Fair Exchange: Balanced bravery for growing brands

by Erna George (@edgeo23) A friend recently sent me the Tom Fishburne cartoon below. I smiled, as the number of times my brave agencies have said this, gotten frustrated by us doing something similar or actually just dished up two options (“the one we believe works” vs “the one we think you will go for”) is too many. It made me wonder: is marketing losing its bravery?

 

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“Innovation and Risk” – new cartoon and post on the catch-22 of how organizations approach new ideas #innovation #cartoon

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Are we being too cautious or overthinking so much that we miss opportunities? There is clearly more to take into account these days and here three elements which I believe are critical considerations and/or intimidating hurdles.

Consumer power

Has the fear of a lone consumer objection ever caused you to be too safe? You know that consumer who abuses their power, who calls and threatens social media exposure if you don’t pay them xyz or if you don’t give them a year’s supply of the same product that they’ve just told you made them ill.

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Now, this isn’t to say that there aren’t real and highly valid consumer complaints which we must make us sit up, listen to carefully and respond to well. Unfortunately, there are those who’re known to be serial complainers — those who earn well from threats and multiple complaints. Call-centres are full of such stories.

I wish I could tell consumers with valid queries about these complainers, especially when they get hurt or frustrated at having to supply “proof” of their complaint. However, at the same time, I also know that there are companies and brands far less honourable which will do almost anything to avoid taking responsibility for valid complaints.

So, what’s the answer here?

Receiving complaints isn’t the issue as we should always do all we can to proactively manage quality to optimal requirements and, if safety is compromised, brands must respond with great seriousness and act to correct. Nevertheless, while legal isn’t the only solution for managing what the right thing is, the letter of the law may sound harsh and doesn’t build warm relationships — it was never meant to. So, stay within the law but respond as a member of the human race.

Check with gut and values and test what ifs for areas you’re concerned about. If you’re close to the wire, get a PR agency to assist and balance this with legal reality and with human considerations. Have clear and consistent processes for dealing with consumers that are aligned to ombudsman so brand and consumer are protected. You have to keep reminding yourself that consumers engage with brands that connect. A staid brand that never stands out or engages their hearts and minds doesn’t warrant interaction and will disappear over time.

The brand matters, and brave brand managers must remember this always

Immediately, I can see everyone thinking of sexy brave brands like Nando’s and its edgy communication. Yet plucky, edgy comms is only one part of the equation and doesn’t fit all brand personalities.

Bravery is also about the action or risks you choose (or choose not) to take. It’s about doing what’s right for the brand to secure its sustainable future. Fight for this rather than end up being swayed by people’s personal opinions and wishes — like the brand that sponsored the sports event the bosses wanted when the brand wasn’t about sportiness, or paying for a brand advert in a publication purely to help sales manage a customer relationship.

It’s about fighting for spend to be cut in areas that impact less. It’s about making choices between what’s fancy vs what fits. Consider, too, if short-term commercial astuteness and justifying the bottom line wins over what is right for the brand. Does ROI (and budget cuts) dictate more marketing strategy than the consumer does? If yes, brands are being sent on a slippery slope to inconspicuousness or schizophrenia. With the economy being under massive pressure, who’s been brave enough to protect the brand story over short-term ‘wins’ and everyone’s opinion? Remember, being daring is not done at the risk of brand.

The fear of forever is here with us… probably forever

When I started out as a marketer, testing theories could be done more publicly without the fear of publicity blowing up the internet; unless the media picked it up for being salacious news, the worst would be someone having caught it on a VHS recorder or still-photo printout — not so easy to share. Nowadays, a mistake becomes a meme or is copied and shared (or, rather, regurgitated) by anyone the brand name or a search word matches.

Brand managers don’t want to be known as the ‘BM who killed Brand x’. However, I can tell you I learnt to ask the right questions as a result of my mistakes. You also don’t want to be known as the ‘BM who had no impact’. All I can say is no one remembers the brand custodian who changed the red border from pantone ABC red to pantone XYZ red! What are you doing to strengthen and build your brand despite the fear of social notoriety?

It’s incredibly tough to be brave in 2020 and beyond. But daring and spirited marketing, based on strong insights, is what makes brands truly breakthrough. To help with your process towards or back-to bravery:

  • Ensure connectedness with consumers and insights to build a good, strong gut feel for what’s right and counter what others see as right
  • Gut feel will build your confidence, and always surround yourself with strong, expert partners
  • Establish control by testing what ifs, sense-check with legal and, if testing something edgy, get back up with a PR agency ready to go

Remember Nelson Mandela said, “I learned that courage is not the absence of fear but the triumph over it. The brave man is not he who does not feel afraid, but he who conquers that fear.” Forge ahead and leave the right mark for your brands.

See also

 

Erna GeorgeAfter starting at Unilever in a classical marketing role, Erna George (@edgeo23) explored the agency side of life, first as a partner at Fountainhead Design, followed by the manic and inspiring world of consultancy at Added Value. She has returned to client-side, leading the marketing team in the Cereals, Accompaniments & Baking Division at Pioneer Foods. Her regular “Fair Exchange” column on MarkLives concerns business relationships and partnerships in marketing and brandland.

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#Transformers: Tech, data & the looming privacy apocalypse [video]

by Charlie Mathews (@CharlesLeeZA) Technology is transforming marketing faster than ever before, and a slew of new laws and policies are being enforced across the world to govern how marketers source, store and work with customer data. MarkLives speaks to Arthur Goldstuck (@art2gee), IT analyst and World Wide Worx founder, about how tech continues to disrupt marketing, and the coming privacy showdown.


Until debt tear us apartTransformers Transform 2020” is a special series produced by MarkLives and HumanInsight and sponsored by the Association for Communication and Advertising (ACA), running Jun–Sep 2020. Together with Lebogang Tshetlo, we’ll be profiling remarkable local #Transformers every other Friday until September, featuring Tshetlo’s photography. The objective of this an independently managed, journalism-driven research project is to explore and map new paths for brands and marketers to transform, adapt and build resilience while the world adapts to covid-19 and its resultant social, political and economic toll.


South Africa’s much-anticipated Protection of Personal Information Act (POPI) was gazetted at the beginning of July 2020. This law makes companies responsible for how they acquire, store, use and process data from people.

This in-depth video interview covers:

  • What transformation is, and the difference between digital transformation and digitisation
  • Why transformation is a broad disruptive experience and how human beings, not technology, drive change
  • Why deep listening and understanding is fundamental to transformation
  • The privacy arms race: unpacking a new global privacy legislation that will change the way marketers work
  • How artificial intelligence (AI) will change marketing forever and why internet access should be a basic human right
MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

Full transcript

MarkLives logoMy name is Charles Mathews and I’m here today with Arthur Goldstuck. Few people need [an] introduction to [him]. Arthur grew up and through the internet and has seen the advent of technological transformation, and has been a key voice for South Africans involved in this burgeoning fourth [industrial] revolution [4IR] that we’re living through. Welcome and let’s kick off by hearing your thoughts on transformation. How would you define transformation?
Arthur Goldstuck:
Thank you for your kind words, Charles. Transformation in the digital environment refers to the complete change, evolution and development of platforms, systems and processes. The big mistake that tends to be made when people both define and implement transformation is that they don’t look at the meaning of the word. So, for example, digital transformation refers to a complete transformation of the way you operate, compared to what they refer to as digitisation, which is simply putting paper processes or paper documents into digital format. That’s not a change in the way you operate or in your processes; that is simply a change in format. And that symbolises the difference between a shift and a transformation.

A transformation requires more than just changing the formats that you use but changing the processes principles and modus operandi that you embrace. So, the difference between digitisation and digitalisation really sums it up. Digitisation is taking paper and putting it into digital format. Digitalisation is taking all processes, and interconnecting them making them digital in the sense that they can be placed on any platform and linked to each other, on or via or between any platform.

MarkLives logoSo, let’s bring this immediately to the world of marketing, and let’s just say that I am the leader of a great advertising agency, of the ilk of Ogilvy, or a Joe Public, and you are advising me on transformation. What is the story about transformation that you’re going to tell me? And what is it that I need to do to transform?
AG:
I’m going to tell you that you have to look at every aspect of the business. You might think that your core business is creating great advertising messages. But that’s just one of the things you do in your business. So, to start with, that aspect of the business ‘content creation’ has to become fully digital. And what that means is that any resources that you use any content, any format of content that you use, has to be at some point digital. And it has to be able to be utilised or leveraged on any platform because of being digital. So, for example, if you have video, and audio, it’s all available in a digital format, which means you can mix and match whatever content you have, whether digitally, whether it’s audio, whether it’s video, or simply store images, or text even all of those can be blended, used, reused, and repurposed in any way you wish. Whereas with the traditional way of operating, you would have some of it in still images, for example, you would have some of it stored on hard disks or on some kind of medium, that you’ve got to extract it from every time you want to reuse it.

