#AdForumSummit London: VCCP, MullenLowe & Anomaly

by Johanna McDowell (@jomcdowell) LONDON: It certainly was a very busy three days for the 2019 AdForum Worldwide Summit London and what’s very important to remember is the networking, ideas and exchanges that happen continuously among the consultants. Our time spent together in the coach that takes us to each destination offers us much opportunity to catch up, compare notes, talk about our respective markets and gain some global perspective about what’s happening in this important industry. The learnings are invaluable.

AdForum Worldwide Summit logoThen, at the end of each summit, our feedback (which we compile each day after each agency visit) is formalised and shared with each agency in turn — a very-important part of the process and the reason for the agencies to be participate. Our last hour is spent together as consultants all commenting on the summit, and its highs and lows. This particular one was a spectacular success; it will be a hard one to beat.

Our final day often contains a couple of highlights and we weren’t disappointed on Wednesday, 25 September 2019.

1. VCCP

One of our favourite agencies, VCCP advised us that it is now global, fully independent (having bought back its shares from WPP) and fully integrated, with a strong PR presence of 450 worldwide in addition to its advertising capabilities — a big leap forward.

Its presence in eight cities came on board as follows:

  • London 2002
  • Berlin 2008
  • Prague 2012
  • Madrid 2012
  • Sydney 2012
  • San Francisco 2016
  • New York City 2016
  • Singapore 2018

The next city will be Shanghai.

Since it started out in 2002, its positioning and point of view has remained: “We exist to transform the fortunes of our clients by challenging and disrupting the categories they operate in.” Its team used several case studies to illustrate it being a challenging network for challenging times.

  • Easy Jet — look and book
  • O2 — Armour
  • Paddy Power — Jose Mourinho
  • Domino’ s Pizza — the recovery channel
  • World Vision — unboxing
  • Cadbury Dairy Milk — donate your words — Age UK loneliness
  • Shell — greener and cleaner

Plus several more.

A very likeable team of people, well-respected by clients and intermediaries for its level of professionalism and niceness. We left the agency after a great session with three very large bars of Cadbury Dairy Milk each.

2. MullenLowe

Another AdForum favourite which treated us to a quiz on industry matters and used the opportunity to entrench some of its latest facts and figures, MullenLowe UK is enjoying a growth spurt in new business and considerable momentum within the business.

The time spent was fun and informative (it ensured that we saw some of its excellent work for the NHS — nurses recruitment drive), as well as enjoying some early gin and tonics as its session was held at a well-known gin specialty restaurant.

3. Anomaly

After an overview of the whole group by global CEO, Karina Wilsher, it reminded us of its positioning, which is values-based, mission-driven and focused on value-based compensation agency model as opposed to time sheets, hourly rates and FTEs. It prefers risk and reward, and it works. Able to produce large amounts of content across multiple channels for its clients, the agency group has continued its growth trajectory from US$20m in revenue in 2010 to US$190m in revenue in 2019. Most growth comes from existing clients but some new clients have come on board in the past 12 months and Anomaly is proud of its 67% conversion rate in new business. London, Berlin and Amsterdam have been particularly strong in new-business wins.

Digital transformation has seen huge growth in its offering and recently it launched video-calling for portal.facebook.com.

Case studies for Johnny Walker (revitalise but be sure to “keep walking”), Unilever U, Cancer Research UK (obesity), Virgin Trains, Instagram (anti-bullying) and Grenfell building-cladding activation/projection have all been high-profile successes in the past 12 months.

We left Anomaly with personalised Johnny Walker bottles of whisky — a big treat! — and so it all came to an end.

See also

 

Johanna McDowellJohanna McDowell (@jomcdowell) is managing director of the Independent Agency Search and Selection Company (IAS), which is partnered with the AAR Group in the UK. She will be presenting detailed and in-depth reports and case studies on each agency from this 2019 AdForum Summit at her masterclass presentation in Johannesburg in October 2019.

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#AdForumSummit London: “Media is an art, not an algorithm” — Hegarty

by Johanna McDowell (@jomcdowell) LONDON: Meetings and speed-dates with a total of 17 agencies including group and independents —a very big Day 2 for AdForum Worldwide Summit London, 22-25 September 2019!

AdForum Worldwide Summit logoMore than 50 pitch consultants met in London this time — the largest-ever turnout for AdForum and proof that our work and our roles are becoming more and more important in the industry, both locally and globally. The learnings from the other consultants, how they interact with agencies and with each other are a key part of the summit and certainly add a number of perspectives to the information.

First up on Day 2 was:

1. The&Partnership

It was started in 2001 by three partners as CHI&Partners, a minority stake was sold to WPP in 2007, and it rebranded in 2013 when two of the partners left.

What does it specialise in? Building full-service capabilities inside client marketing departments. The relationship with WPP is very important and again embraces the concept of partnership. Its model is different in that it builds data, media and high-level creative capabilities into client marketing departments and is able to provide full service, end to end. Each built-in agency has its own name and all staff members are kept on the The&Partnership payroll. It has a global presence and, from time to time, will draw on other staff from WPP if needed.

Case studies for Toyota, Centrica and News UK demonstrated how the in-house capabilities work, as well as producing excellent work at compelling creative levels. One of the clients from News UK (Sunday Times, The Times, The Sun and Radio UK) spoke about how well this has worked — PULSE is the name of the in-house agency — as it has enabled the agency people to fully understand the process of news-making (they are in the same building).

2. Pablo (Spanish for “humble”)

This was the first of the 30-minute speed dating sessions which were held back at our hotel (The Town Hall Hotel near Shoreditch in London), which was the former town hall of Bethnal Green and had a town hall chamber room where the agencies could do their presentations. It was an excellent venue.

Pablo is a fully integrated content agency of about 55 people; it builds active brand platforms so that brands can act as well as speak — and have a point of view. It showed us case studies for Hollard and Barrett, “Me.No.Pause”, Save A Life and San Miguel beer. All of them showed very good results.

3. Electric Blue

One of the most-famous names in advertising, Sir John Hegarty, is the chairperson of this new agency and he introduced the team with one of his very clear messages. Hegarty believes (as do many of us) that the industry’s biggest mistake was separating creative and media, as an idea can’t be media-neutral: “The power of the media is to make ideas even more powerful.”

Case studies for Right Move, Yeo Valley, Matalen and DW illustrated how media and creative, when fully integrated and with a certain amount of media maverick thinking, can produce highly effective results.

My quote of the day from Hegarty was: “Media is an art, not an algorithm. It’s not what you say; it’s where you say it.”

