Q5: Brand conscience, with Lebo Madiba [interview]

by Carey Finn (@carey_finn) Lebo Madiba (@lebonator), managing partner public relations and influence at Ogilvy Johannesburg, talks about the real value of communications, PR and branding in times of both crisis and calm.

Q5: You believe that communications and branding can solve complex business challenges. Could you explain how?
Lebo Madiba: Communications and branding can solve complex business challenges by being the conscience of corporate brands. In the complex world that we live in today, the focus for communication, particularly corporate communication, should be about creating shareholders and, to some extent, stakeholder value. The idea of shareholder value is a tricky one. At the heart of it, it means that brands, and the corporates that they belong to, must serve their customers well and organise employees in ways that allow them to express their talents in the service of customers. As a result [of their doing this], the company and shareholders will prosper, and society will be better off.

Externally, the expectation of consumers and the public is that the private sector should strive for consistent leadership, positive social impact and stability. These are complex issues, particularly for businesses that do not have direct contact with the public. However, this is where the value of communications, PR and branding lies. It is in the ability to [distill] trade and organisational behaviour into simple, digestible messages that address audiences at their various levels of comprehension, across platforms, in a way that creates value.

In our current context with the outbreak of [the novel] coronavirus (covid-19) [pandemic], the value of communications in helping to solve complex issues lies in helping brands reconcile the distinct dynamics and requirements of different time horizons, ie winning in the now, while preparing for medium-to-long-term growth in changing times. This would involve helping brands prioritise actions to take in the heat of the outbreak (how should we respond in the unfolding situation?), while looking ahead to ensure that they are primed to take advantage of the recovery (how do we make up for lost ground, leveraging shifts and driving momentum?), and [ready for] the “new normal” beyond (how do we get on the front foot in a changed landscape?).

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Q5: What would you say are the key trends to be aware of in the PR and influence fields in 2020?
LM: [The first trend is] “brandstanding” and purpose. Not a new trend but one which will continue to grow is brandstanding, an “activist capitalism”, where brands are taking a stance on current social, environmental or political issues, often very aligned to the brand’s identity and or values; this links to purpose. Although covid-19 seems to have caught the world by surprise, we may see some brands rising to the challenge and taking a stand, especially now that we are beginning to sense what its impact will be on global economic markets.

Brandstanding is not a cheap PR exercise; brands that have done it, like Gillette and Nike, have demonstrated bravery. Doing it well is critical and requires the understanding of the markets and consumers within which the brand operates, as it could go really well or fail dismally but, when linked to purpose, it makes a big difference.

The world is volatile; there is high regard for values, and consumers are attaching their own values to brands. In planning, particularly for corporate PR and communications, a proper assessment of strategic leadership needs to consider the principles of VUCA (volatility, uncertainty, complexity and ambiguity), as this [takes into account] the nature of changing dynamics and the speed of change, the lack of predictability and sense of awareness, the cause-and-effect chain and the haziness of reality of today’s world. This enables the ability to anticipate the [big] issues, the consequences of these issues and actions, the appreciation of interdependencies, and the preparedness to drive alternative realities and to interpret and address relevant opportunities.

[The second trend is] influence. You say influence; I say influencer! That side of PR is murky at the moment, as engagements that are supposed to drive influence are more transactional and inauthentic, and there’s some fatigue among consumers.

In the true sense of PR, influence is not about influencers and celebrities; it is about compelling content and messaging, about being culturally relevant, creating channels that naturally produce content that is shareable and earns brands the right to matter in the lives of the consumer. As PR, when we think of influence, it should be more about capitalising on opportunities [and] creating meaningful conversations as part of brand engagement in a way that makes brands distinctive as thought leaders and therefore influential. For influence to be effective, PR needs to maximise the creativity of influence as an integrated channel in the marketing mix, with best-in-class access to people and technology to make brands matter in the social age.

[The third trend is] reputation and crisis. Reputation management is the bedrock of PR and, by nature, this often comes with the responsibility of managing or containing crises. However, we live in the anti-establishment era with crisis becoming a norm, [in part] due to the rise of disinformation. The reality is that no brand is safe; where, in the past, crisis management was often more in the space of financials and governance, with the proliferation of social and the #hashtag generation, cases that are becoming more exposed are varied, from corruption to integrity, race, gender and other social issues.

2020 has presented us with a different type of crisis, a global one, that has created a challenging time for broader society. Brands are facing scenarios they could not have planned for, bringing to life the crisis management realisation that “you cannot control what happens to you, but you can control what you do about it.”

As communicators, what we can control is how we communicate, both internally and externally, in a time of crisis. It is crucial to make sure that we are dealing with accurate information. We have to demonstrate our understanding of the ultimate goal of the communication being delivered — bearing in mind that, when lives are in danger, it is not a time to try to market or sell, but rather a time to reinforce the values that define leading organisations. What is critical is to be able to properly place the ongoing crisis and issue in a greater context, ie what does it mean for globalisation, economic growth and more — and how that plays out as the world works to get through the crisis together.

