Only Connect: Influencer marketing — the B2B golden bullet

by Bradley Elliott (@BradElliottSA) “Real business isn’t done in board meetings; it happens in the small, personal interactions that allow us to prove to each other who we are and what we believe in, honest moments that promote good feelings and build trust and loyalty.” That’s digital marketing phenomenon, Gary Vaynerchuk, talking about influencer marketing.

The founder of VaynerMedia, who spends most of his life with a camera trained on him, continues: “Now, scaling those interactions is not only possible— provided you use the right tools the right way—it’s necessary. In fact, those companies and brands that refuse to try could jeopardise the potential of their business, and in the long term, even their very existence.”

From art to science

Vaynerchuk’s spot on, of course. Technology and digital transformation have changed the way humans make decisions. McKinsey & Company reports that business-to-business (B2B) sales decision-making has moved from art to science. The global consulting company states that tomorrow’s winners will know how to use technology, data, and digital channels to realise growth. Gone are the days when closing business deals was only about skill. Today, it is now strongly influenced by science (read technology and data).

Three quarters of B2B buyers research online before making an offline purchase, but the important insight here is that “53% of B2B buyers rely on peer recommendations” and that “76% prioritise vendors suggested by their peers.” This research from LinkedIn Business indicates that 84% of B2B purchases begin with a referral.

What this means is that influencer marketing, and the technologies and data that unlock this, is central to B2B marketing. But, despite influencer marketing underpinning B2B sales, over half of of the companies in this sector have yet to unlock this powerful tool in their marketing arsenal. Smart Insights reports that only 49% of B2B technology brands use influencer marketing. The research writers say that while B2B ‘go-to’ “channels are in turmoil—or in permanent decline— there is one bright spot that is growing in importance at light speed: influencer marketing.”

Examples

Here are some two examples of how some of the world’s top B2B brands are using influencer marketing:

  • LinkedIn, the world’s largest professional network with well over 562m members, uses influential members as an integral part of the brand’s growth marketing. If you look at LinkedIn’s marketing guides, you’ll see that influencers are central to the brand’s core marketing message.
  • SAP, the German-based global software giant SAP uses influencer marketing very successfully. Events are core to the enterprise software company’s marketing, and SAP uses influencers to help drive social media velocity. By using influencers, SAP was able to reach close on 100 000 people not able to physically attend a massive engagement in Florida, massively broadening its audience for the event.

But influencer does a lot more than just drive reach. It is central to creating credibility, driving interest in your brand on social media, and to unlocking brand ambassadors who will help you target your market message.

Keep an eye out for next month’s column because I’ll be showing you how to get started with integrating influencer marketing into your brand campaigns.

See also

 

Bradley ElliottThe founder of Continuon and Platinum Seed, Bradley Elliott (@BradElliottSA) is a serial entrepreneur who’s created a number of businesses in the digital and technology sectors. He believes that marketing needs to be reinvented so that it becomes more useful to humans and brands. He’s also a collector of fine whiskey. Bradley contributes the monthly column, “Only Connect”, which focuses on influencer marketing, to MarkLives.com.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

BREAKING: The Odd Number buys into Hoorah

by Herman Manson (@marklives) The Odd Number has acquired a minority equity stake in Hoorah, the new digital agency launched last month by Shaune Jordaan, Jay Thomson, Tasmin Kingma and Neil Pursey.

Xola Nouse
Xola Nouse

According to Xola Nouse, The Odd Number co-founder and MD, the equity stake is scalable and will see the agencies collaborate as opportunities arise. The two are already working together on the Nedbank digital account, recently won by The Odd Number.

Greater access

Nouse says that The Odd Number had spent the last eight months looking for a partner in the data and analytics market, so this deal with Hoorah furthers its strategy to create impactful and results-driven work. It also gives The Odd Number greater access to the Cape Town market; a local presence there by the agency is also imminent.

“For too long, the digital media space has operated in a silo mentality with the creatives, media buyers, and data scientists all working separately and within different business models,” says Shaune Jordaan, Hoorah CEO. “By partnering with The Odd Number, we can disrupt that model by offering a through-the-line, independent, transformed offering. For too long, digital media has not been performance-led, and our intention is to drive radical results through the Nedbank client.”

“In the Hoorah team, we saw a group of like-minded people who understand our strategic objective as an agency and where the South African ad space needs to go,” explains Nouse. “Clients want to see effective results. We need to get to a point where our creative solutions ultimately address the business imperative.”

Board of directors

Under the terms of the deal, representatives from The Odd Number sit on the Hoorah board of directors.

 

Herman Manson 2017Herman Manson (@marklives) is the founder and editor of MarkLives.com.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: Day 5 highlights, notable wins

by César Vacchiano (@cvacchiano‏) CANNES, FRANCE: Everything is run by women in the New Miss America contest these days, delegates were told on Cannes Lions Day 5. Focus has shifted from the body to individual talent.

Before cable TV, Miss America was the second-most-watched show after the Super Bowl. The plan is to again become the show that brings Americans together as being the most-entertaining show on television. The challenge is to prepare women for a great world and to prepare the world for great women. Y&R is the agency trying to help the organisation to make it work.

The strange power of confidence

Even at Cannes, we may all lack of confidence. Throughout our lives, there are key moments where we need to make steps forward or backwards and the three key factors that we need to rely on to succeed are:

  1. Know what matters most to you
  2. Get educated
  3. Forget being ashamed and being too proud — lean on a friend

And confidence creates momentum, leadership and power. Confidence is what this world needs more of today.

Susan Somersille Johnson, SunTrust CMO, and Scott Goodson from strawberryfrog agency have created a campaign focusing on financial confidence. Actor David Oyelowo joined them to share that his confidence comes from self-awareness, selflessness and being self-taught. He recognised that, contrary to other actors, he loves to see his own films because he learns from watching them what he needs to do to improve.

Sir Martin Sorrell

He appeared on stage but we were all disappointed for 30 minutes. He interviewed writer Ken Auletta (“Frenemies”) during that time and it wasn’t half an hour later that Auletta managed to start posing questions to him.

Auletta shared that the biggest problem with (US) media today is that they focus to much on Donald Trump. He doesn’t think Trump will be re-elected, whereas Sorrell thinks he will be. It might be easy to get 25% of Americans to vote for him again because more than 50% of Americans doesn’t bother to vote.

When it came to Auletta’s questions, Sorrell started saying that he thinks holding companies will survive. He recognised that Havas is the biggest of the traditional six holding companies because of Vivendi but added that Accenture is truly the biggest corporation within our industry, even larger than the other six holding companies combined.

