography
Title The Reader
Agency: King James Cape Town
Advertiser: Bell’s Whisky

TRULY SOUTH AFRICAN – GENERAL

Gold
Title: A Rainbow for the Rainbow Nation
Agency: FCB Johannesburg
Advertiser: Coca-Cola Southern Africa

Silver
Title: Be the Most Famous You
Agency: TBWA\Hunt\Lascaris Johannesburg
Advertiser: The Loeries Awards

Silver
Title: Cinemark Experience
Agency: Joe Public
Advertiser: Cinemark

Silver
Title: Fossil Biscuits
Agency: M&C Saatchi Abel Cape Town
Advertiser: IZIKO Museums of South Africa

Silver
Title: World AIDS Day WiFi
Agency: M&C Saatchi Abel Cape Town
Advertiser: MWEB

TRULY SOUTH AFRICAN – INTEGRATED CAMPAIGN

Silver
Title: #YourLegendLivesOn
Agency: Ninety9Cents Communications
Advertiser: Tassenberg

Silver
Title: KeYona
Agency: Native VML
Advertiser: Nedbank

STUDENTS

STUDENTS – TRADITIONAL MEDIA
No Award

STUDENTS – CRAFT

Silver
Craft: Typography
Title: KolonialeBliksem Rhodes
Tertiary Institution: University of Johannesburg
Product/Service: KolonialeBliksemLettertipes
Student: Osmond Tshuma

STUDENTS – INTEGRATED CAMPAIGN

Silver
Title: Boksem-bier
Tertiary Institution: North-West University
Product/Service: Boksem Bier
Student: Janus Badenhorst

Silver
Title: MK NooitAlleenNie
Tertiary Institution: North-West University
Product/Service: MK
Student: Anja Kocks

STUDENTS – TRULY SOUTH AFRICAN – GENERAL

Silver
Title: Moustache, Jeans, Hair (Campaign)
Tertiary Institution: Vega School of Brand Leadership Cape Town
Product/Service: Lion Matches
Students: Michael Southey, Robyn Newham, Liezl Fourie

STUDENTS – TRULY SOUTH AFRICAN – INTEGRATED CAMPAIGN

Gold
Title: MK-Sosiaal
Tertiary Institution: North-West University
Product/Service: MK SosialeTelevisie
Student: Judy Kriel

UMPETHA AWARD

Category: Truly South African: Television
Title: The Reader
Agency: King James Cape Town
Advertiser: Bell’s Whisky

OVERALL STUDENT WINNER

Student: Judy Kriel
Category: Truly South African: Integrated Campaign
Title: MK-Sosiaal
Tertiary Institution: North-West University
Product/Service: MK Sosiale Televisie

Adobe Photoshop PDF

PRESTIGE AWARD
Not Awarded

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MagLove: Go and get away on holiday in South Africa!

by MediaSlut (@MediaSlut) My choice of the best international and local magazine covers in MagLove this week:

  • FORTUNE (India)
  • Hype
  • Popular Science
  • The Economist (Latin-America)
  • Go!
  • Getaway

INTERNATIONAL

FORTUNE (India), October 2014

FORTUNE (India), October 2014A simple, clean and effective way to illustrate its cover story of “The Disruptors”, referring to companies who come into a industry, ‘fists swinging’ and changing the way business is done, looked at, or even how products are valued. 

Hype, 19 October 2014

Hype, 19 October 2014I like this playful cover from the free bi-weekly magazine Hype, which is a nightlife- and music guide magazine in the UAE. The way its logo is surrounded by the boardgame number element and its cover story has been illustrated are fun and very effective.

Popular Science, November 2014

Popular Science, November 2014Ahhh… if my next friend could be such a cute little robot, I wouldn’t be completely against the idea… :-)

This cover is definitely going to create debate and start conversations (and get a few eyes rolling…), so if you want to get all the facts, read the full article here.

