by MarkLives (@marklives) Winners of the 2017 Cannes Lions for Creative Effectiveness, Digital Craft, Film, Film Craft, Radio, Integrated and Titanium have been announced in Cannes.
Don’t think you’ll be able to get your hands on a copy; these are re-enactments for online-only purposes! Playboy approached seven (previous) Playmates to re-enact their iconic covers and, from just listening to the feedback, it’s a massive success! Read more on Playboy or HuffingtonPost Australia.
I would assume that a magazine that focuses on photography should always have one of the most-striking/best images on the cover… Shutterbug features the pictures of Anup Shah, and one of his absolutely stunning images (and beautiful cover model!) from his recent African Wildlife experience is featured on the latest issue.
I have to be honest that I haven’t heard/read about Southern Vines before, until someone on Twitter pointed it out. And now, after reading the digital issue (free), I’ve got another magazine I need to add to my reading list! This is a beautiful quarterly magazine that focuses on lifestyle and leisure in Cape Town. On the cover is the striking artwork by artist Ian Skene.
This Afrikaans beauty on the latest Taalgenoot cover is writer, poet and (most recently) TV personality, Bibi Slippers. She’s one of those South African voices that you just have to keep an eye out for, because she’s going to make even bigger waves in the coming years! Love this cover concept with a cheeky peekaboo, her love for the Afrikaans language being celebrated, and her love for lambs.
MagLove by @MediaSlut is a regular slot featuring the best local and international magazine covers every week, recognising well thought-out, powerful and interesting (and hopefully all three-in-one) covers and celebrating the mix of pragmatism, creativity and personal taste that created each of them. The anonymous (for now) blogger behind MediaSlut knows way too much for his own good about media in South Africa, magazines in particular. His mission is to show when SA magazines fail but, most importantly, also when they succeed. If you’re looking for a library about SA magazines and news, this is your one-stop pitstop.
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by MarkLives (@marklives) The hottest primetime television shows on e.tv in South Africa revealed: TV ratings for May 2017.
In 2016, the Broadcast Research Council of South Africa (BRCSA) changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.
The Broadcast Research Council of South Africa (the BRC) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa.
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by MarkLives (@marklives) Of the shortlists released on Thursday morning, South Africa has made Digital Craft, Film, Film Craft and Radio but not Creative Effectiveness.
Digital Craft shortlist: South Africa
Category
Title
Client
Product
Entrant Company
IdeaCreation
Media
A04 (Image Design)
STOP THE CYCLE
HUFFINGTON POST SOUTH AFRICA
NON-PROFIT
VML Johannesburg
VML Johannesburg
THE DIGITAL MEDIA CONSULTANCY Durban
Film shortlist: South Africa
Category
Title
Client
Product
EntrantCompany
Idea Creation
Production
Media
F02 (Use of Online Film)
CADBURY PRE-JOY
MONDELEZ
CADBURY BUBBLY
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
BOMB FILMS Johannesburg
STARCOM WORLDWIDE Johannesburg