It is inevitable that there will be more consolidation within the industry.

He realised he made a mistake using the word “horizontality” in the context of what’s been happening today not only in WPP but also in the other holding groups. All of them are trying to combine their best talent to best serve their clients. He said he knows clients well and that everyone wants multiple definitions of agencies. We live in a new era that’s very different. All of the holding companies know that their biggest challenge is to know how to integrate their offering in a more efficient way.

The two of them both feel there’ll be more legal restrictions for Google and Facebook shortly, especially in Europe.

Auletta did manage to ask about the recently published articles in Financial Times and the Wall Street Journal. First, regarding being verbally abusive with people (ie his driver), Sorrell accepted he’s not an easy person to deal with and that he’s highly demanding. He explained that maybe the press asked “the wrong 25 people” within WPP for their input on the article, because he has had lots of emails supporting and thanking him within WPP, and that maybe what he should do is publish those emails to show the other side.

As to the question regarding using amounts of petty cash for personal expenses, he denied this. He repeatedly said that the accusations from FT and WSJ are false. He then explained again, as he did in his farewell letter to his employees, that he left because the situation was untenable and that he had to leave for the benefit of the organisation. Relationships had been coming under a lot of pressure.

Auletta said that, for him, the conclusion is that Sorrell is angry about the situation, along with the general environment in the industry, which is very difficult. Sorrell admitted he would like to investigate the leaks, as well as saying that he might be “a peanut for some people” but other people have “peanut allergies”.

Auletta had asked Sorrell a long time ago if he would leave WPP someday and he responded, “They will need to shoot me if they want me to get out of here.” S,o the question is: was he shot?

Awards

Notable wins of Friday evening were:

Titanium

  • Today@apple
  • It’s a Tide Ad Campaign, Saatchi & Saatchi for P&G
  • Dundee: The Son of a Legend returns home, Droga5 NY for Tourism Australia
  • Palau Pledge, Havas (Grand Prix)

Grand Prix for Good

  • Project Rejoice, BWM Dentsu Sidney for ALS Association

Lion St. Mark

  • Piyush Pandey & Prasoon Pandey
    • Piyush won the first Lion for an anti-smoking campaign in 2002. Prasoon won his first Lion in 1996. They both are seen as the Godfathers of Advertising in India. All the people in the Palais stood up, admiring their work and were touched by their words.

Glass Lion for Change

  • The Worst Soap Opera, Pagés BBDO for UNICEF
    • 37% women in Santo Domingo get married before turning 18 years old and 12% before turning 15! This Chapter 10 telenovela made the Dominican Congress change the Law.
  • Bloodnormal, AMVBBDO for Libresse/Bodyform (Grand Prix)

Sustainable Development Goals (900 entries in this new category)

  • The Trash Isles, AMVBBDO for Plastic Oceans
  • Black Supermarket, Marcel Paris for Carrefour

Film

  • Gene Project 90, adam&eveDDB for Marmite, Unilever
  • The Secret, Ogilvy Bangkok for Nissin
  • Clowns, BBH London for Audi
  • Endless Stories, AlmapBBDO for Getty Images
  • The Talk, BBDO NY for P&G (Grand Prix)

Independent Agency of the Year

  • 1st — Jung von Matt, Hamburg
  • 2nd — Droga5, NY
  • 3rd — Wieden+Kennedy, Portland

Cannes Lion Heart Award

  • Paul Polman, Unilever

Holding Company of the Year

  • 1st — Omnicom
  • 2nd — WPP
  • 3rd — Interpublic

Johanna McDowell also contributed to this report.

 

César VacchianoCésar Vacchiano (@cvacchiano‏) is president and CEO of SCOPEN, an independent research company headquartered in Spain. Trained in economics and business with postgraduate degrees in American universities, he is an international speaker and contributor to various publications, specialist in image studies and positioning agencies, advertisers and media. César has been at SCOPEN since 1993 and today is the company’s top executive worldwide.

“Motive” is a by-invitation-only column on MarkLives.com. Contributors are picked by the editors but generally don’t form part of our regular columnist lineup, unless the topic is off-column.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: The 40-year-old Cannes Virgins report

by Jeff Harvey (@JefferyMess) & Glenn Jeffery (@GlennJeffery2) We two 40-year-old Cannes Lions virgins from Grey South Africa have teamed up with MarkLives to provide a wide-eyed, slightly sweaty and not-entirely innocent take on the 2018 Cannes Lions International Festival of Creativity. Follow us right here on MarkLives, and on Twitter and Instagram using #GlennJefferyHarvey.

Jeff reports on Day 5

We did it! Glenn and I popped our cherries. And it was fireworks. Literally. The closing party climaxed with a pyrotechnical extravaganza. It was big, bold, colourful and spectacular. Just like the festival itself. At the party, I met Robert Downey Jr. Well, his lookalike at least, or, as I like to call him, Phoney Stark. We also hopped over to the South African party and then, of course, ended up at the Gutter Bar. Again. Apparently, this blog is getting some traction. I said “Howzit” to an old colleague, Liam Wielopolski (DDB ECD), and his wife asked if she could be mentioned in the report. Voila, Nicola!

Cannes Virgins day five collage
Top: The real Nicola Wielopolski. Bottom left: Phoney Stark. Bottom Right. It’s a Tide Ad. Credit: Glenn Jeffery.

On Friday, I saw a few of the Parkland survivors speak. It was sad and harrowing to hear them recount acts of hate that ended the lives of many of their friends on what is typically a day of love, 14 February. It was impressive, however, to see such young people taking brave but practical and considered approaches to ending gun violence.

After killing time with the cheesy tourist train around Cannes, I met with Glenn for the final ceremony and the big, fat sexy awards of the final night. The “It’s a Tide Ad” campaign won the highly deserved Titanium and Grand Prix for Film. By turning almost all advertising into an ad for Tide, it’s got legs for days. Did you notice how white the 40-Year-Old Cannes-Virgins shirts are? Sorry, this blog’s a Tide ad.

I asked Ryan McManus (Native VML CCO) what he felt the trends were this year. He felt it was “humanity” but in a much-deeper way than just social responsibility. And I’d agree. If you look at concepts such as Apple Today, one of the big winners, much of it re-establishes communities in a real physical space. He suggested that, maybe because technology such as AI is questioning what it means to be human, we’re becoming more in touch with our own humanity and our connections to one another.

