Winners: Bookmarks 2020

by MarkLives (@marklives) The 2020 IAB Bookmarks Awards has awarded 139 winners, representing entries from across South Africa’s digital marketing and media landscape. The 2020 results comprise 15 Gold Pixels, 47 Silver Pixels and 67 Bronze awards across 71 categories.

Nosipho Maseko, from Joe Public Connect, has walked away with Best Digital Youngster; Jessica van der Westhyzen, OneDayOnly head of digital and performance, has won Best Digital Marketer; and Kyle Gounden and Lesego Molaudi from IIE-Vega have been honoured as Best Digital Students.

Best Contribution to Transformation in the Digital Industry has gone to Joe Public United. Digital education has also been emphasised  through Best Individual Contribution to Digital being awarded to Musa Kalenga, House of Brave chief future officer.

Creativity with a social conscience was a strong theme, with Ogilvy South Africa and Rape Crisis scooping the Pixel for Purpose for its #SpeaktoUs campaign and Thomas Holder, Primedia Broadcasting multimedia producer winning Best Online Journalist. Digital Brand of the Year goes to AB InBev, while online publisher of the year is shared by Primedia Broadcasting and 24.com.

TBWA\Hunt Lascaris Johannesburg has been named Digital Agency of the Year for the second year in a row. “[T]his is evidence of how we place innovation at the core of our business and we will continue to do so,” says Luca Gallarelli, TBWA\South Africa GCEO. “Awards like this serve to develop and strengthen South Africa’s critically important creative industry as we strive to broaden inclusion and position the sector for growth and job creation.”

View individual agency profiles here.

All the winners

 

Award

Company

Brand

Product

Title

Campaign: Digital strategy

Gold TBWA\Hunt Lascaris Joburg Joburg Ballet The Unbound Production In Rehersal for Unbound
Silver TBWA\Hunt Lascaris Joburg Hype Magazine, Tears Foundation Womans Month #Blame No More
Silver The Odd Number Nedbank Nedbank Brand & Advertising Nedbank Money Secrets
Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger
Bronze Joe Public Connect Jet Women’s Health The Great Stigma Clearance
Bronze Digitas Liquorice Unilever Knorr Takeaway Takeover

Campaign: Content strategy

Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger
Bronze King James Group TymeBank GoalSave Broke By
Bronze Duke, Mark1, Positive Dialogue Communications The Heart & Stroke Foundation South Africa Anti-vaping Fighting fake news with fake(ish) news

Campaign: Digital integrated campaign

Silver TBWA\Hunt Lascaris Joburg Joburg Ballet The Unbound Production In Rehersal for Unbound
Silver TBWA\Hunt Lascaris Joburg Hype Magazine, Tears Foundation Womans Month #Blame No More
Silver Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation
Bronze VMLY&R South Africa Edgars Retail Don’t Tell Me What To Do
Bronze VMLY&R South Africa Hollard Hollard Brand InstaStory Books
Bronze Hellocomputer, FCB Joburg Absa Recruitment The Human Quantum Computer
Bronze Wunderman Thompson South Africa Mondelez PS Chocolate Bars PS Mzansi Love Songs

Campaign: Mobile campaign

Silver Digitas Liquorice Distell Scottish Leader I See A Different You
Bronze Digitas Liquorice Unilever Knorr Takeaway Takeover
BEST USE OF DATA
Gold Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation
Bronze MOBILE et al FEDHEALTH flexiFED FEDHEALTH Made For You

Campaign: Integrated mixed media campaign

Silver Joe Public Connect Chicken Licken SoulSister Party 4 When a Sister Needs Some Soul
Silver Showmax Showmax The Girl From St. Agnes The Girl From St. Agnes
Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger
Silver Ogilvy SA Mondelez Cadbury Remarkable Regifts
Silver Ogilvy SA Investec Brand The Human Search Bar
Bronze Joe Public Connect Chicken Licken Big John The Legend of Big John
Bronze VMLY&R South Africa Edgars Retail Don’t Tell Me What To Do
Bronze VMLY&R South Africa Edgars Winter Retail Break Out
Bronze Joe Public Connect Jet Women’s Health The Great Stigma Clearance
Bronze Joe Public Connect Amnesty International Amnesty International Sign the Smile

Campaign: Break through on a budget

Gold HelloFCB+ CANSA CANSA Don’t Fear the Finger
Silver Saatchi & Saatchi South Africa Nude Foods Nude Foods Nude Your Food

Campaign: Branded content

Silver TBWA\Hunt Lascaris Joburg Hype Magazine, Tears Foundation Womans Month #Blame No More
Silver Ogilvy SA, Mindshare & Cali4ways Games KFC South Africa KFC KFC – Boet Fighter
Bronze Joe Public Connect Chicken Licken SoulSister Party 4 When a Sister Needs Some Soul
Bronze VMLY&R South Africa Edgars Retail Don’t Tell Me What To Do

Channel: Paid search marketing

Bronze Conversion Science TEARS Animal Rescue Pet Adoption TEARS – Adopt Don’t Shop

Channel: Organic search marketing

Bronze Jellyfish The Mattress Warehouse Mattresses & Accessories Competitive Cut-Through

Channel: Display advertising

Silver VMLY&R South Africa Nando’s Restaurant dine-in The Nando’s Load Shedding Ad
Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger

Channel: Online video series

Bronze TBWA\Hunt Lascaris Joburg Joburg Ballet The Unbound Production In Rehearsal for Unbound
Social paid advertising
Bronze The Mediashop Maybelline Tattoo Brow Peel Off Tint Maybelline Tattoo Brow

Channel: Innovative use of media

Silver TBWA\Hunt Lascaris Joburg Joburg Ballet The Unbound Production In Rehersal for Unbound
Silver Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation
Bronze TBWA\Hunt Lascaris Joburg Datsun South Africa Go Twitter Tug of War
Bronze Ogilvy SA AB InBev Africa Carling Black Label IsiZathu

Channel: Email, direct & inbound marketing

Bronze Publicis Machine Sealand Sustainable Invite Sealand Sustainable Invite

Channel: Use of programmatic media

Bronze Mark1 Food Lover’s Market Groceries Break the Traditional Tradition!