So, that then further implies that you’re going to use a storage environment that is accessible at any time from anywhere, and that means cloud computing. So, the cloud has to become your platform; it can no longer be a case of having to figure out where you stored stuff. It all has to be accessible uniformly, or in a uniform environment. So, that’s the starting point; then it comes to your processes or ways of operating and there’s two levels there. One is your business operations and the other is your people, communications and relationships. So, that’s where many organisations fall down on transformation. They get the processes right but they forget that people are a key part of these processes. And they forget that they also have to transform the attitude towards people. And that refers to both internal people management and external people relationships. And it all boils down to the experience that people have of your brand or of your organisation. And the typically untransformed company still sticks to the old way of doing things, the old way of communicating and the old rules, and sometimes that works for them but, in many cases, it results in falling behind in terms of best practice in terms of human relations and the like.

A great example that I came across recently was an interview I did with the chief people officer of Cisco Systems. So, they call her the chief people officer, not the chief HR officer, because it’s not about resources. It’s about people and that’s a fundamental transformation that many organisations don’t undergo and that means that the digital transformation is out of kilter with the people at transformation.

MarkLives logoNow, it is said, a critical part of transformation is undoing the hierarchies, or the processes, or the practices that you yourself have put into place. Very often you need to look at your own legacy, which is quite difficult for humans because, as humans, we can be quite “tricksy” and we develop things called cognitive blindspots, and because of that change can be very, very difficult. What advice do you have for people? How can we become more agile and flexible and move more confidently into the future?
AG:
I don’t have all the answers and I also run the risk of being very glib about such things because I run a very small business, and it’s always been intentionally small. It was created with the idea of never creating an empire. My previous business had got[ten] too large and unwieldy for me to be truly hands on and I felt [had] I lost control but also I [had] lost the meaning of that business. So, my principle is to keep it small and that’s relatively easy to manage. It’s very different when it’s a very large organisation but some of the principles are still the same.

So, at the risk of being glib about this, there’s two fundamental requirements, two fundamental ways of ensuring that you don’t remain stuck in the past. The one is to listen to people, all your stakeholders, internal and external. Don’t continually try to justify what you’re doing and explain to people why they are experiencing what they are when they’re criticising you or trying to make suggestions. Rather listen and internalise what they are saying, rather than try to force your view onto them. You could call that “people-splaining” if you like; be careful of people-splaining when people are trying to tell you what they’re experiencing of your organisation or your brand. And the other one, which is pretty simple, and anyone can do it in any industry and at any level, because search engines are your friend, you only have to Google or Bing or whatever other tool you use, DuckDuckGo, to find out how people are wrestling with these issues, what is best practice and what has worked and what has been a dismal failure, because there are many failures as well. But the successes are all out there, and they’re waiting for you to learn from them.

MarkLives logoWhat transformations have you been through and what have you learned from these transformations?
AG: From a digital point of view, I have to say that we always have been digitally transformed. I came across the JSC handbook from 2006, for which I wrote an article called the virtual office. What I was describing there was the office operating pretty much like the remote working office does today. So, it’s not new to us. It’s not exactly visionary, either, because if one was examining the digital world, one could say that was the way it was going to go. So, we have fitted incredibly comfortably into this new environment but, also for the last five to 10 years, we’ve been talking the language of digital transformation, and trying to push organisations in that direction. So, we have certainly learnt new elements of it, and we keep learning about the new tools, and we keep looking for better ways of doing things. One of the areas in which I’ve actually completely reskill myself has been in presenting or taking part in panel discussions, because previously those were always live. Over the past 10 years before covid-19, I had done maybe half a dozen webinars or remote-presentation type events. So, I had a background in that, but it was very rare and, once I started doing it as the standard way of taking part in panels or webinars, I actually learned a new visual language and a new visual approach. And in the process of learning that, I also discovered how little guidance there was for people in this area. So that, in fact, gave us the opportunity to create a new service in which we train people in how to face the webcam, and also the various elements around media facing executives having to learn how to embrace and address this new world.

So, that’s on a purely technical and technological level, but there has been a different transformation that I’ve also gone through in recent months and that has been the transformation of really caring for people who are not having it as easy as we are in terms of embracing the new world, and also trying to find ways to make life a little easier for people. So, for example, one of our core businesses is conducting independent self-funded research, which we then sell to corporate. That’s the business model that we’ve been following all these years. Sometimes the research is sponsored, which enables us to do far bigger projects at the same time, or in the same context that we previously would have done a self-funded project. So, these reports get sold for not a small amount because we have to cover our costs and we have to earn a living. Then, when students request it, because students often need this kind of data or these kinds of projects to provide them with a foundation for their own new research, we’ve always advised them to approach the faculty and their faculty will then order the research through the library. So, universities have always been customers of our research but we found in the last while that university budgets have been slashed and previously. We would have said, “Well, this is our business model, we can’t give it away.” But, in fact, that’s exactly what we have started doing.

So, when students request access to our research, we’ve been a lot kinder than ever before, and even small businesses. So, of course, there are people who take chances, or claim to be small businesses or students saying they can’t afford the research but they, in fact, represent a corporation, but that’s a chance that we take. We feel that it’s one of the contributions we’re able to make, to give more ready access to research.

The second area and directly related to that where I’ve experienced a personal transformation has been giving more time to people who contact me for advice or information, or even people looking for a job now. We are tiny; we don’t really have capacity to hire people and, when we do, it’s usually people that we’ve already worked with. So, everyone on our team has worked with us before, and we know them and we know that they integrate well with the team. So, there’s simply no jobs available. In the past, that’s all I would have said to someone saying they’d love to work for us for this reason or that reason and I would have said, “Sorry, there’s no vacancies.” And I’ve realised now, especially, people who are making those kinds of approaches are in tremendous pain because they can’t earn a living; they don’t have the means to find a job, and they’re looking wherever they can. So, what we’ve tried to do now is actually give people advice, look at where they’re coming from, what they’re wanting to do, and try to point them in the right direction rather than simply say, no vacancies here. So, again, that’s the kind of attitude transformation that we’ve undergone during this period.

MarkLives logoReminds me a lot of Paracelcus and he is an ancient philosopher and writer, but he speaks about the more knowledge there is in a system, the more love there is in the system. And he wrote this at a time, where humanity had no comprehension, about the power of data and, indeed, we are moving into a world where we are grouping together and using and storing and liberating and being involved in data, both in governments, in enterprises, and in small businesses, It is the source of our success. The way we reach out to the markets, the way we kind of speak to each other, the way we understand how we do commerce, and that sort of thing. So, what you say to me really touches my heart, because it speaks to that listening and things you wouldn’t normally listen to, and that is diversity and inclusion. And that is transformation.
AG:
I’m astonished to hear that the concept goes back to the times of ancient Greeks and it just tells you how visionary he was to have come up with that idea at a time when there was no context for it. But, certainly, it’s a very real idea today and I really do believe that the more one shares knowledge, the more you empower yourself, let alone empower everybody who’d benefit from that knowledge.

MarkLives logoNow, we’ve talked about data and we would be remiss to talk about transformation in advertising without talking about privacy. We’re entering a trepidatious time in the world when it comes to privacy; we’ve seen the great actors who have stood up for privacy, who’ve been locked away, and banished, and persecuted, and at times have even died to preserve our privacy. What situation are we in with regards to privacy, and how most marketers think about data and privacy in a way that is transformed?
AG:
It’s an arms race in the world of privacy. We can see new legislation emerging all the time. The European legislation, the South African legislation, the California legislation, all kind of arriving at a similar time, when we have more data about ourselves emerging in the world out there and available in the world out there than ever before. It’s exploited to an extent that it never was before. So, the arrival of this legislation couldn’t have come soon enough. But, at the same time, what you’re also seeing is the rise of artificial intelligence, in order to not just analyse the data but also source and sort the data that’s available in the world. So, it’s possible to use artificial intelligence to trawl the internet and pull together profiles of individuals both on a one-by-one basis and on a mass-aggregated basis and then to utilise, leverage, and exploit all of that data, and artificial intelligence is going to bring far more benefit to humanity than harm. But part of the harm is going to be something of a privacy apocalypse, I believe, and that’s something that we have to be very aware of and very alert to. Agencies have a massive role to play in fending off the privacy apocalypse because they themselves are often responsible for creating the platforms or the campaigns that pull in all of this private data, all of this individual data — the intention of digital advertising campaigns, in many cases, is to gather user data, customer data, and behavioral data. So, that means there’s a massive responsibility to ensure that data is used in a way that doesn’t violate the privacy of the individual.

MarkLives logoDo you see a future where marketing may split off into two binary streams? And we might call the one dark marketing; we might call the other stream light marketing. Dark marketing may be interruptive and exploitative, and use your data without your knowledge for means that you may not even consent to. Like putting someone in the White House that is someone [who] you would dare not want to see there. And would light marketing include permissions, and we would see ecosystems where trust would be put at the very heart of the wheelhouse, and these ecosystems or online shopping centres would become better and better because they’re using my data in a virtuous way to improve customer service, to improve, to reduce all the frictions, to make my life better. Would we see marketing splitting into two camps then, almost like a good camp and a bad camp, and everything in between?
AG:
The examples you gave tell us that we already have dark marketing, light marketing and a few shades in between as well. The very fact of the 2016 US election outcome tells us so much about dark marketing and about our data being used in a way that we wouldn’t have allowed it to be used. And even at the platforms, on which the data was gathered, wouldn’t have allowed it to be used if they had known, or understood, or if there was a deeper sense of responsibility in those platforms. And that still continues to this day: we still see incredible activity by state actors, the likes of Russia, China, and So, on using data, using marketing techniques and tools, in a way that the citizenry and the world’s populace doesn’t actually realise. So, dark marketing is with us. But, then, you have many forms of marketing that wouldn’t fit into what you might call traditional light marketing that you also have to put on a continuum. So, that’s really what we have now. Guerilla marketing, for example, fits somewhere between dark marketing and light marketing and, if you look at it as a continuum, then you realise that there is the very best intended advertising or marketing out there and is also the most ‘evilly’ intended marketing out there. It goes from the one end of the spectrum to the other end. Eventually you can treat it as something that is split off from the marketing industry.