Anyway, I’m off to Nice for a week to experience more of this fantastic French culture.

Shout out to Glenn for taking the photos, and being an all-round good sport. And thanks to Herman Manson here at MarkLives.com for sharing his platform. Au revoir from Cannes.

Jeff reports on Day 4

Cannes Virgins day four collage
Top left: It’s no Montecasino but the food’s incroyable. Top right: A good place to lose your virginity. Middle left: A good place to lose your virginity. Mid-centre: Kevin. Middle right: Ridley. Bottom: Jeff took a picture of us with Apple Marketing VP Tor Myren on his Samsung Galaxy. Credit: Glenn Jeffery.

Glenn and I attended the Grey jol at Morrison’s Irish Pub last night and met some fellow mad men and women from all over the world. With 60 Lions so far from across the network, Grey’s sporting enough metal to sink a yacht. Speaking of which, we boarded the Shutterstock boat yesterday afternoon to enjoy a glass or three of rosé. Fancy.

This is becoming less chronological than Pulp Fiction, but yesterday morning we went to listen to some director called Ridley Scott. He was introducing the Saatchi & Saatchi New Directors’ Showcase. I now understand why it’s a highlight of the festival.

In the afternoon, we caught a talk by some Kevin Costner guy. The Bodyguard chatted to us about his new TV series called Yellowstone about modern-day ranching and land rights in the Midwest. It feels close to home with our own land redistribution issues. And looks way better than Waterworld. But, seriously, like most of the characters he plays, he’s a genuine good guy. And he sure can tell a story.

We also met up with the South African ad fraternity at Cannes for a photo op in front of the Palais, followed by a romantic dinner with Glenn at Le Marais to experience more of the mind-blowing local cuisine. Au revoir for now.

Jeff reports on Day 3

Cannes Virgins day three collage
Top left: What happens at Gutter Bar… Top right: Chris, Shaq and Conan. Bottom: The Awards. Credit: Glenn Jeffery.

Your first time can be painful. It certainly was on Tuesday night after we failed to pick up metal. We all had such high hopes, especially after last year’s Campaign Gold in Radio for Duracell. That would have been the fairy-tale ending to this whole experience. But, after an hour or two of grumbling to Glenn, some red wine and pasta, and a return to The Gutter Bar, I lay in bed and did some thinking. If this were a movie or really long ad, this is how the script should go. If the success comes too easy, there’s no fight, no drama, no challenge. I don’t want to be a one-hit wonder, or a flash in the pan but, when we tame a Lion again, the victory will taste all the sweeter for having been so close this time. Now, I’m more fired up than ever. Not to be dramatic, but it feels a little like this…

After a swim in the Med on Wednesday morning and ready to drown in inspiration, we went to more talks yesterday, one of them by James Marsh — the Academy Award-winning director of The Theory of Everything. Every morning before work, he passes a gallery and sits in front of a different painting and looks at it for a full hour. It’s his nourishment, his creative breakfast. And I think that’s so important for any of us.

We also saw CNN news anchor, Chris Cuomo, interview the enormous Shaquille O’Neill and hilarious Conan O’Brien on their personal branding. I think a lot of clients can learn from Conan’s approach of just doing comedy and not being too prescriptive and precious over their brands. For example, he did a bit for Taco Bell where he takes a bite of a taco and asked how it is. He fakes a seizure but then says, “It’s pretty good.” Many brands would shy away from portraying their product in a bad light but it shows they have a sense of humour, making them more likeable. Shaq and Conan also say don’t try to go viral, just be funny. If it’s funny enough, it will probably go viral anyway. It’s a bit like chasing awards. Rather do great work that you’re passionate about and the awards will probably follow. And without too much pain.

Jeff reports on Day 2

Cannes Virgins day two collage
Left: By the Gutter Bar on Monday night. Right: South Africa representing and being photobombed. Credit: Glenn Jeffery.

Our first official soirée was the Cannes opening party on Monday night. We met up with a few guys from Hunts and I bumped into a friend the from ’90s. Glenn also met up with an old friend from school who’s now ECD at TBWA\Singapore. It’s funny how sometimes you have to go halfway around the world to meet someone from your own backyard. I also partied up a storm with the inimitable Shane Forbes AKA Shooter Shane. After the opening party, we stumbled over to the infamous Gutter Bar. Doing a little time there is a rite of passage for Cannes virgins. It’s like a rave crammed into a café, so naturally the patrons were spilling into the street, spilling their drinks into the street.

After a bit of a sleep-in on Tuesday morning, I ventured back to the Palais to meet up with Glenn. We caught a talk about YouTube Music by Lyor Cohen, YouTube and Google global head of music. He was instrumental in the success of Run DMC, Beastie Boys, The Killers and many others. One of the things I took from it is that YouTube Music is enabling the return of the impresario. Don’t worry, I also had to look it up. It’s basically an artist manager or promoter. With YouTube Music, we’ll see people finding unknown but talented musicians and making them famous.

We also went to a talk by the people who came to Cannes to tell us why they’re not at Cannes to a group of people wondering why they’re not at Cannes watching them at the main stage at Cannes. Yes, it was the folks from Publicis talking about their AI Marcel project. They took 20 questions on video from industry heavyweights, which they answered convincingly, on the whole. The idea is, it’s meant to be an easier way for people across the Publicis network to collaborate. It doesn’t come up with ads, though.

Jeff reports on Day 1

Cannes Virgins day one collage
Top left: Our accommodation. Top middle: Not our accommodation. Top right: Boats and hoes. Bottom left: R250 burgers. Bottom right: The legendary David Droga. Credit: Glenn Jeffery. Click to enlarge.

Bonjour! Glenn and I arrived in Cannes yesterday just in time to watch Brazilians be defeated by Mexicans in an Irish pub with some South African friends where we heard British, Italian, German, Spanish and American accents. This place is definitely cosmopolitan but undeniably French. It oozes class. And money. As we turned our first alley to find the pub, we were greeted by the sight of a dock filled with flashy yachts and then a red Ferrari drove by. Cannes is for ballers. Our first two beers cost R240.

You also need to be walking fit for this place. Well, at least from our Airbnb. I already have a blister. It was, however, worth the walk this morning to see David Droga. He’s an advertising god, yet so down to earth. We also saw an inspirational talk by the Brazilian Burger King team on hacking advertising.

Also, we got a finalist for Duracell radio, so we’ll see tomorrow if it converts to metal. Au revoir.