Channel: Digital installations & activations

Silver INJOZI & Mojanation Cadbury Cadbury Limited Edition Slabs Cadbury Martians
Silver Ogilvy SA AB InBev Africa Carling Black Label #BodyCount
Bronze VMLY&R South Africa Edgars Winter Retail Break Out

Channel: Online video

Gold TBWA\Hunt Lascaris Joburg Hype Magazine, Tears Foundation Womans Month #Blame No More
Silver King James Group AB InBev Corona Street Surfers
Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger
Bronze Publicis Mercedes-Benz C 63 S Stories of Speed
Bronze TBWA\Hunt Lascaris Joburg Okavango Diamond Company The Okavango Blue Diamond The Light at The Start of Everything, Written by Iain Thomas
Bronze VMLY&R South Africa Edgars Retail Don’t Tell Me What To Do

Channel: Channel innovation

Silver VMLY&R South Africa Hollard Hollard Brand InstaStory Books
Bronze TBWA\Hunt Lascaris Joburg Datsun South Africa Go Twitter Tug of War
Bronze Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation

Channel: Campaign microsites

Bronze Joe Public Connect Amnesty International Amnesty International Sign the Smile

Channel: Bots, messaging & dark social

Silver King James Group Johnson & Johnson Stayfree menstural care In Sync with Sho Madjozi

Community: Social communities

Silver VMLY&R South Africa Nando’s Nando’s Brand Nando’s Social Community
Silver King James Group TymeBank TymeBank TymeBank Social Communities

Community: Use of user-generated content

Gold VMLY&R South Africa Hollard Hollard Brand InstaStory Books
Gold Wunderman Thompson South Africa Mondelez PS Chocolate Bars PS Mzansi Love Songs
Gold Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation

Community: Social media campaigns

Gold King James Group Johnson & Johnson Stayfree menstural care In Sync with Sho Madjozi
Silver VMLY&R South Africa Hollard Hollard Brand InstaStory Books
Bronze TBWA\Hunt Lascaris Joburg Datsun South Africa Go Twitter Tug of War
Bronze Showmax Showmax Game Of Thrones Game Of Thrones The Night’s Watch
Bronze TBWA\Hunt Lascaris Joburg MTN South Africa Made for Home 120gig #StreamingorDreaming

Community: Influencer marketing

Silver King James Group Netflix The Umbrella Academy Super influencers

Community: Social media innovation

Bronze King James Group Johnson & Johnson Stayfree menstural care In Sync with Sho Madjozi
Bronze Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation

Craft: Excellence in marketing copywriting

Craft Silver TBWA\Hunt Lascaris Joburg Okavango Diamond Company The Okavango Blue Diamond The Light at The Start of Everything, Written by Iain Thomas
Craft Silver Ogilvy SA Investec Brand The Human Search Bar
Craft Bronze Ogilvy SA Mondelez Cadbury Remarkable Regifts

Craft: Excellence in news or feature writing

Craft Silver News24 24.com News24 Gang Wars

Craft: Excellence in research

Craft Silver DYDX Smollan Gcwalisa Gcwalisa

Craft: Excellence in interface design

Craft Silver MakeReign Pineapple insurance Peer to Peer Insurance Insurance with a snap
Craft Bronze MakeReign MakeReign Digital Design Studio Introducing MakeReign on the global stage
Craft Bronze MakeReign Wolf&Whale Digital Design Consultancy Making an International splash for Wolf&Whale

Craft: Excellence in software, coding & tech innovation

Craft Gold INJOZI Datsun South Africa Datsun GO Datsun Twitter Tug of War
Craft Silver INJOZI Cadbury Cadbury Limited Edition Slabs Cadbury Martians
Craft Bronze MOBILE et al, CHEESE et al FEDHEALTH flexiFED FEDHEALTH Made For You

Craft: Excellence in strategy

Craft Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger
Craft Bronze TBWA\Hunt Lascaris Joburg Joburg Ballet The Unbound Production In Rehersal for Unbound

Craft: Excellence in UX

Craft Silver MakeReign Pineapple insurance Peer to Peer Insurance Insurance with a snap
Craft Bronze MakeReign. MakeReign Digital Design Studio Introducing MakeReign on the global stage

Craft: Excellence in online video production

Craft Gold King James Group AB InBev Corona Street Surfers
Craft Gold TBWA\Hunt Lascaris Joburg Hype Magazine, Tears Foundation Womans Month #Blame No More
Craft Bronze TBWA\Hunt Lascaris Joburg Joburg Ballet The Unbound Production In Rehersal for Unbound
Craft Bronze Iconic Red Bull Red Bull Racing Cape Town Cruise
Craft Bronze Ogilvy SA Investec Brand The Human Search Bar

Craft: Excellence in social media community management

Craft Silver King James Group Johnson & Johnson Stayfree menstural care In Sync with Sho Madjozi
Craft Bronze VMLY&R South Africa Nando’s Nando’s Brand Nando’s Social Community

Craft: Excellence in digital media

Craft Silver VMLY&R South Africa Hollard Hollard Brand InstaStory Books

Craft: Excellence in use of sound

Craft Silver Gorilla AXE Axe Deodorant Axe Level Up
Craft Silver HelloFCB+ CANSA CANSA Don’t Fear the Finger
Craft Bronze Hellocomputer, FCB Joburg Absa Recruitment The Human Quantum Computer
Craft Bronze Wunderman Thompson South Africa Mondelez PS Chocolate Bars PS Mzansi Love Songs

Craft: Excellence in interactive design

Craft Bronze Hellocomputer, FCB Joburg Absa Recruitment The Human Quantum Computer

Emerging digital tech & channel: Internet of things

Gold DYDX Smollan Gcwalisa Gcwalisa

Emerging digital tech & channel: AI

Gold MakeReign Pineapple insurance Peer to Peer Insurance Insurance with a snap

Emerging digital tech & channel: Second screen campaign

Silver Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation

Emerging digital tech & channel: Interactive mixed media

Bronze Ogilvy SA AB InBev Africa Carling Black Label IsiZathu

Platforms: Brand, commercial & retail websites

Silver MakeReign MakeReign Digital Design Studio Introducing MakeReign on the global stage
Bronze Ogilvy SA Investec Brand The Human Search Bar

Platforms: Web apps

Bronze Digitas Liquorice Unilever Knorr Goodness Calendar

Platforms: Mobile apps

Gold MakeReign Pineapple Insurance Peer to Peer Insurance Insurance with a snap
Bronze Ogilvy SA AB InBev Castle Lager Heartbeat of the Nation

Platforms: Games

Bronze INJOZI and FoxP2 CT SAMPRO Dairy Dairy Space Race
Bronze Ogilvy SA, Mindshare & Cali4ways Games KFC South Africa KFC App KFC – Boet Fighter

Platforms: Platform innovation

Silver MakeReign Pineapple Insurance Peer to Peer Insurance Insurance with a snap
Bronze INJOZI & TBWA\Hunt Lascaris Datsun South Africa Datsun GO Datsun Twitter Tug of War

Publishing: Publisher sites

Bronze Arena Holdings TimesLIVE TimesLIVE TimesLIVE
Bronze Daily Maverick Daily Maverick Daily Maverick Daily Maverick Publisher Site
Bronze 24.com Netwerk24 Netwerk24 Netwerk24
Bronze Primedia Broadcasting Primedia Broadcasting Primedia Broadcasting CapeTalk

Publishing: Specialist publisher sites

Bronze Primedia Broadcasting Primedia Broadcasting Primedia Broadcasting Government or God?