Film shortlist: US with SA input
Category
Title
Client
Product
Entrant Company
Idea Creation
Production
PR
Additional
A08 (Clothing, Footwear & Accessories)
ORIGINAL IS NEVER FINISHED
ADIDAS ORIGINALS
ORIGINALS
JOHANNES LEONARDO New York
JOHANNES LEONARDO New York
BLACKSMITH New York / EGG FILMS Cape Town / EXILE New York / HUMAN New York / RSA FILMS Los Angeles
JOHANNES LEONARDO New York
ORIGINAL MUSIC BY HUMAN Santa Monica / Q DEPARTMENT New York / SONIC UNION New York
Film Craft shortlist: South Africa
Category
Title
Client
Product
Entrant Company
IdeaCreation
Production
A01 (Direction)
EVERYBODY KNOWS
WESTERN CAPE GOVERNMENT
ROAD SAFETY
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
7FILMS Cape Town
A02 (Script)
CHASING THE DRAGON
SURFSHACK
SURFSHACK SURFING SCHOOL/OUTREACH PROGRAMME
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
7FILMS Cape Town
A03 (Casting)
EVERYBODY KNOWS
WESTERN CAPE GOVERNMENT
ROAD SAFETY
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
7FILMS Cape Town
A04 (Production Design / Art Direction)
THE GREAT ESCAPE
ECONET MEDIA
KWESÉ
KING JAMES II Johannesburg
KING JAMES II Johannesburg
GIANT FILMS Cape Town / STERLING SOUND Johannesburg / UPSTAIRS LUDUS Cape Town
A07 (Use of Original Music)
UNBANK YOURSELF
COMMERCIAL BANK OF AFRICA
LOOP
HALO Johannesburg
HALO Johannesburg
AHOY FILMS Johannesburg / STAR FILMS Johannesburg
Film Craft shortlist: US with SA input
Category
Title
Client
Product
Entrant Company
Idea Creation
Production
PR
Additional
A01 (Direction)
ORIGINAL IS NEVER FINISHED
ADIDAS ORIGINALS
ORIGINALS
JOHANNES LEONARDO New York
JOHANNES LEONARDO New York
BLACKSMITH New York / EGG FILMS Cape Town / EXILE New York / HUMAN New York / RSA FILMS Los Angeles
JOHANNES LEONARDO New York
ORIGINAL MUSIC BY HUMAN Santa Monica / Q DEPARTMENT New York / SONIC UNION New York
A05 (Cinematography)
ORIGINAL IS NEVER FINISHED
ADIDAS ORIGINALS
ORIGINALS
JOHANNES LEONARDO New York
JOHANNES LEONARDO New York
BLACKSMITH New York / EGG FILMS Cape Town / EXILE New York / HUMAN New York / RSA FILMS Los Angeles
JOHANNES LEONARDO New York
ORIGINAL MUSIC BY HUMAN Santa Monica / Q DEPARTMENT New York / SONIC UNION New York
A08 (Use of Licensed / Adapted Music)
ORIGINAL IS NEVER FINISHED
ADIDAS ORIGINALS
ORIGINALS
JOHANNES LEONARDO New York
JOHANNES LEONARDO New York
BLACKSMITH New York / EGG FILMS Cape Town / EXILE New York / HUMAN New York / RSA FILMS Los Angeles
JOHANNES LEONARDO New York
ORIGINAL MUSIC BY HUMAN Santa Monica / Q DEPARTMENT New York / SONIC UNION New York
Radio shortlist: South Africa
Category
Title
Client
Product
Entrant Company
Idea Creation
Production
Additional
A04 (Healthcare & Pharmacy)
FLIGHT
BLOOM’S PHARMACY
HEALTH AND WELLNESS
FCB CAPE TOWN
FCB CAPE TOWN
A05 (Household Goods)
FLY ON THE LIVING ROOM WALL
TIGER BRANDS
DOOM INSECTICIDE
TBWA\HUNT\LASCARIS Johannesburg
TBWA\HUNT\LASCARIS Johannesburg
A05 (Household Goods)
FLY ON THE BEDROOM WALL
TIGER BRANDS
DOOM INSECTICIDE
TBWA\HUNT\LASCARIS Johannesburg
TBWA\HUNT\LASCARIS Johannesburg
A06 (Miscellaneous)
PARIS
DURACELL
DURACELL DURALOCK
GREY AFRICA Johannesburg
GREY AFRICA Johannesburg
FINE TUNE STUDIOS Johannesburg
A06 (Miscellaneous)
BRITNEY
DURACELL
DURACELL DURALOCK
GREY AFRICA Johannesburg
GREY AFRICA Johannesburg
FINE TUNE STUDIOS Johannesburg
A06 (Miscellaneous)
HARRY
DURACELL
DURACELL DURALOCK
GREY AFRICA Johannesburg