4. Joint

Formed in 2012, and with a staff complement of 72 people, it has three practices in one:

  • Brand management consulting
  • International advertising
  • Social content

It has an international footprint (including in South Africa) via its clients and its work, with much of this being devoted to Amazon. Case studies for Amazon Alexa, Amazon Prime and Amazon Fashion were some of what was shown to us; it has worked with Amazon for five years and has a 24-hour culture as an agency in order to match with such a client.

Its client wish list?

  • More projects — fewer retainers (music to our ears)
  • More projects — fewer pitches
  • The big stuff — big things for clients
  • The “difficult stuff” which it, as an agency, relishes

And that was the morning!

5. BBDO Group

With an impressive start, global CEO Andrew Robertson met us in the outside area of the Bankside building to shepherd us up to his agency. He introduced the session following a delicious finger lunch, advising us that we would be grouped into separate smaller teams so that each of us could experience individual sessions with respective agency disciplines in the agency.

However, his main message to us was that every brand needs a voice strategy:

  • Character — the brand’s voice needs to reflect the brand
  • Service — needs to be meaningful
  • Voice search strategy with analytics and measurements

This voice strategy imperative was the theme that then linked the following four agency speed-dating sessions:

6. BBDO Conversational Design

From designing advertising to conversational design, this agency is already working with Amazon Alexa to find out how to make this work. When asked how the creative department is going to organise itself and how talent will be trained for this, the answer is that BBDO is bringing in people from the tech companies.

7. BBDO Molecular Lab Suite

This agency focuses on efficiency and automation at scale and social commerce.

8. Brand Activism

We were told by the CEO of BBDO Hamburg that brand activism is not for every brand. Only certain brands will do this and, if there’s too much risk or if the brand’s a big player, then the brand has to weigh up the short-term risks and the long-term gains. Finding the link between the brand and the issue is vital — and has to be authentic.

Case studies for Maltesers [look on the light side (of disability)], and German Rail (“The Fan”) address key societal issues.

Less than 5% of brands is involved in activism currently. This is expected to increase but only within the confines of risk.

9. Brands at Service

How do consumer package goods/FMCG achieve a service experience for customers? The example we were shown from Pedigree pet foods (Feed the good” that dogs bring into our lives with Selfie Sticks for Snapchat) was a great demonstration of a simple product innovation created by the agency for the brand. Pedigree’s “child replacement” aimed at empty nesters to adopt a dog was so successful in New Zealand that the shelters ran out of dogs!

10. AMVBBDO

Our final session at the BBDO group offices focused on (as we would expect) the work, the work, the work. A recent Forrester report calculated the cost of losing creativity in a world on digital sameness. Investing in creativity will drive growth, and we were reminded that brands aren’t built in a factory but in the mind.

Case study for “Viva la Vulva” (for product New Bodyform, Pure Sensitive) was shown to us — sensational and challenging all taboos — and then the senior creative leads at AMV shared their 10 rules for working with clients in order to arrive at the best-possible challenging work. It’s all about authenticity and creativity.

So ended an inspirational two hours at BBDO. From there, it was back to our hotel for four more speed-dating sessions before heading out again to WPP at Sea Containers.

11. Uncommon

This agency of 50 people was created less than two years ago by the former leaders of GREY London. Its stance is:

  • To work with brands that matter
  • To work with the world’s most-ambitious brands or create them itself

Uncommon is the fastest-growing startup of the decade and has created extraordinary work for brands such as ITV, ASOS, Guardian Newspapers (a campaign broke in London this week). The agency model is a core team of 55 supported by 200 other specialists that it speaks to and uses. Currently, it’s building a full production support structure within its new premises.

12. Wonderhood

This is another startup, less than a year old and not quite at 20 people yet. This agency makes documentary films and commercials, so it’s both a creative agency and a TV show production company. The cross-pollination of skills enables it to be very competitive and it shared with us the agencies that it’s competed against in the past 12 months since they started. All big names.

Case studies were for Netflix (Drive to Survive), Comic Relief, KARMA cola, Pit Pat (fit bit for dogs) Nike; at the same time, it produces films for TV.

13. Quiet Storm

Founded by Trevor Robinson OBE in 1995, it has always seen its purpose in simple terms: “Whatever the challenges, our job is to make things happen for your business; to celebrate what makes you great; and to get people excited about your brands.” It’s mainly a film production and creative agency with a strong sense of purpose.

Case studies for Orange Tango, Apple Tango and Haribo Global were shown to us in the 30-minute session.

Then it was on to WPP, now headquartered at the Sea Containers building by the Thames.

14. WPP

WPP CEO, Mark Read, who took over the position when Sir Martin Sorrell left abruptly last year, gave us an update on what has been achieved in the past 12 months. He’s positive about the industry and we noted that:

  • He wants WPP as a brand to be as respected as brands like Disney and LMVH are
  • That the positioning of a WPP as a creative transformation company is critical
  • Technology is at the heart of its offering
  • Google is now its third-largest client

He explained the organisational structure of WPP to us and then various presentations, from various agencies and senior people within the group, followed to underline that structure and how it is working. The WPP UK country manager told us how there are many internal communication and training programmes to build collaboration among the agencies, something that wasn’t in place before. It is working.

15. Wunderman Thompson

The creative and data leadership team at Wunderman Thompson told us that “the most-powerful ads don’t look like ads any more” and illustrated this with an example of the VW vehicle-buying process it’s designed for the client.

16. Xaxis

The complexity and excitement around machine learning and AI is all in progress and the CEO of this agency shared her views on future-proofing.

17. Geometry

Positioning itself as the end-to-end creative commerce agency in the group, Geometry sees itself leading in the area of retail growth, which will be more about vintage and second-hand goods as consumers start to eschew buying new.

Our visit to WPP ended with an excellent dinner and some great future thoughts.

See also

 

Johanna McDowellJohanna McDowell (@jomcdowell) is managing director of the Independent Agency Search and Selection Company (IAS), which is partnered with the AAR Group in the UK. She will be presenting detailed and in-depth reports and case studies on each agency from this 2019 AdForum Summit at her masterclass presentation in Johannesburg in October 2019.

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SA TV Ratings: SABC 3 — primetime top 20 for Aug, Jul 2019

by MarkLives (@marklives) The hottest primetime shows on SABC 3 in South Africa revealed: TV ratings for August and July 2019.