18 June 2018

Updated at 3.24pm on 18 June 2018.
Updated at 11.06am on 20 June 2018.
Updated at 9.28am on 21 June 2018.
Updated at 11.48am and 12:05pm on 22 June 2018.
Updated at 10.06am on 25 June 2018.

 

2018 Cannes Lions Virgins posterBorn in Durban, raised in Joburg and seasoned in adland, Jeff Harvey (@JefferyMess) has a fetish for fresh ideas and clear, clever writing. After meeting a copywriter while studying business science at UCT, he got an itch for ads that only an internship at King James could scratch. Since then, he’s worked at Saatchi & Saatchi, Havas, Switch and Grey. With over a decade’s experience as a copywriter, he’s snared numerous awards, including a D&AD Pencil, Gold Cannes Lion and Gold Loerie.

After starting his career in Joburg as a designer, Glenn Jeffery (@GlennJeffery2) made a move to London, where he spent 104 weekends seeing as much of the world as possible. London also persuaded him to get into advertising. Upon returning to South Africa, he worked at Volcano and Grey South Africa on numerous global brands, winning some awards along the way. Glenn is executive creative director of Grey.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#AgencyFocus: Avatar breaks through in Cape Town

by Carey Finn (@carey_finn) The Mother City may traditionally have not been seen as welcoming to black-owned and operated agencies, but Avatar Cape Town hasn’t let that hold it back. Though not yet two years old, the agency has secured several significant accounts and seen strong growth.

“Business has been great”

“Since the day we opened our offices in October 2016, business has been great,” says managing director Mthunzi Plaatjie, who estimates that it’s won advertising accounts worth close to R85m in billings (total client marketing spend) over the past 12 months. He is hoping this figure could soon surpass the R100m mark. The agency is majority-owned by M&N Brands (started by Veli Ngubane and Zibusiso Mkhwanazi), the group behind Avatar in Johannesburg, with the rest of the shareholding vested with the local management team.

Among Avatar Cape Town’s major new clients is H&M South Africa. “We won H&M by demonstrating a thorough understanding of the South African consumer, which was driven by the diversity of Avatar as well,” says Plaatjie. “We pride ourselves on being a diverse agency, as opposed to a black agency. We also understood where H&M was as a brand, and the opportunities that existed for them as an international player coming into the country.”

Another big win was Caltex South Africa, which recently upgraded its relationship from digital to TLL. To date, the agency has not lost a single project or account — a trend that Plaatjie hopes will continue.

Mthunzi Plaatjie
Mthunzi Plaatjie

Not an easy journey

But the journey from “wild card to part of the leading pack” has not been as easy as it might seem, says Plaatjie, and the agency had to prove itself both to peers and clients. “At the beginning, the other agencies in Cape Town ‘slept’ on us and didn’t believe we would actually be a force, and a lot of clients didn’t really know what we were about,” he explains. “So, it took a lot of lobbying from our side. The more that we started winning, the more that the industry started paying attention. The market needs to be aware that Avatar is in Cape Town, and we’re open for business.”

Part of Avatar Cape Town’s ‘secret spice’ for success has been its access to the Gauteng market, something more and more clients in Cape Town are seeking, says Plaatjie. Though operating as a separate business, the agency collaborates with its sister Avatar office in Joburg.

There are no plans to expand into other parts of the country in the near future, but Avatar hopes to go beyond the borders of SA to position itself as one of the leading networks of agencies in Africa in the coming years, says Plaatjie.

Transformation and change

For now, though, he’ll be focusing on Cape Town. Although the city still has a lot of work to do when it comes to transformation, this will change, says Plaatjie, and he’s taking it upon himself to help make that happen. A key part of this is strengthening the agency’s presence, with Plaatjie anticipating the onboarding of an additional 10–15 staff members over the next 3–6 months.

In May, it welcomed Cindy van der Vorst, ex-Zoom Advertising, as business unit director (BUD) and, if it lands one or two of the prospective accounts, Plaatjie would look at bringing in another BUD, as well as building an additional account management team. Avatar Cape Town currently has two such teams — one solely digital, and another that’s ATL.

It would also look at filling a senior account management role and a senior creative role, says Plaatjie. “Currently, my senior resources from a creative point of view are sitting out in Joburg, so there’s definitely going to be a need to bring in senior resources as the agency grows.” For now, Grant Sithole, recently promoted to chief creative officer, splits his time between the two cities, flying from one to the other every two weeks.

Non-traditional approach

Plaatjie reckons Avatar Cape Town’s non-traditional approach to agency life will help secure it the right talent: “I think we’ve brought a whole lot of freshness and newness into the game. We’re young guys — the average age of our exco is about 33 — and that’s helped us to attract people who want to be part of this new wave of thinking and doing things in an agency.” Delivery, he says, is more important than fixed working hours or location, so employees are offered a fair bit of flexibility. Profit-sharing is something that might be considered going forward, he adds.

The team will be called on to assist in Avatar Cape Town’s “big awards drive”, one of Plaatjie’s goals for the year. “We’ve already bought a cabinet,” he says. “We just need to fill it up.” Avatar was named Medium Advertising Agency of the Year in the 2016 Financial Mail AdFocus Awards and took the runner-up spot last year.

Avatar logo with payoff lineAvatar Cape Town

avataragency.co.zaRamify Premium

  • Office locations: Cape Town (sister office in Jozi)
  • Revenue band: R10–15m
  • Staff count: 25
  • Key clients: Caltex SA, H&M SA, SKYY vodka, Virgin Active Red, British American Tobacco
  • Services: Creative, strategy, digital

Updated at 14.38pm on 25 June 2018.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with a decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her new column “#AgencyFocus” is an ongoing weekly series updating the market on agency performance, including business performance, innovation, initiatives, the work, awards and people.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: View all the Grand Prix winning work

by MarkLives (@marklives) With Cannes Lions 2018 done and dusted, we take a look at all the Grand Prix-winning work for this year.