MarkLives logoSo then, perhaps we call in the Peter Parker principle, that with great power comes great responsibility, and perhaps that then is the call to agencies, and marketers, and digital marketers, that we are working with great power and we are creating the underpinnings of the new world. It’s a form of responsibility.
AG:
That is one of my favorite quotes from the world of comic books, the Spider Man principle, or the Peter Parker principle, for that matter, but it applies especially with the advent and the rapid growth of artificial intelligence, because artificial intelligence brings so much power to those who have access to the data or control the data, that it demands of them that they exercise the greatest of responsibility. Of course, the marketing industry hasn’t filled us with confidence that it will do so — but it has an obligation to do so. And, in this era of calling out entities, people or organisations that abuse their responsibility, I think it will be enormously self-damaging for agencies, for organisations, not to appreciate the responsibility they have in this regard.

MarkLives logoOn that note, I was reading last night about the boycott against Facebook and one of the pundits — I think it was in the Wall Street Journal or New York Times… no, it was in Slashdot — and it said that this may well be a death knell to Facebook. That, if the advertising streams are cut off sufficiently, it would humble them and force change from Mark Zuckerberg, who in terms of the business setup has quite a lot more control than most CEOs and exercises that control. What do you think of this? Is this the activism we’re going to see in the future?
AG: I do agree with the second part of that argument. I don’t believe it will be the death knell of Facebook, because Facebook is capable of reinventing itself and transforming itself, but it has to be committed to that transformation. The second part of that argument, I fully agree with that: the extent of advertising boycott of Facebook is humbling, is going to be humbling, and has to be humbling for Facebook. If it doesn’t, if it doesn’t humble them, or humble Mark Zuckerberg, then it will be the death knell of Facebook. This is a classic example of where you have to listen to what you’re being told, rather than try to, let’s call it “message-splain” or “social-splain” to the world’s advertisers. You can maybe pull the wool over the eyes of Congress about how you operate, but you can’t pull it over the eyes of the advertising industry that knows exactly where their message is appearing, how it’s appearing, and how it’s being perceived and, therefore, the image that they are projecting by sharing their marketing messages, with the kind of content that Facebook has allowed to flourish on its platforms; that time is over.

It’s the equivalent for Facebook of the #MeToo movement and the #BlackLivesMatter movement almost coming together to smack them in the face with the reality that they have to address. It’s not good enough for Facebook to say they want to leave it to the user or the reader to decide for themselves. You don’t allow evil to be foisted upon the public and say, “No, the public must decide for themselves whether it’s good or evil.” Come on, wake up.

MarkLives logoLast question. In SA — let’s bring it home — in SA, we sit with a dire economic situation and you alluded to the pain that people have of mobilising forward to get access to capitals and market. How important is technology in that and what can be done to make technology more available and accessible, both from an infrastructural and the cost perspective?And companies [which] want to help, what can they do right now to help everyone?
AG:
We saw from the very beginning of the covid-19 crisis just how important technology was in the context of connectivity and access to the economic goods of this country. So, those who had the means, those who had fibre to the home or high-speed broadband of one form or another, were able to pivot very quickly from working in an office or studying in a classroom to doing that from home. And that highlighted dramatically the digital divide in SA, because such a high proportion of the population simply didn’t have that option. It wasn’t a choice. So, in that context, I talk about digital transformation being a choice for the privileged but, for those on the other side of the divide, there is no such choice; there’s no such option.

And this, I argued quite early during the crisis in one of my columns, highlighted the extent to which internet access has to be a human right. When that idea was first floated about 10 years ago by the United Nations, people tended to dismiss it and they said it’s fanciful, and it’s also the voice of the privileged claiming it must be a human right, So, they could get free internet access but the reality is that, if internet access was available to everybody, you’d be solving part of the equation, part of the problem, of how to give access to the workplace, to education for people who couldn’t move for people who were stuck at home.

So, let’s say connectivity becomes readily available, let’s say everyone is allocated a minimum quota of mobile data every day, then it becomes a question of having the right tools to access information or the appropriate platforms online. So, that means that everyone would have to have some kind of computer or tablet or smartphone, for example. Now, that seems unfeasible but, when you look at the amount of money that has been thrown at projects that have failed, and that have been demonstrably corrupt, or dishonest, you realised that there is money in this economy, or rather, there has been money in this economy to make it possible to equip every child, every school child in this country, with the right equipment. Of course, that does raise issues of security, of safety and of having, for example, a supply of electricity at home to be able to power the devices. But, again, the same context applies: the amount of money that has been thrown away, could so easily have been utilised to provide electricity to every single home in this country.

That is really the demand that we have to make of government, before it spends so much on so many other projects that are either poorly thought out or simply where the money, the contracts, the tenders go to people who have the right connections, who have no intention of actually carrying out those projects. When you look at the level of money that has been wasted on corruption, all of these problems could have been solved. So, let’s say all of that does get resolved. Let’s say we suddenly have an outbreak of leadership in this country and of political will, and that becomes an epidemic and you solve those problems, you still have the issue of the educational means to be able to utilise all of these tools, to be able to utilise the internet, because it does take a level of education, it does take a level of literacy, but also it takes a level of participation in that digital economy.

We’ve talked for years about the digital participation curve, which is a function of how long people have been online or engaged in digital activities, and people who’ve never been engaged in such activities have a very steep learning curve to learn how to engage in it. But you have to start at some point in order to find yourself. Let’s say five years down the line, everyone [has] five years’ experience, at a minimum, of engaging in the digital economy by starting now. That means that, five years from now, you have a population that is in a position to take advantage of the digital economy. The problem is that the starting now never happens and that means, five years from now, we’ll still be stuck in this situation, where we still have to persuade the department of communications that internet access is a human right.

MarkLives logoIt is heartbreaking, and it is heartbreaking because we stood in queues in 1994 and, at that very same time, Rwanda was awash with rivers of blood. There was a genocide going on in the country. Now, there was enough political will to merge the ministry of youth and the ministry of technology and to forge a new way forward. And there are many things that the president of that country can be criticised for in terms of human rights but, when it comes to technology and enabling intelligent infrastructure and enabling progress from a rural to city level, there is much we can learn from Rwanda, and Rwanda certainly is in a very different place to what it was in 1994. And the question then comes: what have we done?

AG: What we’ve done is had 10 different ministers of communication in 12 years and the one time we had an effective minister of communication, around four or five years ago, he was in place for maybe nine months, and one could argue that perhaps he was too effective; he obviously was driving people up the wrong way, because he was pretty quickly put back on the back benches and then we saw a litany of further ministers who have really done very, very little to advance the digital agenda, and digital democracy in this country.

MarkLives logoI hear you but isn’t it really important for companies in the communication sector to understand what’s happening to digital policy, to understand what’s happening to communication and technology policy, because that policy is going to decide the very future of this industry?
AG: The big problem for telecommunications companies is that they’ve been led by the accounting standards, principles, or rules within the organisation, which have said that you’ve got to maximise your profit per customer. They have a concept called ARPU — average revenue per user. And that’s probably the most-important metric to many of these organisations, aside from the actual customer numbers, but those customer numbers are really for bragging rights. The real metric that they’re pursuing is increased average revenue per user.

And that means servicing the most-profitable users and, therefore, those who can spend the most money, and that means being there for the privileged and we are among those privileged [who] are being served by the communications companies, but there has to be a deeper understanding on their part. There has to be true human transformation in these organisations to understand that it’s in the interests of the country of the economy and of the individuals and, ultimately, of these companies themselves to ensure that everyone has access to the digital economy. Digital democracy will lift all boats on a rising tide of knowledge, access, and prosperity. And the communications companies will be among the great beneficiaries of this rising tide, rather than holding it back because they want to protect the profits that they can see and understand in front of their eyes.

MarkLives logoCan you leave us with some good news please?
AG: There is a lot of good news. The one positive that’s come out of the crisis has been that organisations have learned that they can operate in many cases more effectively, more efficiently, and even more profitably by embracing digital transformation. And that means that, from now onwards, they’re going to look for ever improving ways of servicing their customers via digital platforms or through digital means, and that includes bringing on board those who were stuck on the other side of the digital divide. There is, I think, a deeper understanding now than ever before, of the idea that digital democracy is an important concept for everybody and, that if they can promote that digital democracy and help bring people over the divide, it’s going to be in their interest, too. So, I think that there is a true digital awakening that has happened in South Africa among businesses and, to a lesser extent, within government as well, and we will never go back to the way the world was before. So, we have to keep improving the world that we’re moving into now. And I think that is happening thanks to this digital awakening.

MarkLives logoThank you so much for your time, for the insight all based on decades of great research.