SABC 3 logoSABC 3, August 2019

Top 20 Programmes All Adults 15+
August 2019 Prime Time 5.30pm—10pm
Adults 15+ years U:35830 S:8422

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

Wed 21/08/2019 1900 1929 S3 Isidingo:the Need Soap 2.67 956 738 6.8
Sun 25/08/2019 1830 1926 S3 Planet Earth II Docu 1.96 703 336 6.3
Sun 04/08/2019 1830 1925 S3 Planet Earth Docu 1.8 645 932 5.8
Sat 17/08/2019 1859 1953 S3 World of Dance Vari 1.73 618 793 5.4
Sun 18/08/2019 1924 1927 S3 Music Musi 1.6 574 283 5.4
Mon 19/08/2019 1930 2023 S3 Survivor:Kaoh Rong Real 1.37 490 688 3.5
Sun 25/08/2019 1930 2026 S3 Charles and Diana the First Decade Docu 1.24 444 311 3.9
Sat 24/08/2019 1759 1859 S3 Top Billing Maga 1.18 421 690 4.3
Sat 31/08/2019 1900 1953 S3 Top Chef Junior Real 1.03 368 345 3.3
Sun 18/08/2019 1929 2026 S3 Celebrated Love Docu 1.02 366 421 3.2
Thur 08/08/2019 1700 1758 S3 Afternoon Express Maga 0.99 353 183 4.7
Sat 17/08/2019 2100 2128 S3 News News 0.96 344 515 3.8
Sun 25/08/2019 1729 1828 S3 Mela Maga 0.96 342 768 3.8
Sat 03/08/2019 2130 2318 S3 Lara Croft Tomb Raider Movi 0.95 340 961 6.8
Sat 10/08/2019 2000 2052 S3 Efc Premium Fights Magazine Spor 0.9 323 106 3
Sun 11/08/2019 2130 2325 S3 Last Holiday Movi 0.84 299 745 6.5
Sat 10/08/2019 2130 2432 S3 Extreme Fighting Championship Spor 0.81 288 718 6.6
Thur 29/08/2019 2130 2227 S3 El Chapo Dram 0.78 279 666 3.8
Wed 07/08/2019 2128 2218 S3 Navy Ncis Dram 0.76 271 911 3.3
Fri 02/08/2019 1930 2027 S3 Married to Medicine Real 0.76 270 960 2.2

Source: BRCSA August 2019

 

SABC 3 logoSABC 3, July 2019

Top 20 Programmes All Adults 15+
July 2019 Prime Time 5.30pm—10pm
Adults 15+ years U:35830 S:8384

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

Wed 10/07/2019 2059 2253 S3 Total Africa Cup of Nations 2019: Nigeria Spor 9.14 3 273 525 31.9
Sat 06/07/2019 2047 2328 S3 Africa Cup of Nations Final Tournament 2 Spor 5.86 2 100 796 26.2
Mon 01/07/2019 1745 1954 S3 Total Africa Cup of Nations 2019: South A Spor 5.25 1 882 621 15.4
Fri 19/07/2019 2046 2320 S3 Total Africa Cup of Nations 2019:S enegal Spor 3.4 1 216 311 13.4
Mon 08/07/2019 1859 1928 S3 Isidingo: the Need Soap 2.83 1 013 350 7.5
Sun 14/07/2019 2048 2257 S3 Total Africa Cup of Nations 2019: Algeria Spor 2.46 882 509 12.6
Mon 08/07/2019 1930 2023 S3 Survivor: Kaoh Rong Real 2.4 861 464 6.1
Mon 01/07/2019 1954 2027 S3 Soccer Wrap Spor 2.36 846 922 6.8
Sun 14/07/2019 2038 2047 S3 Soccer Build- up Spor 2.01 718 250 7.9
Sun 07/07/2019 1836 1930 S3 Safari Live Docu 1.84 658 314 5.4
Sun 28/07/2019 1829 1924 S3 Planet Earth Docu 1.7 610 021 5.3
Sun 28/07/2019 1924 1928 S3 Music Musi 1.69 605 882 5.9
Sun 07/07/2019 1930 2024 S3 The Traffickers Docu 1.49 533 100 4.3
Sat 13/07/2019 1900 1952 S3 World of Dance Vari 1.47 525 089 4.4
Sat 13/07/2019 1800 1900 S3 Top Billing Maga 1.34 478 540 4.7
Sat 06/07/2019 2000 2028 S3 News News 1.22 436 804 3.8
Sun 21/07/2019 1426 1730 S3 Dil Dhadakne Do Movi 1.17 420 331 5.5
Thur 11/07/2019 2045 2252 S3 Total Africa Cup of Nations 2019: Madagas Spor 1.11 397 022 4.6
Sat 27/07/2019 2000 2059 S3 Efc Premium Fights Magazine Spor 0.99 356 085 3.4
Sun 28/07/2019 1930 2027 S3 Celebrated Love Docu 0.97 346 101 3

Source: BRCSA July 2019

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

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#AdForumSummit London: Clients taking back control of data, processes

by Johanna McDowell (@jomcdowell) LONDON: Day 1 of the AdForum Worldwide Summit London, 22-25 September 2019, continued with one of the highlights: meeting with Sir Martin Sorrell, who left WPP less than 18 months ago and has been forging ahead with his bold new entity, S4 Capital, ever since. As always, he had some interesting comment on the industry.

1. AdForum Worldwide Summit logoS4 Capital

We learned a few facts:

  • The group is being built to deliver faster, better, cheaper solutions for clients
  • S4 is only interested in digital companies
  • It’s already working with the 10–14 global digital companies ie Google, Facebook, Amazon etc
  • Current staff component is 1 500 across the globe
  • S4 believes in the “holy trinity” of digital (data, content and programmatic) and with one profit and loss account for the group — no silos!
  • S4 is growing at about 60% annualised; the traditional agency groups (WPP, Omnicom, Publicis etc) are growing at 4–5% pa

S4 Capital believes that clients are taking back control of their data and their working processes, and that this will continue to accelerate. A portfolio of work was shared with us.

2. Accenture Interactive

With the recent acquisition of Droga5 and the earlier one of Karmarama, we pitch consultants were very keen to see how this process is working and how these hitherto independent and highly creative agencies are faring in the new “dispensation”. What was very encouraging was to see the leadership that is being created through these acquisitions in order to drive growth and, indeed, further acquisitions in the creative space.

Positioning itself as providing unified brand experiences for marketers, Accenture Interactive is providing more than just advertising by moving into the areas of business design, user experience and production.