[The fourth trend is] hyper-personalisation fuelled by data and intelligent technologies.Intelligent technologies (AI, VR, AR), machine learning and data are adding a new dimension to the interchange between PR, brands and their audiences. Consumers have become fluid and want to be valued as individuals. They are looking to brands that they interact with to be truthful and authentic, and to form connections. These connections are fuelling hyper-personalisation.

While some may think of this as more a marketing function, [what] with the changing media landscape, fluid consumers and the increasing demand from clients to build measurability into their PR spend, the use of data and technology in PR is growing at a rapid rate. It requires that PR take the time to learn a lot more about its audiences, considering behaviours, social conversations, channels and platforms to create brand messaging and content that is targeted, packaged and distributed to specific audiences, through preferred channels based on consumption, and the ability to create engagement. In essence, this means that PR cannot function without data as, once data is collected and analysed, the process to segment customers and create targeted journeys becomes an easier one.

Q5: What is your personal recipe for success in a PR career?
LM: Curiosity, foresight, relationships and being an information junkie. That is what I am. I question, interrogate, read and consume a lot of information daily. The key, of course, is to know how to dissect this information/data and know what to do with it, know when to take action and which relationships to leverage to do “magic”. The key to success for your clients if you are a consultant, or your C-Suite if you are in corporate, is knowing that you have the capability to understand consumers, foresee trends, and markets, and are able to translate this into value for the business. When they are not able to make any critical business decisions without consulting you, you know that you have made it.

Q5: You mentor young people in your role. What does this encompass?
LM: PR skills are learnt and refined on the job and there are many elements to it — from client services to media relations, strategy and consultation, amongst others. Often, young people focus on the one area that they really know, which limits growth. I must be honest and say that I only mentor where I see that there is potential. In mentoring, my focus is on honing skills that are currently strong, goal planning for areas of development and coaching, and just loads of preaching about taking one’s career seriously.

Q5: What needs to happen for us to see higher numbers of black female executives in the communications industry?
LM: I have a couple of answers for this question. The first is that it is 2020 — we should not be having this conversation, but our reality is obviously very different. The hardcore facts are that we will see higher numbers of black female executives in the communications, and any other industry for that matter, when transformation transcends from being about meeting the minimum requirements of the BEE scorecard to recognising talent and allowing women the space to lead and have a voice — their own voice — not one that fits the mould of expectations that only allows them to tick boxes.

The second is that black representation does not start at a senior level; in any organisation, it should start with the development of all staff, irrespective of race or gender — many organisations don’t know how to do this but often it has a lot to do with “seeing and hearing” people, listening to their aspirations, mentoring and creating access where most would never have, and allowing people to carve their own paths to senior levels. It requires that the sector understand the true meaning of diversity. Diversity asks us to recognise that we all do not come from the same background, and that each of our backgrounds, if recognised, can create an environment that is fertile for growth.

Within that context, though, I would like to call on black women in the workplace to rise and take it upon themselves to break the “black ceiling”. It is not easy; there are many barriers and often it feels like a losing battle but it is so worth a try. Future generations will thank us for it.

Note: This interview was conducted prior to the coronavirus/covid-19 pandemic being declared as such. Her answers have been updated in light of the crisis.

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with over decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diversive fields.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

#CoronavirusSA: Spending on OOH when we stay at home

by Remi du Preez (@tractoroutdoor) The ripple effect of lockdown on outdoor media owners and marketers has been quick, and cut-throat. Advertisers, understandably, are finding it difficult to justify their spend on out-of-home (OOH) when we’ve all been told to stay at home. While temporarily under siege, I advise advertisers and brands to look beyond lockdown to the new opportunities presented by outdoor.

Reacted rapidly

As we watch the repercussions of covid-19 unfold in real time, we’ve only just begun to see the extent of its economic toll as it takes with it whole industries as collateral damage. OOH advertising is one of the industries that’s suffering crippling economic effects in these uncertain times and it’s rattled to its core. Advertisers have reacted rapidly, pulling their placements and spend across the board. The value proposition that OOH presents as a high-reach, high-frequency medium is being challenged.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

South Africa is not unique in this position, which mirrors the global pattern. In India, experts predict around a 6% drop in overall OOH spend from the previous financial year; in the US, outdoor media owners have seen a fall in share prices running in parallel to the 30–70% decline in consumer foot traffic. This is juxtaposed by the reality that, prior to the novel coronavirus pandemic, OOH saw what was widely regarded as an unprecedented global ‘renaissance’, with the international GroupM having forecast an 8% growth in the category.

While the current landscape is vastly different, advertisers would be wise to take the underlying reasons for outdoor’s resurgence into account and base their marketing decisions on long-term outcomes, rather than short-term panic.

Brand presence

Establishing a strong, consistent brand presence will carry companies through hard times. Brands that have developed strategies agile enough to navigate immediate hurdles while keeping their long-term vision firmly in mind will outperform competitors. Outdoor is uniquely positioned in that it derives the bulk of its success from broad-scale brand awareness, driving long-term behaviour change.