Publishing: Mobile content

Bronze 24.com Netwerk24 Netwerk24 NetNuus

Publishing: Online news video

Gold Primedia Broadcasting Primedia Broadcasting Primedia Broadcasting Be prepared to die – Joburg’s toughest cop
Silver Daily Maverick Daily Maverick News Video VBS Bank Heist
Bronze Arena Holdings TimesLIVE MultimediaLIVE How a gifted young girl was kidnapped and murdered: The Siam Lee story
Bronze Primedia Broadcasting Primedia Broadcasting Primedia Broadcasting Borders

Publishing: Live event coverage

Bronze 24.com Netwerk24 Netwerk24 Rugby World Cup coverage Netwerk24 Rugby World Cup coverage

Publishing: Podcasts & audio streaming

Silver 24.com Netwerk24 Netwerk24 Luisterboeke
Silver 24.com News24 News24 Justice Denied

Special Honours: Best digital student/s

Black Pixel Kyle Gounden & Lesego Molaudi Vega

Special Honours: Best digital youngster

Black Pixel Nosipho Maseko Joe Public Connect

Special Honours: Best digital marketer

Black Pixel Jessica van der Westhuyzen OneDayOnly

Special Honours: Best online journalist

Black Pixel Thomas Holder Primedia Broadcasting

Special Honours: Best individual contribution to digital

Black Pixel Musa Kalenga House of Brave

Special Honours: Best contribution to transformation in the digital industry

Black Pixel Joe Public United

Special Honours: Pixel for purpose

Black Pixel Ogilvy SA Rape Crisis #SpeakToUs

Special Honours: Digital brand of the year

Black Pixel AB InBev

Special Honours: Online publisher of the year

Black Pixel Primedia Broadcasting & 24.com

Special Honours: Digital agency of the year

Black Pixel TBWA\Hunt Lascaris Joburg

For more, go to thebookmarks.co.za.

Updated at 9.22am on 20 March 2020.

 

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#CoronavirusSA: From crisis to consciousness

by Tom Fels (@thomasfels) Just a few short months ago, everyone was planning for 2020 with a business-as-usual mindset. Within weeks, that’s all changed.

The effects of covid-19 and the oil shocks sparked by the production war between Russia and Saudi Arabia have sent tsunami-sized waves through markets, the business community and society at large. We’re now constructing a new normal in real time, one characterised by limited global travel, social distancing, remote working and radically rethinking the year, or rather years, ahead.

As we rebuild in the time of the coronavirus, here are five areas in which we can take strategic advantage of the situation to foster more-conscious business:

#1. Leveraging new levels of awareness

Many simple daily activities we typically undertake unconsciously, such as touching our faces or regularly washing our hands, are now fully conscious actions. So, too, has our focus on humanity and compassion for others been elevated, as we see countries debilitated and economies threatened.

There’s a remarkable opportunity in this time of recalibration to capitalise on enhanced individual and social consciousness by rebuilding business within a context framed by greater humanity.

#2. Build from the bottom

Just as many fortunes are made by sharp-witted investors who invest at the bottom of the market, one should ask: What long-term gains may be made by going beyond the norm in the midst of crisis to build a view of the future that surpasses ‘survival’ and is shaped by an entirely new mindset?

By acknowledging the social transformation ‘wave’ of this new decade, the timing is ripe for a strategic-orientation that serves a far more inclusive stakeholder view.

#3. New working protocols

The immediate call for remote working and travel bans instituted by governments and many large corporations are, in themselves, an incredible simulation for the future world of work.

Traditional stigmas around remote working and a general preference for face-to-face meetings over virtual conferencing have been challenged overnight. Their legacy, I believe, has been the inhibiting of globalised talent resources and skills. We are, therefore, likely to see a reshaping of talent networks, as well as the facilitation of more-flexible working conditions that serve a more digitally connected professional society.

#4. A helping hand

Despite the hit that global markets have taken, many large corporations maintain a unique advantage in being sufficiently resourced to weather the storm, while small and medium enterprises are being brought to their knees.

This should be the time that the purpose orientation and values of big business are pushed to the fore, engaging their suppliers to generate holistic, shared-value solutions, rather than acting solely in the interests of short-term self-preservation.

#5. Collective responsibility

Finally, this time calls on us to be individually, and collectively, responsible. Society doesn’t often call on its citizens — global citizens — to act in a manner that serves the whole, despite sacrifice on the part of the individual. In response to this situation, we’re required to catalyse a new type of culture that’s geared towards total good.

Showing evidence of this leadership on a personal, organisational and societal level is sure to generate an appreciation for the type of change that we’d all love to see in the world. This is the time to act together in life, and in business.

May it be long-lived.

See also

 

Tom FelsTom Fels (@thomasfels) is a mission-driven brand expert, keynote speaker and an evangelist for conscious business. He’s just launched Animarem, a boutique impact advisory that guides and powers the shift toward conscious business. More recently, he was CEO at Singita and Nurun and group MD of Publicis Machine (now Machine_), where he oversaw local and global award-winning communications, digital and hospitality businesses. A past MarkLives.com contributor, his new monthly column, “Mission”,  motivates for a more-conscious approach to business and intends to inspire change.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday!

#BrandFocus: Bountiful global brands making their mark in South Africa

by Sabrina Forbes. Bounty Brands Apparel is a six-year-old business that distributes some of the world’s most well-known fashion brands, such as Diesel, Vans, Superdry and Jeep. We chatted to brand and marketing executive Zak Venter about his journey at the consumer-brands business, shortly before he announced his departure [no info has been shared as to where he’s moving].

Venter is no stranger to the fashion industry. He co-founded Sergeant Pepper Clothing, which grew organically in New York, Europe, UK and South Africa before he sold it to a major retail group and left. He then became the creative director for Christiano Ronaldo’s denim collection, launching it globally and getting it into big-box stores.

Switch on digitally

According to Venter, local clothing brands need to switch on digitally as a matter of urgency. What we’ve seen locally to date is tiny in comparison to what global brands have been rolling out. That’s the nature of our local industry, he believes. Legacy issues with global headquarters have also provided challenges and Venter recalled having to arm wrestle for local strategies, something he believes is imperative to build local brand cultures.