Case studies for Karmarama such as Bo (banking) and KFC (gaming) in China, along with Harley Davidson for Droga 5 and IHOP, illustrated the areas that the agencies have moved into and will continue to drive from a creative perspective and with real business results.

3. Rankin

A photography and publishing company, Rankin has moved strongly into content areas with editorial, film production, and a positioning of “Cultural Provocateurs.” It has 87 people, a strong track record and works consistently with other agencies, as well as clients, and this was illustrated through a Rolls-Royce case study.

Adding in some fun with photos of the consultants, Rankin told us that it would like more clients in the areas of fashion, beauty, hair and automotive plus travel — indeed, any brand that wants to be connected with culture.

4. Merkle (Dentsu Aegis Network)

Now with the Dentsu Aegis Network (DAN), its point of view is about moving to people-based marketing and making advertising more “addressable”. This means a more customer-focused strategy using people-based marketing technology.

That all sound feasible but the problem is integration. Marketers and brands have bought too much tech — that they don’t need —in the hope that this can be integrated into their existing systems. Where Merkle can help is to assist in the alignment of brand KPIs and value drivers.

Merkle was acquired by DAN in 2016, having started out as a data agency some 32 years ago. Huge growth is predicted in the next five years, with the business expected to double from the previous figure that it achieved over the 32-year period.

5. mccarrybowen (DAN)

The global CEO of the agency has been in place for the past for months and is committed to building the next-generation creative agency with big organising ideas that will harness the power of data. Case studies for American Express were used to illustrate what is possible by partnering, in this case, with New York City taxis.

And, so, Day 1 Part 2 came to an end and, with more than 10 agencies ahead of us on Tuesday 24 September, it was time to go and rest!

See also

 

Johanna McDowellJohanna McDowell (@jomcdowell) is managing director of the Independent Agency Search and Selection Company (IAS), which is partnered with the AAR Group in the UK. She will be presenting detailed and in-depth reports and case studies on each agency from this 2019 AdForum Summit at her masterclass presentation in Johannesburg in October 2019.

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#BigQDiversity: “I choose to celebrate women”

by MarkLives (@marklives) How are South African creative agencies faring in ensuring gender equity in the workplace? Are women enjoying the same opportunities and pay as their male colleagues — or are they still mired in gender bias, sexism and harassment? Without any real hard data available, Masego Motsogi of Grid Worldwide is the last key female executive to give us her assessment of the state of adland.

Masego Motsogi

Masego Motsogi (@masegom) is the managing director at Grid Worldwide and her experience in the industry spans just over 16 years. She has worked with clients across various industries and has a keen interest in youth and women development and advancement in the industry.

I could opt to lament the lack of female empowerment and/or the very poor understanding of women’s capabilities and how that is weighed unequally to what men add to the equation.

I could choose to cite the World Economic Forum (WEF) study that recognises that women are more productive than men, or the Association of Communication and Advertising (ACA) of South Africa’s 2018 salary survey which shows, in very many instances, that women are paid less than their male counterparts for the same designation.

I could choose to speak to the fact, whether it’s by nature or nurture, women express emotion differently and what may often be labeled as an emotional outburst by some may also be interpreted as an expression of determination or initiative.

I could also choose to call out the many times women have led thinking in many boardrooms but have had their ideas “mansplained” and, in turn, the same ideas ultimately being attributed to men.

Choose instead

I could to choose to. But I choose to celebrate women in our midst, instead.

The reality is that, for the foreseeable future, the world will remain patriarchal and, as such, these patterns of discrimination will remain firmly lodged in the way our society operates. I have no doubt that things will change in due course but, while that plays out, I choose to celebrate those who are making tracks in our industry.

I choose to celebrate women…

  • Women who stand steady and command their worlds and are forces to be reckoned with.
  • Women who have to choose between their passions and their responsibilities, and have to constantly answer questions about how they balance it all.
  • Women who find themselves having to raise their voice a little over the mens’, so as to be heard.
  • The women who are called “angry” and are said “to need a man” to dissipate their obstinate energy, the “bossy” ones and the “too-nice” ones.
  • I celebrate women who quietly but intentionally give wings to those that are too modest to rear their heads in this wild world which is quick to dismiss.
  • The mothers whose computer keyboards clink away in the middle of the night, and whose emails collide with those of other mothers as they prepare for another looming day that will require them to deliver their best selves.
  • Women who want better for themselves and those around them — the women who are on a quest to move mountains.
  • I celebrate women who find strength in knowing that theirs is a fight that may not be won now but who continue to push against the grain with the assertion that it will make it a little easier for young lionesses making their way.

These are many women who, in their own way in whichever space they find themselves, are making a difference in either how women are perceived through their own boldness or those who are directly advancing the female agenda in the industry.

Let’s face it: when one group is made weak by design, it is inevitable that the whole industry will suffer. The sensible thing to do is to ensure that all are treated equitably and are given the space to perform optimally, ultimately leading to a much-stronger industry — a more-diverse industry that could lead the discourse on how the world could work better.

And, so, with that, I hope that we all realise the strength that is woman, as I continue to celebrate women without whom the industry would be all the poorer. Hear, hear to these women!

See also

 

MarkLives logoLaunched in 2016, “The Big Q” is a regular column on MarkLives in which we ask key advertising and marketing industry execs for their thoughts on relevant issues facing the industry. If you’d like to be part of our pool of panellists, please contact editor Herman Manson via email (2mark at marklives dot com) or Twitter (@marklives). Suggestions for questions are also welcomed.

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#AdForumSummit London: Gender balance a focus

by Johanna McDowell (@jomcdowell) LONDON: With our agenda telling us we would be meeting 19 agencies over three days during AdForum Worldwide Summit London, 22-25 September 2019, this was already a lot to take in. But what we didn’t know is how some of the agencies were structuring their sessions, which meant effectively that we met 15 agencies on Day 1 and 17 on Day 2.

AdForum Worldwide Summit logoThere was also a controversial start to the summit, where comments from the media and participants focused on the huge bias towards male leadership and so gender balance was talked about frequently during the summit, with agencies being very conscious of this. Most took pains to point out their efforts in diversity and changes in balance in leadership. This is a significant step in an industry that has been somewhat complacent around gender and race in the more-developed economies.

With that backdrop, here is the first part of Day 1, Monday 22 September, which covers meetings with eight agencies. How did this happen?

1. M&C Saatchi

Let’s start with M&C Saatchi, an independent agency network.