See also

 

Charlie MathewsAs an entrepreneur, Charlie Mathews (@CharlesLeeZA) has worked in growth teams with Naspers, Microsoft, and Tutuka.com (the global prepaid card company). Mathews has also successfully founded and exited two marketing companies. Published in Rolling Stone magazine, Guardian UK, and SA’s Greatest Entrepreneurs, edited by Moky Makura, Mathews wrote for Daily Maverick during the title’s legendary startup era. Today, Mathews is the founder and CEO of HumanInsight, a research, insights and learning company that helps brands better understand, and serve — humans.

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Q5: Beyond the press release, with Sarit Tomlinson [interview]

by Carey Finn (@carey_finn) Sarit Tomlinson, managing director of Joburg-based communications agency, Capacity Relations, speaks to us about the changing nature of public relations in South Africa — and how her agency has handled it.

Capacity Relations logoQ5: How has PR in South Africa changed over the past 10–15 years?
Sarit Tomlinson: The most-significant change has been in how content is being published and consumed. The need for enticing content has remained constant. However, the manner in which it is now being published and consumed means that the need has extended to immediacy and relevance. Given the fast-paced change of daily life in the 21st century, generating instant and relevant content demands that you remain on the pulse of current narratives and community trends, if not become the originator of these. We have never looked at PR as the mere press release, and innovating and conceptualising landmark ideas is our competitive advantage. We have always adopted a multidimensional approach to brand and reputation management, of which the bedrock is, and remains, strategic intelligence.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

Q5: Tell us about the most-memorable moment in your agency’s history to date?
ST: In our 13-year history, it is difficult to pick a single most-memorable moment. We have been fortunate to work with leading, dynamic brands. The milestone moments range from our Jameson First Shot campaigns to the first-ever live Twitter billboard we did with J. Cole and Castle Lite, and our whisper campaign when bringing out Drake with Castle Lite. One of our very first campaigns was for Duracell, where we created a three-ton, solid chocolate bunny. There are so many [highlights]!

Through record-setting events to innovating South Africa’s ‘first-evers’, we have really had a lot of fun. Recently, we did the first-ever [live] ASMR [event] in SA with Flying Fish, and have been curating beautiful and engaging content with our Brutal Fruit Spritzer advocacy campaigns. Each measurable ROI we deliver to a brand, with a tangible increase in sales and bottom line, creates another moment to cherish.

Q5: What are your agency’s goals for the second half of the year?
ST: To survive (and thrive) in our most-challenging year to date, to support our clients through rough seas, and to find a way to continue trailblazing in these unprecedented times.

Q5: In your experience, what are the habits of highly effective PR practitioners?
ST:
Evolution [and] curating world-class content.

Q5: What would your advice be to someone looking to move into the PR field?
ST: Do not fall for the misperception that PR is a “soft” discipline. PR in today’s landscape demands a high-level skill set — so, study! Understand not only communications, including media and channels, but educate yourself continually to gain insight into the narratives of target consumers as influenced by global and market trends. Being able to write is not enough; you need to continually hone your creative and content curation skills to ensure that what you write instantly and enduringly captures the consumer. Work on your mental stamina and personal tenacity, you will need it.

Ironically, in an incredibly tough industry, the barrier to entry has become lower. Many see PR as the glamour, where who you know is more important than what you know, where you will get to walk the “red carpet”, self-aggrandise and achieve fame. Do not be fooled by this misperception — PR is relentless hard work, underpinned by intelligence and creativity, with the passion and the perseverance to make it.

See also

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with over a decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diverse fields.

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Mission: The tipping point of inevitability #coronavirusSA

by Tom Fels (@thomasfels) A “tipping point” is described by originator Malcolm Gladwell as “that magic moment when an idea, trend, or social behaviour crosses a threshold, tips, and spreads like wildfire”. We’ve all borne witness to this phenomenon in our lifetime, never more so than now.

Understanding how movements or trends gain momentum and take hold in society is a powerful enabler, because it allows us to play an active role in shaping the change we want, and short-circuiting that which we don’t. Taking this even further — knowing that, beyond a tipping point, things may never be the same again — prompts us to think about coming, inevitable trends and how we can be at the forefront of shaping our relevance for the future moment.

Three key factors

After widescale research across sectors, Gladwell identified three common traits of trends that gain mass adoption. These concepts are described as the Law of the Few, the Stickiness Factor, and the Power of Context:

  1. The Law of the Few contends that, for an idea to ‘catch fire’, it needs to be endorsed and advocated for by opinion leaders and disseminators described as connectors, mavens and salespeople. This is intuitive as the power of a networked idea creates the scale for it to touch and convert more people.
  2. The Stickiness Factor is essentially the capacity of the idea to stay alive and capture sustained, scaled attention. Sometimes, ideas may take a long time to tip, or it can happen overnight.
  3. This brings us to the Power of Context — which is like tinder to the fire. Given the right community, business or technical conditions, an idea may spring to life by meeting unidentified, unexpressed or suppressed needs. Context is the framework within which change finds its feet.

To see it coming

While we often consider the “tipping point” as a catalytic moment where the unexpected occurs and we’re thrust into a new paradigm, the reality is that many tipping points are so slow, it’s hard to see them coming.

Science has proven that global warming is happening yet the changes to our daily lives are imperceptibly slow. Only when hit by a hurricane, wildfire or sustained drought does the message hit home. The same goes for generations of suppressive racial, gender and social inequality. All it takes is the right match to ignite an inferno of change.

A call to lead

By and large, we don’t know what the future holds. Yet there are some inescapable truths about how our business and social systems have created a situation where we face widespread and necessary reformative actions.

Leaders who’re awake to these needs will, I trust, see them for what they are: indicators that we’re approaching, and experiencing, moments beyond which we will never be the same again. As a result, they will shape the organisations and initiatives that will determine the future of society.

The warning we should all take heed of is that we don’t need to wait for the tipping point of inevitability itself — be it via a civil war, irretractable damage to our natural ecosystem or political radicalisation — we can start with what we have and what we know to be true and good, right here, right now.

See also

 

Tom FelsTom Fels (@thomasfels) is a mission-driven brand expert, keynote speaker and an evangelist for conscious business. He’s just launched Animarem, a boutique impact advisory that guides and powers the shift toward conscious business. More recently, he was CEO at Singita and Nurun and group MD of Publicis Machine (now Machine_), where he oversaw local and global award-winning communications, digital and hospitality businesses. A past MarkLives.com contributor, his new monthly column, “Mission”, motivates for a more-conscious approach to business and intends to inspire change.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#TheInterlocker: The role for PR & comms in a shrinking media landscape

by Emma King (@emmainsa) One of the many fallouts of the covid-19 pandemic has been the devastating impact on local media platforms, publications and outlets. As PR and comms professionals, what does that mean for us? Lerato Tshabalala, Donald Kau and Libe Mohale respond.

We’ve already seen the demise of many household and dearly loved magazine brands here in South Africa, with newspapers and other publications struggling due to drastic drop in ad revenue. Add to that continued loss of revenue from local platforms to global giants such as Facebook and Google, and the future looks bleak. If much of our value to clients is from our perceived ability to place media stories, what happens when the media landscape keeps on diminishing? And how should we be working with media partners in a time like this, when they are doing all they can to keep their heads above the rising waters?

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

Lerato Tshabalala by Antonia SteynLerato Tshabalala

In the year 2000 I moved to Cape Town to go work as a junior writer at Fairlady magazine. My 20-year career would soar like an unstoppable meteor. Yet we all know that every meteor has to crash at some point. I remember being in a boardroom while I was editing Sunday Times Lifestyle and being told “digital is coming”. Let me tell you something, digital came and destroyed media as we knew it. Since then, I’ve made a career in advertising and I’m watching the same thing happen here, now. Agencies are closing down because clients are in financial crisis.

As we speak, many organisations are trying to apply Simon Sinek’s Golden Circle — which encourages leaders and organisations to start with why they do business instead of simply stating what they do. But change requires more than a nicely formatted PowerPoint presentation. People want a brand with a purpose. The days of the product-efficacy ramble are over. And, because PR and media are inextricably linked, working together to pivot in the face of an everchanging media and advertising landscape is key to the survival of both disciplines.

There are no definitive answers but, as a start, PR practitioners need to move their clients from traditional media to digital platforms; we need to put money behind online television platforms (the most-recent episode of Red Table Talk had more than 12m views within 24 hours of going live on Facebook); and we need to rethink how to engage the media in this time of social distancing and virtual meetings.

More importantly, we all need to start thinking of how we may be useful to society. Usefulness is the only bridge to relevance. Brands are going to have to find their hearts. The story has changed… It’s time to be brave.

— Lerato Tshabalala (@LeratoTJ) is GM & ECD at Black Powder Agency

 

Donald KauDonald Kau

For as long as I can recall, I’ve always loved a good story written well. I love good journalism wherever I can find I; I recognise it when I read it. It is sharp and insightful, and consistently so, and is delivered in a compelling package — something that was absent in many of the magazine brands that we’ve seen die off and disappear from our shelves. I’ve been surprised that so many had seemingly survived on such small readership numbers.

The truth is that many media outlets gave up on good journalism and great writing a long time ago: content that regurgitated material that you could find elsewhere, originality had long been missing and then the move went to spending more on packaging than what was inside.