Health & Wellness Lions

Campaign title: CORAZÓN – GIVE YOUR HEART
Client: CORAZÓN
Agency: JOHN X HANNES, New York USA
Production: HARBOR PICTURE COMPANY, New York

Design Lions and PR Lions (winner of two Grands Prix)

Campaign title: TRASH ISLES
Client: PLASTIC OCEANS/LADBIBLE
Agency: AMVBBDO, London
Production: LADBIBLE, London / LADBIBLE, London

Mobile Lions

Campaign title: CORRUPTION DETECTOR
Client: RECLAME AQUI
Agency: GREY BRAZIL, São Paulo, Brazil

Print & Publishing Lions

Campaign title: TAGWORDS
Client: AB INBEV (BUDWEISER)
Agency: AFRICA, São Paulo, Brazil

Radio & Audio Lions

Campaign title: CARLING BLACK LABEL – ANTI WOMEN ABUSE INITIATIVE
Client: AB-INBEV AFRICA
Agency: OGILVY CAPE TOWN, South Africa
Production: AUDIO MILITIA, Johannesburg

https://www.youtube.com/watch?v=waYOMcXOCZo

Outdoor Lions

Campaign title: NEXT EXIT
Client: MCDONALD’S RESTAURANTS OF CANADA LIMITED
Agency: COSSETTE, Toronto / MCDONALD’S, Toronto
Media: OMD CANADA, Toronto
PR: COSSETTE, Toronto

2018 Cannes Lions Grand Prix - McDonalds

Outdoor Lions

Campaign title: THE DAILY SHOW PRESENTS: THE DONALD J. TRUMP PRESIDENTIAL TWITTER LIBRARY
Client: COMEDY CENTRAL (THE DAILY SHOW WITH TREVOR NOAH)
Agency: COMEDY CENTRAL, New York / 23 STORIES X CONDE NAST, New York
Media: COMEDY CENTRAL, New York
PR: COMEDY CENTRAL, New York

Industry Craft Lions

Campaign title: ALI
Client: SC JOHNSON (KIWI SHOE CARE)
Agency: OGILVY, Chicago
Media: PHD, Chicago
PR: PHD, Chicago

2018 Cannes Lions Grand Prix - Kiwi Shoe Care - Ali

 

Digital Craft Lions

Campaign title: AERONAUT VR
Client: WILLIAM PATRICK CORGAN (AERONAUT MUSIC EXPERIENCE)
Agency: ISOBAR, New York / VIACOM, New York
Media: PHD, Chicago
PR: PHD, Chicago

2018 Cannes Lions Grand Prix - Aeronaut VR

Brand Experience & Activation Lions

Campaign title: TODAY AT APPLE
Client: APPLE INC. (APPLE RETAIL STORES)
Agency: APPLE, Cupertino
Media: APPLE, Cupertino
PR: APPLE, Cupertino

2018 Cannes Lions Grand Prix - Today at Apple

Entertainment Lion for Music Lions

Campaign title: JAY-Z “SMILE”
Client: ROCNATION
Agency: SMUGGLER, New York / ROC NATION, New York

Campaign title: WELCOME HOME
Client: APPLE (HOMEPOD)
Agency: TBWA\MEDIA ARTS LAB, Los Angeles
Production: FINAL CUT, Los Angeles / FRAMESTORE, Los Angeles
Media: OMD USA, Los Angeles
Additional: FINAL CUT, Los Angeles / FRAMESTORE, Los Angeles

Creative eCommerce Lions

Campaign title: XBOX DESIGN LAB ORIGINALS: THE FANCHISE MODEL
Client: MICROSOFT (XBOX DESIGN LAB)
Agency: McCANN LONDON
Production: HELLOWORLD, New York / AYZENBERG, Seattle / MICROSOFT XBOX, Redmond
PR: McCANN LONDON
Additional: HELLOWORLD, New York / AYZENBERG, Seattle / MICROSOFT XBOX, Redmond

2018 Cannes Lions Grand Prix - Xbox Design Lab Originals - The Fanchise Model

 

Film Craft Lions

Campaign title: HOPE
Client: INTERNATIONAL COMITEE OF THE RED CROSS (#NOTATARGET)
Agency: BLUR FILMS MADRID

Entertainment Lions

Campaign title: EVERT_45
Client: KPN
Agency: N=5 AMSTERDAM

Media Lions

Campaign title: TESCO’S FOOD LOVE STORIES
Client: TESCO STORES
Agency: MEDIACOM, London / BBH LONDON
Production: ITV CREATIVE, London / GLOBAL RADIO, London / FACEBOOK, London / JCDECAUX, London
Media: MEDIACOM, London

Direct Lions & Sustainable Development Goals Lions and Titanium Lions (winner of three Grands Prix)

Campaign title: PALAU PLEDGE
Client: PALAU LEGACY PROJECT
Agency: HOST/HAVAS, Sydney
Production: SONG ZU, Sydney / THE POOL COLLECTIVE, Sydney / YUKFOO, Melbourne
PR: RED AGENCY, Sydney

Social & Influencer Lions

Campaign title: NOTHING BEATS A LONDONER
Client: NIKE
Agency: WIEDEN+KENNEDY, London
Production: RIFF RAFF, London / MR PAPE, London / 750MPH, London / FINAL CUT, London
Media: MINDSHARE, London

Innovation Lions

Campaign title: MY LINE
Client: MINISTRY OF COMMUNICATIONS & TECHNOLOGY (COLOMBIA)
Agency: MULLENLOWE SSP3, Bogotá

Creative Data Lions

Campaign title: JFKUNSILENCED
Client: THE TIMES/NEWS UK & IRELAND
Agency: ROTHCO | ACCENTURE INTERACTIVE , Dublin
Production: ROTHCO | ACCENTURE INTERACTIVE , Dublin / SCREEN SCENE, Dublin
Media & PR: THE TIMES, London
Additional: CEREPROC, Edinburgh

Product Design Lions

Campaign title: KINGO
Client: KINGO
Agency: OGILVY COLOMBIA, Bogotá / KINGO ENERGY, Guatemala City / OGILVY GUATEMALA, Guatemala, Central America
Production: ROGILVY COLOMBIA, Bogotá / OGILVY GUATEMALA, Guatemala, Central America
Media: OGILVY COLOMBIA, Bogotá / OGILVY GUATEMALA, Guatemala, Central America
PR: POWELL COMMUNICATIONS, New York

Film Lions

Campaign title: IT’S ANOTHER TIDE AD, IT’S A TIDE AD, IT’S YET ANOTHER TIDE AD, IT’S YET ANOTHER TIDE AD, AGAIN
Client: PROCTER & GAMBLE (TIDE)
Agency: PROCTER & GAMBLE, Cincinnati / SAATCHI & SAATCHI, New York
Production: RATTLING STICK, Santa Monica / ARCADE EDIT, New York / THE MILL, Los Angeles / PERSONAL MUSIC, Miami / HEARD CITY, New York
Media: HEARTS & SCIENCE, New York
PR: TAYLOR, New York / MARINA MAHER COMMUNICATIONS, New York
Additional: PLATINUM RYE ENTERTAINMENT, Chicago / MKTG, Cincinnati / PROCTER & GAMBLE, Cincinnati