The Economist (Latin-America), 18 October 2014

The Economist, 18 October 2014As far as I could find out, this isn’t the cover of the main issue but one that ran in a specific country (which one, I’m not sure [in Mexico, according to Zinio — ed-at-large]), but it’s brilliantly sharp and funny.

Keep in mind that fruit hats were made popular by Carmen Miranda, who was a Portuguese Brazilian samba singer and dancer from the 1930s onwards, so it’s synonymous with Brazil. Read the article here.

LOCAL

Go!, November 2014

Go!, November 2014Getaway, November 2014

Getaway, November 2014The December holidays are just around the corner (five weeks, and then we start December!), and I am definitely seeing and feeling things quietening down, and South Africans get excited about the prospect of going away — myself included! That’s probably the reason that I’m drawn towards local travel magazines, and that the November 2014 covers of both Go! and Getaway are making my list this week, too!

They both capture something unique and special about South Africa and showcase holidays that one doesn’t have to travel overseas to experience, and both are beautiful covers in their own right.


Find a cover we should know about? Tweet us at @Marklives and @MediaSlut.
Want to view all the covers at a glance?
See our MagLove Pinboard!


MediaSlutMagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The (for now anonymous) blogger behind MediaSlut knows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every Monday and Thursday. Sign up here!

Heroes & Zeros: Isuzu & YOU magazine — best & worst brands of the week

This week during The Ad Feature on 702, Andy Rice (@ricecommaandy) and Jenny Crwys-Williams (@jcwLIFE) applaud Isuzu for its flippen’ fantastic radio ad and YOU magazine takes a ‘bald’ move in the wrong direction.

Find out why these feature in this week’s Heroes & Zeros by watching the webisode below:

 

For a fresh look at the world of advertising, Jenny Crwys-Williams of talk radio station 702 (@Radio702) chats to advertising critic Andy Rice on The Ad Feature, every Wednesday 2.30pm — 3pm. The filmed Heroes & Zeroes will appear on MarkLives every Friday as a webisode.

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#3D: Perfect marriage between CMOs & CIOs

by Prakash Patel (@prakashpatel_1) At an exco meeting, the CIO has just heard that, in a recent survey by the Gartner group, it is predicted that by 2017 CMOs will spend more on IT than their counterpart CIOs. This has now sent shivers down the spine of the CIO and a high-five from the CMO as to what that will mean to her budget, department and role.

Over the past few months, I have talked about the principles behind “Data-Driven Marketing”, through to “how to get strategic” as the first step in your approach to becoming a more data-driven organisation — the next step is to talk frankly about building the foundation within your business.

Keep Calm Step 2 Building the Foundation. Fogg Experiential DesignBut, wait a minute, going back to the exco meeting, if the CMO thinks she has won the grand prize and she can do this alone, then she’s wrong. In a survey conducted by Forrester, what’s increasingly apparent is that, to succeed in the age of the customer, CEOs depend upon their CMO and CIO to connect customer insights to business outcomes through business technology — the technology, systems, and processes to win, serve, and retain customers.

“Customer centricity and success is also about taking an Inside Out View”

In response to the survey, it’s not all gloom and doom. It’s an opportunity and an affirmation in how the role of marketers in today’s digitally and technically enabled world has changed and is now forcing businesses to rethink their internal business strategy from the top down.

For me, how can a business be customer-centric if its own departments’ roles are fragmented and working in silos? The same needs now to be applied internally.

It is no longer good enough (or affordable) to think of who owns what within a company, but more how do we, as a business, truly achieve a customer-centric approach from the inside out? If we wait to see who wins this battle internally, then the real battle outside will be lost — at your company’s peril.

So let’s now talk about data and the changing role of CMOs and CIOs in collectively building the foundation to win the heart and admiration of their customers and the management of data. Again, where do you start?

As in my previous columns about getting strategic, below I discuss the key conversational topics that need to be had to help you build the right foundation, based upon my own experiences, research and whitepapers.