Luckily, the media landscape hasn’t diminished; instead it’s spread out and is reaching more-diverse audiences packaged in multimedia formats. What we have to contend with is quality reach than quantity and this is a good thing, because the growth of digital and online platforms also offers deeper and richer engagement, and it’s the consumers who then spread the message if they like it.

This is more credible. It’s not the job of the PR practitioner to help platforms keep their heads above water. It’s the job of a channel to carve a path to an audience and cultivate it, providing opportunities for a story to live on multiple platforms. For the PR practitioner, we need to then supply not just editorial or brand content but be accessible to assist journalists in getting access to every other angle they need for every platform. It’s a point of pride for me to not just offer a media release but also, for example, to allow access to behind- the-scenes on projects, video and photography shoots, as well as to key decision makers for interviews.

For the PR practitioner, the returns to look for are those where a publication offers multiple platforms to reach the consumer and which will work hand in hand to shape the content. This means that media partners which invest in subscription, paywall and member services, over and above relying on advertising spend, can offer a marketer an audience that is targeted and measurable. A media partner with a strong brand and reputation, along with these new tools, becomes an invaluable partner to marketers. It’s our role, then, to embrace and support publications as they move in this digital direction.

— Donald Kau (@theflyingdon) is head of PR & communications at the V&A Waterfront

 

Libe MohaleLibe Swiss Mohale

The media industry has always found a way to keep up with our everchanging society’s needs. This may be seen with our resilience to constantly find effective ways to communicate, market and advertise to our audience. Reinvention should be part of the plan, thus making sure that we’re positioning ourselves to be relevant and take up opportunities in the market. This was highlighted through digital platforms experiencing an uptick in activity even though economic activity has stalled [during lockdown].

To reach the masses, technology should be at the forefront. Whether it is through apps, webinars or existing platforms that have a vetted presence of traffic, how we communicate to the audience has to change. So, if traditional media doesn’t work, we have to find alternatives, keep our ear on the ground, find out where the population’s active and what they’re embracing and take it from there. Moving to digital is something we’re not new to but the rate of change and required response are what makes the process a bit uncomfortable.

It’s our responsibility as PR and communications professionals to continuously adapt to the changes that impact our industry. Whether we like it or not, we’re in an era of the fourth industrial revolution (4IR), where the adaptability of innovation and technology is vital if we want to remain relevant in this fast-changing industry.

We should be working with the media and helping them adapt by adapting to their platforms and offerings. We need the media as much as they need us for content, so this means we have to create new digital strategies that attract our audiences and therefore keep their lights on. It sounds like a catch-22 but it’s definitely something that time and adaptability can influence positively.

The same way PR professionals need to take responsibility, media houses also need to follow the agile digital journey. There’s no survival in one keeping one’s head above rising waters; however, it’s about coming up with strategic ways to avoid drowning completely and this applies to all stakeholders in the media industry. This has to include becoming more in tune with Generation Z and their media consumption habits, which are deeply digital.

— Libe Swiss Mohale (@SwissLybee) is a director at PR and Brand Network

See also

 

Emma KingEmma King (@EmmainSA) is the founder and managing director of The Friday Street Club (@TheFridayStClub). She specialises in communications strategy, consumer and brand marketing and PR, corporate comms, crisis and issues management, and writing. Emma contributes the resurrected column, “#TheInterlocker”, in which she picks a PR/comms-related subject and invites other marketers and PRs to discuss, to MarkLives.com.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#WritersBlock: Rather don’t email than email badly during covid-19

by Tiffany Markman (@tiffanymarkman) Here’s how to ensure that your organisation’s corona-era emails aren’t tonally insensitive, bandwagonny and opportunistic, incomprehensible, or just plain random.

I don’t know about you but, even with things starting to settle down, I’m receiving unbelievable volumes of messaging right now. Newsletters, press releases, webinar invites, vouchers, special offers, and plain ol’ emails — between brands racing to assure me that they’re still up and running, and businesses informing me of their stringent sanitisation regimes, I can’t even. My not-inconsiderable standard deletion levels are running sky-high. So, if you’re communicating with your audiences at the moment (and you should be), here are some tips on how to stand out from the noise.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

#1. Be sensitive to tone

South Africans love a meme. Be warned, though: Irreverent jokes and edgy humour have their place but not in every piece of content.

“Read the room, so to speak.” —Rebecca Sentance, econsultancy (2020)

It’s also a good idea to review any upcoming campaigns or automated email flows in light of the pandemic: Are they still appropriate? Do their tone, imagery or themes have any unfortunate implications? Are there jokes that might fall flat? Can you better tailor the copy?

Here’s an example: Let’s say you’re offering a discount right now, or free shipping after the latest liquor ban ends. Making the discount code “COVID19” or “coronavirus” is… yuck. Do better.

Here’s another: I received a mailer from a US-based copywriter I admired, with the subject line, “Use this or you’ll die.” She went on to shoehorn that subject line into her messaging like this, “Not to use fear tactics on you, but If you’re not using this practice, you will die. I’m so kidding! But not really. If you don’t use it, you’ll die on the page. Or your words will. They’ll be dead to us. In fact, we won’t even notice them. So yeah.” I’ve unsubscribed from her list. I have a pretty dark sense of humour, but this subject line is too cheap a shot — even for me.

  • Hot tip: Get as many people as you can, from all levels of your organisation (not just your team), to ‘sanity-check’ every piece of key content for tone, before you send it out.

#2. Simplify. Then simplify again

Keep it simple. Then make it even simpler. Use clear, precise language and easy-to-scan formatting such as bullet points and bolded heads and sub-heads. Use shorter words, shorter sentences, and shorter paragraphs — especially at the points of greatest complexity.

“Think of the period as a stop sign. The more stop signs, the slower the pace, which is good if you are trying to make something clear.”—Roy Peter Clark, Poynter (2020)

As a rule, the more technical the issue is, the simpler the writing should be. The less time you want your reader to spend reading, the more time you must spend writing, too.

Here’s an example: We tend to feel very smart when we use phrases like “self-isolate”, “flatten the curve”, “aerosol transmission”, “PPE”, “immunocompromised” and “intubation”. But most readers are overwhelmed and would prefer a concise message in plain English.

  • Hot tip: There is one thing that has become absolutely clear in covering the pandemic: You cannot overuse the question-and-answer format. FAQs for the win, people.

#3. Make it matter

People have email fatigue.

Ensure that any info you’re sharing is actually useful by revealing how the reader can use it. Perhaps there are tweaks you can make to your copy to make it more practical? Maybe you need to rethink your email strategy? Whatever you do, don’t create more waffle.

Here’s an example: Unpack the specific measures you’re taking to keep your consumers safe and explain how these are helping the situation. Inform them of how service is being impacted, and what that means for them. Is there a helpline they can call? Is there a website or webpage with more info? Don’t expect them to make logical leaps themselves.

  • Hot tip: Ask your community for input. To get a better sense of what their customers actually wanted to hear, sustainable clothing company Reformation sent this email to subscribers with a note asking what it should be talking and posting about (McPeak in Klaviyo, 2020):

Reformation mailer to client base during covid-19

#4. Avoid the temptation to ‘weigh in’

Brand opportunism and jumping on the bandwagon are always dodgy but this is one time they’re going to be viewed particularly poorly — especially with all of the social media warriors and mob justice police at home and online. Watch out, companies! You could be cancelled.

If you’re making contact with your customers, say something they’re not hearing from anyone else, or say it differently to the way everyone else is saying it. Otherwise, sit down.

Here’s Campaign Monitor’s five reasons why you might need to send corona-mail (2020):

  1. You have useful, meaningful, accurate information to share
  2. You have customers that may be more sensitive to the crisis (let’s say you’re in healthcare, mental health, or essential services)
  3. You have physical locations
  4. Your services have been impacted or altered in some way
  5. You’re doing something specific to help your customers during this time.

Here’s an example: Resist the urge to use the pandemic to re-engage a tired mailing list or lure old customers back to your brand. That’s gross. At best, customers will feel unsettled — where the hell did you come from? — and, at worst, they’ll be turned off completely.

  • Hot tip: When you’ve said your piece, just stop and let people get on with their lives…

See also

 

Tiffany MarkmanTiffany Markman contributes the regular column, “#WritersBlock”, to MarkLives.com. In it, you’ll find writing-and communication-related raves, rants and the occasional reality check. Tiffany’s a corporate copywriter, writing trainer and keynote speaker who’s worked with over 400 top brands in the last 15 years but she’s most proud of knowing the true meaning of the verb “revert”. She loves art and black coffee. Connect with her on Twitter, Facebook or LinkedIn.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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Watched #coronavirusSA: Top 10 TV shows deciphered — Jun 2020

by Richard Lord (@rlord182) With more of the economy open and more people back at work in June 2020, we saw even further declines in television audiences and time spent viewing. It seemed that the ‘days of plenty’ that the TV broadcasters had experienced were now a thing of the past, and the numbers seemed to have returned to pre-covid-19 levels.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

Dashboard

Nielsen South Africa covid-19 daily tv viewing continues to decline
Source: Nielsen iPort

As we saw daily time spent viewing dropping, there was also a correlating drop in audiences as well… and quite a big drop, too. Let’s dig a little deeper…

Top 10: Main market

LSM 4–7 top 10 shows for Jun 2020

Channel

Audience

Uzalo SABC 1 9 590 008
Generations: The Legacy SABC 1 8 473 225
Skeem Saam SABC 1 8 128 294
Scandal e.tv 5 313 093
isiZulu News SABC 1 5 220 489
isiXhosa News SABC 1 4 860 113
S’gud S’naysi SABC 1 4 595 378
Nyan Nyan SABC 1 4 586 425
Rhythm City e.tv 4 362 764
Makoti SABC 1 4 332 547

Three observations: SABC 1 remained dominant; e.tv regained some lost ground; and the nation’s obsession with news content began abating.