GREY AFRICA Johannesburg
FINE TUNE STUDIOS Johannesburg
A11 (Restaurants & Fast Food Chains)
1. THE SAD MAN MEAL – NO ONE CHEERSES
KFC
DOUBLE DOWN BURGER
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
A11 (Restaurants & Fast Food Chains)
3. THE SAD MAN MEAL – REPEAT THE PUNCHLINE
KFC
DOUBLE DOWN BURGER
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
A11 (Restaurants & Fast Food Chains)
2. THE SAD MAN MEAL – LONG RED THIN SHAPE
KFC
DOUBLE DOWN BURGER
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
A12 (Travel & Transport)
THE US PRESIDENT
FLIGHT CENTRE
STUDENT FLIGHTS US PROMO
TBWA IN AFRICA Johannesburg
TBWA IN AFRICA Johannesburg
PRODUCE SOUND Johannesburg
A13 (Entertainment & Leisure)
BEARDED ICARUS
STER-KINEKOR THEATRES
STER-KINEKOR THEATRES
FOXP2 Cape Town
FOXP2 Cape Town
WE LOVE JAM Cape Town
C02 (Sound Design)
KNOWLEDGE
FLIGHT CENTRE
STUDENT FLIGHTS
TBWA IN AFRICA Johannesburg
TBWA IN AFRICA Johannesburg
PRODUCE SOUND Johannesburg
C03 (Script)
MALL
BLOOMS PHARMACY
BLOOMS PHARMACY
FCB CAPE TOWN
FCB CAPE TOWN
C03 (Script)
FLIGHT
BLOOM’S PHARMACY
HEALTH AND WELLNESS
FCB CAPE TOWN
FCB CAPE TOWN
C03 (Script)
3. KFC SAD MAN MEAL – REPEAT THE PUNCHLINE
KFC
DOUBLE DOWN BURGER
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
C03 (Script)
2. KFC SAD MAN MEAL – LONG RED THIN SHAPE
KFC
DOUBLE DOWN BURGER
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
C03 (Script)
1. KFC SAD MAN MEAL – NO ONE CHEERSES
KFC
DOUBLE DOWN BURGER
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
C03 (Script)
3. COSTUME FOR THE CAR POOL
KFC
VIRGIN MOJITO
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
C03 (Script)
1. PRESCHOOL CONCERT IN A DARK JACKET
KFC
VIRGIN MOJITO
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
C03 (Script)
2. WELDING MASK ON A PLANE
KFC
VIRGIN MOJITO
OGILVY & MATHER JOHANNESBURG
OGILVY & MATHER JOHANNESBURG
C03 (Script)
PENGUIN CLASSICS RADIO – ‘GREEN COVER’
EXCLUSIVE BOOKS
BOOKS
FCB CAPE TOWN
FCB CAPE TOWN
C03 (Script)
COLLECTION OF POOPHEMISIMS
GUI LING YUAN FANG
HERBAL TEA
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
Y&R Hong Kong
C04 (Casting & Performance)
THE US PRESIDENT
FLIGHT CENTRE
STUDENT FLIGHTS US PROMO
TBWA IN AFRICA Johannesburg
TBWA IN AFRICA Johannesburg
PRODUCE SOUND Johannesburg
C04 (Casting & Performance)
PENGUIN CLASSICS RADIO – ‘ORANGE COVER’
EXCLUSIVE BOOKS
BOOKS
FCB CAPE TOWN
FCB CAPE TOWN
C04 (Casting & Performance)
PENGUIN CLASSICS RADIO – ‘GREEN COVER’
EXCLUSIVE BOOKS
BOOKS
FCB CAPE TOWN
FCB CAPE TOWN
C04 (Casting & Performance)
ASSORTMENT OF POOPHEMISIMS
GUI LING YUAN FANG
HERBAL TEA
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
Y&R Hong Kong
C04 (Casting & Performance)
COLLECTION OF POOPHEMISIMS
GUI LING YUAN FANG
HERBAL TEA
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
Y&R Hong Kong
C04 (Casting & Performance)
SELECTION OF POOPHEMISIMS
GUI LING YUAN FANG
HERBAL TEA
Y&R SOUTH AFRICA Cape Town
Y&R SOUTH AFRICA Cape Town
Y&R Hong Kong
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by MarkLives (@marklives) Winners of the 2017 Entertainment for Music Lions, Entertainment Lions, Product Design Lions and Design Lions have been announced in Cannes. “Original Is Never Finished”, Terence Neale’s (Egg Films) Adidas Originals campaign for Johannes Leonardo with RSA Films, has taken a Grand Prix at the Entertainment for Music Lions.