Keep Calm and Follow Five Steps to #DataDrivenMarketing. Designed by Fogg.Collaborative partnership charter

Today, when marketers rely more and more upon technology as customers now play across a multitude of devices, platforms and touch-points — generating billions of records, datasets, impressions and CTAs — big data is here and just getting bigger.

Therefore, marketing for today’s marketers cannot be done without technology, and IT cannot build systems that are not fit for marketing.

It is thus fundamental that there is a shared vision and responsibility in the ownership, objectives and goal of today’s marketing. You need each other, period!

The following is a list of key questions and considerations you need to make to start building your foundation:

  1. IT systems and marketing databases

Databases and systems that are only IT-focused, in my experience, tend to lead to databases and systems that are not ‘fit for purpose’ with regard to marketing.

I spent years early on in my career trying to navigate myself through the complexity and politics of IT and marketing not working together, which simply resulted in IT systems being built in isolation, with its needs over marketing requirements, and marketing building its own databases in an vacuum.

So, at that time of my career, we made a living in bridging this gap between the two silos that allowed marketing to do data-driven-marketing, with technology and systems as the enabler.

But, in today’s world of big data, it is even more challenging, especially when you think about the amount of data being generated and collected across a multitude of touch-points. If your business does not cater for this, then how can you be a data-driven organisation?

  1. Today’s customer experience

As I said earlier, with today’s marketing now including digital, the challenge is for marketers to create a consistent brand experience across a multitude of touch-points.

To accomplish this, marketing needs a solid IT foundation in place, from the gathering and collection of data, interactions and impressions through to the processes and tools in place to allow for automated tactical communications — all of which are reliant upon IT expertise and support.

  1. Don’t compromise on customer experience

Many organisations have already started this process, evident in the number of digital RFPs and pitches I have been involved with (a welcomed requirement).

But, at the same time, a fair warning: IT is only part of the solution and marketing shouldn’t be held ransom by IT’s constraints for a better customer experience due to legacy solutions and potential hindrances. It is about building systems and solutions that will maximise the customer experience.

  1. Data security and compliance

Another huge challenge facing ultimately both IT and Marketing is the basics of data security and compliance businesses are now faced with, from ensuring data-protection laws are being met through to ensuring security measures are in place in how data is being stored securely and safely.

Customers expect this and they need to trust their data and information are being held responsibly, safely and respected.

This exact point was eloquently described in a section of a report by PwC I read at the time of writing this column, entitled “Digital Trust”. It stated that the digital age is here. The potential for an organisation to be fast, agile and creative is as never before. Embracing the opportunities on offer is the only way to stay competitive.

As an organisation’s reliance on IT systems grows and they become a fundamental part of the organisation, they mustn’t fail. Technology is a key player in business success. But each organisation — and its customers, shareholders and regulators — need to trust it. Trust in simple means customers will be confident in the organisation’s ability to keep their data safe and secure.

There isn’t a better reason that the two need to work together — a marriage made in marketing-heaven and another step towards data-driven marketing.

Five Steps to #DataDrivenMarketing. Designed by Fogg.In my next column, I look forward to talking about dirty data and sexy data that can empower an organisation through data-mining and -interrogation.

Happy data mining!

 

Prakash Patel, 2014

 

Prakash Patel (@prakashpatel_1) is chief strategy officer at Fogg Experiential Design, a technically-enabled, digitally-led, creatively-inspired, data-driven and strategically-focused design company based in Johannesburg and Cape Town. He has over 25 years of experience in advertising and data planning, a passion for integrated marketing strategies, and believes that the holy grail of marketing has always been — and always will be — data. Prakash contributes the monthly “#3D” (Data-Driven & Digital) column to MarkLives.com, exploring how data-driven and digital marketing can add value to marketing communication.