Moray MacLennan, M&C Saatchi global CEO, set the tone for the agency, reminding us that M&C Saatchi has always been an entrepreneurial agency itself and is now positioning itself as the home to the creative entrepreneur. Quite an unexpected series of meetings then unfolded and we met seven different agencies within the M&C Saatchi group, all of which are investments by M&C Saatchi based on the entrepreneurs’ startup propositions, their growth and sustainability.

  • World Services — led by Marcus Peffers — is a market leader in behaviour-change services, mainly working in challenging environments found in emerging markets and advising on health, politics and issues affecting those markets. The agency consists of 200 people across various markets and was founded by Peffers about seven years ago.
  • Human Digital — led by Sarah Ward — uses tech to solve human issues. The company devises bespoke artificial intelligence to understand what people are doing. Human Digital can solve complex human problems using its problem-solving skills and applying “digital anthropology”. The company has been in business for 10 years.
  • Majority Film — led by founder Senain Kheshgi — is a company of women filmmakers producing documentary films. With only 7% of film directors being women and a paltry 3% of creative directors worldwide being female, the need to change this dynamic is both urgent and important. The founder told us that she started the business just before the #metoo movement with the intention of providing brands with the chance of an untraditional approach and the views from women film directors.
  • Send Me a Sample — led by Richard Hill — uses voice technology to create platforms to collect data for brand such as Coca-Cola, Clarins, L’Oréal and Dunkin’ Donuts. One in four homes in the UK have voice activation linked into their TV sets and this is growing rapidly, enabling brands to offer effective sampling and product trials. The company already has offices in UK, Germany and the US, and will expand globally along with the M&C Saatchi network.
  • THIS, which stands for The Human Indomitable Spirit, is a company dedicated to longform films and uses unique technology for social and environmental issues such as Save the Rhino.
  • SharpEnd looks at the internet of things (IoT) but through the real world as a connected platform. Examples such as tech innovation/identification in labelling of fashion items and cosmetics were shown to us.
  • Saturday School — founded by Akil Benjamin — is a community development devoted to teaching women of colour and children the basics of running a business. It identified the perfect partner as M&C Saatchi. Again, it is intending to go national and global via the M&C Saatchi network.

What was clear from this session with M&C Saatchi is that its approach to entrepreneurs is a win-win for the network, as well as for the various companies and the brands that it will surely link up with over time. The gender and ethnic diversity within these companies was a very good demonstration of the type of balance that the agency is committed to develop, too.

The initiatives position the agency group as a leader in entrepreneurialism and innovation; we have seen other examples of this at our own M&C Saatchi Abel in South Africa.

2. Oliver

Next up was Oliver, an in-house agency model company started in 2004. Staying below the radar until very recently, its offering is unique, with 2000 people and about 200 active agencies in-house. The model is underpinned by its unique operating system and Oliver has already built process and technology for more than 60 global clients. Using a combination of onsite specific talent and global network hubs, Oliver — now majority-owned by You & Mr Jones — showed us four excellent case studies for brands in different parts of the world which illustrated the quality and effectiveness of their work.

  • Westjet — Canada Air campaign
  • O2 — integrated campaign in Slovakia
  • Axe — festival in Brazil
  • Marmite — peanut butter launch

Its belief is “Fit In. Stand out.” and the success of the model is that 80% of the people from Oliver are actively producing things within their in-house agency constructs. This saves money and time for the clients, and they continuously collaborate, avoiding the need for major presentations and preferring to share ideas as early as possible.

With the added value of You & Mr Jones, this means that Oliver may access the skills and capabilities within the group, thus providing ever more services for clients. Its remuneration model is also very innovative.

And that ends the first morning of the first day of the summit. Seven more agency presentations from later that day will be in the next report.

See also

 

Johanna McDowellJohanna McDowell (@jomcdowell) is managing director of the Independent Agency Search and Selection Company (IAS), which is partnered with the AAR Group in the UK. She will be presenting detailed and in-depth reports and case studies on each agency from this 2019 AdForum Summit at her masterclass presentation in Johannesburg in October 2019.

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Q5: How to hack a brand, with Sarel Delport [interview]

by Carey Finn (@carey_finn) Sarel Delport — the executive creative director of integrated agency, Autonomous Republic, and part of the brains behind the recently launched Hack-A-Brand online store (which sells interactive tools and guides that will “hack any creative, strategy, marketing, or advertising project fast and successfully”) — unpacks the concept of “hacking a brand” for us.

Q5: What are the key questions to ask when hacking a brand?
Sarel Delport: There are a ton of questions and angles to hacking a brand but these are some of the usual suspects:

  • Why was your company/brand started in the first place? What was the motivation?
  • What was the problem/gap you tried to solve/fill?
  • What is your brand’s purpose beyond sales, profit or survival?

The crux of a brand hack is to understand its essence and align that to its outward and internal creative expression. I’m a firm believer in what Simon Sinek teaches about starting with why and then aligning that throughout an organisation.

Our goal is to help create authentic brands that speak with their own voice, that are differentiated from all the others out there. We do this because a strong brand galvanises a business and ensures it can weather the storms created by the economy and inevitable political rhetoric. This is beneficial to a workforce that is dogged by uncertainty and despondency.

Q5: Once you’ve asked those questions, what are the keys to the hack itself?
SD: The key to hacking a brand is to be brave and to keep asking brutally candid questions. All too often, in businesses and organisations of all sizes, you find a sense of complacency, a loss of enthusiasm or standards. This is especially evident in “the way things are done”. You will always hear “it’s just the way we do things here” when you come across a counterproductive process and/or execution. This happens when what the brand and leadership says is out sync with what they do and how they behave.

Now, the internal process of the business may seem like it’s not really a brand issue. But what happens when clients interact with staff and their experience is the opposite to what your brand is selling? You lose a customer, and possibly their friends and family as potential customers. A brand must [be lived] from the inside out; it’s not a facade that is painted on every time the marketing team gets a budget.

A brand is a living, breathing “organism”. Albeit an abstraction, it has a personality, has likes, dislikes, and has a purpose. It’s not something that should ever be manufactured; it has to be discovered. Sometimes the key to the hack comes down to just being brave enough to be vulnerable, and laying it all out there. That vulnerability makes hacking easier and creates an authentic execution.

Q5: Are there differences when hacking small vs more notable brands?
SD: The difference in approach is you really feel the impact of what you are doing when you hack a smaller brand. The larger ones are generally in good shape and have a history, so a hack is more about streamlining and aligning the brand. The hacking of a smaller brand can have a greater impact on that business financially and emotionally, which makes it sensitive at times.