According to Google Mobility Reports, a 24% spike in residential movements has been captured as a result of lockdown, and advertisers might want to consider residential inventory [as long as these are legal — ed-at-large] as well as digital OOH (DOOH) inventory, in the form of roadside digitals, in the short term. Looking to the long term, consumers are getting a taste of the convenience that online shopping brings and some of these behavioural changes will remain post-lockdown. Ecommerce will draw massive benefit from complementary offline advertising. This is supported by evidence: given the increasingly cluttered online space, OOH has been shown to have a positive effect in conjunction with digital advertising. One study found that consumers are 48% more likely to interact with a digital advert after initial exposure to the OOH ad.

While temporarily under siege, I advise advertisers and brands to look beyond lockdown to the new opportunities presented by the outdoor industry.

Scarce stock

High-value inventory is sometimes booked for years at a time, with only the creative changing at periodic intervals, meaning that prime stock is often scarce. Savvy advertisers are contacting media owners to book iconic holding sites now, taking advantage of the wide onset of cancellations across the industry. This provides them with the necessary leverage to secure quality inventory at fantastic deals, with added value.

Many media owners are also increasingly flexible in their offerings in an effort to assist advertisers and brands under pressure, eg providing extensions on media exposure; offering alternative payment arrangements to help clients which’ve been severely impacted; and proactively reaching out to several small businesses to offer free inventory in a community-minded effort to help those most vulnerable get back on their feet when lockdown is over.

I believe that those who support their community will see renewed customer loyalty when life returns to some semblance of normal. My advice to media owners is to look for creative new solutions to aid those who might be struggling to stay afloat.

Invest indirectly in communities

OOH also allows advertisers the opportunity to indirectly invest in communities, thanks to its revenue-share model, and this has a positive knock-on socioeconomic effect. On average, the industry pays an approximate R125m every month towards its inventory landlords — which are often schools, NGOs and tenanted buildings home to SMEs such as restaurants and offices. That billboard you see on the exterior of a school is used towards its funding, meaning that your adspend, in part, contributes towards teachers’ salaries.

And there’s a silver lining for advertisers prepared to ride out the storm: OOH is anticipated to become a go-to channel in the not-so-distant future. We saw it with the Great Depression and, more recently, the 2007/8 global recession. Once the threat lifts, people come out in their droves.

While OOH may mean a commitment in these tumultuous times, it’s important to bear in mind an old truism: “This too will pass.” It will be those companies that hold the long-term outcomes in mind which will reap the rewards and secure the loyalty of consumers.

See also

 

Remi du PreezWith over 11 years’ experience in the out-of-home field, Remi du Preez is the commercial director at Tractor Outdoor (@tractoroutdoor), a national OOH media owner. He is responsible for overseeing the strategic direction and management of the business.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

#CoronavirusSA: Don’t… start a podcast #dearradio

by Paulo Dias (@therealptp) I often get asked for advice on how to start a podcast and, strangely enough, have fielded this request more during this time of isolation; I suppose people are getting used to talking to themselves with no one listening, pretty much like 99.9% of podcasts. My first piece of advice for people wanting to start a podcast is… DON’T.

  • Don’t… start a podcast like any you’ve heard before
  • Don’t… start a podcast that sounds like something from America
  • Don’t… obsess over how many people are listening
  • Don’t… start a podcast if you think you’re going to get rich

There are currently more than 1m podcasts available on Apple podcasts, compared to YouTube with 31 million channels; there is potential to grow — but it still feels as if everyone has a podcast, from Joe Rogan to John Vlismas to The Novel Coronavirus.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Find your own wave

When I look at the roll call of podcasts, I’m reminded of this picture that was shared with me as an analogy for trying to get into podcasting right now — great wave but, if we all want to get on it, we’re not going to have a good time. So, it’s important to find your own wave, even if it is a little smaller or off the beaten track.

The most-obvious way is to really diversify your content but, even more importantly, is to differentiate how you distribute that content. Keeping with the wave analogy, Apple podcasts is where all the surfers are trying to be, so, even if your content is diverse, you’re going to be drowned out by the sheer volume on that platform. Spend as much time on your distribution strategy as you do on your content and technical setup. Where is your audience, do they understand podcasting — will that term put them off?

For an isiZulu podcast series for new moms, throughout the course of promotion on radio and social media, the term “podcast” wasn’t mentioned, nor was it even put on Apple, Stitcher or the like. All episodes went on its own website, and social media was used to drive people to listen. By considering who the ideal listener was and where it would be easiest for them to find this content, jumping into the wave was avoided.

There also exists great potential in using WhatsApp groups to distribute podcast episodes as voice notes. Find the audience in a place that they understand and they don’t even have to leave WhatsApp to consume.

Connection, intimacy & immediacy

What is you then need to get over in podcasting is the idea of measurement. Whenever somebody does a podcast, you naturally relate success in radio terms since they are both audio platforms — which is a very unfair comparison. If you’re starting a podcast, stop counting listeners: it doesn’t matter if you have 10 listeners; it doesn’t matter if you have 10 000. What I think we’ll see in this post-lockdown covid-19 world is that connection, intimacy and immediacy is much more valued by an audience, regardless of how many of them there are.