A frictionless shopping experience for customers is incredibly important for Venter and was a primary focus for him during his tenure. He recently launched Diesel’s ecommerce channel and said that Vans and Superdry are coming soon.

A further challenge faced, when managing his brand teams, was figuring out how to work on the business instead of working in it and giving them the freedom and trust to do what they think is best. Every brand team has its own culture because of their respective audiences and who they’re talking to. Venter worked towards nurturing and protecting his teams’ culture and continuously growing it as the audience increased.

Superdry

When discussing Superdry, Venter said that the brand needed revitalising as its current marketing hasn’t been adapted to the South African urban market. His strategy here was to show what the brand is, and what it stands for, while working on its pricing model (it’s been commented on as being unattainable).

The brand also plans to launch a larger female line, and visitors to the store will start to see the floor space being used in different ways.

The sportswear line has experienced its own challenges: he was clear that the Superdry communication has been that it’s athleisure and doesn’t promising to deliver the technology that other competitor brands offer.

Vans

Cultural juggernaut, Vans, brings its own challenges — its culture lives underground. You can’t control it or stop it but how do you not restrain an organic culture while still pushing a brand message? Venter said the team has been very careful not to overtrade the product while keeping the lifestyle aspiration offered intact. “You don’t want your early adopters to stop wearing them. You must look after the key drivers,” he said.

The Vans communication strategy, then, has been to go after the people who already care deeply about the brand. There’s been a longer-term strategy at play here, with a shift away from short-term performance and sales. Venter said the market has become schizophrenic and is always looking for a dopamine release, and that the strategy aims to mitigate that by looking further into the future. It’s important to look after long term brand health, he said, adding that digital has made this more tricky: “It’s the hardest time in retail in 15 years.” [This interview occurred before the coronavirus pandemic affected South Africa — ed-at-large.]

Diesel

Diesel’s audience is slightly older and wealthier, and so Venter’s team had adopted a tactile omnichannel approach with WhatsApp at the heart. Loyal customers are the first to find out about new releases and often products will be sold out before they make it to the shelf. This audience wants to have that very personal touch; they almost demand it.

However, the brand continues to look for new markets and does so through its marketing communications, launching highly controversial campaigns intended to make people sit up and take note.

Jeep

Fighting the old-fashioned perception of the Jeep brand has been something Venter and his brand team worked on tirelessly. The trick here has been to focus on a slow transformation over time vs an overnight evolution, so that the existing customer base hasn’t been scared off by an overnight change in tack. Marketing has to move as slowly as the audience does.

Venter said he saw the future of Jeep as a brand that offers trendy, design aesthetics while still being functional outdoor gear, especially considering the rise in the urban explorer and greater demographics looking for high-quality, fashionable gear that does the job.

A major trend he noticed, which Jeep is starting to play in, has been the move towards more-sustainable fashion. “It has to come into decision-making; the freight train is coming and you have to be ready,” he said, referring to brands such as Everlane and Patagonia that were born out of sustainability and continue to change the market, forcing others to pay attention.

Bounty Brands aims to become more transparent about its production practices because South Africans are becoming more aware; however, commercial implementation is still lagging behind. According to Venter, it’s a brand’s responsibility to educate and change behaviours, to open the curtains and to tell the truth.

 

Sabrina Forbes“BrandFocus” is a monthly series looking at brand performance and innovation, consumer trends and sector insight through in-depth interviews with senior marketers.

Sabrina Forbes (IG) is an experienced writer covering the food, health, lifestyle, beverage, marketing and media industries. She runs her own full-stack web/app development and digital-first content creation company. For more, go to moonwrench.com. She is a contributing writer to MarkLives.com.

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#CoronavirusSA: Covid-19’s lessons for social media marketing

by Craig Hannabus (@crayg) In the last few days, covid-19 has hit South Africa and it’s raised some interesting issues in the world of social media marketing. When things are going smoothly, social platforms such as Facebook seem to run smoothly. But, when a stress test like the coronavirus pandemic happens, the cracks will inevitably show.

Content plan

If you’ve done any kind of work in social media, you’ll be familiar with the idea of a content plan. Usually, content plans will cover an entire month and outline what content’s going to be posted on what day. There is a process around this, with some to-ing and fro-ing between the agency and the client until it’s all been signed off. Once signoff happens, posts are scheduled and away we go.

The one benefit to this process is that it allows the agency to optimise the hours used. A content plan starts as a text document and, once that’s approved, it then moves into design. It saves the designer time not having to create imagery for copy that might not be approved. The downside to this process has always been a lack of relevance, though. No matter what’s happening in the world around it, a brand’s content will remain unchanged for that month.

Most of the time, this isn’t a problem. However, the novel coronavirus has highlighted that this can turn into a huge problem. While there are some shining examples of brands which have put their monthly, generic content on hold and are now talking specifically about covid-19, there are other brands that seem to be living in a parallel universe where the disease doesn’t exist. The issue is that, in the midst of this crisis, there’s much misinformation being disseminated.

Combat fake news

It’s vital that these pieces of content are combatted so that more people are exposed to sound advice. I’ve received ‘official’ advice stating that, just by drinking water, I can eliminate the virus. This isn’t true. There are brands out there that have a huge amount of credibility in this space, and yet their always-on content just ticks by without anyone giving a thought to changing it. The result is that insidious organisations and trolls are spreading lies while potential positive changemakers are bogged down by a process.

There are many challenges when it comes to escaping the world of the monthly content plan. I’ve stood in front of many marketing leads, talking about the concept of brand affinity on social media — the simple idea that, when brands serve their communities (as opposed to sell to), the response will be far more positive. I’ve talked about dialling down product push content. I’ve talked about finding a bigger, overarching purpose for brand Facebook pages. Everyone agrees in principle but there are numbers to hit. There are metrics and KPIs. Unfortunately, getting people to fall in love with your brand doesn’t really have a short-term metric that you can show off at the monthly sales meeting.

The second issue lies with how social media teams are structured. In a perfect world, a social team should operate like a newsroom. There should be stories coming in and story pitches going out. Right now, the best we can do is look at predictable “special days”. Yet what if we could be braver and create content around breaking news stories? It would mean we’d have to throw content plans out the window but people would definitely be far more interested in reading brand content than they are now.

Largest obstacle

Finally, and possibly the largest obstacle, is social media itself. What was once a free-for-all set of marketing platforms has turned into a pay-for-play channel. This means that, if you want eyes on content, you need to pay up. Not many brands want to pay to have their handwashing tips sent out to their audience; they’d rather try and sell more product.