In terms of the needs of a small or large brand, brand-building and sales are essential for both. Every brand needs to make sales, or gain periodical investments of some sort, but they should never embark on any sales or promotion activity without it building the brand in some way.

The one difference for hacking a small brand is that they need to be continually building enough trust, appeal and motivation to convert those feelings into sales. On the other hand, a large brand needs to concentrate on strengthening its positioning in the minds of its consumers by staying relevant and innovating in line with its purpose.

Ultimately, no matter the size of the brand, they all have to be able to answer these final questions:

  • What is the ultimate benefit my clients get from my brand?
  • How does my product/service make my clients’ lives better?
  • And, why is my product/service better than my competitors’?

If you can answer these questions with confidence and without an inkling of doubt in your mind, then you’ve hacked the brand.

Q5: Can you give us five brand role models — brands that other brands can look up to?
SD: Apple is a definite. I’m a massive fan of what Nick Law and his teams have achieved at R/GA and [it] seems cliché to say but his recent move to Apple is only going to improve an already-trustworthy brand.

Nike is another. You can’t go wrong with this brand, as it has programmed its philosophy into just about everyone. The beauty of this brand is that their philosophy shines through in every piece of communication.

The Pixar-Disney combo is a favourite. Having read Ed Catmull’s [story], the former president of Pixar and Disney, Creative Inc, you can understand why these brands keep outperforming others. They know and understand why they exist.

Volvo is a brand I Iove watching, as they have shrugged off their boxy stigma and evolved their brand into safe Swedish luxury. It shows in their cars and comms. From the outside, it comes across as a brand that every employee believes in and is aligned to its purpose wholeheartedly.

The last one is the Springboks. Having worked on the MTN sponsorship strategy a while ago, I love how they are able to align their sponsors’ brands to their purpose while keeping their own relevant. It probably comes naturally to us South Africans, because we feel like we own it or that it is a part of our DNA. Whatever it is, when everyone can tell what you stand for, you have done your job well.

Q5: Humour seems essential to you — it’s all over your websites. How important do you think it should be to brands?
SD: Well, if brands have a personality, they technically should have the ability to laugh at themselves. A sense of humour is a likeable trait in humans, and is vital in advertising and branding as it’s how creatives strut their creative sides.

David Ogilvy said, “The best ideas come as jokes. Make your thinking as funny as possible,” and he hit the nail on the head. Ideation, conceptualisation and the creative process needs to be fun for it to produce great work. When it comes to hacking a brand, the ability to laugh at yourself is critical, as the conversations that can be quite sensitive.

We once had a CEO shouting “F*** you” at us over a boardroom table at every non-flattering observation and insight we found or documented remark from employees and customers alike. The funny thing about that situation, though. was that we were invited for a whiskey after the three hours of brutal honesty and some laughs.

You have to have a sense of humour in this business; it’s the only way to stay grounded and keep the ideas flowing.

  • Find out more about Delport on LinkedIn.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with a decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” aims to hone in on strategic insights, analysis and data through punchy interviews with experts in media, marketing and design.

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#BigQDiversity: That inner circle? Incredibly hard to crack

by MarkLives (@marklives) How are South African creative agencies faring in ensuring gender equity in the workplace? Are women enjoying the same opportunities and pay as their male colleagues — or are they still mired in gender bias, sexism and harassment? Without any real hard data available, Keri-Ann Stanton of Avatar is the next key female executive to give us her assessment of the state of adland.

Keri-Ann Stanton

Keri-Ann Stanton (@KAmuses) is head of PR for Avatar PR, part of the Avatar South Africa group owned by M&N Brands, a new agency network for Africans by Africans. A multi-award-winning PR strategist and creative (APEX, Loeries, SABRE EMEA, African Excellence and Prisms), she works across sectors and disciplines from FMCG to SOEs. The global Holmes Report named her as one of the top 25 communication innovators in EMEA in 2017 and she has been invited to speak on various panels in Miami, Rwanda and SA.

You’re talking to the person who gave Mzamo Masito a standing ovation at last year’s Loeries for calling out adland for its sexism, racism, bias and general laziness.

You’re also talking to the person who was given a seat at the table by two of the youngest, most progressive leaders in adland. So, if two 36-year-old disruptors can listen to and take counsel and criticism from a woman, (and vice versa), then there’s really no excuse for the rest of adland.

Boys’ club

Is it a boys’ club still? Yes. Whose fault is that? My knee jerk reaction is to say “ours”. But then I thought about who makes decision and who appoints agencies.

Clients.

Ah.

Are the decision makers male or female? Are boardrooms transformed? Is there diversity at THEIR table? Nah, fam, boys’ club meets boys’ club. Transform the boardroom and you transform adland. Of course, I’m making sweeping generalisations. But while there are #metoo campaigns, and accounts such as @dietmadisonave on Instagram and high-profile stories such as those of Gustavo Martinez and Kevin Roberts then, really, one can assume that adland in SA is in the same state. I have watched one agency rid itself of female leadership one by one. I have also watched agencies such as Riverbed build female leadership.

Adland is non-traditional, out of the norm, a little crazy. It’s a place which challenges, disrupts and forces frank conversations. But it’s also a place with balance sheets and where money can be god. Where money is a god, EQ falls away.

On par with racism

I don’t hear anything of harassment but I do feel sexism is on a par with racism, in my experience. That inner circle? Incredibly hard to crack.

Gender bias? Yes, it’s there.

I did laugh out loud at a recent study by Thomas International on “Women in Business” which stated rather eloquently: “A consistent example of this bias is that male leaders who score lower on adjustment are seen as ‘passionate’ or ‘really caring about their work’ whereas female leaders with similar personalities are seen as ‘over-emotional’ or ‘not able to maintain composure.’”

That word “emotion/al” can trigger me like nothing else.

The study was aimed at concluding whether there’s a difference between male and female leadership (spoiler: there isn’t) but the gender bias is there, loud and clear: “Women appear to be scrutinized more as to whether they exhibit specific personality traits, benefiting women who can navigate through complex information and who are serious, optimistic, quick in decision-making, inspiring and assertive. By contrast, it appears that men are selected more based on, not on who they are, but the legacy they have accrued (namely their age and education).”

I could go on. It’s not good for my blood pressure, though.

Respect

I’ve fought to break into tight little circles. I’ve bowed out of them as fast, too. My BS radar is so high, it’s just easier to focus on the work. And that is my saving grace: focusing on the work, and results. Because nobody can dispute that; that’s where respect is earned. Respect gives you the voice. It’s taken me years to find my voice. That ask for more money. That goes, “That’s not okay.” That allows me to step away from places where people aren’t asking the right questions.