Design Lions Winners: South Africa
Award
Title
Client
Product
Entrant / Idea Creation
Production
Bronze Lion
MARKED BY BRAVERY
SOWETO GOLD
SOWETO GOLD ’76
OPENCO – THE OPEN COLLABORATION, Johannesburg
OPENCO – THE OPEN COLLABORATION Johannesburg
Bronze Lion
BEAUTIFUL PATHOGENS
GOODBYE MALARIA
GOODBYE MALARIA
TBWA\HUNT\LASCARIS, Johannesburg
TBWA IN AFRICA Johannesburg
Entertainment Lions for Music winners: South Africa
Award
Title
Client
Product
Entrant / Idea Creation
Country
Production
Media
PR
Additional
Grand Prix
ORIGINAL IS NEVER FINISHED
ADIDAS ORIGINALS
ORIGINALS
JOHANNES LEONARDO, New York
USA
HUMAN New York / RSA FILMS Los Angeles / EGG FILMS Cape Town / EXILE New York / BLACKSMITH New York
JOHANNES LEONARDO, New York
ORIGINAL MUSIC BY HUMAN / Q DEPARTMENT / SONIC UNION
Silver Lion
ONE SOURCE: CAMPAIGN
ABSOLUT
BEVERAGES
VML, Johannesburg
SOUTH AFRICA
EGG FILMS Cape Town
VIZEUM CAPE TOWN
CAPACITY RELATIONS, Johannesburg
ENTERPRISE REPUBLIC
Entertainment Lions Winner: South Africa
Award
Title
Client
Product
Entrant / Idea Creation
Country
Production
Media
PR
Additional
Gold Lion
ONE SOURCE: CAMPAIGN
ABSOLUT
BEVERAGES
VML, Johannesburg
SOUTH AFRICA
EGG FILMS Cape Town
VIZEUM CAPE TOWN
CAPACITY RELATIONS, Johannesburg
ENTERPRISE REPUBLIC
Silver Lion
ONE SOURCE: THE SONG
ONE SOURCE: THE SONG
BEVERAGES
VML, Johannesburg
SOUTH AFRICA
EGG FILMS Cape Town
VIZEUM CAPE TOWN
CAPACITY RELATIONS, Johannesburg
ENTERPRISE REPUBLIC
Bronze Lion
ORIGINAL IS NEVER FINISHED
ADIDAS ORIGINALS
ORIGINALS
JOHANNES LEONARDO, New York
USA
HUMAN New York / RSA FILMS Los Angeles / EGG FILMS Cape Town / EXILE New York / BLACKSMITH New York
JOHANNES LEONARDO, New York
ORIGINAL MUSIC BY HUMAN / Q DEPARTMENT / SONIC UNION
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by Paulo Dias (@therealptp) Six months into 2017 is a good checkpoint to pause and see what is happening in radio internationally and examine what we may learn.
Norway switches from FM to DAB+
Norway has been one of the first countries to start shut down of its FM broadcasts and move over to broadcast on DAB+, with the aim of having the whole country and most-listened-to stations turned off FM by the end of the year.
DAB+ is broadcast radio, just like FM. It does require a new receiver, but offers extra choice to listeners as more stations may be accommodated. It also gives listeners a better user-experience with show and “now playing” information. There’s no consistent improvement on quality over FM and DAB+ is not an imminent FM-killer.
It’s often asked why stations are bothering with DAB+ when streaming is so prevalent; shouldn’t they just all move online like streaming video services? The problem with this argument is that, unlike Netflix, Amazon and the like, there is no subscription model for radio and the more listeners and connections a station has, the more money it costs the station for their listeners.