Campaign title: THE TALK
Client: P&G
Agency: BBDO NEW YORK
Production: THE CORNER SHOP, Santa Monica
Media: HEARTS & SCIENCE, New York
Additional: WORK EDITORIAL, New York / THE MILL, New York / COMPANY 3, New York / PULSE MUSIC, New York / TRINITE STUDIOS, New York / HEARD CITY, New York / EGAMI CONSULTING GROUP, New York / BAREFOOT PROXIMITY, Cincinnati / BURRELL COMMUNICATIONS, Chicago

Creative Effectiveness Lions

Campaign title: SAVLON HEALTHY HANDS CHALK STICKS
Client: ITC (SAVLON)
Agency: OGILVY MUMBAI

Glass Lions

Campaign title: BLOODNORMAL
Client: ESSITY (LIBRESSE/BODYFORM)
Agency: AMVBBDO, London
Production: SOMESUCH, London / TRIM EDITING, London / 750MPH, London / THE MILL, London / FRAMESTORE, London
PR: KETCHUM, London

Grand Prix for Good

Campaign title: PROJECT REVOICE
Client: THE ALS ASSOCIATION
Agency: BWM DENTSU, Sydney
Production: SFINCH, Sydney / RUMBLE STUDIOS, Sydney
PR: HAYSTAC, Sydney

 

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: SA wins in Film as festival concludes

by MarkLives (@marklives) The final set of Cannes Lions winners was announced last night, Friday, 22 June 2018, and South Africa won in Film but not in Sustainable Development Goals, Titanium, Glass or Creative Effectiveness.

Winner: South Africa

Award

Title

Client

Product

Entrant / idea creation

Production

Media

PR

Bronze Lion DEAD FISH EYES SURF SHACK – SURFING OUTREACH PROGRAMME HEALTH MEDIUMS Y&R SOUTH AFRICA, Johannesburg 7FILMS, Cape Town / BIG LEAP MUSIC & POST, Cape Town Y&R SOUTH AFRICA, Johannesburg Y&R SOUTH AFRICA, Johannesburg

 

Creative Effectiveness

In the Creative Effectiveness Lions, 169 entries were received and 18 Lions awarded: two Gold, six Silver and nine Bronze. The Grand Prix went to: “Savlon Healthy Hands Chalk Sticks”, by Ogilvy Mumbai, India, for ITC.

Film

In the Film Lions, 2158 entries were received and 74 Lions awarded: 10 Gold, 20 Silver and 42 Bronze. Two Grands Prix were presented to: “It’s Another Tide Ad; It’s a Tide Ad; It’s Yet Another Tide Ad; It’s Yet Another Tide Ad Again”, for Procter & Gamble, by Procter & Gamble, Cincinnati / Saatchi & Saatchi, New York, USA and for “The Talk” by BBDO New York, USA for P&G.

Glass

In Glass: The Lion for Change, 218 entries were received and 11 Lions awarded: two Gold, three Silver and five Bronze. The Grand Prix winner: “Bloodnormal”, by AMVBBDO, London, UK, for Essity.

Sustainable Development Goals

In the Sustainable Development Goals Lions, 898 entries were received and 29 Lions awarded: three Gold, 10 Silver and 15 Bronze. The Grand Prix went to “Palau Pledge”, by Host/Havas, Sydney, Australia, for Palau Legacy Project.

Titanium

The Titanium Lions, received 154 entries and 5 Titanium Lions were awarded. The Grand Prix also went to “Palau Pledge”, by Host/Havas, Sydney, Australia, for Palau Legacy Project, Australia. Palau Pledge also took home a Grand Prix in the Direct Lions, bringing its total Grands Prix to three.

Special awards

Special awards presented this evening:

  • Agency of the Year: adam&eveDDB, London; second to AMVBBDO, London; third to BBDO New York.
  • Network of the Year: BBDO Worldwide, second to Ogilvy, third to DDB Worldwide.
  • Independent Agency of the Year: Jung von Matt, Hamburg; second to Droga5, New York; third to Wieden+Kennedy, London.
  • Holding Company of the Year: Omnicom, second to WPP, third to Interpublic Group.
  • The Palme d’Or, presented to the most-awarded production company: MJZ, USA in first place; second to Revolver / Will O’Rourke, Australia; third to The Corner Shop, USA.
  • Creative Marketer of the Year: Google, in honour of the brand for inspiring innovative marketing of their products and services. Google’s Chief Marketing Officer, Lorraine Twohill collected the award.
  • Paul Polman, CEO of Unilever collected the Cannes LionHeart Award for his continued commitment to putting long-term, sustainability at the heart of Unilever.
  • Brothers, Piyush and Prasoon Pandey, were honoured with this year’s Lion of St. Mark award for outstanding contributions to the industry.
  • The Grand Prix for Good was presented to ‘Project Revoice’, by BWM Dentsu, Sydney, for The ALS Association, Australia.

Updated at 9.46am on 25 June 2018.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: Cannes of beens

by Jarred Cinman (@jarredcinman) CANNES, FRANCE: Ok, at the time of writing, I’d been at Cannes Lions for around 36 hours and I’m here to report that certain clichés are true — and others are even more true.

There is indeed rosé (and other beverages of an alcoholic persuasion) on tap. You have to be an idiot, or a reforming alcoholic, not to be moderately to severely drunk all the time. There are parties on yachts, parties on the beach, parties in apartments with lovely views. The Killers played somewhere the other night. Conan O’Brien was on stage Wednesday. And there were rumours that Duran Duran were playing last night.

Rumours

And that’s what this place is all about: rumours. Have you heard about this person giving this talk at this time in this venue? Apparently, it’ll be amazing. Or was amazing. Or might be amazing. Let’s queue for 45 mins to try and get in. Oh, it’s full. Bugger. Let’s try this other talk which looks good but only has five people in the audience. Oh no, we are such losers.

When people talk Cannes, they mean the festival that happens at the Palais — a kind of condensed Sun City — right on the shoreline of a small French town which is actually called Cannes. The town itself is a mixture of old, quaint European alleyways and squares, and a lot of overpriced tourist trap restaurants. Also a LOT of pharmacies. Lord knows why they need so many or why they all sport the same green animated LED cross outside. I promise you if you need a band aid while you’re here, you can get one.

