by Veli Ngubane. The transformation debate is no longer an issue about black and white people; it’s about opening practical, results-driven dialogue between those who care about the future of this industry.
Search results for: #BlackLivesMatter
Op-ed: Brands & the politics of representation
As someone who dislikes the practice of admiring or describing problems ad infinitum, Sizakele Marutlulle suggests interventions on representation worth exploring.
Curiosity: Salt and syndemic
Think and plan beyond today. Ritual and routine will get us through uncertainty but it’s not sustainable. Marguerite Coetzee explores the curious link between salt and syndemic.
Young, Gifted & Killing It: Lerato Sengadi
by Veli Ngubane. This Soweto-born creative delves into Women’s Month, industry transformation, influencer marketing and the impact of Black Lives Matter on brands.
#Transformers: Makura on disrupting stereotypes of Africa [video]
by Charlie Mathews. #AfricaNoFilter’s Moky Makura speaks about the challenge of transforming how brands, marketers, the media and Africans themselves tell the land of the Sahara’s story.
An Accountant in Adland: The lockdown hangover [S2 E7]
by Siwe Lawrence. As much as our partying days are the thing of the past (for now), the glory days of certain ‘life’ hangovers have peaked.
#Transformers: Bradlee Holcomb, the change agent
by Lebogang Tshetlo & Charles Mathews. “Every person is unique and, when it comes to transformation from a career perspective… nothing has changed for me,” says Bradlee Holcomb.
Young, Gifted & Killing It: Justice Mukheli
by Veli Ngubane. This young artist/filmmaker/photographer is too humble to brag about his achievements and accolades, so I will.
#Transformers: Tech, data & the looming privacy apocalypse [video]
by Charlie Mathews. In this interview, Arthur Goldstuck speaks about how technology is transforming marketing faster than ever before, and the coming privacy showdown.
“2020” — WTF?!
by Leigh Tayler. As each day of 2020 ticks by, it seems a new WTF?! moment springs up like some sort of grotesque jack-in-the-box.