 

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#Top40TVratings: 13–19 October 2014

by SAARF & MarkLives (@marklives) A collaboration between the South African Audience Research Foundation (SAARF) and MarkLives, this SAARF/MarkLives #Top40TVratings column is a weekly roundup of South Africa’s TV audience viewership.

Satellite dishWe reveal the best-watched shows of the week before (in this case, 13–19 October 2014), where they ran and how many South Africans tuned in to watch.

We offer two tables:

  • The first covers all households — free-to-air viewing (the various SABC channels and e.tv), as well as the DStv platform.
  • The second charts the best-watched shows on the DStv network of channels only.

SAARF/MarkLives #Top40TVratings Charts: 13–19 October 2014

National

Market Target Activity
National Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\variable (r) AMR % AMR SHR %
1 SKEEM SAAM SABC 1 Drama Drama 20.2 8 645 896 64.01%
2 KOWETHU SABC 1 Drama Drama 16.4 7 033 377 52.56%
3 SOUL CITY SABC 1 Drama Drama 15.5 6 632 130 49.34%
4 ORANGE AFRICA CUP OF NATIONS QUALIFIER:SOUTH AFRICA VS CONGO SABC 1 Sport Football (soccer) 13.5 5 794 907 47.02%
5 SES’TOP LA SABC 1 Sitcom Sitcom 11.6 4 970 951 36.45%
6 MUVHANGO SABC 2 Drama Drama 11.4 4 872 069 41.18%
7 ZAZIWA SABC 1 Variety Variety 11.3 4 844 579 37.87%
8 SELIMATHUNZI SABC 1 Variety Variety 11.2 4 812 259 35.11%
9 SHREDS AND DREAMS SABC 1 Drama Drama 11.2 4 786 517 39.12%
10 IHAWU SABC 1 Drama Drama 10.8 4 625 921 39.15%
11 ZULU NEWS SABC 1 News News 9.7 4 144 559 34.12%
12 1’S AND 2’S SHOW SABC 1 Music Music 9.1 3 925 268 32.21%
13 POWERBALL SABC 2 Variety Variety 8.3 3 564 239 34.86%
14 REAL GOBOZA SABC 1 Magazine Magazine 8.2 3 519 096 28.85%
15 ABSA PREMIERSHIP ORLANDO PIRATES VS FREE STATE STARS SABC 1 Sport Football (soccer) 7.9 3 372 366 33.01%
16 SCANDAL e.tv Drama Drama 7.8 3 364 190 25.62%
17 NGEMPELA SABC 1 Drama Drama 7.8 3 355 790 30.83%
18 XHOSA NEWS SABC 1 News News 7.7 3 304 052 32.36%
19 MAX PAYNE e.tv Movies Action/adventure 7.0 3 018 184 28.81%
20 SUNDAY LIVE SABC 1 Actuality Actuality 6.7 2 875 037 23.01%
21 WIPEOUT SABC 2 Competition Competition 6.2 2 642 704 22.39%
22 SKEEM SAAM -R SABC 1 Drama Drama 6.0 2 583 382 52.61%
23 VELAPHI -R SABC 1 Sitcom Sitcom 6.0 2 559 367 51.01%
24 ISIDINGO:THE NEED SABC 3 Soap opera Local 5.9 2 533 321 20.65%
25 THE X FACTOR SOUTH AFRICA SABC 1 Reality Reality 5.8 2 483 626 25.80%
26 HOW I MET YOUR MOTHER e.tv Sitcom Sitcom 5.5 2 338 369 18.69%
27 WWE WRESTLING RAW e.tv Sport Wrestling 5.4 2 331 708 25.05%
28 SA’S GOT TALENT e.tv Variety Variety 5.4 2 330 750 22.65%
29 CUTTING EDGE -R SABC 1 Actuality Actuality 5.4 2 319 011 41.86%
30 MUVHANGO -R SABC 1 Drama Drama 5.3 2 294 734 48.16%
31 FAN BASE SABC 1 Music Music 5.3 2 291 431 26.42%
32 SPEAK OUT SABC 2 Actuality Actuality 5.3 2 261 755 28.00%
33 RHYTHM CITY e.tv Drama Drama 5.2 2 221 447 20.38%
34 100% YOUTH SABC 1 Variety Variety 5.2 2 209 765 25.76%
35 MPONENG SABC 2 Sitcom Sitcom 5.1 2 201 324 17.81%
36 CUTTING EDGE SABC 1 Actuality Actuality 5.1 2 189 262 26.57%
37 MOHLOLOHADI 2 SABC 2 Drama Drama 4.9 2 122 936 23.22%
38 ABSA PREMIERSHIP BLOEMFONTEIN CELTIC VS POLOKWANE CITY SABC 1 Sport Football (soccer) 4.8 2 038 237 23.91%
39 NGEMPELA -R SABC 1 Drama Drama 4.8 2 037 856 45.56%
40 NOW OR NEVER SABC 1 Documentary Documentary 4.7 2 030 984 22.59%