Maybe your podcast averages 30 listeners an episode — for all the hard work you put into it, that’s disappointing, right? Imagine a room that fits those 30 people. That’s a decent-sized room. Those 30 people come see you every week, no matter what and give their time to you and your message and hang on every word. They don’t leave until you are done talking and can often quote and repeat what you’ve said. Would you trade them for 3 000 people who happen to hear you in passing, in a shop, in an Uber, in someone else’s office and don’t even know your name? Who’s more valuable to you?

This mindset shift may help you produce content with a level of intimacy that you’ve haven’t previously tapped into. Take it as a challenge to talk to every one of those 30 people personally and you could see your podcast grow in engagement.

This brings us to our final don’t: don’t start a podcast if you want to get rich.

Not many podcast millionaires

Unlike YouTube, there aren’t many podcast millionaires and, since I’m an advocate for small audiences — small means no advertisers. Every podcast platform offers ad-insertion programmes but you’ll be lucky if you ever make back your monthly subscription.

Think of your podcast as a marketing tool, as a way to build your brand. What radio’s taught us is the value of the human voice — the companionship and trust we place in it.

So, use your podcast to build that part of your brand. You’re in people’s heads; they take you to work, in the car, on a run, to the toilet — that access is priceless so, when the time comes to seek out what you offer… they already feel connected to you in a way mailers, blogs and even videos can’t match. Alternatively, use your podcast to hone your craft without any pressure until you become someone who can offer expertise in “programming”, technical and distribution, and offer that real-world learning to organisations looking to invest in podcasting.

Any podcast I’ve done or currently do I consider a hobby. Some people play golf; this is what I do — I spend hours on every aspect of those podcasts and, when the time comes to offer the advice, I’ve learnt the lessons the hard way.

Do

I’ve given enough “don’t”s; let me finish with a do — if you want to get into podcasting, do it, your way.

PS I assume we’ve watched AAAALLLL of Netflix at this point so here’re some podcasts you may want to sink your ears into (just some that have caught my attention but there are a million to choose from).

  • Babies Behind Bars: From CliffCentral and internationally recognised, this series tells the stories of female prisoners and the experience of having their babies behind bars.
  • Uncover: Satanic Panic: A pod-connoisseur recommended this to me. The Uncover series focuses on the Satanic Panic that happened in the 1980s in Canada specifically, centred on allegations against a family running a daycare centre.
  • Conan O’ Brien Needs a Friend: I’m a fan of Conan from his Simpsons days and, for me, he can do no wrong. Each week he calls in a celebrity friend; through their chats, they accomplish nothing of note but are hilarious on the way.
  • 60-Second Science: If you’re new to podcasting and the time commitment is daunting, take a listen— seldom 60 seconds but never more than five minutes, the content, unfussy style and format could get you hooked on podcasts.

See also

 

Paulo DiasPaulo Dias (@therealptp) is the head of creative integration at Ultimate Media. He works closely with the programming teams at leading radio stations to help implement commercial messaging into their existing formats. He contributes the regular column, “Dear Radio”, looking at the changing radio landscape in South Africa, to MarkLives.com

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

#CoronavirusSA: Providing effective PR services during lockdown

by Mkhuseli Vangile (@Thedcfirm) For PR and marketing agencies, this lockdown period has meant working overtime when managing and conveying clearly, to the audience, the many changes that companies are undergoing. Here are some guidelines that can help us with these tasks.

PR a useful tool

For companies that have temporarily closed due to the outbreak of covid-19, PR has been a useful tool in reassuring both consumers and other stakeholders that business will resume once there is a way of containing, managing and treating the virus. For the companies that are still operational, PR has been used to restructure organisational conduct in light of limited global travel, social distancing, remote working and having to rethink the coming few months.

It’s important that, during this time, companies make use of ways to still generate revenue, maintain their brand, strengthen their relationship with their clients and still plan ahead, too. It’s difficult for everyone but the pandemic will pass and companies need to be prepared to hit the ground running when things go ‘back to normal’.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Guidelines

For PR agencies, the outbreak has made it a requisite that we be innovative in terms of effectively managing our clients that are struggling to adjust to the changes and in delivering seamlessly on the services rendered.

Communicate

  • Back up or add extra communication channels that will work when there are power outages and slow networks.
  • Invest in having two mobile devices. Have a traditional, no-internet cellphone with long lasting battery for calls — you’re always reachable — and also have your smartphone [smart tip; it’s what I do — ed-at-large].

Harness your relationship with clients

  • Constantly ask clients for their current challenges and see if you’re able to help and how, even if the help required is above your monthly deliverables.

Creativity

  • Employ an innovative approach to ensure that their messaging is still conveyed. Your best tool is thinking outside the box. The pandemic has limited our movement but it hasn’t limited our reach.

Understanding and compromising

  • Don’t ruin relationships with your clients due to financial pressure by rushing them with invoices. This lockdown will pass and your business will be paid, fully. Don’t lose a client over a delayed invoice.

Be a team with your clients

  • You may encounter opportunities that your clients may benefit from. Send those opportunities to them to cement your business relationships. Share all the relevant information you see for the benefit of their growing. Save the day for them.