Takeout for South African radio
Local DAB+ tests are ongoing and fully supported by the big local broadcasters. Old infrastructure and the pure size of the country are currently hampering rollout. A South African move to DAB+ shouldn’t be a priority as receivers, unless subsidised, will be expensive. Let’s not forget the biggest draw of radio in SA — it’s a free medium that doesn’t require fancy tech and takes information and entertainment to the furthest reaches of the country.
The one benefit would be the competition. Suddenly, more stations could join the conversation, forcing the established hierarchy to up their game.
Amazon Echo has a say
Classed as a smart speaker, the Amazon Echo has been one of the hot tech releases across the US and UK. No buttons, no remote control — it responds to voice prompts starting with the simple phrase “Alexa”.
Without having to pick up your phone, the Echo can tell you sports score, give you weather updates, read out Wikipedia entries, check your calendar… and, of course, tune in to radio stations.
Supporting apps such as RadioPlayer, Spotify, TuneIn, Prime Music and Audible, using the Echo as a “touch-free” radio lets you keep listening while in places where you may not be able to use your hands, such as washing up or during your morning shave.
Here’s a really simple video showing how the Echo works as a radio alternative:
Takeout for SA radio
Radio suffers from a lack of coolness. Radio doesn’t have gadgets or gimmicks and the Echo — and other similar voice-prompted devices and services — allows listeners to get on with their chores while still having full control of their music or radio station.
If voice-prompted speakers and devices start infiltrating the upper-income households, we could see a rise in podcast-listening and -production, giving those who are moving away from mainstream radio and audio infotainment more choice and a richer connection with the intimate storytelling power that only radio provides.
Beats 1 claims to be the biggest radio station in the world
I’m willing to beat you’ve never heard of Beats 1, despite the possibility that it’s sitting on most of your phones.
Run by Apple, Beats 1 was given the super shiny treatment that our Cupertino Overlord applies to all its products. Poaching prominent presenters from leading stations and building state-of-the-art studios in London, LA and New York, Beats 1 was validation that online radio has made it.
Larry Jackson, Apple Music’s head of content even claimed, “It’s the biggest radio station in the world. There’s no way you’re going to find another station that has as many concurrent listeners and audience-wise as Beats 1, period.”
He said “Period”, so argument over.
Except….there are no real stats to back up that claim, as is usually the case with the sometimes-murky measurements used by online radio platforms.
With some UK stations boasting over 10m listeners and even our own Ukhozi FM hovering around 7m — can Beats 1, a predominantly youth focused station with no physical connection to its audience, that lives mainly on mobile — really come near to that?
Takeout for SA radio
The radio stations that do well are the ones that capture the mood of a city or language group. Beats 1 presents itself as a radio station for digital citizens, not connected to one location.
I’m not sure that works: music can only connect for so long; eventually you want someone to relate to what you’re going through, even simple things such as cold snaps or traffic jams — listeners want to know that you get that.
Listening to a radio station broadcasting from LA to a kid in Cape Town loses its novelty once the music gets tired.
Also, there’s still an issue over listenership figures for online radio platforms. The local media industry understands buying radio in a certain way. While listenership measures for traditional radio are not perfect, they’re accepted and are right more often than wrong. Gut-feel anecdotes also play a part — more people talk about what they heard on Metro in the past few days than what happened on Touch HD. Until the online stations can prove and back up their numbers, they’ll find it hard to be considered by advertisers.
They also need to stop fighting against traditional radio. It’s not the enemy; effectively, we all want people to listen to something instead of watching or reading. Online radio is a complement to traditional; we should work to build each other up instead of having the online guys slamming broadcast as a dying medium every chance they get.
Paulo Dias (@therealptp) is the head of creative integration at Ultimate Media. He works closely with the programming teams at leading radio stations to help implement commercial messaging into their existing formats. He contributes the regular column, “Dear Radio”, looking at the changing radio landscape in South Africa, to MarkLives.com
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by Herman Manson (@marklives) After recently ending its relationship with Ogilvy & Mather Cape Town, Allan Gray has announced the appointment of its new agency partner, King James the Second (II).