DStv

Market Target Activity
DStv Total Indv (incl guests) Live + VOSDAL
Counter Description (grouped) Channel Level 1 Level 2\variable (r) AMR % AMR SHR %
1 SKEEM SAAM SABC 1 Drama Drama 13.7 1 844 733 41.37%
2 ORANGE AFRICA CUP OF NATIONS QUALIFIER:SOUTH AFRICA VS CONGO SABC 1 Sport Football (soccer) 8.5 1 143 979 27.77%
3 MUVHANGO SABC 2 Drama Drama 8.3 1 120 414 28.05%
4 SES’TOP LA SABC 1 Sitcom Sitcom 6.7 907 069 19.65%
5 ISIBAYA Mzansi Magic Variety Variety 6.5 881 481 20.36%
6 SELIMATHUNZI SABC 1 Variety Variety 6.2 838 748 18.63%
7 ZAZIWA SABC 1 Variety Variety 6.0 809 381 18.67%
8 SCANDAL e.tv Drama Drama 5.6 761 222 17.24%
9 POWERBALL SABC 2 Variety Variety 5.4 726 529 20.91%
10 SOUL CITY SABC 1 Drama Drama 5.2 703 484 15.67%
11 ZULU NEWS SABC 1 News News 5.1 691 456 16.19%
12 KOWETHU SABC 1 Drama Drama 5.1 682 538 15.23%
13 1’S AND 2’S SHOW SABC 1 Music Music 4.6 619 407 15.17%
14 SPEAK OUT SABC 2 Actuality Actuality 4.6 617 816 21.25%
15 SHREDS AND DREAMS SABC 1 Drama Drama 4.3 584 742 14.28%
16 ABSA CURRIE CUP 2014:WESTERN PROVINCE VS BLUE BULLS SuperSport 1 Sport Rugby (all) 4.3 584 116 15.85%
17 OUR PERFECT WEDDING (MAG) Mzansi Magic Magazine Magazine 4.2 571 541 13.13%
18 RHYTHM CITY e.tv Drama Drama 4.1 552 968 14.25%
19 7DE LAAN SABC 2 Soap opera Local 4.1 551 993 14.25%
20 IHAWU SABC 1 Drama Drama 3.9 524 393 13.05%
21 XHOSA NEWS SABC 1 News News 3.8 519 967 14.49%
22 ISIDINGO:THE NEED SABC 3 Soap opera Local 3.7 504 254 11.97%
23 ABSA PREMIERSHIP AJAX CAPE TOWN VS KAIZER CHIEFS SuperSport 4 Sport Football (soccer) 3.5 476 849 13.30%
24 ABSA CURRIE CUP 2014:GOLDEN LIONS VS SHARKS SuperSport 1 Sport Rugby (all) 3.4 454 861 14.31%
25 SKEEM SAAM -R SABC 1 Drama Drama 3.2 437 569 24.40%
26 REAL GOBOZA SABC 1 Magazine Magazine 3.2 426 886 9.97%
27 SAINTS AND SINNERS[DRAMA] Mzansi Magic Drama Drama 3.1 423 065 10.24%
28 NGEMPELA SABC 1 Drama Drama 3.1 417 713 10.77%
29 MUVHANGO -R SABC 1 Drama Drama 2.9 389 600 22.67%
30 MOHLOLOHADI 2 SABC 2 Drama Drama 2.8 383 369 12.39%
31 VELAPHI -R SABC 1 Sitcom Sitcom 2.8 373 886 20.27%
32 WWE WRESTLING RAW e.tv Sport Wrestling 2.7 367 556 9.75%
33 ABSA PREMIERSHIP ORLANDO PIRATES VS FREE STATE STARS SABC 1 Sport Football (soccer) 2.7 365 382 10.13%
34 NEWS e.tv News News 2.6 353 352 9.72%
35 CUTTING EDGE SABC 1 Actuality Actuality 2.6 353 172 11.94%
36 MPONENG SABC 2 Sitcom Sitcom 2.5 342 541 7.99%
37 NGEMPELA -R SABC 1 Drama Drama 2.5 339 841 20.89%
38 THE BOLD AND THE BEAUTIFUL SABC 3 Soap opera International 2.5 337 753 9.90%
39 BOER SOEK ‘N VROU 7 kykNET Reality Reality 2.5 335 151 8.28%
40 ORANGE AFRICA CUP OF NATIONS QUALIFIER:CONGO VS SOUTH AFRICA SuperSport 3 Sport Football (soccer) 2.4 326 334 8.45%