Ultimately, it’s having an open relationship that’s transparent, credible and reliable that will be the key in making sure that your clients thrive.

See also

 

Mkhuseli VangileMkhuseli Vangile is the managing director of The DCF (@Thedcfirm), a small yet fast-growing PR agency located in Centurion, Gauteng. He has over nine years of experience in the PR, marketing and advertising space.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

SA TV Ratings: e.tv — primetime top 20 for Mar, Feb 2020

by MarkLives (@marklives) The hottest primetime shows on e.tv in South Africa revealed: TV ratings for March and February 2020. Please take note of this loadshedding notice (pdf) from the Broadcast Research Council of South Africa (BRCSA), as well as this notice regarding the impact of covid-19 on the BRCSA’s homepage.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

e.tv logo for SA TV Ratingse.tv, March 2020

Top 20 Programmes All Adults 15+
Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8368

Source: BRCSA March 2020

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

Tue 31/03/2020 1930 1958 e.tv Scandal Soap 14.36 5 170 945 34
Tue 31/03/2020 2129 2158 e.tv Imbewu: The Seed Dram 11.5 4 140 563 37.9
Tue 31/03/2020 1859 1927 e.tv Rhythm City Dram 10.8 3 890 167 26
Sun 15/03/2020 2000 2203 e.tv Ride Along 2 Movi 9.05 3 258 677 33.7
Sun 08/03/2020 1959 2237 e.tv Fast & Furious 6 Movi 8.88 3 197 593 37.5
Sun 01/03/2020 2000 2239 e.tv Fast Five Movi 8.5 3 061 522 35.7
Sat 07/03/2020 2000 2207 e.tv Epk:Cinderella Docu 8.17 2 941 629 31.6
Sun 22/03/2020 2000 2223 e.tv Spy (Mov) Movi 7.81 2 813 665 29.6
Sat 28/03/2020 1959 2157 e.tv Finding Dory Movi 6.6 2 375 917 19.9
Thur 26/03/2020 1859 1903 e.tv Masterclass: What Is Wealth Docu 6.49 2 336 553 18.7
Sat 14/03/2020 2000 2155 e.tv Black Knight Movi 6.37 2 293 127 26.6
Sat 21/03/2020 2000 2147 e.tv Storks Movi 6.15 2 216 149 23
Sun 29/03/2020 2000 2237 e.tv Pirates of the Caribbean: Dead Men Tell Movi 5.83 2 100 937 21.3
Tue 31/03/2020 1230 1259 e.tv Imbewu: The Seed-R Dram 5.49 1 976 915 23.7
Tue 31/03/2020 1200 1226 e.tv Scandal -R Soap 5.33 1 917 580 24
Tue 31/03/2020 1130 1159 e.tv Rhythm City -R Dram 5.22 1 879 847 24.4
Sat 28/03/2020 1900 1928 e.tv News Night News 5.04 1 814 226 13.2
Sun 15/03/2020 1930 1958 e.tv Blackish Sitc 4.64 1 671 347 14
Sat 28/03/2020 1929 1957 e.tv Marlon Sitc 4.5 1 621 126 12.1
Sun 29/03/2020 1751 1754 e.tv Scoop Entertainment Docu 4.34 1 561 298 15.1

e.tv logo for SA TV Ratingse.tv, February 2020

Top 20 Programmes All Adults 15+
Prime Time 5.30pm—10pm
Adults 15+ years U:36011 S:8223

Source: BRCSA February 2020

Day

Date

From

To

Station

Programme title

Genre

AR

Viewers

Share

Thur 27/02/2020 1930 1958 e.tv Scandal Soap 13.46 4 847 496 37.8
Mon 24/02/2020 2130 2159 e.tv Imbewu: The Seed Dram 9.74 3 508 612 38.3
Wed 12/02/2020 1900 1926 e.tv Rhythm City Dram 9.49 3 417 123 29.1
Sun 23/02/2020 2000 2204 e.tv Fast & Furious Movi 8.57 3 087 617 31.7
Sat 22/02/2020 2000 2214 e.tv The Legend of Tarzan (Mov) Movi 8.46 3 046 341 33.5
Sat 29/02/2020 2000 2206 e.tv The Jungle Book (Mov) Movi 8.4 3 025 221 31.9
Sun 09/02/2020 2000 2207 e.tv 2 Fast 2 Furious Movi 7.73 2 784 106 33.7
Sun 16/02/2020 1959 2207 e.tv The Fast and the Furious: Tokyo Drift Movi 7.49 2 696 495 30.9
Sat 15/02/2020 2000 2201 e.tv Pete’s Dragon Movi 6.66 2 397 118 33.2
Sun 02/02/2020 2000 2207 e.tv The Fast and the Furious Movi 6.26 2 252 414 30.9
Sat 08/02/2020 2001 2153 e.tv The Good Dinosaur Movi 5.72 2 059 100 25.8
Tue 18/02/2020 2200 2229 e.tv Checkpoint (News) News 5.17 1 861 175 31.3
Sat 08/02/2020 1610 1758 e.tv Mr Bean’s Holiday Movi 4.62 1 662 692 23.9
Sat 01/02/2020 2000 2154 e.tv Ice Age: Collision Course Movi 4.49 1 618 183 21.9
Thur 27/02/2020 1229 1259 e.tv Imbewu: The Seed-R Dram 4.33 1 560 515 27
Wed 19/02/2020 1200 1227 e.tv Scandal -R Soap 4.1 1 475 904 26
Wed 19/02/2020 1130 1158 e.tv Rhythm City -R Dram 3.72 1 338 806 24.8
Sun 23/02/2020 1415 1559 e.tv America’s Got Talent Real 3.61 1 298 520 15.5
Sat 22/02/2020 1930 1958 e.tv Marlon Sitc 3.54 1 275 548 13
Sun 23/02/2020 1759 1856 e.tv Showtime at the Apollo 2018 Real 3.51 1 264 587 12.2