Coronavirus is a dangerous and potentially devastating pandemic, but what it’s done is shown us just how broken our social platforms really are. It’s time for a dramatic change — do we have the guts?

See also

Nando’s tweet added 5.06pm on 18 March 2020.

 

Craig HannabusCurrently the strategic director at Rogerwilco, Craig Hannabus (@crayg) has spent his adult life in the tech and marketing industry, exploring both the development and the content creation aspects. He began as a developer, writing software to integrate cell phones with GPS systems, thus building one of South Africa’s first vehicle tracking systems. Through the years, he’s developed a strong interest in exploring the world of customer experience and has worked on brands including Standard Bank, Nedbank, General Motors, Nestle, and Caxton.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday!

Watched: Top 10 TV shows deciphered — Feb 2020

by Richard Lord (@rlord182) March. First month of autumn. Days are getting shorter, the mornings are fresher, and the gentle sound of generators fills the night sky! The first two months of 2020 have brought with them their fair share of uncertainty — loadshedding, SONA chaos, budget speech disappointments, rate cuts, increased sin taxes, covid-19, stock-market crashes, OPEC volatility, and runs on toilet paper and hand sanitiser — so how’s all of this impacted on our nation’s favourite pastime, TV viewing? Let’s find out…

Main market

Here are the top 10 shows (averaged data) for the main market (LSM 4–7):

Top 10 TV shows

Channel

LSM 4–7

Uzalo SABC 1 9 039 104
Generations: The Legacy SABC 1 7 636 835
Skeem Saam SABC 1 5 180 675
Absa Premiership: Pirates vs Chiefs SABC 1 5 146 626
Scandal e.tv 4 362 257
Muvhango SABC 2 3 840 512
The Jungle Book e.tv 3 601 958
Sgud’snaysi SABC 1 3 498 301
Ngempela SABC 1 3 381 287
Rhythm City e.tv 3 299 118

Despite all the chaos of the last few weeks — we’re certainly living in interesting times and the world seems to be going a little crazy — it seems in general that the main market hasn’t drastically changed its viewing habits. The top three programmes remain, as ever, Skeem Saam, Generations, and Uzalo.

The Chiefs/Pirates derby on 29 February 2020 took fourth spot which shows that, despite everything that’s going on, the people simply want to escape and be entertained — and nothing entertains in South Africa like a good old rivalry on the football pitch!

We see further evidence of this escapism with an e.tv movie, The Jungle Book, breaking into the top 10 (there was another e.tv movie, Legend of Tarzan, sitting at no. 11), and the continued nostalgia that the late Joe Mafela brings to the SABC with old reruns of Sgud’snaysi.

This isn’t to say that the main market isn’t interested in what’s happening in the world, as both the isiZulu news and isiXhosa news on SABC 1 came in at no. 12 and 14 respectively, and the live broadcast of the chaos at the 2020 State of the Nation (SONA) came in at no. 23 and was viewed by some 2.3m people in LSM 4–7.

High-income earners

What about the high-income earners? They seem to be more interested in current affairs than their main-market counterparts because, for the first time in a long time, we have a change in the top tjree programmes watched by this audience!

Top 10 TV shows

Channel

LSM 8–10

Uzalo SABC 1 1 106 570
State of the Nation 2020 SABC 2 794 866
Skeem Saam SABC 1 803 363
Generations SABC 1 797 901
Scandal e.tv 610 861
The Legend of Tarzan e.tv 611 322
The Queen Mzansi Magic 593 976
Absa Premiership: Pirates vs Chiefs SABC 1 547 394
isiZulu News SABC 1 476 847
7de Laan SABC 2 466 989

Uzalo on SABC 1 remains the no. 1 show watched by the high-income earners but coming in second spot in February was SONA 2020. We also see isiZulu news on SABC 1 breaking into the top 10. Now, remembering that this is an LSM 8-10 analysis, this should remind us just how strong local content is. LSM 8-10 don’t all live in Sandton and watch Sky News and the BBC… and they don’t all watch the English Premier League, either! The Absa Premiership derby between Chiefs and Pirates made it into the top 10 for February too.

But what of the EPL? How did that compare in February? Not too well, as it turns out. There were a number of other sporting codes that performed better… The T20 International between SA and England on SABC 3, played on 16 February, was watched by 361 000 LSM 8–10 viewers, followed by the first T20 International against the Aussies at Wanderers, which drew an audience of 317 000 viewers. Then there were a couple of Nedbank Cup matches, a EUFA Champions League game, and a Super Rugby match between the Bulls and the Blues — all of this before the best-performing EPL match, which was Liverpool vs the Hammers on 24 February.

Interestingly, the broadcast of the 2020 budget speech by our honourable finance minister, Tito Mboweni, performed better than most of these sporting broadcasts, watched by some 290 000 people — a remarkable figure, given that it took place at 2pm on a Wednesday!

Loadshedding

Finally, what of the impact of loadshedding on all of this? It’s a question that we’re often asked. The truth is that loadshedding does have an impact on TV viewing. No power = no TV. On average, it would appear that loadshedding may account for a loss of anything between 2% and 10%, depending on the time band.

If we look at how viewing has fluctuated for the top 5 programmes among the mass market over the past four months, we can see that February audiences are lower than in January, and still aren’t back to their pre-holiday levels. This isn’t all down to load shedding. Other factors have an impact, too, but — whatever the reason — the simple reality is the numbers are down, times are tough, budgets are under pressure. Draw your own conclusions!

Top 10 LSM 4–7

Nov 2019

Dec 2019

Jan 2020

Feb 2020

Uzalo (SABC 1) 10 606 852 8 535 240 9 555 313 9 039 104
Generations: The Legacy (SABC 1) 9 331 778 7 217 946 7 949 566 7 636 835
Skeem Saam (SABC 1) 5 819 989 4 713 827 5 220 890 5 180 675
Scandal (e.tv) 5 079 616 4 047 442 4 403 907 4 362 257
Muvhango (SABC 2) 4 803 688 4 218 781 4 304 626 3 840 512

 

Richard LordRichard Lord (@rlord182) is media and operations director at Meta Media, South Africa’s newest media agency and part of the IPG global network and Nahana Communications Group of specialist agencies. With over 20 years’ experience in the media industry and having worked for FCB, UM in London, and The MediaShop, he’s spent most of his career with IPG. Richard contributes the monthly “Watched” column, which analyses monthly TV audience viewership figures in South Africa, to MarkLives.com.

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#CoronavirusSA: Corporate SA’s duty in a time of #covid19

by Megan Power (@Power_Report) Game-changing, world-class and cutting-edge. Data-driven, innovative and disruptive. They go the extra mile, they move the needle, they’re here to help.