  1. SABC 1 dominance: Eight of the top 10 shows were on SABC 1. There wasn’t a single SABC 2, SABC 3, or DStv programme to be found in the top 10.
  2. e.tv regaining lost ground: Scandal in April dropped from its usual fourth place spot down to sixth. It recovered in June. The other firm favourite, Rhythm City, had dropped out of the top 10 but was is now back.
  3. News: The isiZulu and isiXhosa News bulletins on SABC 1 had climbed up to position four and five in April and May and had seen audience spikes of 30-40%. In June, they were back to their pre-pandemic levels.

But the biggest thing that the numbers have shown us — and we saw this in the daily time spent viewing data, too — is that, since people were back at work under level 3 restrictions, they didn’t have the time to watch TV like they had in the previous three months, and there was a big drop in audiences. Let’s consider the top 3…

Mar 2020

Apr 2020

May 2020

Jun 2020

% diff Jun on May

Uzalo 9 486 146 11 382 535 11 302 538 9 590 008 -15%
Generations 7 829 601 9 671 777 9 148 977 8 473 225 -7%
Skeem Saam 5 784 067 8 788 444 8 914 540 8 128 294 -9%

The average audience of the top 10 show in June was 5.9m viewers. The average of the top 10 in May was 6.6m. That’s an average 10% decrease in audience across the top 10 in just one month, since the introduction of level 3 restrictions at the beginning of June.

Top 10: High-income

But let’s not forget about the high-income earners. The last few months saw a shakeup among the top end. We saw the SABC 3 broadcast of the movie Contagion take the top spot in April; we saw the president’s various addresses sitting firmly in the top 10; and we saw e.tv programming fall out of the top 10 while local content on Mzansi Magic challenged SABC 1’s dominance.

But June brought with it a similar mix of programming, broadcasters and audiences that we saw back in March, before the major impact of covid-19 made itself felt.

LSM 8–10 top 10 shows for Jun 2020

Channel

Audience

Uzalo SABC 1 1 268 365
Skeem Saam SABC 1 1 231 012
Generations SABC 1 932 049
The Queen Mzansi Magic 791 494
San Andreas (movie) e.tv 771 299
Scandal e.tv 732 612
isiZulu News SABC 1 702 895
Gomora Mzansi Magic 645 500
isiXhosa News SABC 1 630 666
Nyan Nyan SABC 1 581 265

e.tv was back with two programmes in the top 10. Mzansi Magic, which had four programmes in the top 10 in April, dropped to two, and SABC 1 rounded out the remaining six programmes. This, once again, highlights the misconception that many marketers have about what TV content the top end is actually consuming. We see very little DStv in the top 10, and no M-Net whatsoever. It’s very evident that high income consumers love local content.

We saw an equally large decrease in audiences as we saw among the main market, as evidenced below:

May 2020

Jun 2020

% diff Jun on May

Uzalo 1 511 289 1 268 365 -16%
Generations 1 359 156 1 231 012 -9%
Skeem Saam 1 087 749 932 049 -14%

It’ll be interesting to see what happens in July with the reintroduction of an overnight curfew (and the alcohol ban).

See also

 

Richard LordRichard Lord (@rlord182) is media and operations director at Meta Media, South Africa’s newest media agency and part of the IPG global network and Nahana Communications Group of specialist agencies. With over 20 years’ experience in the media industry and having worked for FCB, UM in London, and The MediaShop, he’s spent most of his career with IPG. Richard contributes the monthly “Watched” column, which analyses monthly TV audience viewership figures in South Africa, to MarkLives.com.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines and become a MarkLives Member, too, to ensure continued coverage.

Zeitgeist of Now: Privacy in today’s world & what it means for brands

by Jason Stewart (@HaveYouHeard_SA) Privacy is the “state in which one is not observed or disturbed by other people”, or “being free from public attention”, according to the Oxford Dictionary. Less than a decade ago, privacy was easy to achieve: we simply shut the door or walked away from the conversation. Not so today.

Thousands of data points

Today, we voluntarily keep a device close at hand that can watch us, listen to us and track us, even during what should be our most-private moments (around 75% of people scroll on their phones while on the toilet, and almost all people have their phones within a few feet of them while having sex). Nor do we really know what data’s being collected because the big tech companies won’t tell us or show us.

What we do know is that it can run into thousands of different data points per person and, as artificial intelligence (AI) and machine learning evolves, the companies that’ve collected that data will be able to do much more with it.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

When this data is used to enhance the personalised service we get and boosts convenience, many are prepared to pooh-pooh those who warn about the risks. This is because humans struggle to perceive true threats; we’re pretty much like the frog in the pot of water and it’s only now passing lukewarm.

Paranoia

Paranoid? Maybe not.

At the beginning of 2020, ClearView AI was declared a major threat to personal privacy. The company provided software to almost 500 law enforcement agencies, predominantly in North America. It was claimed that these agencies solved cold cases in just 20 seconds just by trawling the internet with facial-recognition software. The same software can be used by criminals, and this is why there are now class-action lawsuits against the company.

At least two years prior to Clearview AI, an opensource tool called Social Mapper trawled eight different social media platforms and pulled together every piece of content that had your face and identity attached to it. Oh, and there was also Face Swap in 2018 (whether you believe the conspiracy theories or not, there was an enormous amount of data uploaded voluntarily onto servers across the world).

Then there’s cheaply accessible software that allows you to stealthily spy on people (so long as you manually upload a file onto their phone). For US$40 per month, you can see every click, swipe and instant message, along with live access to someone’s camera and microphone. On any of their devices, such as the smart food processor, Siri and smart fridge. The explosion of 5G and IoT devices (internet of thing appliances that generate data) and new services like driverless cars are all possible because of more connectivity — which means more data storing and more sharing, linked to each individual.

Impact on our psychology

The impact this has on our psychology is that it changes how we feel about what we’re doing. It makes us hypervigilant and modifies our behaviour. It takes away the ability to freely explore, express or try. It means someone is always watching and recording and whatever we do or say can be used against us in the court of public opinion. So, we’d better be careful and stay in our box.

Anonymity will soon be a highly sought-after state. Even before the covid-19 pandemic, people were wearing masks in public, specifically activists in countries with authoritarian governments such as Hong Kong. The Digital Emancipation movement is gaining momentum; children are suing their parents for posting photographs of them online.

Designers, too, have invented ways to avoid surveillance and keep data private. This has seen the public’s fear and concern permeate pop culture. Take this puffer jacket from The Arrivals that has a Faraday pocket made from a blend of polyester, copper and nickel, for example. This combination blocks radio-frequency identification (RFID), near field communication (NFC), electromagnetic fields (EMR and EMF) and radiation signals — all the methods of delivery to mobile phones for push notifications, GPS tracking, text messages, and more.

In 2019, Polish designer Ewa Nowak launched a jewellery range, Incognito, aimed at thwarting facial recognition technologies and which has proved successful at beating Facebook’s DeepFace algorithm.

Accessories for the Paranoid, too, abound: devices that may be hooked onto technology in the home and feed it mis-information. One slots over a computer webcam and feeds it fake images, while another links to Amazon’s Alexa and plays it white noise or feeds it distracting fake tasks.

Advice for brands

  1. More and more consumers will be giving sales to brands which respect their data, and which provide them with anonymity and autonomy
  2. Provide safe spaces for consumers
  3. As this issue grows in concern, it also offers brands opportunities to make grandiose statements; however, brands need to be hypervigilant about how they use people’s data
  4. Brands which anticipate and act upon the privacy concerns of consumers, rather than ‘taking advantage’ of privacy loopholes, will gain public affection
    1. Have an easily accessible communique on your websites; be open about what public information you use and how you attain it
    2. Offer people easy-to-use opt-out privacy options when using your platforms
    3. Make it your ‘thing’ that you do not take advantage of users’ private data.

See also

 

Jason StewartJason Stewart is co-founder of HaveYouHeard (@HaveYouHeard_SA), a full-service agency. Zeitgeist of Now, his new column on MarkLives, is inspired by the agency’s proprietary tool developed to understand the invisible but powerful forces that influence people, products, culture and societies. If we appreciate these, he argues, we become more-effective marketers.

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#Transformers: Reinventing the creative self with Lebz Skywalker

by Charlie Mathews (@CharlesLeeZA) What makes an entrepreneur? The very definition of what it means to work for yourself is being transformed during covid-19, a time when retrenchments and reformation are sweeping through the creative sector. MarkLives chats to multimedia artist, Lebogang Tshetlo (@lebzskywalker), about his multiple transformations, and how he’s transmuted personal pain to find a new sense of self.