See also

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

EXCLUSIVE: WPP confirms Collective ID closure

by Herman Manson (@MarkLives) Collective ID, an ad agency best known for its former incarnation as Ireland/Davenport, has stopped trading. This has been confirmed by Joanna Oosthuizen, Ogilvy director PR and influence for Europe, Middle East and Africa (EMEA).

Rebrand

Ireland/Davenport was launched by John Davenport and Philip Ireland in 2006 and worked with a range of blue-chip clients, including BMW, Investec, Vodacom and South African Tourism — Ireland left the agency in 2016 and Davenport in 2018. After a string of account losses in 2015 and 2016, the agency rebranded to Collective ID in October 2017. It also became majority-black-owned under the leadership of Brenda Khumalo, with Standard Bank’s retail account as its major client.

The Standard Bank business made up around 95% of Collective ID’s revenue. It lost that business in June 2019, following an extensive realignment of its agencies by Standard Bank. The setback was followed by the departure of Khumalo in July of the same year; she has since joined Demographica, a full-service B2B marketing agency.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Not sustainable

According to Oosthuizen, WPP agreed to support the agency for another six months as it set out rebuild itself yet again, naming Zanele Ntulini as its new managing director in August 2019. But the agency wasn’t winning enough new business fast enough to make it sustainable.

Oosthuizen says closing down a once-iconic agency wasn’t an easy decision to make (it was the 2018 AdFocus Small Advertising Agency of the Year, too); however, WPP couldn’t support the business indefinitely.

In mid-2018, it employed more than 30 people — by its close, only four. Its last day of trading was 26 March 2020, and then, at midnight on that Thursday, the national covid-19 lockdown came into effect and one of South Africa’s most-storied agencies disappeared for good.

See also

 

Herman Manson 2017Herman Manson (@marklives) is the founder and editor of MarkLives.com.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

#CoronavirusSA: Lessons in rebuilding in a new world order

by Adam Byars (@Ad_Mski) The world, our clients’ worlds, and our agency as we know it have changed forever. The question is: what are we going to do about it? These are the seven business lessons we’ve learnt as a leadership team.

Like many South African businesses, we started 2020 on a high note. And then it hit. Covid-19. And suddenly growth wasn’t the question – survival was. The status quo has changed. The rules of engagement have changed and, since they’re still being rewritten, no one knows exactly what they are or what they’ll be. We’re all being forced to adapt, recreate and rebuild.

But, because of the steps we’ve taken, we believe we’ll survive this unique crisis and build a business that is ready for any future adversity.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Our seven lessons

#1: Assess your business from every angle

Generally, we’re so busy operating as ‘business as usual’ that we don’t take the time for a health check. As a leadership team, we called an exco meeting within 12 hours of the day President Cyril Ramaphosa announced a national state of disaster (which we call Day 1).

These were the key questions we asked ourselves:

  • How integrated were our teams?
  • Did we have the means, process and people to ensure we could deliver if a full lockdown and work from home (WFH) situation arose?
  • Could we manage the thought of a remote workforce?
  • How resilient was our culture really?
  • How effective was our creative product?
  • What cash reserves did we have in hand?
  • How effective was our leadership team?
  • Where would we lose business and how would our financial models absorb high-risk clients and lost deals?

These questions aren’t always easy to ask — or answer. We knew that we needed to be brutally honest if we were going to weather this storm.

You can’t survive a crisis without the full, unvarnished truth to work with.

 

#2: Embrace leadership

This might seem obvious — every business has a leadership team — but how many leaders really embrace their roles, for good and bad? Talent watches how leaders respond in a crisis, and they remember the actions you take today.

We identified key focus areas:

  • We needed our leadership team to be 100% accountable for everything that happened next.
  • We needed to be able to defend the business’s purpose, mission and culture.
  • It’s important for the leaders to be able to focus on the employee experience — this isn’t business as usual, and expectations need to shift accordingly.
  • We all needed to show empathy, awareness and mindfulness.

Talent watches how leaders respond in a crisis, and they remember the actions you take today to inform tomorrow.

 

#3: Preserve culture. At all costs.

Our most-important asset in our business is our people, and right now they need our support more than ever. Every company has a culture; the test is whether that culture can survive in a crisis situation.