If corporate South Africa’s marketing and positioning statements are to be believed, local consumers have it pretty good. If the numerous purpose-driven brands out there truly come from a place of sincerity and authenticity, even better. But I suspect the horror of the global covid-19 outbreak is about to put all this to the test.

Unknown, unpredictable territory

We’re in unknown, unpredictable territory here; as of 16 March 2020, South Africa had 62 positive cases of the coronavirus disease, and yet-to-be-confirmed local transmissions.

Nobody knows what will happen in the days and weeks to come. But what we do know is that the coronavirus pandemic will challenge everything organisations have ever claimed to be. It will separate customer service clichés from genuine values, and pithy platitudes from credible company culture.

If there were ever a time for business in SA to step up to the plate, it is now. The expectations will be high, too. Corporates which boast that “our people are our biggest asset” and “people over profit” are going to need to go further than just allowing staff to work from home, offering more-inclusive sick leave and agreeing to cover the wages of hourly workers. They’ll be expected to use their resources, their expertise, unique skills, access, and influence to create partnerships with government to beat this official national state of disaster that’s bearing down on us. They’ll be expected to seriously and meaningfully lean in.

Public expectations

The public will expect the deep knowledge locked in robust organisations — from large telecos, banks and insurance companies to retailers, manufacturers and carmakers — to be swiftly shared, along with skills and resources to help in every conceivable way to stop the spread of infection, and panic. Government can’t do this alone and shouldn’t be expected to. The private sector has access to some of the brightest minds around, top data intelligence, the most-technologically advanced communication tools, deep research capabilities and unrivalled access to reach the country’s most vulnerable. It’s time to use all this power for the greater good.

I spent six months working on the #BusinessBelieves campaign some three years ago, under Business Leadership South Africa’s then CEO, Bonang Mohale. In addition to speaking out against corruption in both public and private sectors, the campaign highlighted corporate SA’s massive contributions to job creation, taxes and social responsibility investment. In doing so, it helped draw perspective to the damaging “white monopoly capital” narrative and positioned the country’s major corporates as a national asset.

If ever that “asset” needed to be fully leveraged, it’s now — and it’s not an altogether altruistic move. Research repeatedly shows how much weight consumers place in brands that are guided by a purpose that reflects their own values and beliefs. It’s also just the right thing to do.

Behaviour 101s

Over and above what I regard as the private sector’s national duty right now, there are a few behaviour 101s for businesses, big and small, that are worth highlighting at this distressing time:

  • Don’t jump on the marketing bandwagon and try to profit from consumer fears and anxiety. People’s lives are at stake; consumers are at their vulnerable and they’ll remember those who opportunistically tried to prey on them.
  • Don’t put prices up on key commodities or services people need right now, especially as it relates to panic-buying. Again, consumers will remember those who exploit them. Besides, if anything, now is the time for discounts and deals (as well as limited amounts per shopper) to widen access.
  • Keep up to date on the crisis so your communication with stakeholders is reliable, trustworthy and suitable to changing circumstances.
  • Be agile. Things will change by the hour.
  • Choose your words and communications wisely. Don’t add to the noise. If you’ve got nothing of value to add, keep quiet. If you’ve no authority to speak, stay in your lane. Where you’ve key or useful information to share, though, do it responsibly. Where you can use your influence and access to reach a wider community with credible messages, do your duty. And do it well.
  • If your product or service has particular value or significance to consumers in this crisis, be clear on why and how. Don’t expect the public to connect the dots. Also make it more about the usefulness and benefit, than the product itself. This isn’t the time for a hard sell.
  • Think carefully about your organisation’s routine communication and marketing. If you choose to continue normal marketing, ensure your day-to-day communications and content are assessed through a covid-19 lens. You will likely need to change the wording, tone and content to appropriately market the same service in a changed environment.
  • Ensure there’s seniority and a steady hand overseeing your social media teams. Leaving young and inexperienced juniors to manage your digital feeds and platforms isn’t smart, or fair. Ensure oversight, and offer support and relevant training where skills are lacking.
  • Choose your crisis and communications teams wisely; this isn’t the time to leave your reputation management and strategic communications, both internal and external, to amateurs or cowboys. If you don’t have the right people within your business, bring in outside help.

Not business as usual

It’s not business as usual. This means political mudslinging and manoeuvring, partisan criticism of government and health authorities, wars with regulatory authorities, and even twars with competitors, need to take a backseat. There needs to be a temporary ceasefire until we’re out of the woods.

This is all-hands-on-deck, shoulder-to-the-wheel stuff. We’ve never had a more-terrifying enemy. But, more importantly, we’ve never had a more-common one. It would be criminal to waste critical time and resources on factional battles and petty point-scoring, no matter how tempting.

British actor and writer Stephen Fry summed it up perfectly on Twitter recently. Until this crisis was over, he said, hatchets should be buried, grievances forgotten, disputes resolved and feuds ended. “When the final whistle is blown we can go back to being mean and beastly,” he posted.

What we do now, together, will determine how quickly that final whistle gets blown.

See also

Updated at 9.09am on 17 March 2020.

 

Megan PowerMegan Power (@Power_Report) has nearly 30 years’ experience working in South African media, including investigative journalism and news editing; she now runs Power LAB, a strategic communications and customer experience agency focusing on customer journey audits, crisis readiness and brand reputation. Megan’s consumer column, The Power Report, ran weekly in the Sunday Times for six years and has now found a new home on MarkLives.com.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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#CoronavirusSA: What the sport & entertainment industry CAN do

by Struan Campbell (@struan18) As the world has been cast into turmoil, trying to respond to the coronavirus outbreak, disruption across the sport and entertainment industry is in the spotlight.

The NBA, NHL, Champions League, F1 and Premier League, to name a few, have all been suspended in the last week. There’s growing uncertainty if these events will actually conclude and question marks around two of the year’s biggest events: the Tokyo 2020 Olympic Games and Euro 2020. At the same time, music artists/bands like Miley Cyrus, Madonna and rock giants Pearl Jam have called off tour legs as the covid-19 pandemic takes its toll on the live-music scene.

Closer to home, we’ve now seen both the Absa Cape Epic and Two Oceans Marathon called off. It’s inevitable that many more passion-point gatherings will be cancelled, creating a headache for brands that have planned campaigns and programmes around them as part of their marketing solutions for 2020.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

This leaves the sports marketing/sponsorship industry in an unprecedented situation, where months of planning go to complete waste and budgets are pulled. So, where to from here? Here’s how I reckon we can respond to this as best as possible:

Do the right thing

First and foremost, our industry has a responsibility to help the cause. We can do two things to make a difference.