How to read the tables

AMR% refers to the number of people in a target market who were watching an event ie programme, expressed as a percentage of the population for that demographic: “On average, 16.3% of adults aged 15+ who watched TV from 28 Jan-3 Feb 2014 watched Society on SABC 1”.

AMR is the number of people in a target market watching a specific event ie programme per minute, expressed in absolute figures: “On average, 1, 541, 066 adults aged 15+ who watched TV from from28 Jan-3 Feb 2014 watched Society on SABC 1”.

Share % (SHR %) is the share or proportion of the available audience (people watching TV at that time) that a specific channel/programme has achieved at that time: “Society achieved a share % of 52.59% from 28 Jan- 3 Feb 2014 on SABC 1″.

saarf 150SAARF is the name by which the South African Audience Research Foundation is familiarly known. SAARF’s main objective is to direct and publish media audience and product/brand research for the benefit of its stake-holders, thereby providing data for target marketing and a common currency for the buying and selling of media space and time. SAARF has thus the responsibility to measure the audiences of all traditional media such as newspapers, magazines, radio, television, cinema and out of home media.

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Shelf Life: Fresh brand ambassador

Louise Marsland (@Louise_Marsland)’s weekly pick of recent product, packaging and design launches:

  • Waste not as Native VML pops up another store
  • New toy craze for SA
  • Futurelife Zero packaging win, and
  • A Fresh image for Cipla Nutrition.

Made for You

Made for You and Cavendish pop-up storeLove this execution: full-service agency Native VML has been popping up stores again; this latest one at Cavendish Square shopping centre in Cape Town’s southern suburbs is about recycling the shopping centre’s waste into resalable art and usable goods.

One of my soapboxes is that creative people will solve the world’s problems, not politicians, because they are natural problem solvers and idea engineers. However, localised or mainstream, we need more campaigns like this one — ‘Made by You and Cavendish’ is the name of this latest experiential campaign from Native for client, Cavendish Square.

The idea is to make shoppers part of sustainable product design by letting them know the value of the kinds of things that their rubbish can produce.

Colourful bin monsters were arrayed throughout the mall, one of the biggest in Cape Town, after Cavendish Square approached the agency to come up with a campaign to support the 2014 World Design Capital’s ideals — highlighting innovative thinking and design as a conduit for transformation.