Until debt tear us apartTransformers Transform 2020” is a special series produced by MarkLives and HumanInsight and sponsored by the Association for Communication and Advertising (ACA), running Jun–Sep 2020. Together with Lebogang Tshetlo, we’ll be profiling remarkable local #Transformers every other Friday until September, featuring Tshetlo’s photography. The objective of this an independently managed, journalism-driven research project is to explore and map new paths for brands and marketers to transform, adapt and build resilience while the world adapts to covid-19 and its resultant social, political and economic toll.


Tshetlo (IG: @lebzskywalker) is a poet, artist, professional photographer and seasoned transmedia storyteller and researcher. A creative who has worked in advertising, content and publishing, he now uses photography for art and work alike, and researches transformation and innovation. In this interview, he speaks to transforming identity so that it inspires work and continual reinvention to find meaning, and forge a multifacetted career, in an industry that is changing fast.

 

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

Full transcript

MarkLives logoMy name is Charles Mathews and I’m here today with Lebogang Tshetlo AKA Lebz Skywalker. Lebz is a transformer who has been in the ad agency world; he has worked at the Content Bar; was the editor of SowetanLive, which was pretty much a one-person show. There he did editorial photography, got the whole thing up and running and successful, and then, more recently, Lebz had a major transformation. He decided he was going to become a full-time photographer. Welcome, Lebz. Tell us, who is Lebo?
Lebogang Tshetlo: I think that intro basically introduced me very well: Lebogang Tshetlo, photographer, multimedia artist, and overall transformative being. In a way, I think I’ve always encapsulated that in everything that I do and I’ve changed aliases so many times now. When I started out in high school, when I was writing poetry, I was called Verbal and then, when I finished matri, and I started performing on stage, I went by the name Unorthodox and, when I finally came to being and after Idea Engineers, which was the big break into adulthood — and working in a corporate environment — at that time I started looking inwards, and Lebz Skywalker was born. So, when I moved to Content Bar, and started working there, the photography, and the art, and the poetry started colliding a lot. For the past almost two decades, I’ve been battling with this, but now I can finally stand on a title and just call myself a multimedia artist.

MarkLives logoHow do you make sense of your world? Because not only have you had many transformations, you’ve also had to deal with tragedy. Perhaps the biggest tragedy has been the loss of your father, who was an amazing artist. Can you tell us about your father?
LT: Oh, my dad, an amazing human being, came into my life very late into my teens. I met him around when I was 18 years old. It changed everything. Before I knew him, I was always the black sheep of the family. My family is filled with engineers and electrical engineers and, coming from Springs, in KwaThema, engineering was the thing to do in a mining town, but I have always had an itch to scratch, to sketch, to perform. The performing arts have always been there. You know what I mean? The visual artist has always been there, but it’s like it didn’t feel right because of where I was but, when I finally met him, it made sense. It clicked, that “Oh, this is where it comes from!” I’m not such a black sheep, after all; I inherited what was right with me, through him. And we fought a lot about the artist in me — he just didn’t want me to become an artist. I remember one conversation I had with him and he told me that he doesn’t like the ‘struggling artist’ persona or idea and he doesn’t want that for his son, and I had to fight him back and be like, “But this is who I am. This is who I’ve always been, before you, before I met you, so I can’t just back away from it.”

And ironically, when he passed away, that had to take a backburner. I just couldn’t sketch; I couldn’t paint; I couldn’t perform. I couldn’t… Everything just reminded me of the loss, when it came to the visual artist. And, up until recently, when I met the love of my life and everything came together from love. Literally, like love freed me, freed the artist, freed the photographer, freed Lebo. You know, I could finally call myself Lebogang Tshetlo without having an identity crisis because I didn’t belong to the club, because my dad didn’t marry my mother and I couldn’t call myself Tshetlo because it’s my mother’s surname, but now it’s come full circle. Through love I’ve found who I am, and it’s a beautiful space to be in.

MarkLives logoSo, there’s a guy called Dave Duarte, whom I admire, and I went to ask him what story I,? And he said to me that story is the struggle to resolution. As I speak to you, I can hear you are, at times, thick with emotion. In your story, that transformation is painful and it’s hard and it’s challenging to become another person, to leave what you know. Like an editor. Photography is hard. You’ve got to start the hustle from the beginning. Then tell me about some of the rewards
LT: I’ll start from childhood with the hard stuff, and something that I feel deserves a separate platform, which I’m working on. Coming from an abusive childhood and coming into my teenage years, I was very isolated, because for the longest time you think that it’s your fault being abused. It’s what you did; you carry that as a child into your childhood. One of the biggest hardships. And then finding poetry was another hardship, whereby you come into being, you start writing because you’re venting for yourself and now you have to have a struggle where you have to perform it. Or you have to share it with the world. Sharing pain, if you like, it’s one of the hardest things to adjust to. And once you adjust to it, you have to sort of find a balance where you’re not sharing pain all the time and then it looks like you’re just gloomy. I remember during my performing years, spoken word, there’s a few places that actually banned me because they said my work was too dark all the time. And I remember telling one of the venue owners that I can’t speak, I can’t perform, I can’t write about love when I’ve never felt it. I write from what I know, from my surroundings; until I feel it, I can’t talk about it. It’s not actually like being an artist, when you can’t draw from your environment, when you have to lie about things that you know nothing about. It borders on science fiction. [laughter]

Father of Lebogang Tshetlo
Lebogang Tshetlo’s father

That was the hardship through my teen years, and then meeting my father was another hardship where I had to, now, be at peace with who I’ve always been, when I’ve been trying to hide that person and I’ve been trying to run away from that person. The artist, the abused kid that I found, knew I had to adjust to, to be this new person and accept who I am, and have a transformation. And then, while I was tackling having a father in my life, which came with its own hardship. Because we didn’t know each other, we had to learn each other, and there was a new kid coming, my brother from my father’s side; that’s another hardship. And then he passed away. Just as we were moulding this thing that we could call a relationship, and that came with — I feel like that’s one of the most-daring and the most-painful things I’ve had to deal with, because all my life I didn’t belong and now when I found somebody that I felt like made me belong and feel like I have a place on this rock, it was taken away.

And between 2003 and 2010 or 2011, my world just crumbled. I was this angry person. I just felt like the world didn’t do me right. You know, why can’t I find happiness? Why can’t I be…? Why can’t I? Why can’t I? You know what I mean. It was all those things and it made me angry all the time. I only realise now in my 30s that I was an angry teen and that’s why, most of the time, I couldn’t connect with anybody fully. And then relationships. I went through a relationship that I felt like I belonged, but that relationship was just me trying to belong. Another hardship. Then finally meeting the love of my life, readjusting again. It’s like transformation is just — just imagine being a worm, right, or in a cocoon, and then you have to transform into something that’s this big butterfly. You have to shed your skin. I can only imagine how painful that is. Can you imagine? A pain from a little cut; now you have to shed your whole skin and you have to become this whole person.

That little soul that was tormented, that I was and now I had to come into being; I had to be this person that is transformed from love which is painful. I think that was the biggest transformation for me. When I found out that I actually deserve happiness, I deserve love. I deserve everything that I desire. That transformation was the transformation for me because, with that transformation, I could break walls. And, from what you were saying, the question was, the hardships, and the fruits, and the rewards. That was the reward for me, finding love, finding my place in this world. Being at peace with who I am, having somebody love me that way so that I can love myself that way.

MarkLives logoWhat I notice about your work, and as you’re speaking, I’m thinking about your work — and I consume a lot of your work, because I love your work — is that your work has such depth in range. That, in your work, you go to places of extreme ‘grimdark’. I see the photography — one feels such emotion — but then the other part of your work that you capture [are] moments of extreme happiness, moments of birth, and you have pictures of Sho Madjozi performing on stage, which are you catching ecstasy in a way; what really astounds me about your visual work is the huge depth and range. You talk about this hugeness of being — I get a sense that is really catalysed in your work and your art.
LT: Yeah. It’s the duality of everything that inspires most of my artwork, whether it be through the lens, or through a pen, or through a brush. Everything has its opposite. So, night and day, pain and joy. And having these superpowers that is poetry, that is photography, that is art. I feel like I have, sort of, a three-dimensional medium that I can portray the duality in its fullest. I think that’s why I’ve never been able — for example, in photography, most photographers would like to specialise in one field of photography, whether that be wedding, or portraits, whether it be landscape, or whatever — I’ve never been able to stay in one sphere. Because I feel like I have to represent my life. I’ve always drawn from my life; I’ve always been drawn from what I see; I’ve always drawn from emotion and it has to show in the work. Whether it be poetry, whether it be photography, whether it be whatever I’m doing, and it’s just capturing lives in its fullest. Whether it’s dark, whether it’s bright, whether it’s in between — sometimes it is when you feel jubilation and pain at the same time. It’s life.