Allan Gray had left the King James Group in early 2014 after the Cape Town agency won the Sanlam account and had to resign its business. At the time, the group said it “did initially explore all possible avenues to conflict manage both accounts within the King James Group, but sadly could not find a satisfactory structure for all parties.”
Cape Town vs Joburg
King James Cape Town will continue to handle the Sanlam business; all parties have agreed to ring-fence the two regional offices to enable both pieces of business to be run independently from each city. Neither James Barty, King James Group CEO, nor Alistair King, King James Group CCO, will be working on Allan Gray; instead, they’ll remain focused on running the Cape Town agency plus Sanlam. In Joburg, creative founding partners Rob McLennan and Graeme Jenner take responsibility for Allan Gray.
“As a like-minded South African-based business, Sanlam has committed to supporting the growth and further transformation of King James as an independent local agency group through this approach. We are delighted to be welcoming Allan Gray into King James II and are equally delighted to have Sanlam’s full support on this. This is the kind of truly empowered partnerships we pride ourselves on,” says Barty in a statement released to MarkLives.
Barty also says he is grateful for the mature approach adapted by Sanlam to ensure the continued growth of one of SA’s largest independent ad agencies.
“We are thrilled to partner with an agency that shares the culture and creative ethos of the original King James and is led by people with a sterling reputation and a track record of producing great advertising,” adds Henk Pieterse, Allan Gray head of marketing.
Herman Manson (@marklives) is the founder and editor of MarkLives.com.
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by MarkLives (@marklives) Winners of the 2017 Creative Data, Innovation, Direct, Cyber and Mobile Lions have been announced in Cannes. South Africa has won two Bronze Lions in Mobile.
by Bogosi Motshegwa (@Thinkerneur) Having been part of the Advertising Media Association of South Africa (AMASA) committee for just over a year now, I’ve come to realise that “transformation” is not a noun but a verb. If you believe in transformation and want to achieve it, you have to act upon it, not just talk about it.
The problem with constantly talking about transformation is that it seems that nothing ever happens. Yet, while most of the industry heavyweights and bodies talk about transformation and achieving diversity, AMASA executes on it. What attracted me to wanting to be part of AMASA, as opposed to other organisations, is the purpose behind its existence. Education may be the pillar but, at the core, it is to change lives. I’ve seen this happen: we are literally changing people’s lives and, through that, positively and consciously achieving transformation in the industry.
Transformation through our learnerships
We recently renamed our learnership programme from the Amasa Learnership Programme (ALP) to the Gordon Patterson ALP. This is particularly significant for not just AMASA but the industry as a whole. Patterson epitomised and personified our vision, and we hope that, by renaming the programme after him, his legacy will live on forever. He was passionate about the youth; he was passionate about diversity and mentored young black industry entrants. In life, he’d touched the lives of many young professionals, and we want to extent his golden laugh to those who’ll never meet him. May he rest in peace.
The GP ALP identifies deserving candidates from within and outside the industry and empowers them with a media management course. Having lectured one of the modules, I am proud to say that the course is of value and provides relevant knowledge that helps propel candidates.
Executing on transformation
I’ve also had the opportunity and pleasure of interviewing deserving candidates —an enlightening experience. It’s highlighted two key important things about AMASA:
What we are doing is not just important but necessary. I came face-to-face with the hardships that many youths face, and therefore our work is invaluable.
There’s still a lot of work required in order to achieve our vision, and the implication is that we need the support of the industry in order to achieve our goal. It’s not about AMASA vs other industry bodies; we are all on the same side. It’s therefore imperative that we work together to achieve this feat.
The interview process has also shown me that there are a lot of people in need of formal education in order to upskill and accelerate their careers. Not limited to new entrants into the industry, the GP ALP also helps enhance the careers of those already employed.