Wandering around the town is cool, and the beach is clean and appealing. The water is warm and yachts (and their matching helicopters) are expensive.

Content

But, of course, that’s not what I am here for. So, let’s talk a bit about the content.

There are essentially three kinds of content on offer here: talks, awards and other. Under “other” go private lunches, private dinners, networking events and the like. Being invited to as many “others” is important because it means you’re wanted and, if there’s any place in the world that’s more about external validation, I haven’t met it yet.

The talks are a mixed bag. There’s a lot of people stating the obvious in the hopes that they will be credited with a profound insight. “Creativity is key”. Or “Brands need to be courageous”. (I think that’s both unfair and entirely accurate.)

The good talks are great talks. The Unilever session was fantastic and, although I was off at an “other” event and missed it, apparently Conan O’Brien and Shaquille O’Neill were also excellent. The insights on offer here, when they’re worthwhile, are from the top leaders in the advertising and marketing industry and are thus essential listening.

Awards

The awards shows are plentiful: one every night and packed to the brim with exceptional work. They have made the bizarre decision this year to announce the Bronzes and Silvers in a kind of screensaver pre-roll while people are filing into the auditorium. There’s nothing like winning one of the most-coveted trophies on earth while clambering over someone to find a seat.

That said, the Golds are (from what I can tell) really deserving and there’s not a more-inspiring way to spend two hours of your life (if you’re inspired by ads and their ilk). I am leaving here with a lot of thoughts about the South African ad industry.

South Africa has had a good, if not great, showing thus far. TBWA richly deserved its Golds the first two nights, as did Ogilvy its Grand Prix.

Causes and clevers

The two big themes I am taking away are: causes and clevers. The cause-marketing thing is huge; I would guess about 60-70% of the winning work is at least having a go at making the world a better place. I don’t know how cynical to be about these efforts but we’ve definitely progressed from the days when agencies helped clients sell cocaine to children as a gum tincture.

The big causes this year include plastics in the ocean, artificial limbs, Down syndrome, spousal abuse, colour blindness — any many, many more.

Clevers are what I’m calling the work that gives your mind the kind of buzz usually reserved for gum tinctures. When this industry is smart, it’s really smart and there are ideas on show that are exceptional. Some of the technological interventions are amazing — like Intel’s drone displays at the Olympics. And some ideas — like Lacoste stitching endangered animals into its shirts instead of crocodiles, and then making the number of shirts to match the number of remaining individuals — are crafted to perfection. It’s beyond inspiring both as a member of the industry and as a consumer.

The talk about privacy, AR, VR, “the” blockchain is, of course, here and, if you want to hear third-rate futurists guessing about how this stuff affects advertising, you’re able to find them. For me, it’s more impressive to hear about what people have done than to speculate on what they might do.

Is it worth it?

This is an expensive undertaking, make no mistake. Despite being plied with free wine and snacks, the cost of the travel, the accommodation and the festival pass is serious cash. It’s hard to argue that you can’t get this content elsewhere but what is hard to substitute is seeing the work and meeting the people. You have to be a fairly gregarious sort but this is the centre of the advertising universe and so it’s worth doing, at least once.

  • Don’t say: Hey, Facebook, all your users are abandoning the platform and those that are staying won’t let you use their first names to send them a personalised email. Now what?
  • Do say: Do you have a spare wristband for the Google Party on the yacht at 11pm tonight where Alicia Keys is apparently playing solo with a mandolin?

 

Jarred Cinman. Credit: Chris Saunders (www.chrissaunders.co)Jarred Cinman (@jarredcinman) is the CEO of VML South Africa, part of one of the leading digital agency networks in the world. He sits on the Loeries Committee, was a board member of SAARF and the Creative Circle, and is a board member of DALRO and, in his spare time, answers his email.

“Motive” is a by-invitation-only column on MarkLives.com. Contributors are picked by the editors but generally don’t form part of our regular columnist lineup, unless the topic is off-column.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: Day 4 highlights, notable wins

by César Vacchiano (@cvacchiano‏) CANNES, FRANCE: A panel discussion took place on Cannes Lions Day 4 formed by the people all working on all the oceans. The panel included Simon Le Bon, Duran Duran; Keith Weed, Unilever; Patricia Oliva, Evian; and Jeremy Darroch, Sky, and they shared the importance of saving the oceans. If we don’t change our ways, by 2050 there’ll be more plastic in the oceans than fish — which will have disappeared well before that date.

The four companies are investing in startups which will produce packaging that will be 100% recyclable. It’s important to communicate that plastic is valuable so it shouldn’t be used for things where there’s only one-time usage. Recycling needs to be seen as easy and governments need to stop talking and start acting. Unilever is starting to be concerned about its full value chain and not only the plastic bottles and sachets that it uses in manufacturing.

The future CMOs

Brad Grossman thinks that creativity is turning a vision into reality within the context of understanding the impossible. He encouraged CMOs not only to become chief growth officers but to become chief visionary officers and to be the most-indispensable people within corporations.

Brand Marketers’ Creative Summit

The ANA and Cannes Lions have joined forces to focus on growth. They are building platforms and combining forces at Cannes for creativity and, with the CMO Growth Council, aligning CMOs with global leadership and growth. They want to grow their companies but also to grow the values for society. Marc Pritchard, P&G, introduced the global growth agenda that is focused on five pillars and platforms: technology and data, talent, brand-building innovation and experience, customer centricity, and social responsibility/environmental sustainability.

Seng Yee Lau and Tencent shared that it’s vital to properly combine brand-building and growth, focusing on both and not only on growth, as many companies are doing nowadays.

Mathilde Delhoume, LVMH, mentioned the same thought by just saying that one day companies may wake up being huge but with no brand identity. It’s very important to honour the heritage of brands and to also make products as experiential as possible, so that you create desire towards the brands.

Antonio Lucio, HP, pointed out how important it is to put the customer at the centre of all that CMOs do. Consumers expect brands to create hyper-relevant experiences and unforgettable content. To do a good job, it is super-important that CMOs identify the activities that companies want to produce and implement in-house, and those that they want to delegate to suppliers.

The key conclusion, pointed out by Lucio, is that one of the biggest things that Cannes Lions can do is to demonstrate that creativity helps to drive businesses growth.

What creativity can do

Google held a seminar to explain how it trains people all over the world to use technology and change their lives. It showed examples: 70 000 people in Greece are working in the tourist sector and Google is helping them to get out of the financial crisis. Google is also empowering women in the Arab world, and even providing an app that has helped 100 000 refugees from Syria when they come to Europe, and it still helps 1 000 refugees every day.