1. Call off events that pose a risk

The first is actually calling off events that pose a risk. There’s no point in proceeding, regardless because of short-term commercial gains. Let’s take advice and direction from the health authorities and implement recommendations as early as possible as we play our part in “flattening the curve”.

2. Educate to combat virus spread

Secondly, use high-profile platforms and assets to help educate audiences on how to combat the spread of the virus and how to handle contracting the virus. Between athletes and teams with significant followings and media pull, we’ve a great opportunity for using them as a channel to spread the right messaging on how to manage the pandemic. Jurgen Klopp has done a magnificent role in conveying the right messages to football fans.

If brands are able to help the cause, using their sponsorships and endorsement partners without bringing in any commercial camouflage, we can make a real impact.

Peripheral content to replace the suppressed feed is your opportunity

With live sport and music largely turned off (both broadcast and events) and people staying away from public spaces, we’ve the opportunity to create content to fill the void in the now-foreseeable blank live calendar. It’s time to hustle and produce some content with teams and players who are, all of a sudden, far more accessible to shoot. This will all come down to agility and creativity; the ability to craft and turn around entertaining content that fans will find of value, in the absence of their regular fix, is going to see brands making the most of the difficult months ahead.

It’s worthwhile considering that broadcasters, in particular SuperSport, will be on the lookout for content that’s of value to their viewers. In addition to that, standout content backed up by strategic media-placement and timing (where fans were consuming their joy ordinarily) will give brands more buck than before.

Adjust for a hopeful second half of the year

There’s no denying this is hitting our industry hard. Events that’ve been budgeted and forecasted for are being pulled left, right and centre, with dire financial consequences for agencies and corporates. Let’s take a minute to think about what this means to Heineken for the Champions League, Vodacom for SuperRugby, and Nedbank and Absa across their PSL football competitions. This is a big deal for brands that rely on the sponsorship space to deliver their campaigns.

The only way to make some in-roads of recovery for 2020 is to get going as soon as possible on proactively planning on how to use the lost budgets on solutions that will create value for clients as soon as the green button is pushed back on. Again, this is going to take time and resources that were never in the pipeline but, without finding ways that brands can claw back their lost opportunities, it’s going to be bottom lines lost to the virus.

In unique, incredibly challenging times like this, where nothing like it has been experienced in our generation, it’s all about how you adapt and make the most of what’s in front of you. Our industry has the responsibility of playing our part in combating this attack, and the opportunity to react in ways that minimise the damage being caused. I do look forward to the good that will come out of this as marketers rally and respond to the entertainment industry under siege.

See also

 

Struan CampbellStruan Campbell (@struan18) is co-founder and director at Levergy | M&C Saatchi Sport & Entertainment South Africa, working on brands including DStv, New Balance, Audi, SuperSport, BMW, Energade, Nedbank, Heineken, and Sasol. He is the most-awarded individual in the sponsorship industry, including success at the Sport Industry Awards, Loeries, Bookmarks, Assegais, PRISMs and Marketing Achievement Awards.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

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If you’ve a way with words, the world deserves to know — Alistair King

by Sabrina Forbes. Each year, as more students graduate from South Africa’s creative schools, the disparate number of marketing vs copywriter graduates continues to be alarming. Alistair King, King James Group co-founder and group CCO and MarkLives #AgencyLeaders2019 Most-Admired Creative Leader in South Africa, doesn’t buy that copywriting’s no longer needed, and he’s set out to remedy that through launching a new copy test.

Copy test

Alistair King
Alistair King

Up until the early 1990s, the standard way to get a job as a copywriter in an advertising agency was to submit a copy test, and variants of the same question were used by agencies worldwide to invite budding copywriters to apply. Today, very few know this test ever existed and even fewer know exactly what a copywriter does.

Besides the copy test slowly moving into obscurity, advertising schools also happened, says King; these offer students the opportunity to leave with a portfolio of work as long as they are paid and creativity here is moulded, drafted, and curated by lecturers. In his opinion, students are left with portfolios don’t really show their true skills — there’s a clash between those who want to be a copywriter and those who can afford to study for it.

Looking at copywriting as a rare skill that was in trouble, as well as the need to transform the industry, King first met with other industry leaders such as Ahmed Tilly (outgoing FCB Joburg CCO) and Xolisa Dyeshana (Joe Public United CCO) and, after approaching the Association for Communication and Advertising (ACA) with their concerns, they raised enough money for 20 pure copywriting bursaries. These commenced in January 2019 at the AAA School of Advertising in Johannesburg.

Reinvented

You Have a Way with Words logoNow, King has reinvented the copy test for our era. Launching today, Monday, 16 March 2020 — which just so happens to be his birthday — You Have A Way With Words (@thecopytest) is intended to be channel-neutral and reflect South African viewpoints, challenges and perspectives.

The copy test covers everything from poetry and music to digital, social media, and long-form copy, while trying to capture the full diversity of our industry, cultures and heritage. Copywriters are presented with 18 questions, inspired by old copy tests and/or by what King has picked up on during his career, of which only seven need to be completed for submission. All questions are available in 11 official languages and responses in any are welcome.

The website is meant to be a ‘living, breathing entity’, meaning copywriters may update their answers and/or respond more questions all the time (each ‘portfolio’ will be entirely gender-, age-, and race-neutral). It will also host educational and informative video series from industry creatives on specific components and things they’ve learnt in the trade.

Rating system

King also plans to create a unique rating system and he’s calling upon leaders from around the world to choose their favourite copywriters to be featured in a leaderboard.

“In my mind, writers are essential. People who use words to persuade are at the heart of humanity,” he says, naming Graham Warsop (of The Jupiter Drawing Room fame), Fran Luckin (Grey Africa CCO), and Brett Morris (Nahana Communications Group GCEO and GCCO) as having been part of strong copywriter/art-director partnerships at some of the greatest South African agencies of our time.

See also

 

Sabrina ForbesSabrina Forbes (IG) is an experienced writer covering the food, health, lifestyle, beverage, marketing and media industries. She runs her own full-stack web/app development and digital-first content creation company. For more, go to moonwrench.com. She is a contributing writer to MarkLives.com.