“Against the backdrop of sustainability and energy-efficiency, we found that the waste Cavendish produces could be used to create something beautiful. It was also apparent that the ‘bin’ stood as a passageway between waste and product design so the campaign aimed to create this link,” explains Gisele Human and Alice Marrollo, the Native VML creative team on the project.

The centre’s waste was then transformed into designer products from WREN, Simple Intrigue, Sicelo, Newco and Bottlecraft, which are currently for sale until 31 October 2014 in the pop-up store.

Kendama culture

Kendama toy crazeAnother one just in time for the festive season… Who knows how toy crazes start? I saw marbles were back the other day, 40 years after I last played with them at school but, according to all the PR, this is an “addictive, global sensation”.

The Kendama toy doesn’t even come with batteries; it is a wooden ball called the Tama, attached to a wooden handle known as the Ken, and it dates back 200 years from Japan. Almost as long as I’ve been playing marbles — or losing them.

‘Tamas’ is apparently the latest hip new trend game and an entire sub-culture of creative and playful people worldwide addicted to this ancient game of skill.

The kids will decide.

Futurelife pack win

Futurelife packaging: Zero Smart FoodFunctional-food brand, Futurelife, was recently awarded the packaging award for innovation in product packaging at the recent SA Food Review Symrise New Product Competition for its product, Futurelife Zero Smart food.

This product was developed for individuals who are weight conscious and looking to follow a calorie-restricted diet.

Says Futurelife MD, Shaun Harris: “Futurelife Zero is the result of two years of research into a product that was low in fat, contained no added cane sugar and still tasted great. The packaging of this product needed to convey all this information in a way that consumers could clearly understand and also have shelf impact.”

Fresh brand ambassador

DJ FreshDJ Fresh has been appointed as a Cipla Nutrition brand ambassador and is on a mission to get healthy. Fresh is in the midst of training with fellow Cipla Nutrition ambassador and accredited personal trainer, Adrian Colyn, to bring him down to a healthier weight.

The muso says that his decision to represent Cipla Nutrition stems from the brand’s extensive research and formidable reputation: “As a public figure, I feel it is important to set an example to fans by focusing on a healthy lifestyle and, of course, looking good does no harm, especially when you are constantly in the public eye.”

Cipla Nutrition is a sports-nutrition brand which is an extension of South African pharmaceutical company, Cipla SA.

 

Shelf Life is a weekly column by Louise Marsland on MarkLives. Tweet new product, packaging and design launches to @louise_marsland Louise Marslandor email her at louise.marsland at gmail.com. Want to sponsor Shelf Life? Contact us here.

Louise has written about the FMCG, media, marketing and advertising industry for 20 years as a former editor of magazines AdVantage, Marketing Mix and Progressive Retailing, as well as websites Bizcommunity.com and FMCGFiles. She also edited the weekly Wednesday Media & Marketing Page for The New Age newspaper. She is currently the publishing editor of industry trendwatching portal, TRENDAFRiCA, for consumer insight, research and trends in Africa; a regular industry columnist and speaker; a consultant on content strategy; and contributing editor to Fast Company South Africa magazine, which has just launched in South Africa.

— MarkLives’ round-up of top ad and media industry news and opinion in your mailbox every Monday and Thursday. Sign up here!

Ad of the Week: Encouraging entrepreneurial youth to “be more”

by Oresti Patricios (@orestaki) In the late ’90s, when Steve Jobs returned to Apple, the company he co-founded and was unceremoniously booted from, the company was in trouble. Looking to rebrand and reinvigorate the company, Jobs went looking for a new agency. TBWA/Chiat/Day won the account, based on a pitch that included the now-famous “Think Different” slogan.

The TV version of this campaign included a monologue, delivered by Richard Dreyfuss, that began: “Here’s to the crazy ones. The misfits. The rebels. The troublemakers. The round pegs in the square holes.” It’s a celebration of the types of genius who go against the grain and innovate against all odds. The imagery that the campaign used included people such as Albert Einstein, Pablo Picasso, Mahatma Gandhi, Jim Henson and Jane Goodall.