In my personal capacity, I do a lot of mentorship and help people wherever I can. Being part of the committee has exposed me to likeminded people and this has given me more energy to continue with what I do best, which is to help others. This year’s committee members are impeccable, a group of individuals who’re just as passionate as I am, if not more. They are professional and are working extremely hard to bring about the necessary and desired change.
Playing hard to achieve transformation
AMASA hosts the following fundraising events: golf day, workshop, AMASA Awards and AMASA party. While these are predicated on entertainment, the purpose behind them is to ensure that we achieve our goal. All of these help raise the necessary funds to help identify more talents and access the deepest parts of our country, thereby finding deserving candidates.
Not only do we host fundraising events, we also add value to the industry by hosting monthly forums which aim to bring trends in the industry to the fore. These also provide an excellent networking platform.
I personally have been tasked with establishing new fundraising projects, such as the new inter-agency five-aside football tournament for agencies (ATL, BTL, media, PR, etc) and clients. The money raised will be used to pay for the education of identified candidates.
AMASA has also recently engaged with the Advertising Media Forum (AMF) and will be collaborating on a transformation mentorship programme to launch later this year.
Personally fulfilling
All of this is fulfilling for me personally, and I know that it is fulfilling for the rest of the committee, too. Transformation is not a nice to have; it’s the right thing to do. It has tangible benefits but should be preceded by the desire, not to necessarily gain or profit from it, rather to create a positive impact.
I encourage industry heavyweights and other bodies to join us in all our efforts — true transformation is in collective action.
Bogosi Motshegwa (@Thinkerneur) truly believes that advertising can really change the world. Every single day he tries to prove this. He shares his thoughts on the industry and sometimes has unconventional views. Bogosi is a committee member of AMASA, an Advisory Council member and guest speaker at Vega, and also does speaker management at TEDxJohannesburg. He is currently a strategic planner at The Creative Counsel. He contributes the new monthly column, “Adnalysis”, which analyses adland from a strategist’s viewpoint, to MarkLives.com.
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by Oresti Patricios (@orestaki)FNB’s latest TVC, from Grid Worldwide and director Greg Gray of Velocity Films, tells the story that the whole of South Africa needs to hear right now. No one’s coming to save us. We have to help ourselves.
What’s the difference between independence and dependence? Aristotle summed it up best when he succinctly said: “Happiness belongs to the self-sufficient.” As an entrepreneur, I appreciate that there’s something truly satisfying, and confidence-building out of creating an organisation, a project or a hobby that brings you meaning and security. There’s no finer feeling than being the captain of your own ship, so to speak.
Self-mastery and independence define the hero/ine’s journey. It’s the pioneer’s adventure into the unknown to secure life and sustenance. It’s an archetypal need that is as old as humanity. It’s noble and it’s worthy because it speaks to the very best part of what it means to be alive and on this human exploration called life.
Which brings me to the Ad of the Week for this week — a remarkable piece of video that speaks to the very essence of life and living, rooted in the philosophy of independence. It is First National Bank’s new campaign: “What is the Future of Help?”
According to FNB, this new campaign promotes the ownership of the concept of “help” by depicting people who are empowered to realise their dreams and take control of their lives by ‘helping themselves’.
“At FNB, we want to ensure that we resonate with our customers on their journey through life at an emotional level, and leave them feeling uniquely empowered to help themselves in all areas of their lives, not just in banking. It is a departure from conventional banking campaigns and it is relevant across the continent,” says FNB chief marketing officer, Faye Mfikwe.
The bank’s marketing department says that the central message of the campaign is that “the future of help” is “to help people to help themselves”. The storyline depicts ordinary people working together in a series of inspiring, empowering scenes, in an aim to make an emotional connection with the viewer.
The symbol of a hand is used extensively as a visual device throughout the ad. The first image is of a prosthetic hand being manipulated. Next is a spinning basketball being balanced on the end of a finger. Then there’s a young boxer’s hand being taped up. The story is driven throughout by a narrator.
“What is the future of help?” the voiceover asks, and answers: “It’s to help people help themselves. Help is the most-powerful force known to man.”