MarkLives logoYou’re telling a new kind of story, which I’m loving, and I’m thinking you have a kind of science-fiction edge, because you play with science fiction and you play with an ‘afro-future’, which is very much science and science fiction and you’re melding new looks of Joburg with machines in the background that are futuristic and photographing men in space suits on this kind of volcanic edge, and it looks like a whole new world. Where does that come from?
LT: Science fiction has always been my main escape. I remember it from a young age: I used to just watch everything sci-fi, whether these were cartoons or Star Wars; whether it be whatever I like, it felt like I could take myself to another world. I could leave the pain; I could leave the worries; I could do whatever. I could be happy there. I could be a superhero. There I could be the most-powerful man on earth. There I could be the happiest. So, when it came full circle, when I had to come to terms with who I am through love, that got melded into my sci-fi. I’m a cyberpunk fan in every way. Because science fiction has always looked at movies like it’s in the US, it’s in Europe or whatever, but we’ve never looked at Africa or South Africa in a scientific dystopia or futuristic dystopia. And that’s when “Mzansi 3000” was born. What will Joburg be like in the year 3000; what will Soweto be like; what kind of people would be living there, with the climate? There’s a photo that I have, a composition that I did of Joburg overtaken by huge storms. It’s basically in a desert, scorched earth — what if climate change really gets that drastic and Joburg is surrounded by desert? What will it be? How will people live?

What is the pantsula in the year 3000, the street hawker on every corner of Soweto — what will they be like? Will they have a cybernetic arm? Will they be using technology to sell these foods; will they be using hover cars, whatever? The future is so multidimensional and so freeing, that my work tends to go towards it, always tends to lean or gravitate towards it. Because the now, you can react to the now but you can also almost mould the future.

MarkLives logoThe future belongs to those who build it and I think you’re building the future. I think a really important part of identity is imagining ourselves in the future.
LT: I fully agree with that. Because, look, again it’s the duality. You can’t have a future without acknowledging your past. You can’t have a future without working, without building it now. There’s always a duality in everything that you do but the future is the one presence that we can actually look on and find hope. Whenever I have a bad day, I always look at tonight, what am I going to be doing? At the end of this day, I’m going to be with my lady and that makes me happy. If we’re having a bad day, what is going to be tomorrow? Tomorrow we can change it. So, tomorrow always gives me an excuse to look beyond the pain, to look beyond the hardship, to look beyond the struggles of the hustle. It’s an interesting, but very energising feeling and concept to just work towards the future.

 

See also

 

Charlie MathewsAs an entrepreneur, Charlie Mathews (@CharlesLeeZA) has worked in growth teams with Naspers, Microsoft, and Tutuka.com (the global prepaid card company). Mathews has also successfully founded and exited two marketing companies. Published in Rolling Stone magazine, Guardian UK, and SA’s Greatest Entrepreneurs, edited by Moky Makura, Mathews wrote for Daily Maverick during the title’s legendary startup era. Today, Mathews is the founder and CEO of HumanInsight, a research, insights and learning company that helps brands better understand, and serve — humans.

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#Transformers: Entrepreneur transforms rejection into resilience

by Lebogang Tshetlo & Charles Mathews. Life is uncertain and unpredictable, which is why a critical part of transformation is figuring out how to deal with hardship and struggle. This skill is called resilience, and it may be learned, as entrepreneur Fezile Dhlamini (@AudioTheBrand) of Green Scooter discovered after his dreams were stalled time and again.


Until debt tear us apartTransformers Transform 2020” is a special series produced by MarkLives and HumanInsight and sponsored by the Association for Communication and Advertising (ACA), running Jun–Sep 2020. Our objective is to explore and map new paths for brands and marketers to transform, adapt and build resilience while the world adapts to covid-19 and its resultant social, political and economic toll. This is an independently managed, journalism-driven research project.


Rejection is a bitter pill to swallow. Psychologically, we’re wired in a way that getting refused repeatedly elicits actual physical pain. At times, the disappointment may be so severe that it may leave us feeling disconnected and alienated.

Fezile Dhlamini by Lebogang Tshetlo
Fezile Dhlamini. Pic Lebogang Tshetlo.

Although rejection hurt the Soweto-born Dhlamini, he never let it beat him. He channelled the pain into pure determination and used it as fuel to propel him forward. For three years after leaving university, where he studied strategic communications, Dhlamini tried to get a position at Uber, the global disruptor that transformed a sector. But the entrepreneur-in-waiting was repeatedly refused.

“I applied for backend work from digital strategy to operations at all of the Uber branches in South Africa and London”, Dhlamini told Business Report, adding that, at the tender age of six, he taught himself everything he knows about computers. He tried other mobility companies such as Taxify, but all doors were closed to him. So, the young dreamer decided to go back to university and further his studies. However, he would soon be rebuffed yet again; he applied to UJ to do his honours, and was promptly declined.

Yet this didn’t deter Dhlamini, who has a passionate ‘can do’ attitude and the kind of resilience that is a true hallmark of #Transformers. “If you want something very bad you have to get up, get it and fight for it if you have to. It’s not about how many times you fall down, it’s about how many times you get up,” he said on Cape Talk.

Psychological insight indicates that humans can learn to better adapt to life-changing events and that building resilience can drive huge personal growth. “There are many aspects of your life you can control, modify and grow with,” the American Psychological Association counsels, adding, “That’s the role of resilience. Becoming more resilient not only helps you get through difficult circumstances, it also empowers you to grow and even improve your life along the way.”

For Dhlamini, bouncing back meant finding a creative way to overcome the blocks holding him back. Given that Uber and all the other ride-sharing startups refused to open their doors to him, he decided to start his own mobility company and, thanks to his studies, he knew a lot about branding and differentiation.

“I think marketing is a great way to strategically communicate your brand to the public, build relationships and create memories that live forever,” he says, adding, “Although South Africa just seems to have most agencies doing the same thing over and over, we have kind of gotten used to the bland way of marketing. Marketing needs to be transformed and needs to see more diversity top-to-bottom.”

Green Scooter by Lebogang Tshetlo
Pic: Lebogang Tshetlo.

For Dhlamini, this transformation has taken the form of building his own brand. In 2016, the entrepreneur founded Green Scooter — Africa’s first all-electric e-hailing platform that marries nimble innovation with the need to be green and energy clean. Targeted at daily commuters in need of a last-mile ride, as well as people who want the convenience of an affordable electric vehicle for short-to-medium distance trips. Green Scooter nimbly extends SA’s mobility infrastructure to where it’s most needed and offers a ride that is safe, reliable, convenient, economical and eco-friendly.

When asked what advice he has for other entrepreneurs who stand in front of closed doors, Dhlamini says that, to be a transformer, entrepreneurs need to learn to build new careers and industries on the fly. “We have a long way to go and we are the first generation of Millennials [who] are learning as we go. In IsiZulu, we say ‘Sizobona phambili’ which means ‘Build the plane while you are flying it’. Either you soften the landing, glide or crash and burn. We have all been pushed off the cliff and we must now figure out how to fly.

“When I got into the working world after graduating, I realised that there was no room to look beyond the seams. To make marketing more relevant, we need to look at taking more risk with ideas.”

Dhlamini advises that, when it comes to transformation, focus is everything: “At this moment in time, everyone has to rewire what they bring to the table and this is more digital than ever. The game will, and should be, caring less about making noise but actually creating revenue and value.”

When asked what motivates him, he says, “Remembering why I started. Not being afraid to start again. This is what keeps motivating me.” Asked to define his venture, he describes it as: “Green Scooter, the youth-owned EV Automotive and Internet Company breaking barriers in Africa, which is at the forefront of renewable energy and innovation. Our very own Tesla Motors.”

Green Scooter outside McDonalds by Lebogang Tshetlo
Green Scooter in action. Pic: Lebogang Tshetlo.

Business Insider reports that the novel coronavirus pandemic has “highlighted a serious gap in the food deliveries market, with mostly township areas excluded completely from more mainstream services”, given that “none of the mainstream apps deliver fast food in many of South Africa’s biggest townships.” However, it’s people like Dhlamini and a new slew of mobility entrepreneurs who’re changing this.

KasiMenu, which launched two years ago, has teamed up with restaurants and already has more than 2 000 daily customers daily in Soweto, Pretoria, Soshanguve, as well as Mabopane and Ga-Rankuwa. Business Insider also quotes Lerato Lufuno Monguni, COO of White Fox, a township food-delivery app that operates in the Vaal as well as Soweto, as saying that townships are “a market that hasn’t been tapped into”. Monguni told Business Insider: “You get places in Soweto which are known for inyama ye nhloko (sheep/cow’s head) or known for the best kota and you get someone (going) all the way from Dobsonville to Chiawelo for kota.” In true entrepreneurial fashion, Monguni is helping to close the gap between retailers and locals, and now delivers for Pick n Pay as well. “There is a lot of money in the township; it’s just a matter of finding ways to develop the township economy,” he says, hitting the nail directly on the head.

Ultimately, entrepreneurs will find ways to transform themselves and township economies, just like Dhlamini and SA’s emerging mobility entrepreneurs are doing.

See also

 

Lebogang TshetloCharlie MathewsHaving worked in advertising, content and publishing, Lebogang Tshetlo (IG: @lebzskywalker) is a poet, artist, professional photographer and transmedia storyteller who now uses photography for art and work alike, and researches transformation and innovation. MarkLives thanks Tshetlo for the use of his photography for this transformation series. As founder and CEO of HumanInsight, Charlie Mathews (@CharlesLeeZA) leads research on #HopePunk, #Transformation #DigitalEcosystems, and works with the world’s most-transformative technology brands.

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