So, yes, how are we faring in adland? About as well as we are in corporate South Africa. A simple search for the JSE’s top CEOs reveals a whole lot of men and that tells the story, doesn’t it?

See also

Bio updated at 11.25am on 13 January 2020.

 

MarkLives logoLaunched in 2016, “The Big Q” is a regular column on MarkLives in which we ask key advertising and marketing industry execs for their thoughts on relevant issues facing the industry. If you’d like to be part of our pool of panellists, please contact editor Herman Manson via email (2mark at marklives dot com) or Twitter (@marklives). Suggestions for questions are also welcomed.

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SA TV Ratings: SABC 2 — primetime top 20 for Aug, Jul 2019

by MarkLives (@marklives) The hottest primetime shows on SABC 2 in South Africa revealed: TV ratings for August and July 2019.

SABC 2 logoSABC 2, August 2019

Top 20 Programmes All Adults 15+
August 2019 Prime Time 5.30pm—10pm
Adults 15+ years U:35830 S:8422

Day

Date

From

To

Station

Programme

title

Genre

AR

Viewers

Share

Mon 12/08/2019 2059 2128 S2 Muvhango Dram 14.05 5 033 392 42.9
Thur 22/08/2019 1759 1829 S2 7De Laan Soap 6.77 2 424 139 23.3
Mon 05/08/2019 2057 2102 S2 Behind the Scenes:Mandela Day Docu 6.41 2 296 211 20.4
Mon 05/08/2019 2131 2159 S2 Giyani Dram 4.82 1 727 566 21.7
Thur 22/08/2019 1830 1857 S2 Nuus News 4.27 1 531 213 12.1
Thur 01/08/2019 2130 2200 S2 Speak Out Actu 3.79 1 358 462 16.4
Fri 02/08/2019 2129 2158 S2 Mmalonya Dram 3.72 1 331 595 15.1
Sat 17/08/2019 1849 2052 S2 Castle Lager Rugby Championship: South Af Spor 3 1 074 334 9.8
Sat 03/08/2019 2029 2056 S2 Ga Re Dumele Sitc 2.99 1 072 257 11.3
Wed 14/08/2019 2057 2100 S2 Live Lotto Draw Vari 2.95 1 057 648 9.4
Sat 24/08/2019 1900 1954 S2 American Ninja Warriors Vari 2.92 1 047 612 9.2
Sat 24/08/2019 1954 1959 S2 Music Musi 2.92 1 045 613 10.3
Sat 24/08/2019 1959 2027 S2 Ses/Tsw/Sep News News 2.91 1 042 562 9.4
Thur 22/08/2019 1858 1954 S2 Noot Vir Noot Musi 2.9 1 039 269 7.4
Mon 12/08/2019 1730 1759 S2 Venda/Tsonga News News 2.54 909 250 11.2
Mon 19/08/2019 1900 1958 S2 Voetspore Maga 2.54 908 339 6.7
Sun 18/08/2019 1800 1827 S2 Fokus Actu 2.34 837 929 8.4
Thur 08/08/2019 1900 2000 S2 In Die Kollig Dram 2.06 737 407 5.6
Tue 20/08/2019 1900 1958 S2 Roer Jou Voete Dram 2.02 724 725 5.4
Wed 28/08/2019 1900 1929 S2 Koskaskenades Vari 1.95 697 595 5.2

Source: BRCSA August 2019

 

SABC 2 logoSABC 2, July 2019

Top 20 Programmes All Adults 15+
July 2019 Prime Time 5.30pm—10pm
Adults 15+ years U:35830 S:8384

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

 Mon 08/07/2019 2100 2130 S2 Muvhango Dram 14.9 5 339 386 45.1
Mon 08/07/2019 2055 2100 S2 Music Musi 8.01 2 869 380 13.5
Wed 03/07/2019 1759 1829 S2 7De Laan Soap 7.22 2 587 996 23.6
Mon 29/07/2019 2131 2200 S2 Giyani Dram 5.24 1 877 820 22.3
Fri 12/07/2019 2130 2201 S2 Mmalonya Dram 4.33 1 551 299 15.8
Wed 31/07/2019 1830 1859 S2 Nuus News 4.22 1 512 427 12.2
Thur 25/07/2019 2132 2200 S2 Speak Out Actu 3.47 1 242 063 16.3
Sat 20/07/2019 1907 2056 S2 Castle Rugby Championship:South Africa V Spor 3.46 1 240 231 10.7
Sat 13/07/2019 2029 2056 S2 Ga Re Dumele Sitc 3.23 1 155 725 10.4
Sat 13/07/2019 2000 2029 S2 Ses/Tsw/Sep News News 3.17 1 134 762 9.8
Mon 08/07/2019 1900 1954 S2 Voetspore Maga 3.07 1 101 471 8.1
Sat 27/07/2019 2057 2100 S2 Live Lotto Draw Vari 3.07 1 099 168 10.6
Sat 13/07/2019 1900 1956 S2 American Ninja Warriors Vari 3.01 1 076 719 9.2
Fri 19/07/2019 1730 1800 S2 Venda/Tsonga News News 2.92 1 047 649 11.4
Sat 20/07/2019 1852 1907 S2 Rugby Build up Spor 2.55 913 466 7.8
Fri 19/07/2019 1701 1730 S2 Bleach Yent 2.49 891 293 11.1
Sun 14/07/2019 1800 1827 S2 Fokus Actu 2.29 820 964 7.6
Sun 14/07/2019 1900 1955 S2 Showville Quiz 2.28 816 479 6.3
Wed 31/07/2019 1859 1929 S2 Koskaskenades Vari 2.18 780 097 6
Tue 16/07/2019 1900 1958 S2 Roer Jou Voete Dram 2.11 755 271 5.3

Source: BRCSA July 2019

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

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Young, Gifted & Killing It: Tshepo Tumahole

by Veli Ngubane (@TheNduna) Now an award-winning copywriter currently at Joe Public, Tshepo Tumahole’s career kicked off after winning a copywriting bursary he’d heard about on YFM and being given a break by Ahmed Tilly (then at Black River FC). He hopes to share credits with an astronaut, zookeeper, mine worker and Doctor Khumalo one day.

Veli Ngubane: Tell us more about yourself: where did you grow up and what did you want to be when you were growing up?
Tshepo Tumahole:
I grew up in Sebokeng, in the Vaal. Growing up, I really wanted to be Doctor Khumalo. I still believe he’s the GOAT (greatest of all time), not to mention his verse on Get Funky. Doctor has got the vibe.