The montage cuts to a young woman having her hearing aid switched on for the first time. “We can help people find the great in themselves. The passion. The drive,” the narrator continues, over further images of the young girl whose prosthetic hand was seen earlier, the young boxer, the basketball player, and a public speaker speaking passionately to a crowd.
In all these scenes, hands feature, either doing something or gesturing.
More scenes add to the montage to support the narration, which continues: “Help unleash their true power. Help them find their true potential. Help them discover their true desires.” These scenes include people in a mini-factory testing out a drone, a young soccer player looking at a cabinet of trophies, a motor-scooter shop called “Wheelpit” — and the lights flicker to leave only to leave the H, E, L and P of the sign.
The narration, “Help release the magic inside”, is supported by a scene at a rock concert, and young boxers being trained in a gym.
“Help them stretch. Help them grow,” the voiceover continues, with various scenes, including dancers, young acrobats on a beach, and finally back to the woman with the hearing aid. Perhaps she’s had a cochlear implant, because this is clearly an emotional moment for her: a tear rolls down her cheek.
Helping hands also feature in the following scenes, of a boxer knocking down his opponent, then helping him up, and a basketball player, who has fallen down, being helped up by his opponent.
“We all have greatness within,” the narrator says, :waiting to be unleashed. And sometimes all it takes is a little bit of help.” The various scenes in the montage reach their respective conclusions: the speaker receives applause; the young girl drops a ball from her prosthetic hand into her other hand; a beach acrobat does a flick-flack across the sand.
The voiceover concludes: “That’s why we help people, help themselves, help the world. Because a little help goes a long, long way.”
The final screen concludes with the FNB slogan: “How can we help you?”
Explains Mfikwe, “FNB is defining what ‘help’ means, in today’s culture and in the society we live in. We are focusing on people, because we understand that 21st-century brands fit in with their customers’ lifestyles, connecting with them in two-way conversations. We empower our customers to own their interactions with FNB and we want them to get the best out of the relationship. We have built solid platforms using innovative technologies to facilitate meaningful interactions.”
This isn’t just talk. FNB has earned a reputation for winning local and global awards for its products, services and technologies. By way of example, FNB’s banking app won the Best Mobile System/Service Initiative in London at the international Banking Technology Awards of 2016, and FNB Digital Channels were elected as the best in the country in the latest South African Customer Satisfaction Index. Importantly, the bank was chosen as the world’s fourth most-powerful in the Brand Finance’s Banking 500 Report for 2017.
“It is all about removing obstacles or ‘friction’ from the lives of FNB customers through the services and products that we provide. FNB is looking at the entire customer journey, from personal to business, and seeing where we can help customers by connecting them to the most helpful and relevant solutions and services,” Mfikwe adds.
In a country with a massive debt problem, sending a strong message of independence into the market is hugely positive. It tells us all that we all need to build ourselves and build our country together — clearly, nobody else is going to do this for us. Backing this up with the best digital services, and award-winning products that create relevance and connect, is massive. Ensuring that meaningful customer focus is your key priority in a market that’s continually opening to new competition is visionary.
Credits
Agency: Grid Worldwide
Chief creative officer: Nathan Reddy
Copywriter: Peter Souter
Creative director: Kassie Naidoo
Strategist: Nikki Erasmus
Account director: Jessica Wilkins
Agency producer: Caz Friedman
Production company: Velocity Films
Director: Greg Gray
Production house producer: Helena Woodfine
DOP: Paul Gilpin
Post-production company: Deliverance Post Production
Editor: Ricky Boyd at Deliverance
Online/grade: David Oosthuizen at Deliverance
Sound mix: Stephen Webster at The Workroom
Music: ‘Believing’ by Brolin, courtesy of Madplanet
Credits added 27 June 2017
Ad of the Week, published on MarkLives every Wednesday, is penned by Oresti Patricios (@orestaki), the CEO of Ornico, a Brand Intelligence® firm that focuses on media, reputation and brand research. If you are involved in making advertising that is smart, funny and/or engaging, please let Oresti know about it at info@ornicogroup.co.za.
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