Covid-19 has demonstrated that no one can prosper alone. We need each other.

  • We shifted to a WFH model as quickly as possible so that we could assess what it was like, making sure everything worked and that we could gauge our workforce’s needs.
  • We were then able to put a clear policy in place, including expectations and systems/protocols, to support the new ways of working.
  • We implemented a guardians programme that allocates one exco member to be a guardian of broader teams. These guardians are always available and focus on both work-related and personal matters.
  • We aren’t treating all employees as one. Some have more familiarity with remote working than others. Some need more support and guidance. Connecting with each team member personally has become critical.
  • We appointed an entertainment committee to drive cultural fun initiatives such as meditation and yoga sessions, a midweek braai, recipe-sharing and kids painting collages together.
  • Don’t forget to celebrate the little day-to-day achievements.

Covid-19 has demonstrated that no one can prosper alone. We need each other.

 

#4: Stay connected

Staying connected with your employees is critical — but so is staying connected with your clients. This is about genuinely and authentically caring about what your clients need and how you can assist them.

  • We began assessing the impact of covid-19 on each of our clients’ businesses.
  • We focused on understanding their protocols and pain points.
  • We understood that, in times of extreme uncertainty, hearing a familiar voice or knowing that you have a team you trust to reach out to can have a calming effect, even if you aren’t doing business together at that moment.
  • We focused on key outputs rather than usual activities. Projects need to be completed. Deadline stresses are continuing.

Our ability to deliver keeps anxiety down and ensures that business remains operational — even if it’s business unusual.

 

#5: Be agile

Our reaction to covid-19 was instant. We immediately put a ‘business unusual’ action plan and protocols in place.

  • We consolidated all of our teams into one space to contain staff movements and allow for easier communication.
  • Within 12 hours of our Day 1, our second agency at the TBWA\ building in Sandton was shut down.
  • Within 18 hours of our Day 1, 75% of our staff was instructed to WFH, armed with necessary equipment, tools and connections to enable them to do so.
  • We initiated daily in-office and virtual meetings to remain connected.
  • Within eight days of the national state of disaster, 99% of our workforce was already WFM, and 100% was working remotely before the lockdown was even announced.

We didn’t experience panic when the lockdown was announced — we were prepared, emotionally, mentally and operationally.

 

#6: Focus on your purpose

Now, more than ever before, businesses need to be relevant, and they have to be adding to their overall communities, countries — even the world.

  • One of our behavioral principles is that “everything now matters”.
  • We encourage our entire team to ask: How you can help? How do we apply our skills to the country at large? How can we contribute to solving the world’s shortages related to needs? We’ve launched howyoucanhelp.co.zato reach communities across South Africa, matching would-be volunteers with donors.
  • We’re focusing on filtering relevant informative so that we can share it with our broader communities using tbwa-covid19-tracker.herokuapp.com
  • We’re brainstorming and workshopping key initiatives that our agency, and our clients, can play a role in.

If we aren’t useful in everything we do, all of the time, we cease to be relevant.

 

#7: Assess and adapt

The biggest lesson is that this isn’t a once-off process. We’ve no idea what the next few months will look like. That’s why it’s is so critical to continue to assess and adapt everything you do.

  • As problems arise, key stakeholders meet to discuss and resolve them in real time — we don’t wait for anything to blow over or sort itself out.
  • As a management team, our key focus is to find ways of curbing expenses and driving revenue streams while keeping the business operational.
  • Our focus now moving forward is to respond with speed. “Operating at the speed of thought” means we shorten the distance between ideation and execution to ensure maximum impact and relevancy.

We can’t sit around waiting for everything to return to normal. The world has changed.

 

Building a new business in a new world

We’re going through an intense period of growth, both intentionally and unintentionally. At the same time, we need to rebuild who we are, both as individuals and as a business, while trying to create a new sustainable economic model for a new world order. This won’t happen by accident. As a leadership team, we know that we need to step forward and make it happen, and we encourage the strong leadership teams in businesses across SA to so the same.

See also

 

Adam ByarsAdam Byars (@Ad_Mski) is CEO and partner of Grid Worldwide, a full-service ad agency part of TBWA\ South Africa. He is an experienced businessperson in the creative industry with a demonstrated history of working both locally and internationally in the marketing and branding industry.

This MarkLives #CoronavirusSA special section contains coverage of how the novel coronavirus, SARS-CoV-2, and its resultant disease, covid-19, is affecting the advertising, marketing and related industries in South Africa and other parts of Africa, and how we are responding. Updates may be sent to us via our contact form or the email address published on our Contact Us page. Opinion pieces/guest columns must be exclusive.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

Q5: David Moffatt on “offshoring” local talent [interview]

by Carey Finn (@carey_finn) David Moffatt, former group MD of Hellocomputer (now HelloFCB+) and the founder and CEO of full-service network, Fierce [www.fierce.global], tells us about his new venture.

