Design Annotator: ‘Deco-Ndebele in Space’

Design Annotator with Uno de Waal is a new column featuring the top design work from South Africa’s biggest online creative showcase, Between 10 and 5, curated by Publisher Uno de Waal @Unodewaal.

In this weeks post of Design Annotator we look at some of the more creative fields – Collin O’Mara Davis and Steve Marais’s new online magazine called Gaschette has been going from strength to strength, and creative duo Jana + Koos have finally shown us some of the new work that they have been busy with.

Ad of the Week with Oresti Patricios – a ‘secret gardener’ & the guy who installed swings all over his city, just for the heck of it

In a time when everything revolves around profit, corporate growth and return on investment, it’s good to see a campaign that goes beyond the obligatory corporate social responsibility gambit. But that’s exactly what Coca-Cola’s ‘Crazy for Good’ campaign seems to do.

And thank goodness this agency, Draftfcb, refrains from ‘talking down’ to its market – yes, it’s predominantly a youth market, but gladly they didn’t spell it “kraz-E 4 gud” or some other form of text-speak.

The campaign is all about ‘passing it on’ – people who perform random acts of kindness for the good of society. It’s not a centralised, coordinated effort – rather it revolves around real-life stories that feature people doing a wide range of thingsto benefit their fellow human beings. This is what is so cool about this campaign – it is just about ordinary Joes and Janes with a passion which they use to beneficially impact on the people around them.

This global campaign, which was developed at Ogilvy Brazil, Sao Paulo, highlights these special, giving people, like Zainab Imran, the Pakistani musician who sings and plays at her local children’s ward… despite the fact that she’s visually impaired. What motivates her to give up four days a week to perform for children? “When I sing,” she says, “I feel that the children forget that they are unwell. When they sing and clap their hands, I forget that I’m unable to see.”

Then there’s San Franciscan Jeff Waldman, who installed swings all over his city, just for the heck of it. He was given a $1000 grant by the city of Los Angeles to do the same there; then he ran a Kickstarter fund to hang swings all over Bolivia. They hung them from trees, buildings, rocky outcrops, and even in the Salar de Uyuni, the largest salt pan in the world.

Men and guns. One of the most powerful covers we’ve seen this year.

MarkLives.com runs a regular slot featuring the best local and international magazine covers every week. We recognise well thought out, powerful and interesting (and hopefully all three in one) magazine covers and celebrate the mix of pragmatism, creativity and personal taste that created each of them.

Ad of the week with Oresti Patricios: Underdog love story meets So You Think You Can Dance

For many years now, Wimpy has opted for brand oriented campaigns that are highly visual with a strong feel-good factor. In these campaigns the burger people aren’t selling the bun, the patty or the sizzle, they’re selling a brand positioning that’s all about fun.

Way back in 1981 Wimpy had an absurd alien in an equally absurd UFO, coming to Earth to get a burger, only to have his UFO towed for illegal parking. Then there was that ‘free mug’ promotion that had a mug collector showing off his collection, only to have the boom microphone get stuck in the overhead fan, wreaking absolute havoc and destroying the whole collection, candid camera style. And who can forget “I love it when you talk foreign” – the spot that promoted Wimpy’s barista-style coffees? That particular TV ad achieved a massive word-of-mouth factor – at the time everyone was ‘talking foreign’ and mouthing the words: ‘Cremachino, café mocha, and macchiato.

Wimpy has a long history in South Africa. The first store was opened in 1967 in Durban, and over the years it became SA’s de facto burger joint, and a part of our national fabric. In those early days one could buy a burger, chips and coke for a mere 60c. Bought from the American mother company in the late 70s by Bakers, it was later sold to Pleasure Foods, who in turn sold the chain to Famous Brands. In 2007 Famous Brands would go on to buy the struggling UK chain of Wimpy restaurants as well.

Since then, extensive rebranding has taken place to unify the SA and UK brands. The bold red-and-white logo is complemented in the UK by ‘Mr Wimpy’ – a big-headed character in what looks like a beefeater outfit, with a red skirt, floppy red hat and medals. Somehow I don’t think we’ll be seeing him here, but then again, I don’t think Wimpy needs a mascot because its local ads are such a hit.

Design Annotator: ‘Fire in our hearts that will lead us home’

Design Annotator with Uno de Waal is a new column featuring the top design work from South Africa’s biggest online creative showcase, Between 10 and 5, curated by Publisher Uno de Waal @Unodewaal.

This week we’re looking at some incredible video pieces released (and a TV ad). We’re big fans of behind the scenes/process related content, and the video by Ogilvy is definitely a hit. When it comes to illustration, we thought we’d be a bit light and only feature one piece this week, done by RADIO for an international Seaworld center. We love their work!

Ad of the Week with Oresti Patricios – when anything is possible

Humour is often used to great effect in advertising. The youth market is particularly open to a good laugh, and six years ago Opel raised eyebrows by making a series of wacky, crudely animated ads that focussed on the ‘fun’ aspects of owning a car. In fact, many of them didn’t even talk about the car – they were just silly, funny or weird.

The CorsaLite ads featured the ridiculous, absurd and wonderfully funny Raj Brothers, and the commercials that were produced over a decade ago still live on in our memories and YouTube because they were so distinctive and hilarious.

In the stuffy old days of advertising, car commercials were largely targeted at adults, and focussed strongly on benefits – like safety, fuel efficiency, power… the stuff that interests ‘Dad’. Fortunately advertisers came to their senses, and part of the big changes in automobile advertising was the idea that humour could feature in a car ad. Ten years ago the Raj Bros TV spots for CorsaLite were some of the most talked about ads of the time, because they were so unusual, and because they worked.

VW’s entry-level product, the Polo Vivo, is definitely aimed at the youth market, and although its sticker price is not the lowest on the market, it has the VW brand and sleek looks that set it apart from its peers. And then there’s the commercial campaign. The idea central to this clever and comedic campaign: “Wouldn’t it be awesome if the unlikely and improbable could come true? Well if Volkswagen can make Polo Vivos available for such a crazy price, then who knows what other crazy things might happen…”

This ad takes place in the world of students: university. A dreamy looking young man is falling asleep in a class – which looks a lot like Advanced Calculus, given the cryptic scrawling on the board. The professor announces that this is an unsolvable equation. Our hero is woken by the prof, and blurts out what is clearly a guess: “Eleven”.

Design Annotator: Urban signage gets fresh with ‘Back in 5 minutes’

Design Annotator with Uno de Waal is a new column featuring the top design work this week from South Africa’s biggest online creative showcase, Between 10 and 5, curated by Publisher Uno de Waal @Unodewaal.

The past week on 10and5 we’ve seen some great work popping up from South Africa’s illustration community, as well as new TV ad work produced by SA’s top agencies. It’s also great to see new, younger talent coming through the ranks. Here are my top picks this week.

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