VN: Congratulations on your big win at the Loeries. Take us through that night and what inspired the winning work for Chicken Licken*?
TT:
First things first, God is amazing! I’m sure even creatives who have done so much better than me will attest to the fact that it’s such an honour to be recognised for your work. To be honest, what inspired the work was doing something that cannot be referenced to a piece created some time back or that won something in the 1800s. Coming together with everyone who helped to create what we believe was a fresh approach to South African radio was our biggest inspiration. We are blessed enough to work at an agency that allows its creatives to experiment and also to be working with clients who are willing to buy work that is unfamiliar. That on its own is inspiring.

VN: You’re a copywriter. How did you break into the industry — take through your career journey?
TT:
A career in advertising is not something I thought I would be able to get into, mostly because I couldn’t afford to. I remember I had just woken up with the radio on when I heard that YFM had this competition in partnership with the AAA School of Advertising. There was a copywriting bursary up for grabs and I didn’t even know what copywriting was, but I entered the competition anyway. The first task was to write a radio advert about myself. I remember I had created this character that went to the Milan Fashion Week just to look for socks; I can’t remember the rest of the script but it helped me get through the first round, before writing more scripts to get to the second and finally the third round, where I was awarded the bursary. So, yeah, I took a chance at something I knew nothing about and here I am. It would also be amiss of me not to mention Ahmed Tilly. This is the first person to ever give me a chance and I don’t know how my career would have turned out if I had not met this amazing human being. I don’t know what you saw in me, Ahmed, but I’m glad you saw it.

VN: What is your opinion on the state of the advertising industry in South Africa?
TT:
Based on the level of work I saw on [Loeries] night, it’s inspiring to see how progressive our industry is becoming. I just hope that, in a few years, we will start partnering more and more with people and creatives outside of our industry. One day I hope to have an astronaut, zookeeper, a mine worker and Doctor Khumalo on the same credits list of a Cannes [Lion] Grand Prix-winning campaign. I believe we need to start finding solutions from all sorts of different places, not just inspiration.

VN: What South African brands do you admire and why?
TT:
The first one definitely has to be Chicken Licken. This brand has been the catalyst for great advertising — from the Joe Mafela commercials to the Joe Public commercials, it has made getting up during ad breaks quite difficult. The second South African brand has to be Orlando Pirates. I still envy whoever came up with the “Once a Pirate. Always a Pirate” line. That for me is one of the bravest brand promises I have ever seen from any brand. I wish we were still this brave as copywriters and I wish brands would stick to a campaign line for as long as Orlando Pirates has.

VN: How can the creative industry attract and keep more young black talent in the industry?
TT:
Trust us; trust our ideas; trust our stories — we know what we’re talking about! I find that, many times, work needs to be similar to something else for it to be sold. As soon as something is too different, there’s some uncertainty and it becomes a tougher sell, which frustrates young, black talent.

VN: Why do you think the advertising industry is struggling to transform and what do you think should be done to fast-track transformation in the communications industry and in SA in general?
TT:
I feel like transformation is being spoken about more than it’s being implemented. Transformation is not just in the numbers we bring into the industry but also in the work we produce as an industry. We still look to international standards as a way of judging our work! The day a South African agency wins big for an integrated campaign done entirely in one or all of our vernacular languages, with an insight exclusive to South Africa and a tone that is undeniably South African, then maybe we’ll catch a wakeup. Once work like that gets recognised, then we’ll have no choice but to start getting people who can do such work into this industry.

VN: If you had to give advice to your 18-year-old self, what would your advice be to young Tshepo?
TT:
It hasn’t been that long since I was 18 but I would tell him to keep on challenging himself, keep on taking chances and yeah, you won’t like how Avengers ends.

VN: What advice would you give someone completing their high-school education this year and looking to follow a career in the creative industry or starting their own business?
TT:
Never stop learning and never think of yourself as too young to do something. Whatever you set your sights on, you can achieve, especially in the creative industry. There are so many amazing people in this industry who will not only inspire you but will catapult your career.

VN: What do you feel is missing in the creative industry today and what should the future look like in SA and the rest of the continent?
TT:
We are not keeping up or even setting tech-trends as much as we should be doing. We have proved to the world that we have the ideas and the stories; it’s time we embraced tech. I don’t want to just blame it on our budgets because we’ve seen great campaigns involving the latest technology done on minuscule budgets. We can’t always depend on international awards to show us how tech and the creative industry should form a stronger bond. We are already creating robots that stand in for us while we have Chicken Licken hot wings, so I guess it’s a great start.

VN: Where and when do you have your best ideas?
TT:
To be honest, ideas come randomly to me but mostly when my eyes are closed. I tend to have to explain to people that “I’m not sleeping, I’m thinking” quite a lot.

VN: If you had a super power, what would you want it to be?
TT:
Definitely read and control minds.

VN: Tell us something about yourself not generally known?
TT:
Search for “Tshevs” on YouTube. Thank me later.

VN: What exciting projects are you working on at the moment?
TT:
We are about to release Chicken Licken’s very first animated series. It’s still very much in production but it’s a project we have really enjoyed working on and excited to see how it comes out.

VN: Please would you supply two or three pieces of work you have been involved in?

Chicken Licken: Further Fetched (Radio)
Jet: A Basic Life (Radio)
Castle Milk Stout — #GetItBack

*At Loeries 2019, Chicken Licken won one Gold, one Campaign Gold, two Craft Golds, one Silver, three Campaign Silvers, three Bronzes, two Campaign Bronzes, one Campaign Craft Certificate and five Craft Certificates. While Tumahole didn’t work on all of these , he did work on campaigns for Chicken Licken, Jet and POWA which altogether received two Campaign Golds, three Campaign Silvers and one Campaign Craft Certificate.

 

Veli NgubaneVeli Ngubane (@TheNduna) entered the world of advertising with a passion after completing his BSocSci (law, politics and economics) at UCT and a post-graduate marketing diploma at Red & Yellow, where he’s currently advisory board chairman. He also sits on the IAB’s Transformation & Education Council, is a DMA board member and Loeries, APEX, Pendoring, Bookmarks and AdFocus. He is the group MD of AVATAR and co-founder of M&N Brands, which is building an African network of agencies to rival the global giants. In his monthly column “Young, Gifted & Killing It”, he profiles award-winning, kick-ass black creative talent in South Africa.

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