Effective innovation

Tracey Follows, Wired Consulting, defined the toolkit for effectiveness in innovation.

First of all, when we embark on innovation, it’s important to define the objective. This may be transformational, strategic, operational or emotional. We can identify which of those four types the innovation is by thinking about the timeframe of the innovation, as each one takes 10 years, many years, weeks or a moment, respectively. As an example, Estonia launched e-citizen in 2008 and today it’s a fully digital nation, but it actually took 10 years.

Secondly, it’s important to bear in mind that having long-term vision requires short-term actions. By 2030, China has declared that it will become the world’s premier artificial intelligence (AI) innovation centre and that many simple actions are taking place now (in schools, companies, government…) to make it happen.

Thirdly, it’s crucial to think of the return for society and this requires a theory of social change. But every single individual should have a clear point of view of what a social change is, and for some it depends on progress, technology, culture, cycles… and many more options.

The fourth rule is that we need a moral code that will become standard. Two years ago, everybody wanted to be an Uber in each category but there wasn’t a moral code behind Uber and nowadays there are lots of questions behind and about the Uber model. Also, Google employees complained publicly against Project Moven (a project that got involved in the military and that Google was supporting).

Finally, it’s important to bear in mind that the future is plural and it’s important to investigate the alternatives. Simulation and experimentation are key.

The future of retail

On Thursday, Scott Galloway held another seminar. He focused again on retail… He started reminding us that Amazon bought Whole Foods, that it can buy anything, any company and that it has too much power.

Some of Galloway’s predictions are:

  1. Amazon will buy Carrefour (grocery) as it is key to gain frequency of purchase. Another option is Nordstrom.
  2. Selective distribution will begin soon on Amazon. Shiseido, Estée Lauder, Michael Kors, Ralph Lauren etc will soon be available on Amazon.
  3. Scott thought Snapchat would die in 2016; it hasn’t happened yet but it’ll soon be out of business. Brands are already not investing in Snapchat.
  4. Facebook will invent something similar to Snapchat soon in order to ensure that Snapchat disappears altogether.
  5. Bots are not going to survive as AI takes over.
  6. WeChat is amazing and will keep growing.
  7. Hammer jobs will survive and advertising jobs will decline.
  8. Traditional TV will keep declining and Olympics views will fall dramatically.
  9. If Netflix carried advertising, 74% of its subscribers would leave.
  10. Voice is the future. Voice is transformative. Echo is going to be the most-transformative wave; it’s very powerful. Amazon has 22% of the power on voice. Now it’s used for searches, music… but in the future voice will be used for transactions.
  11. Companies bulk up to gain size. Size matters. We will start to see alliances between top companies in all categories (Disney and Fox, IKEA and CVS, etc The most-bizarre alliance will be that of Google and Alibaba partnering in their different marketplaces to fight against Amazon.

Awards

Notable awards of Thursday were:

Product Design

  • Kingo, Ogilvy Colombia for Powell Communications (Grand Prix)

PR

  • Nature Represented, Maruri GREY for Sambito
  • Turning Beer into Water, Fleishman Hilliard for Anheuser-Busch
  • The most German Supermarket, Jung von Matt for EDEKA
  • FCK, Mother London for KFC
  • #shedrives, TBWA\Dubai for Nissan
  • The Flip, OMD for McDonald’s on Woman’s Day
  • This Coke is a Fanta, David São Paulo for Coca-Cola
  • Trash Isles, AMVBBDO (Grand Prix)

Creative Data

  • Destination Pride, FCB Toronto for PFLAG Canada
  • JFKUnsilenced, AccentureInteractive Dublin for The Times (Grand Prix). First ever Grand Prix for Accenture!

Innovation

Johanna McDowell also contributed to this report.

 

César VacchianoCésar Vacchiano (@cvacchiano‏) is president and CEO of SCOPEN, an independent research company headquartered in Spain. Trained in economics and business with postgraduate degrees in American universities, he is an international speaker and contributor to various publications, specialist in image studies and positioning agencies, advertisers and media. César has been at SCOPEN since 1993 and today is the company’s top executive worldwide.

“Motive” is a by-invitation-only column on MarkLives.com. Contributors are picked by the editors but generally don’t form part of our regular columnist lineup, unless the topic is off-column.

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

#CannesLions: SA wins in Creative Data, Media, Social & Influencer

by MarkLives (@marklives) The third set of Cannes Lions winners was announced last night, Thursday, 21 June 2018, and South Africa won in Creative Data, Media, and Social & Influencer but not in Product Design, Innovation, PR or Direct.

Creative Data

Award

Prize

Cat no.

Title

Client

Product

Entrant / idea creation

Production

Media

Silver  Lion Silver  Lion A08/018 BREAKING BALLET JOBURG BALLET JOBURG BALLET COMPANY TBWA\AFRICA, Johannesburg / TBWA\HUNT\LASCARIS, Johannesburg DARLING FILMS, Johannesburg / THE UPSTAIRS LUDUS POST PRODUCTION, Johannesburg / BLUE NOISE, Johannesburg / LEFT POST PRODUCTION, Johannesburg TBWA\HUNT\LASCARIS, Johannesburg

 

Media

Award

Prize

Cat no.

Title

Client

Product

Entrant / idea creation

PR

Silver  Lion Silver  Lion D02/056 UK’SHONA KWELANGA – A WHATSAPP DRAMA SERIES SANLAM MYCHOICE FUNERAL PLAN KING JAMES GROUP, Cape Town KING JAMES GROUP, Cape Town
Bronze Lion Bronze Lion D02/077 THE WORLD’S FIRST BABY MARATHON KIMBERLY-CLARK HUGGIES OGILVY JOHANNESBURG

 

Social & Influencer

Award

Prize

Cat no.

Title

Client

Product

Entrant / idea creation

PR

Bronze Lion Bronze Lion B01/014 UK’SHONA KWELANGA – A WHATSAPP DRAMA SERIES SANLAM MYCHOICE FUNERAL PLAN KING JAMES GROUP, Cape Town KING JAMES GROUP, Cape Town

 

— One subscription form, three newsletters: sign up now for the MarkLives newsletter, including Ramify headlines; The Interlocker, our new monthly comms-focused mailer; and Brands & Branding, launching soon!

Online CPD Courses Psychology Online CPD Courses Marketing analytics software Marketing analytics software for small business Business management software Business accounting software Gearbox repair company Makeup artist