Fierce logoNote: This interview was conducted prior to the coronavirus/covid-19 pandemic being declared as such. Additional comment has been supplied, as requested.
David Moffatt: It appears that very few businesses are immune to the impact of this terrible virus. Unfortunately, the seriousness escalated while I was in America on a three-week business trip [in March 2020], which I cancelled midway due to the impending travel ban. Some meetings became phone calls. SXSW, a huge networking opportunity, was cancelled. As a result, promising opportunities have stalled. In some respects, Fierce is an optimal solution for clients abroad that have had their creative and tech teams disrupted, or are seeking marketing efficiency through analytics. We are designed to operate remotely and offer cost-efficiency — both of which are critical now. Call me an optimist, but I’m hopeful there is a silver lining to all this.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

Q5: Why Fierce? What led you to launch this network?
DM: For those that haven’t heard of the startup, Fierce provides analytics, creative and development services to the international market through facilitated “offshoring”. Fierce is conceived on a few insights.

First, almost all agencies — and this includes internationals — outsource to some degree, a reality that is accelerating in proportion to expanding complexity on the martech [marketing technology] landscape. Fierce is designed to assist both clients that have ‘in-housed’ their marketing, and agencies to solve complex issues that require specialists on a project basis, or bolster a short-term spike in capacity for deadlines or pitches.It doesn’t make financial sense for many of these companies to permanently hire specialist capabilities to address passing requirements, eg, designing and building data architecture or observational studies on the efficacy of a user interface [UI] design. One would be wise to use specialists in these instances.

Secondly, from a creative perspective, storytelling now takes place at scale as customer touchpoints proliferate. However, marketing budgets are often under pressure through stagnation or even decline. We can assist by offering much more mileage from these budgets without compromising on quality.

Q5: How is Fierce structured? Do you mainly rely on freelancers?
DM: Fierce leads a network of strategically aligned specialists in strategy, creativity and technology. Fierce operates as the client-engagement layer and conduit through which its network can be accessed. It offers a council of thought leaders that determine the optimal solution from the least number of specialists, thereby ensuring maximum efficiency. The service providers have been identified based upon their deep expertise in a particular skill set. We don’t have freelancers in the network; however, there may be instances where an independent subject authority makes sense.

Q5: Which markets will you be targeting, primarily, and how?
DM: Initially the US, followed by Europe and the UK. I travelled to the States for three weeks in March to build awareness, explore partnerships and interview staff. Ultimately, Fierce will have permanent client-service staff in key territories.

Q5: What has 2020 brought fierce so far?
DM: The initial focus [had] been on high-calibre partnership meetings. Fierce’s proposition [had] been well-received [at the point of the interview] .

Q5: What may South African companies serving foreign markets do to ensure their pricing remains competitive without causing a negative impact on global industry-pay bands?
DM: First and foremost, the skills need to be competitive. So, companies aspiring to serve international markets need to be in touch with global marketing developments and emerging media trends. In terms of pricing, it would be wise to build hourly rates that reflect the actual cost of skills, and operating from South Africa.

See also

 

Carey FinnCarey Finn (@carey_finn) is a writer and editor with over decade and a half of industry experience, having covered everything from ethical sushi in Japan to the technicalities of roofing, agriculture, medical stuff and more. She’s also taught English and journalism, and dabbled in various other communications ventures along the way, including risk reporting. As a contributing writer to MarkLives.com, her regular column “Q5” hones in on strategic insights, analysis and data through punchy interviews with inspiring professionals in diverse fields.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

SA TV Ratings: DStv — primetime top 30 for Mar, Feb 2020

by MarkLives (@marklives) The hottest primetime shows on DStv in South Africa revealed: TV ratings for March and February 2020. Please take note of this loadshedding notice (pdf) from the Broadcast Research Council of South Africa (BRCSA), as well as this notice regarding the impact of covid-19 on the BRCSA’s homepage.

MarkLives logoWhile we have your attention, please would you consider taking out a MarkLives membership to help finance our operations? The covid-19 pandemic is having a huge impact on society and industry. With your support, either as a once-off or monthly contribution, we can continue our coverage of its impact on our industry.

 

DStv logoDStv, March 2020

Top 30 Programmes All Adults 15+ & DStv Adults
Prime Time 5.30pm—10pm

Source: BRCSA March 2020

BRCSA TV Ratings March 2020 primetime DStv
Click to enlarge

DStv logoDStv, February 2020

Top 30 Programmes All Adults 15+ & DStv Adults
Prime Time 5.30pm—10pm

Source: BRCSA February 2020

BRCSA TV Ratings February 2020 primetime DStv
Click to enlarge

See also

 

Broadcast Research Council of South AfricaThe Broadcast Research Council of South Africa (BRCSA) is a non-profit, industry body that was incorporated in 2015 to cater to the audience research needs of the radio and television industry in South Africa. In 2016, it changed its policy about giving away TAMS and now only monthly reports, highlighting the top 20 or 30 primetime shows on several popular channels, are available.

Sign up now for the MarkLives newsletter, including Ramify.biz headlines, emailed every Monday, Wednesday and Friday! Become a MarkLives Member, too, to ensure continued coverage.

Online CPD Courses Psychology Online CPD Courses Marketing analytics software Marketing analytics software for small business Business management software Business accounting software Gearbox repair company Makeup artist