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SA TV Ratings: e.tv — primetime top 20 for Jan 2020

by MarkLives (@marklives) The hottest primetime shows on e.tv in South Africa revealed: TV ratings for January 2020. Please take note of this loadshedding note (pdf) from the Broadcast Research Council of South Africa (BRCSA).

e.tv logo for SA TV Ratingse.tv, January 2020

Top 20 Programmes All Adults 15+
January 2020 Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8129

Source: BRCSA January 2020

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

Mon 06/01/2020 1930 1959 e.tv Scandal Soap 13.41 4 829 111 41.3
Sat 11/01/2020 2000 2150 e.tv Mad Buddies Movi 11.41 4 107 239 37.5
Thur 02/01/2020 2130 2158 e.tv Imbewu: the Seed Dram 11.4 4 104 952 39.9
Sat 04/01/2020 1930 2206 e.tv The Karate Kid Movi 9.74 3 508 898 37.5
Mon 13/01/2020 1859 1928 e.tv Rhythm City Dram 9.27 3 339 647 29.1
Sun 05/01/2020 1959 2159 e.tv Central Intelligence Movi 8.06 2 903 526 34.2
Sun 19/01/2020 2000 2221 e.tv Guardians of the Galaxy Movi 7.23 2 603 935 28.1
Sun 12/01/2020 1959 2216 e.tv Run All Night Movi 6.9 2 484 946 26.2
Sat 18/01/2020 2000 2211 e.tv Zootropolis Movi 6.88 2 476 095 26.3
Sat 25/01/2020 2000 2146 e.tv Hotel Transylvania 2 Movi 6.44 2 317 623 24
Fri 24/01/2020 2127 2129 e.tv Scoop Entertainment Docu 5.27 1 898 234 7.5
Sun 19/01/2020 1800 1856 e.tv America’s Got Talent Real 4.91 1 766 668 18.2
Sat 18/01/2020 1930 1959 e.tv Marlon Sitc 4.56 1 640 855 15.8
Sun 26/01/2020 1804 1858 e.tv Beat Shazam Vari 4.25 1 530 843 18.3
Sun 19/01/2020 1600 1746 e.tv Impact Wrestling Spor 4.17 1 502 018 17.3
Sun 12/01/2020 1743 1748 e.tv Scoop Network Docu 4.11 1 478 689 17.8
Fri 17/01/2020 2159 2349 e.tv The Tournament Movi 3.68 1 323 919 23.4
Sun 19/01/2020 1900 1929 e.tv News Night News 3.49 1 257 850 11.8
Sun 12/01/2020 1749 1753 e.tv Star Files Docu 3.46 1 246 015 16.2
Mon 13/01/2020 2159 2250 e.tv Queen Sugar Dram 3.41 1 227 708 21.1

See also

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

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Q5: Doubling down on digital, with Gaynor MacArthur [interview]

by Carey Finn (@carey_finn) Gaynor MacArthur, Digicape co-founder and managing director, talks local tech trends, the persistence of the digital divide and what’s needed for women to succeed in her sector.

Digicape logoQ5: What digital technology trends can we expect to see in South Africa this year?
Gaynor MacArthur:
Without the aid of a crystal ball, it is difficult to pinpoint exactly what we can look forward to this year. However, I do believe that 2020 will see companies more rapidly unlock the full potential of some of the powerful technologies that have emerged over recent years. I do predict that some of the technologies that we can still look forward to will be centred [on] artificial intelligence (AI) and machine learning (ML), robotics, internet of things (IoT) and cybersecurity.

With 5G becoming a reality in SA, the faster connectivity will enable a superior AI and ML environment. This means SA is going to look for more ways to incorporate 5G so that it can provide consistent, valuable services for our internal and external customers. In SA currently, AI is most commonly used for automation and prediction, but it has the potential to be a game-changer as it can address a plethora of challenges in a variety of fields, such as healthcare and education.

Cybersecurity has become a paramount concern for many company owners, due to the constant stream of data breaches that have hit the headlines, ranging from the theft of medical information to account credentials, corporate emails, and sensitive enterprise data. Mimecast’s 2019 annual report revealed that 88% of South African organisations experienced a phishing attack in the past year. Impersonation attacks are also on the rise, with 8 out of every 10 SA organisations experiencing an impersonation attack, and 63% reporting an increase in such attacks. We can therefore expect to see improved security and compliance, as it becomes crucial.

Finally, we will see a moving trend towards more-simplified, -collaborative tools that will allow employees to be more efficient and productive. This, in turn. provides a better customer experience and improves the bottom line. For example, one of the internal tools Digicape uses is Slack, which is essentially a platform shared by everyone in your workforce. The platform’s workspaces allow you to organise and limit communications to relevant parties, simplifying and streamline internal communication and workflow.

Q5: What, in your opinion, needs to be done to bridge the digital divide that remains in this country? And what can we do to help that happen?
GM: We are living in a more-connected world and yet we are still impacted by the lack of access to technology in certain demographics and regions. Until such time that the government realises the importance of information and communication technologies (ICT) in schools, I worry that this gap will continue to grow. We need to educate and continue to put pressure on government and corporate institutions to support schools and assist learners by providing resources, training and services.

Digicape, for example, recently held coding workshops for learners during the holidays. The workshops saw kids learn how to write apps for both traditional computers as well as mobile devices. They also learnt to experiment with code using a highly creative interface. Our aim is to offer these courses externally, so that more children have access to skills that will assist them in the future workforce.

Q5: What would you say is critical for women to succeed in the digital technology sector?
GM: To succeed in this industry, I believe women need to constantly hone their skills, have a curious mind and a good dose of confidence. Young women need good female role models and support, from our male counterparts as well, across all industries — not just tech. Established women must realise their responsibility and step into their role to act as mentors, and empower other young women entering the workforce by allowing them a voice and platform to share ideas, internal promotion, mentorship and training opportunities. This needs to be a concerted effort by all senior leadership, and integral to the DNA of the business.

Q5: You’ve said that Digicape has a strong focus on upskilling team members. What does this entail, and what is the value in it?
GM: Besides building a good culture, it’s imperative to invest in an employee’s learning and development, in any industry. We have developed many of our own internal courses, relevant for our specific role in the industry, which are conducted throughout the year. We also invest in external training and get support from third-party companies as well. For example, in 2018, we sent our employees to complete a series of accredited courses on iOS deployment, making them two of only three Apple Certified Trainers (ACT) in the country who are qualified to train decision-makers within businesses and educational institutions on the principles of iOS deployment.

We further focus on soft skills, for example, on how to be more self-aware and how our behaviours impact the people around us. The training also includes leadership courses that can help employees grow personally. As a leader, the true value attached to our training is being able to see how [employees] learn and grow in their respective roles.

Q5: What is the easiest way for people who aren’t directly involved in the digital technology sector to keep up to date with the latest developments?
GM: Depending on your interest, there are many resources available that can keep you abreast of what is happening in the tech industry. It really depends on what you are specifically interested in. However, the easiest way is to subscribe to newsletters, have an enquiring mind, and not be afraid to ask questions.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with over decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diversive fields.

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