Halo Advertising print campaign for Commercial Bank of Africa: “Be more”

The spirit of this campaign is echoed somewhat in the latest campaign for the Commercial Bank of Africa, with the simple tagline of “Be more.”Commercial Bank of Africa "Be More" To the Persevering. Halo Advertising

Lest you think I’m accusing the creators of the campaign of plagiarism, let’s be clear: even though it seems to pay homage to the Apple campaign, I can’t say for sure this was its inspiration. Although just about anyone in advertising has seen the seminal Apple campaign, there’s no reason a similar emotion shouldn’t be evoked in a different context. The treatment and copy are unique — and distinctly African — and I think it’s a really great print campaign.

In a series of eight print ads, Halo Advertising provides salutations to different entrepreneurial archetypes: “To the Meticulous”; “To the Free Spirits”; “To the Fiery”; “To the Persevering”; and so on. Each ad is photographed by Huw Morris, in a brilliant style that is glossy and intensely colourful… almost surreal. Light seems to pour out of the pictures, much like a Vermeer painting. Each element is carefully placed in a tableau — it feels as if nothing has been left to chance, yet each composition is dynamic and interesting.

Commercial Bank of Africa "Be More" To the Fiery. Halo AdvertisingFor example, in ‘Persevering’, the scene is of a young farmer directing his farmhands. The blue-overalled workers are busy with a feedbag on the back of a typical rusted bakkie, and the scene is surrounded by the unique Nguni cattle. The location is a riverbank, and the sun is low in the sky; it feels more like early morning than evening.

The copy reads: ‘To the Persevering, the strong-willed, the providers and those who stop at nothing. It’s time. Go your own way.’ This is in a scratchy, distressed, handwritten font that is modern and bold. Not the Helvetica Neue you would expect of a conservative bank.

Commercial Bank of Africa "Be More" To the Selfless. Halo AdvertisingThe bottom copy, which is common to all the ads, reveals the call to action: “Join the bank that understands the value of hard work. The bank that appreciates your character through success and failure. So when you’re ready for success, open a CBA Youth Account.”

Targeting young entrepreneurs in Africa seems to make sense: in banking, people tend to stay with their bank unless they have a really strong cause for complaint.

Commercial Bank of Africa "Be More" To the Pioneers. Halo AdvertisingCBA is active in Uganda, Kenya and Tanzania. The bank was started in Dar es Salaam in 1962 by a Swiss-based consortium that included Bank of America, Commerzbank, Bank Bruxelles Lambert and Banque National de Paris. In the ’80s, Bank of America took over all the shares, and then sold its majority shares to local investors; eventually it sold all its shares to local investors in the three territories, making it one of the largest privately owned banks in East Africa.

Getting back to the ads — each one features an entrepreneurial role model: a farmer, a (female) boxer, a dress designer, a country vet, a car-restorer, a musician. While none is an absolute archetype, they all embody the spirit of entrepreneurship: determination, courage, passion, self-motivation and perseverance. Each character study is unique, which appeals to the unique sense of self every entrepreneur must have to succeed.

Commercial Bank of Africa "Be More" To the Meticulous. Halo AdvertisingThe campaign is powerful, eye-catching and modern, from the imagery to the fonts to the copy. I think it works well, and is bound to hit the spot with its target market.

Credits

Advertising agency: Halo Advertising, Johannesburg, South Africa
Creative director: Greg Harrison
Copywriter: Clayton Bond
Photographer: Huw Morris
Retoucher: Paul Vermeulen

Commercial Bank of Africa "Be More" To the Free Spirits. Halo Advertising
Oresti PatriciosAd of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research.


If you are involved in making advertising that is smart, funny and/or engaging,
please let Oresti know about it at info@ornicogroup.co.za.


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